Movin' On Episode 22 Weddin' Bells Apr 9, 1975
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00:00This is Sundance, this is Sundance, read you whoever you are.
00:30This is a missing link.
00:34You mind telling me where you are?
00:37You know, you've got a great voice. Did you ever think of becoming a DJ?
00:40Listen, guy, I waited for you for three hours.
00:43Well, I'm sorry. I got sidetracked. I was helping a fellow trucker.
00:47Yeah, I'll bet. What's your name?
00:53Mary Lou.
00:56How do you like that?
00:57That figures. You know, I'm going to have plenty to tell you.
01:01Hey, hey, no kidding. She is a trucker and she was having trouble with her differential.
01:06I've never bothered you before.
01:09Listen, stop griping and get me a motel room in San Francisco.
01:13Right. A single.
01:17Okay. Keep the rubber side down.
01:27Hi. Is somebody hiding in the bushes?
01:47Just Clark Gable.
01:50You know, you really didn't have to show your shape. I'd have stopped anyway.
01:54What's wrong with my shape?
01:56Uh, you got some trouble?
01:59Yeah.
02:01Well, I don't know. I can't do much. I don't have any metric wrenches.
02:07What do I do?
02:09Where are you headed?
02:11Sausalito.
02:13Uh, well, I'll give you a lift.
02:16What about my poor car?
02:18Come on. You steer.
02:26Whoa. What are we going to do?
02:29I'm going to put your car in my truck.
02:32That's terrific.
02:34Well, let's see if I can do it first.
02:37Take the brake off and stop when I tell you to. Okay?
02:45You know what you are?
02:47What?
02:49Night of the road.
02:51Yeah, my friends call me Sir Sonny. Sonny Pruitt.
02:54What a great name. So real.
02:57Nina Smith.
02:59Aye.
03:01I guess you've been just about everywhere.
03:03Well, I missed a few places. I'm in a trucking game.
03:06Trucking game.
03:08Today, San Francisco. Tomorrow, Chicago, New Orleans, New York, London.
03:16No, I never took that route.
03:19And the people you must meet.
03:21Okay, hold it there.
03:23I'll be right back.
03:54You just take it all in your stride, don't you?
03:57It's just all in a day's work.
03:59Yeah.
04:07You have no idea of what you are.
04:10You're nothing.
04:12You're nothing.
04:14You're nothing.
04:16You're nothing.
04:18You're nothing.
04:20You're nothing.
04:21You have no idea of what you are.
04:24Yeah, I do. I'm a skinner.
04:27What are you doing?
04:34Hey, that's not bad, considering what you had to work with.
04:38You could be a professional.
04:40I am. A sculptor.
04:42Are you kidding?
04:44Well, like you said, I do meet all kinds.
04:47Okay, let's go.
04:49I'll tell you a secret.
04:51I used to paint some.
04:53I'm not surprised.
04:55Well, nothing like you, of course.
04:57It was just a Sunday kind of stuff.
04:59Helped me relax.
05:01You gave it up? Why?
05:03Lost my paint set.
05:18Come on.
05:36I would love to do you.
05:38I beg your pardon?
05:40I have to do you.
05:43We just met.
05:45Now, come on. Get in the cab.
05:48Come on.
06:07Oh, Sonny Pruitt, let me sculpt you.
06:09That head of yours is proud, but sensitive,
06:12massive, leonine.
06:14Oh, come on.
06:16Oh, no, I'm absolutely serious.
06:18I got a load to deliver, I got a load to pick up.
06:20Oh, it won't take long. Really.
06:22All right. Next time in town, I'll give you a call.
06:24Okay?
06:31Never mind the dramatics, Tommy.
06:33What's the good news?
06:35Transmission. You need a new one.
06:37A whole new one. How much?
06:39Up around maybe 600 bucks.
06:41Okay.
06:43600 bucks?
06:45You never bought it in line.
06:46Easy come, easy go.
06:48Thanks, Tommy. Soon, huh?
06:50We better get going.
06:52Hey, you really are trying to get rid of me, aren't you?
06:55Tina, I am running way behind schedule.
06:57Pose for me, please.
06:59Look, I really would like to,
07:01but next time, I promise.
07:04That's what they all say.
07:07Okay, next time.
07:09And now you can buy me lunch.
07:17Mmm.
07:19I think that's about a baker's dozen.
07:22They're supposed to be good for your virility.
07:24Well, I hope so.
07:27You know, I should have delivered that load two hours ago,
07:30and here I sit.
07:32You mind?
07:33Nope.
07:35I'll tell you something.
07:37I don't remember when I've had so much fun.
07:39Me, too.
07:41And all we did was ride in a truck,
07:42deliver my sick car, and have some seafood.
07:44Think it was the oysters?
07:46Nope. It's just easy to deal with.
07:48It's like being with a guy.
07:50Wonderful.
07:51No, no, no.
07:52Thanks a lot.
07:53No, you know what.
07:54Thanks a lot.
07:56Hey, that's who you remind me of.
07:58Who?
07:59Albert Schweitzer.
08:00He had a mustache.
08:02Oh, come on.
08:04Oh, Sonny, I like you.
08:06I really do.
08:08I know.
08:09I got to go.
08:10I really got to go.
08:16You know, I live just about five minutes from here.
08:18Nina, I can't.
08:19I would just love to, but I can't.
08:21Okay, okay.
08:22But I want to warn you.
08:23I'm not going to lose you.
08:26You want to know where he is.
08:28I want to know where he is.
08:29That load was due in here six hours ago.
08:31Did you get a call from him or anything?
08:32Not a word.
08:34And I was going to talk to him about the cross-country haul.
08:36Oh, I got it.
08:37I was going to talk to him about the cross-country haul.
08:39Oh, I called him on the CB this morning.
08:40He was headed for San Francisco.
08:42Think he had an accident?
08:45All right.
08:47You got a dime?
09:02Hey, wait a minute.
09:03What?
09:05Now, he's pretty good, right?
09:07Phony.
09:08Middle of the afternoon,
09:09he's painting a sunset that never existed.
09:11You ought to paint again.
09:13I bet you're terrific.
09:14I told you.
09:15I just fooled around.
09:16You know what makes a great artist?
09:18Spirit.
09:19And that you have,
09:20as much as anyone I've ever met.
09:24Angelo!
09:26Angelo!
09:28I don't believe it!
09:30What do you want?
09:31Oh, come on.
09:32Get out of here.
09:33Get lost.
09:34Oh, come on.
09:35It's good to see you.
09:36Oh, well, now sit.
09:37Hey, look, kinda.
09:38Just take it easy, huh?
09:39You're the new one, huh?
09:40Then get her out of here.
09:41Hey!
09:43That's enough.
09:45Oh, stop it!
09:47Now, somebody's going to get hurt.
09:49Stop it!
09:51Sonny, Angelo, will you stop it?
09:53Sonny!
09:54Angelo, will you stop it?
09:55You're acting just like you deserve to be dead.
10:02Oh, no!
10:06Oh!
10:08Who is he?
10:12That is where you live?
10:14Used to be a ferry boat.
10:15I had it converted.
10:17You hate it?
10:18I love it.
10:19Right on the water.
10:20Hey, that's...
10:21That's a great idea.
10:22Oh, I'm loaded with great ideas.
10:24Wait till you get to know me.
10:25Let me tell you something.
10:26I spend most of my time
10:27in a four by eight compartment.
10:29Something like this,
10:30I could really get to like it.
10:32I'll bet you could.
10:37Nina, I better get dressed.
10:38Oh, no, you don't.
10:40I'm not letting you out of here
10:41until your clothes have a chance to dry.
10:43Now I can start your head.
10:45And you can paint.
10:47Come on, Nina.
10:48What am I going to paint?
10:50Anything that comes into your head.
10:53How can I pose for you if I'm painting?
10:55Oh, it won't bother me a bit.
10:56Come on, let's get to work.
11:07Barry?
11:09This is Will.
11:10Listen, can you put out a call
11:11on the CV for Sundance?
11:13Yeah.
11:15No, I haven't.
11:16I tried everything.
11:18Thanks.
11:19Thanks, I appreciate it.
11:20Okay, so long.
11:22I told you your head was stunning.
11:24Yeah?
11:26It was just gorgeous.
11:29Hey.
11:31Okay, I'll hush.
11:32Models aren't supposed to talk, right?
11:34If you keep saying things like that,
11:35I won't let you stop.
11:37Yeah, it's a funny thing.
11:39I don't usually talk,
11:40but sometimes I do.
11:42You know what I mean?
11:43You know what I mean?
11:44You know what I mean?
11:45You know what I mean?
11:46You know what I mean?
11:47You know what I mean?
11:48You know what I mean?
11:49You know what I mean?
11:50I don't usually talk a lot,
11:51but with you, I just...
11:53jabber all the time.
11:56I think it's what I said.
11:57It's just...
11:59so easy.
12:00I know what you mean.
12:01No sexual antagonism.
12:03Well, whatever it is, I like it.
12:05Nothing sexual, right?
12:07I didn't say that.
12:08All us models are sexual.
12:12Now I want to see what you've done.
12:15Oh.
12:17Okay.
12:19That's a girl I saw on a beach one time.
12:22And I don't really know her personality.
12:26Very interesting.
12:27Yeah.
12:29Has a raw, primitive kind of power.
12:33Really?
12:35There's something missing.
12:36Something's wrong.
12:38Yeah, well, that's called talent.
12:42Hey, I want to see what you're doing, huh?
12:45Oh.
12:49That's terrific.
12:51Well...
12:52It even looks like me.
12:56In fact, it looks better than me.
13:00No.
13:03That's how you really are.
13:19THE END
13:27Well, that's going to cost me 50 bucks.
13:29For a parking ticket?
13:30Yeah, we get a special rate.
13:33Skin paints, you really can.
13:35Honey, I'm a skinner.
13:37So, Gauguin was a stockbroker.
13:39What happened to him?
13:40He gave it up.
13:41Became an artist.
13:43The way the market is these days, I don't blame him.
13:48I've been to all the truck stops in town and all the hospitals.
13:51You know, all I got left is a couple of police stations.
13:54Well, don't worry about it.
13:55You're insured, right?
13:56Uh-huh.
13:57Look.
13:58If he shows up here, you hang on to him, all right?
14:02There you are.
14:03What's that?
14:04Oh, come on.
14:05Forget it, forget it.
14:18THE END
14:49All right, all right.
14:50So, I'm a little bit late.
14:51I got a load of steel.
14:52What are you going to do?
14:53Spoil?
14:54Okay, don't get in an uproar.
14:55I'm not getting in an uproar.
14:56I just...
14:57I got busy.
14:59Well, you just missed your partner.
15:00He was kind of worried something happened to you.
15:01Yeah, well, we missed connections someplace along the line.
15:05Listen, I got a big load for you.
15:07It's got to be delivered by next Wednesday.
15:08Hunts Point, New York.
15:09Now, you wanted it, it's yours.
15:10Means you got to take off Saturday morning.
15:11Sonny?
15:13I'll have to let you know.
15:14Look, if Will comes back,
15:16tell him to leave word where I can reach him, okay?
15:19I'll let you know in time.
15:24It's simply incredible.
15:26A bunch of guys loading trucks,
15:27a bunch of guys unloading trucks.
15:29Big deal.
15:30Oh, no, it's...
15:31It's the whole ambiance.
15:33I mean...
15:35Look.
15:36A handful of men feeding a nation.
15:40That's what you should be painting.
15:42Your world.
15:44Your own unique, fascinating experience.
15:47Trucking.
15:48And no one's ever done it before.
15:50Maybe there's a reason nobody's ever done it.
15:53Oh, no, believe me.
15:55It's a whole untapped milieu.
15:57And it belongs to you.
15:59You know, when you say it,
16:00you almost make me believe it.
16:02We'd work together.
16:03We could use my studio.
16:06Want to go with me to pay the ticket?
16:14Yeah.
16:44Yeah.
17:11Hi, Harry.
17:12Hi, Mrs...
17:13Mrs...
17:14Good to see you again.
17:16You too.
17:18He's such a nice man.
17:23What's the matter, babe?
17:25Sonny.
17:27We're here.
17:28Why don't we get married?
17:31Nina, just hold on.
17:33Oh, why not?
17:34I'm crazy about you.
17:37Yeah, I think you're a little crazy.
17:39I think you like me.
17:41Of course I like you.
17:42We're here and it's convenient.
17:44But we're talking...
17:45I believe in commitment.
17:46Come on, Nina.
17:47Now, hold it.
17:48I believe in relationship.
17:49Well, who doesn't?
17:50But I mean, you're talking about marriage.
17:52Okay.
17:53But promise me one thing.
17:54You'll think about it.
17:57You are wild.
17:59I do what I can.
18:05Come on.
18:06Why shouldn't we get married
18:07the way we feel about each other?
18:08You didn't give me much time to think about it.
18:10Now, look, I admit.
18:11I am nuts about you.
18:12Well, then that's all that matters.
18:14Holy cow, Nina.
18:15We just met.
18:16And what does that mean?
18:19Look.
18:21I admit.
18:22With you, it's...
18:24It's special.
18:25It's just the best.
18:26I've never had so much fun.
18:29Then we shouldn't stop.
18:32Life is so full of toothaches.
18:34Let's grab all the joy we can.
18:36Honey.
18:37You don't know anything about me.
18:40I know you're the man I want to marry.
18:43Sonny.
18:44We'd have such a good life.
18:46You painting.
18:47Me sculpting.
18:48Side by side.
18:56I'll tell you one thing.
18:57I'm no painter.
19:00Oh, you are, too.
19:01You're doing it.
19:02And it's terrific.
19:04You know what?
19:05I gotta make a living.
19:06You get me three canvases.
19:07I'll get a dealer up here.
19:08And you'll clean up.
19:10Never mind the money.
19:11You owe it to paint the life you've led.
19:13The way Winslow Homer did the sea.
19:15And Remington the West.
19:17Sonny Pruitt will do trucking.
19:20I forgot all about Will.
19:23No offense, but...
19:26You're not a kid anymore.
19:28No, that's for sure.
19:30Well, you know, it's...
19:32It's really dumb to be against marriage just because it didn't work out the first time.
19:36That's right.
19:38He's a...
19:39Beautiful someone and...
19:42We get along like gangbusters.
19:48Why not?
19:50Why not?
19:53How am I gonna tell Will?
19:55I have to get a license and...
19:58I have a blood test.
19:59Wait, wait, wait a minute.
20:01What's the rush?
20:03Oh, now.
20:04No waiting. That's all part of it.
20:07Oh.
20:09Come in.
20:14Sonny?
20:16Sonny?
20:17Sonny?
20:18Yeah, I'm in here.
20:19Hey, Sonny, listen.
20:20You know, we were just talking about you.
20:22This is my partner, Will Chandler.
20:24Will, this is Nina Smith.
20:27Hi.
20:29Nina Smith.
20:30What's your real name?
20:34Hey, uh...
20:35Take a look.
20:36I did that.
20:39Of course, Nina said it.
20:40You know, it's just the first one.
20:42I'm looking all over San Francisco for you.
20:44Missing persons everywhere.
20:45And here you are, messing around with cray pods and, uh...
20:48Listen.
20:50You be sure and sign this.
20:53Look, I can explain the...
20:56Oh, explain later.
20:58I have a million things to do.
21:00We'll have a big party.
21:01Your friends and my friends.
21:03And I'll meet you later at the bureau.
21:05Two o'clock, okay?
21:06Okay.
21:08Told you we should have done it while we were there.
21:10You know, you were right.
21:11Hey, Will.
21:13All right, Pruitt.
21:15Drop that brush.
21:16And take off that drag.
21:17You look ridiculous.
21:19Hey, before you say anything, I gotta tell you...
21:21I have been looking everywhere for you.
21:23I have been to the police, the hospitals, and the morgue.
21:25And here you are with some middle-class...
21:27Now, now, wait.
21:28Now, just take it easy.
21:30Take it easy?
21:31You know that half the truckers in the state are on the CB trying to find you?
21:34They figured you got hijacked or thrown in some ravine or something.
21:37Which is where you belong.
21:38All right, I'm sorry about that.
21:39I got sidetracked.
21:43Will, there's something I have to tell you.
21:47You want a drink?
21:56You're getting what?
21:58Married.
22:01Married.
22:04Married.
22:09You're gonna be...
22:11Some kind of...
22:19Some kind of a gag.
22:23You're not kidding.
22:27All right.
22:28So...
22:31So what happened?
22:32You ran into a childhood sweetheart?
22:34I ran into her, all right, yesterday out on the road.
22:36Yesterday? You're getting married on Friday?
22:38Three days.
22:39Well, why wait?
22:40I mean, she likes me, I like her, and I'm not getting any younger.
22:43So?
22:44You're not getting any smarter.
22:46You just met her. You don't know anything about her.
22:48What's there to know?
22:49I mean, she's terrific.
22:50She's...
22:51Well, she's...
22:54She's like you.
22:59I'm getting nasty about her.
23:03Why don't you just go and live with her?
23:05No, no, none of that.
23:06I mean, everybody lives together today.
23:08That don't mean anything.
23:20Let me see. Look at me.
23:26I know what it is.
23:30You're going through the change.
23:33What change? What the hell are you talking about?
23:35Menopause!
23:36What happens to men is happening to you.
23:38Look, look, you think that life is passing you by,
23:40and nothing is exciting anymore,
23:41and you meet some chick, bang, you're in love.
23:43That's it.
23:44Listen, if I ever hear you tell anybody I'm going through the menopause,
23:49I'm going to punch you out.
23:56Okay, okay, you get married.
23:57But why do you have to give up trucking?
23:59It doesn't work, being married and being on the road all the time.
24:01I learned that the last time I was married.
24:03What are you going to do?
24:04I'm going to be a painter.
24:06A painter? Ten dollars an hour?
24:07An artist. You saw me.
24:10I don't think you're going through menopause.
24:11I think you're out of your little tiny mind.
24:13Nina says that I have what it takes.
24:15Paul, Nina.
24:16The world of transportation has never been painted before.
24:18Nina, you know what I think of Nina?
24:19They let her out of the bin 30 seconds after they let you out.
24:21Oh, you think you know so much about art.
24:23You know what I am? I'm a primitive.
24:31I'm not going to touch that.
24:32What are you worried about? Just...
24:33Sonny, you take the truck.
24:35Pay me my equity as soon as you can.
24:37I mean, just assume the payment, Sonny.
24:39It's all yours.
24:40Sonny, don't do it.
24:41I'm doing it.
24:42Okay, one question.
24:43I can understand you want to latch on to some woman that thinks you're Rembrandt,
24:45but why would she want to marry you?
24:47Hi, darling.
24:49Hi.
24:51Harry.
24:52Harry, what time do you open?
24:54Be right in.
24:56Okay.
25:02Get some hot water.
25:08There's a nice lady.
25:12Your friend, the new one?
25:14Beg your pardon?
25:16I saw you talking to the felon she just went in with.
25:19I figured he was probably the new one.
25:21Yeah, he's the new one.
25:32Has she been married before?
25:35I don't say she holds the record.
25:37See you later.
25:42Sonny, excuse me.
25:45Just for a minute, please.
25:48I'm sorry.
25:52All right, what is it now?
25:54Sonny.
25:57You know, I...
25:59You know, I...
26:03She was married before.
26:05Really?
26:06You're kidding.
26:10You know about this?
26:12You are too much.
26:13Of course I know about it.
26:14Why are you going through with it?
26:16So what?
26:17I've been married before.
26:19Besides, we met the guy.
26:21You met the guy.
26:22Yeah, he's a fisherman.
26:23You met one guy.
26:24I met one guy.
26:25One?
26:27Honey, we're almost up.
26:29Pardon me?
26:31Ask her.
26:32All right.
26:37Nina, besides Angelo, was there somebody else?
26:41Sonny, what a question.
26:43I'm a healthy woman.
26:44No, no, no.
26:45No, I mean husbands.
26:46Oh, didn't I tell you?
26:49No.
26:50Well, sure.
26:51First, there was Sean.
26:52He was a fireman.
26:54Angelo, well, you met Angelo.
26:57Juan, a great gardener.
26:59And Congero, a construction worker.
27:03That's all.
27:05You mean...
27:08I'm number five?
27:10My lucky number.
27:12Oh, come on.
27:13Nina.
27:15Why didn't you say something?
27:18Well, they're ancient history.
27:21We're the future.
27:22It doesn't bother you, does it?
27:23You were married before.
27:24Once.
27:27Don't count.
27:29All that matters is you and me.
27:32Right?
27:36Right.
27:38You heard her.
27:42Hi, Harry.
27:43Good to see you.
27:44Good to see you.
27:53Hello?
27:56Nina's back.
27:59Sonny's got her.
28:08Hi.
28:09Hi.
28:11You got the right place?
28:12The key fits.
28:15Who are you?
28:16Sonny Pruitt.
28:17Who are you?
28:19Amy Smith.
28:21Amy Smith.
28:24Wait a minute.
28:26Let me guess.
28:27Let me guess.
28:29You are...
28:31Nina's kid.
28:43Listen, Nick.
28:44Thank you for the lift.
28:45I really appreciate it.
28:46Look, honey.
28:47I figured you'd come along with me
28:49after we dumped your stuff.
28:50Oh, I'd love to, but I really can't.
28:52I really should stick around here.
28:53Maybe some other time.
28:54Look, I can always use you.
28:58Ciao.
29:13He owns a topless joint.
29:15Why am I not surprised?
29:17And he said I can get a job anytime I want.
29:19All I have to do is call.
29:21Are you really Nina's kid?
29:23She didn't tell you?
29:24Oh, well, she's not expecting me.
29:27You're the one.
29:28The one what?
29:29The one that's gonna be my new daddy.
29:32Nina told you we were getting married.
29:34No, she never tells me anything.
29:36But she's always getting married.
29:38Well, how did you know that Sonny
29:39was gonna be the new daddy?
29:42Well, he's the painter.
29:45Can I ask you a personal question?
29:47Which one was your father?
29:50He was the first one, Sean.
29:52He ran off to Paris to become a painter, too.
29:55Most of you do, you know.
29:59Most of us become painters?
30:01Yeah, but they're all pretty bad.
30:04Angelo was the worst.
30:06He was the fisherman.
30:07I know.
30:09You know, I didn't think it was possible.
30:14You're worse than Angelo.
30:16Oh, is that a fact?
30:18Well, you know all about art, do you?
30:20I know what's ugly.
30:21How old are you?
30:22I'm old enough to dance topless.
30:24So who is it?
30:25How old are you?
30:26Sixteen.
30:27And you didn't come for the wedding?
30:29No, I ran away from school.
30:31And you didn't come for the wedding?
30:32No, I ran away from school again.
30:34Ran away from school? Why?
30:36Because I didn't like the place.
30:38What place?
30:40Nina keeps me in the deep freeze.
30:42You know, they're just filled with kids
30:43whose parents don't want them hanging around,
30:45so I split.
30:48Is your name really Sonny?
30:50Yeah, my name is really Sonny.
30:52Why?
30:53Well, it's gonna be embarrassing
30:54introducing you to my friends.
30:56Meet my stepfather, Sonny.
30:59You know?
31:01If I were you,
31:04I wouldn't give up my regular job.
31:07That is, unless you're queer for starving.
31:12Amy!
31:14What a surprise!
31:17Oh, Sonny.
31:20Well, it must be ESP or something.
31:22What is this?
31:23The third time I came home
31:24to find you getting married.
31:26But of course, that could happen
31:27practically any weekend.
31:30Sonny, this is Amy, my daughter.
31:34We met.
31:36You'll be our flower girl.
31:37Oh, good.
31:38I'm glad I saved the daisies
31:39from the last wedding.
31:40Amy.
31:41Good to be home.
31:42Nothing's changed.
31:46So,
31:48stepdaddy.
32:00Hello, Amy.
32:01Bug off!
32:10Edward, did I lie to you?
32:11Are they fabulous,
32:12or are they fabulous?
32:13Nina, my darling.
32:14Edward, do you believe it?
32:15He's hardly ever painted before.
32:16I believe it.
32:18Nina, Mr., uh, Sonny,
32:21they are...
32:23I can quite honestly say
32:24that they're fabulous.
32:26They are...
32:27I can quite honestly say
32:28I have never seen paintings like those.
32:32Mr. Regan,
32:33just exactly what does that mean?
32:35If you had come to me a year ago,
32:37two years ago...
32:38What are you talking about?
32:39Nina, I love the entire art market.
32:41It's depressed.
32:42Even classic works
32:43such as yours are little
32:44and primitives,
32:45oh, well, they're out.
32:47Now, personally,
32:48I think trucks are dynamic,
32:50exciting.
32:51But I can't make a living
32:52on what I like.
32:54Forgive me.
33:03That was the art dealer, right?
33:06Yep.
33:07He, uh, hated them, huh?
33:13Good thing we've still got the truck.
33:17Sonny.
33:18Nina,
33:19I never did really believe
33:21I could be a painter.
33:23Oh, but you are a painter.
33:24Honey, I gotta make a living.
33:26And you will.
33:27Edward didn't like the paintings,
33:28but someone else will.
33:30Sonny, if we wanna get
33:31that cross-country haul
33:32from Joe Gentry,
33:33we better get a move on.
33:35Sweetheart,
33:37all artists have setbacks.
33:38That's part of the game.
33:40But you just have to keep trying.
33:43And in the meantime,
33:45we have each other.
33:47Come on, cheer up.
33:49The wedding's gonna be in an hour.
33:54You did it.
33:56You did it again.
33:57You suckered in another one.
33:59Now, just a minute.
34:00See, I told you.
34:01You thought I was kidding.
34:02This happens all the time.
34:03You find some poor dumb sap
34:05and you string him a line
34:06and like that,
34:07the Picasso and my father
34:08all at once.
34:09Honey, just take it easy.
34:10Oh, Mr. Sonny, you can have her.
34:11She is all yours.
34:13Amy, darling, I love Sonny.
34:15Don't you want me to be happy?
34:17You love Sonny.
34:18You love everybody except me.
34:20That's not true.
34:21No?
34:22Since I was 10 years old,
34:23count up the amount of time
34:24that you have spent with me.
34:26Christmas vacations
34:28and whenever I could escape,
34:29which didn't last very long
34:31because you always found another
34:32dumb to stick me in.
34:35Amy, darling, I love you.
34:38And from now on,
34:39it's going to be...
34:40Shove off.
34:48I am so fed up
34:50with all these fathers.
34:52And I am so fed up with you.
34:56Do you know what you are?
35:00You're an over-aged nympho.
35:11That's all right.
35:12She's just upset.
35:13She'll be okay.
35:16No.
35:17No, it's true.
35:19Everything she said,
35:21it's true.
35:24Look at it from her angle.
35:27She comes home and
35:29there's Sonny Pruitt.
35:33It's not even Christmas.
35:38Somebody's early.
35:40No, it's the minister.
35:41He wanted to rehearse.
35:43I'm in bed.
35:44Well, do your face.
35:46I'll let him in.
35:50Sonny, Amy's gone.
35:52Sonny.
35:53Sonny.
35:54Sonny.
35:55Amy's gone.
35:57Honey, she's gone.
35:59Good afternoon.
36:01Reverend Newell here.
36:02Am I on time?
36:09You sure is ginger ale.
36:11Oh, positive.
36:15Now, Nina,
36:17before we begin to rehearse,
36:19I must have a word with you.
36:21You forgive me, Mr. Pruitt.
36:23Go ahead.
36:24Yes.
36:25Nina,
36:26you know I'm always happy to come here
36:29to perform a ceremony,
36:31but are you sure this time?
36:35I promise you, this is it.
36:38Well, I certainly hope so.
36:41Well, let's begin the ceremony.
36:44Where's Amy?
36:49Any sign of her?
36:50Nope. Nowhere.
36:52She's just a child.
36:54Well, don't worry.
36:55She'll show up.
37:02Hello?
37:04Amy.
37:06I'm sorry.
37:08Hello?
37:10Amy.
37:12Where are you?
37:14Never mind where I am, Mama dear.
37:16I just wanted you to know that I wish you and Sonny
37:19a terrific wedding.
37:21Sweetheart, come home.
37:22Let me talk.
37:24Hey, Amy.
37:26Sonny.
37:27Listen, baby, if you don't show up,
37:29there are going to be an awful lot of unhappy...
37:31What's that music?
37:32Amy, where are you?
37:34Never mind where I am, Daddy.
37:36I hope you have a swell marriage while it lasts.
37:41Amy?
37:44She hung up on you.
37:45Yeah.
37:46And she didn't tell you where she was.
37:47Nope.
37:53Nina, I think we better go someplace.
37:55Go where?
37:57Oh, Sonny, you don't know Amy.
37:58If we go after her...
38:00Please.
38:01Hiya. Enjoy yourself.
38:04They're talented.
38:05They're exotic.
38:06They're beautiful.
38:07Come right on in.
38:08Come on on in.
38:09Live it up.
38:15They're exotic.
38:16They're beautiful.
38:17Live on this stage.
38:19Thank you, Mr. Marcadero.
38:21Thank you very much.
38:22And now we're proud to present our latest discovery
38:25and a talent which is going to go places.
38:27Miss Lolita.
38:34And now, Miss Lolita.
39:04Miss Lolita.
39:05Miss Lolita.
39:35Sorry.
39:54Come right on in, fellas.
39:55Right here.
39:56Right here we've got girls, girls, girls.
39:59Come right on in.
40:00They're talented.
40:01They're exotic.
40:02They're beautiful.
40:03They're live on this stage.
40:04Come on in, hurry, hurry, you're just in time.
40:08You're just in time.
40:16Oh, no.
40:17I wonder if they know how old she is.
40:20I'm sorry to deprive this audience of what promises to be a good show.
40:24You can all go home, this is a radio show.
40:26Good night.
40:26Get Angel out there and start her number.
40:29Who do you think you are?
40:29Angel, get out there.
40:31Hey, you, listen.
40:33We're a legitimate theatrical operation.
40:35We got a license, it's guaranteed to us by the Bill of Rights.
40:38Are you aware this performer is underage?
40:40I am not, I'm 22 years old.
40:41That's where I saw you before.
40:43You were over at her place.
40:45Irving, Tony.
41:01Oh, my God.
41:16Break it first.
41:30Sorry to crash in on your theatrical debut.
41:56You okay now?
41:57I'm terrific.
42:01Why don't I get a taxi?
42:03Yeah, why don't you get a taxi?
42:05Amy, let's get a taxi.
42:07Can't you get a taxi by yourself?
42:08Imagine that kid, topless.
42:10I do what I can.
42:21I don't know where she gets it from.
42:22It wasn't from any fireman, I can tell you that.
42:25I just, I can't believe all this.
42:28Why?
42:29I mean, three days ago, I was on the road and...
42:36I can't remember when I had so much fun.
42:38I mean, right from the start, it was like...
42:40It was like with a gun.
42:41No joke.
42:42We do get along, don't we?
42:43We had a ball.
42:48You are something else.
43:00I loved every minute of it.
43:01Sonny, I love you.
43:02I know.
43:09You keep painting now.
43:15Wait, wait.
43:16Geez.
43:17Here.
43:19Jacket.
43:20Wait.
43:29I'll retract what I said about you going through a change of mind if you'll tell me
43:41the real reason for not getting married.
43:43That's okay.
43:44You were probably right.
43:46Don't you miss a chance to be a painter and go live in Paris?
43:50I can still paint.
43:52What was it?
43:55Well, when it got right down to it.
43:59She wasn't really enough like you.
44:06Hey, you know what?
44:08You got a leonine head, too.
44:12You want me to sign it for you?
44:29Whoop.
44:59I love you.