• 5 months ago
Lud, zbunjen, normalan - 165. epizoda (S6E21): https://dai.ly/x91ern6 (Sledeca epizoda)
Lud, zbunjen, normalan - 163. epizoda (S6E19): https://dai.ly/x91eqz2 (Prethodna epizoda)
Transcript
00:00In the name of the Father, and of the Son, and of the Holy Spirit. Amen.
00:10You behave like a Muslim, Kalaisenov!
00:14Just like I speak Chinese!
00:16We communists never give up, period!
00:21No, no, no, no, no, and no!
00:24Better yet, there is no giving up!
00:27If she wants us to go to court, no problem, let's go to court!
00:32I admit, I hit her, but if I have to, I'll hit her and the judge!
00:38You can come as much as you want, but you won't persuade me!
00:43There is no out-of-court persuasion!
00:47We understood each other, no matter what!
00:49Aris, for God's sake!
00:52The Lord wants war, there will be war!
00:57Mary Ofil!
00:59She's persuading me to make peace, Ruza and I, to avoid going to court.
01:04As far as I can see, it doesn't come to your mind.
01:08It doesn't come to my mind!
01:11I can't see her!
01:13I feel evil when I hear her name!
01:17StariŔa, you beat up a woman in front of the cops!
01:23What could I do? Didn't you hear what she said?
01:27Look at this sign with the name of the street.
01:30I can't believe that the main street in Sarajevo is called
01:33Pokretenu and the criminals Josip Broz.
01:37My dear son, you'd be surprised if she said that in front of you.
01:41No, never!
01:43Only if she said something against Kit Ričarac.
01:47Only then.
01:49And against Tito!
01:54Who?
01:56Who made you so angry?
01:59Shame on you!
02:01You were the same, look how you eat, how you eat!
02:03That's why our country is ruined, because our youth is like that.
02:07Only Tito made a mistake here.
02:10What did he do wrong?
02:12He made a mistake when he said that a country with such a youth
02:16shouldn't worry about its future.
02:18He made a big mistake here.
02:22Totally.
02:25For Kit Ričarac, right?
02:28Yes, Kit Ričarac.
02:30Don't hit me in the head!
02:32My brain is dead!
02:38Do you need a grandfather, nuts and honey?
02:44Do you need a father, constant work and salary?
02:50Is it a new youth, madness or joy?
02:57Will you have children until you're 60?
03:04I'm going crazy, I'm going crazy, I'm going crazy, I'm going crazy, I'm going crazy, I'm going crazy, I'm going crazy, I'm going crazy, I'm going crazy.
03:10Everywhere around me music and women.
03:16I would not be playing, I would be studying.
03:23Questions are driving me, pulling me out of the house.
03:29Who has a problem, but there's no solution
03:35Crazy, crazy, crazy, crazy Dalmala
03:38Crazy, crazy, crazy, crazy, crazy Dalmala
03:41What's wrong with you?
03:48Why didn't you learn this last night?
03:51I couldn't, there was no electricity.
03:53What were you doing?
03:54I was watching TV.
03:56How were you watching TV and there was no electricity?
03:59In the dark.
04:00Where the hell am I going to find one?
04:03I was shopping and walking in the streets.
04:09Try walking in the park, it's cheaper.
04:14I can't, I have an allergy to pollen.
04:17Now I get it.
04:19What do you get?
04:21I'm sure you have an allergy to the kitchen.
04:25You haven't been in the kitchen for months.
04:30You're so boring.
04:33These shoes cost 700 euros.
04:36Shut up!
04:38And this dress costs 300 euros.
04:41Shut up!
04:43It's not that...
04:47I lost my cards.
04:49Someone stole my cards.
04:51I'm going to call the police.
04:53If I were you, I'd call the police.
04:56The one who stole the cards,
04:58I'm sure he'll spend less than you.
05:03I'm so bored.
05:08I'm going home.
05:10I just want my son back from America.
05:15Stop!
05:16Great, great.
05:18Barbara, let's go again.
05:20Yes.
05:22Director's joke.
05:24Everyone!
05:26Barbara, you were great.
05:29You didn't sing a word.
05:31I know.
05:32If we had a real partner,
05:35my acting would be like Hollywood.
05:38I know.
05:39I saw Levat do it.
05:41He's so into TV.
05:45But we don't have the money to pay a better actor.
05:49And he's paying to act.
05:52Forget it.
05:53What are we going to do for episode 22?
05:56What's episode 22?
05:57My husband is coming back from America.
05:59Who's going to act?
06:00I don't know, Barbara.
06:01I haven't made a director's cut yet.
06:04Let's get that Senad ready.
06:06Who's Senad?
06:07The one...
06:08What's his name?
06:09BaÅ”ić.
06:10Yes, that one.
06:11Are you crazy?
06:12He's an expensive skinner,
06:14not an actor.
06:15He's here for the role.
06:16What role?
06:17The one who can't get out of bed without 100 euros.
06:20You know what?
06:21I want someone for that love scene.
06:23Listen, Barbara.
06:24Go home and practice your love.
06:27There's someone here for the casting.
06:31Let's go.
06:32Okay.
06:34Mare.
06:36Give me a beer.
06:37What's wrong?
06:38Gravity?
06:39It's not gravity.
06:40Something's wrong.
06:42How's it going?
06:43I have to find someone
06:45who wants to play Barbara's husband.
06:48What's your problem?
06:49She's an actress.
06:50She has a passion.
06:51But you won't believe it.
06:53They all want to be paid to act.
06:56Smart.
06:57Smart.
06:59Senad BaÅ”ić.
07:01Fuck you and him.
07:06Hello.
07:07Come out.
07:08What's up?
07:09Nothing.
07:10A mariofil came to me.
07:12What?
07:13The actors are asking for money.
07:16Do you know where's the cinema on Skakavac?
07:20I've been to the cinema
07:24and there's no money there.
07:27No, Boran.
07:28You can play.
07:29Let her play Brad Pitt's husband.
07:32Let her play.
07:33Just for free.
07:35Hello.
07:36Boran, there's no money.
07:38He's crazy.
07:39He has to act.
07:40There's no money.
07:41There's no money.
07:42Get some actors to play for free.
07:45For God's sake.
07:48You're a weirdo.
07:51You should give them a role
07:53and pay them for it.
07:56That's not true.
07:57It is.
07:58It's unreal.
08:00Where were we?
08:01We were outside the courtroom.
08:04As your personal lawyer,
08:06I have to advise you.
08:08Izeta,
08:09make up with Mrs. Ruža.
08:12If we make up,
08:14there's no trial, right?
08:16If there's no trial,
08:18there's no trial.
08:20No money.
08:22Izeta says we don't have money.
08:25What will you do?
08:26I don't know,
08:27but we have to keep filming.
08:29We have to deliver the episode
08:31by the end of the week.
08:33It's a difficult role.
08:34We need a real actor.
08:36It's not a difficult role.
08:38He's a barbarian husband.
08:40He came back from America
08:41and earned some money.
08:43There aren't many lines.
08:45Then hire an amateur.
08:47You don't have anyone else.
08:49You think so?
08:50Yes.
08:51You know I'll act like that.
08:54I just don't know who to hire.
08:57Where are you, Rukvas?
08:59What's up?
09:00Kufa,
09:01how are you with the acting?
09:04I don't know.
09:05I'm not bored.
09:06Marjan, please.
09:08Faruk,
09:09he's your best option.
09:11You don't need him.
09:12He's authentic.
09:13He just came back from America.
09:15I'm tired.
09:16I'm fed up with this green cardboard.
09:18He had a fake green cardboard.
09:20It wasn't original.
09:21It was orange.
09:22What's so complicated?
09:23Kufa,
09:24can you learn
09:26four lines of text?
09:30Four lines of text.
09:32He learned it.
09:34Bravo!
09:35You got the role.
09:36Ten thousand.
09:38Ten.
09:39Thousand.
09:40You can do it in thousands.
09:42Of course.
09:44Why would I need so much money?
09:47She's been through so much.
09:50Let me see.
09:52Physical and mental pain,
09:54trauma,
09:55long-term consequences.
09:58She'll get you to court.
10:00You'll have to pay.
10:02It's like I don't stand a chance in court.
10:06You beat up a woman in front of the police.
10:09But there are things that are good for me.
10:12Yes.
10:13You beat up a woman in front of the police.
10:15But ten thousand is a lot of money.
10:18Yes.
10:19You beat up a woman in front of the police.
10:22But I don't have that money.
10:25You don't have money, you have a house,
10:28a car, a TV, a court.
10:32You can take it all.
10:34If I were you,
10:36I'd drag that Mrs. Ruža
10:39into the thicket
10:41like a colonoscopy camera.
10:43But I can't see her.
10:48Then prepare ten thousand
10:52to pay the rest of the bill.
10:55Mala, you have to be elegant.
10:57Kufe, you're acting like a guy
10:59who just came back from America,
11:01but not like you, a coconut,
11:02but like a shipwreck.
11:04RukoÅ”?
11:05Yes?
11:06Do you want me to act?
11:07Don't worry.
11:08You won't.
11:09Mala, you're free to take off your make-up.
11:12RukoÅ”, do you know why I'm asking you?
11:14Because I'm basically a musician.
11:16Believe me, Kufe,
11:17if we put you in charge of acting,
11:20we'll do you a favor in music.
11:22Maybe we'll screw up
11:23and destroy film and TV art,
11:26but we'll save music.
11:28You're not counting on me.
11:29I don't want to be an actor, RukoÅ”.
11:31I want to be a musician.
11:33Since when have you been a musician?
11:35Since I was born, maybe even earlier.
11:37Tell me one chord you came up with.
11:39I...
11:41I didn't come up with a single chord.
11:43You see?
11:44Take these lines,
11:46learn these lines by heart,
11:48like a song.
11:49Wait a minute.
11:50I have photocopy sensitive memory.
11:52I'll do it quickly.
11:53Really?
11:54Yes, yes.
11:55I didn't know you had that.
11:56Come on, please.
11:57Stand there.
11:59Kufe.
12:00Huh?
12:01Kufe, man doesn't know you.
12:03You look like a human being.
12:06Right?
12:07That's how I feel.
12:08I mean, I feel really fucked up.
12:10Not like someone fucked me up,
12:12but like I'm fucked up.
12:13You see?
12:14You're pretty like an actor.
12:15Right?
12:16I feel pretty like an actor,
12:18like a guy with a small door in his head.
12:20John Malkovich.
12:21Just like me.
12:23That's how I feel.
12:24Just like him.
12:26Good day.
12:27Come on, man.
12:28Listen, Malkovich.
12:30Learn those lines
12:32and come downstairs to record.
12:34I understand, boss.
12:35I'll do it quickly.
12:36Like a song.
12:37In two minutes.
12:42Here.
12:43Six doubles,
12:44so twelve singles.
12:47Don't stretch it like that.
12:4925 centimeters, please.
12:52Come on.
12:54What's the foil for?
12:56Are there any guests waiting?
12:57What guests?
12:59The doctor told me
13:00to make a gap between the drinks.
13:03Today I have a small obligation
13:06that only a dead drunk can do.
13:11Oh, old man,
13:12what's the problem now?
13:16Come on, honey, don't ask.
13:18I have to make peace
13:20with my rose.
13:23What rose?
13:24Maria, read those papers.
13:26You're better at it.
13:27Son, I have to get so drunk
13:31that I'm sick of it,
13:33so that every bum,
13:34every drunk,
13:35gets drunk,
13:36so that I get mad.
13:37Okay, you'll get mad,
13:39but what's your plan?
13:41Do you think Jay's out?
13:43Here.
13:44A guest from Vienna has an opera in Sarajevo.
13:46Take her to Traviata.
13:48Maria, read the papers.
13:49Don't push yourself.
13:52Opera?
13:53There are only skits and revues.
13:58What's the point?
13:59A man dies and sings.
14:01Even the partisans didn't sing
14:03when they died.
14:05No, that's Traviata.
14:07It's not Trla-Babalan.
14:08It's not shit,
14:09let the dog shit.
14:11Opera is for morons.
14:14There's nothing worse than opera.
14:17There is.
14:18There's only another opera.
14:21Mr. Milutin,
14:22I got you tickets for Vienna opera.
14:25The crowd is incredible.
14:27What was at your place
14:28on the evening of Bilecki and Guslav?
14:30This is even worse.
14:31Yes, yes, yes.
14:33I'll leave you the tickets
14:34at my assistant's place
14:36in the Sanremo CafƩ.
14:38You'll pay, you'll pay.
14:40Enjoy.
14:43This is crazy.
14:45Is that the owner
14:46of those shopping centers?
14:47Yes.
14:48Here are the tickets.
14:49I have to go to a press conference.
14:50How can I recognize him?
14:52In a part of his tie.
14:54You'll see.
14:55Let's go.
14:57Do I have to pour again?
14:59No.
15:00I'm going to meet
15:01this little rose.
15:04Wish me luck.
15:11Hello, Raga.
15:12Miss,
15:13we're here to help you.
15:16I am.
15:17Thank you, boss.
15:20Vienna opera.
15:22Divine.
15:23I was just saying
15:25that Traviata
15:26is a unique event
15:28in our city.
15:29Yes, but unfortunately
15:30there are no tickets.
15:31I just heard from the theater
15:32that the tickets were scheduled
15:34for one day.
15:35Really?
15:36I was hoping
15:37to see that opera.
15:39I'm so disappointed.
15:41Don't be disappointed.
15:43You have to find a ticket.
15:45I'll try.
15:46Thank you,
15:47but that's impossible.
15:48Believe me.
15:49Believe me that it's possible.
15:53Izet Fazlinović,
15:54a great lover of opera,
15:57operetta and ballet.
15:59Bianca.
16:00Bianca Rossi.
16:02Mine are of Italian origin.
16:04Come on.
16:07We have so much in common.
16:12Please sit down.
16:14Thank you.
16:15Thank you.
16:16Maybe one cookie
16:17would be good for me.
16:18Who would say?
16:21What did you think
16:23when you said
16:24that we have
16:26so much in common?
16:28Are we going to film or not?
16:30We will.
16:31We're waiting for you.
16:32Here.
16:33Okay, you're here.
16:34This crazy Malković
16:35still has to come
16:36Come on.
16:37Costume.
16:38Make-up.
16:39Do you have Italian blood?
16:41Of course not, my dear.
16:43That's a living truth.
16:46And your name is Fazlinović?
16:48Yes,
16:49that's a very interesting story.
16:52You see,
16:53my grandfather was in the First World War
16:56in the Austro-Hungarian army.
16:59Yes, and?
17:00That was,
17:01I remember well,
17:03the Bosnian infantry regiment.
17:06First they fought in Galicia,
17:09and then they came to Italy.
17:12And unfortunately,
17:14my grandfather was wounded there.
17:17It's hard.
17:19Terrible.
17:20They executed him,
17:22but your wonderful Italians
17:25gave so much blood,
17:27transfusions,
17:28one, two, three, four,
17:30they transfused him.
17:32So there is no dilemma
17:34that in my veins
17:36flows Italian blood.
17:40Now we will drink a cup of good rose,
17:43and then I will continue the story.
17:47Maria, please,
17:49two cups of rose wine,
17:51the best you have.
17:53Come on, dear,
17:54what are you doing with that?
17:56Aren't you with the rose?
17:58What rose?
17:59I don't understand.
18:01Look, Maria,
18:02an Italian,
18:04a goddess.
18:05This is called
18:07love at first sight.
18:10Here's Malkovic.
18:12Oh, Malkovic.
18:15You look phenomenal.
18:19Team, stand by.
18:22Let's get to work.
18:24Mr. Malkovic,
18:25good afternoon,
18:26I'm Batko's assistant.
18:28Nice to meet you.
18:29Batko sent you the opera cards.
18:31Opera cards?
18:32Yes, he's sorry he doesn't have any more.
18:34If he did, he would give more.
18:36I know.
18:37Have a good time.
18:38Goodbye.
18:39Thank you very much.
18:40Goodbye.
18:41Nice to meet you.
18:43Leave me these two opera cards.
18:45You don't know what I'm going to do.
18:46Thank you.
18:47Good afternoon.
18:48Where are you, Maria?
18:49We're starting to film the kitchen.
18:51Maria, I'm all messed up.
18:53Maria.
18:54Arti, you're not normal.
18:56You don't think my husband will play the kufa?
18:58Barbara, please.
19:00My brain is going to explode and I'm going to spray you.
19:03I don't need your directing methods.
19:06I'd rather kiss a horse
19:09than you.
19:11I read the scene and I really liked it.
19:14It suits my intimate needs.
19:17Fazlinovic,
19:20you impressed me a lot.
19:23What can I say?
19:24I'm impressive, simple, expeditious.
19:28If you don't mind,
19:30since we've just met,
19:32you can join me
19:34to listen and watch
19:37that fantastic Bečka charole.
19:40I'd love to.
19:42I mean, you can come back on Friday
19:45after lunch at my place.
19:47Then we'll go to Traviata.
19:50There's one very interesting thing.
19:52I have Italian blood
19:55in my vascular system.
19:58Here you are.
20:00Two glasses of excellent Italian wine.
20:03For the lady.
20:04Thank you.
20:05For the gentleman.
20:07Italy.
20:10Sof, Gentile Cabrini,
20:12Marini, Coloattes, Chirrea,
20:13Conti, Tardelli, Graziani, Antonioni, Betega.
20:16Berzut was your coach.
20:18A great replacement.
20:20Bravo.
20:21Bravissimo.
20:22Look at that moron
20:23talking back.
20:24Coffee.
20:25When I told you to practice
20:27to kiss,
20:28I didn't tell you to practice
20:30to kiss with Kobil,
20:31but with Barbara.
20:32Where's the handkerchief?
20:33We'll fix it.
20:34It's a finesse question.
20:36Fix it with everything.
20:38Saruk, please.
20:39Look at him.
20:40I don't think I'll kiss him.
20:42But Barbara, please.
20:44Squeeze your teeth,
20:46talk back.
20:47That's unbelievable.
20:49Who would believe
20:50that we're husband and wife?
20:52Don't get on my nerves.
20:54Get the handkerchief,
20:56the handkerchief,
20:57and his tongue.
20:59Team, let's get to work.
21:01Let's film.
21:02Get out of the frame.
21:07Excuse me,
21:08I'm Luti Malković.
21:09Maybe someone left
21:10some cards for me here.
21:11THE GOLDEN ROUGE
21:15Here you are,
21:16my golden rouge.
21:21My dear,
21:22I really don't know
21:24how to apologize
21:27for my,
21:28to put it mildly,
21:30barbaric,
21:31Balkan behavior.
21:33You've gone too far.
21:36What?
21:37That day,
21:39when you gave me the rouge,
21:41I felt something,
21:42some evil, devil,
21:44I don't know which of the three,
21:46but my arms and legs
21:47flew off on their own.
21:49I felt like I wasn't my own.
21:52I have to admit
21:53that I'm still pretty angry.
21:55But I totally understand you.
21:58You said a little.
22:00But let's sit down,
22:02have a drink
22:04and talk a little.
22:07Come on.
22:08Come on,
22:09let's go.
22:10Have a drink, come on.
22:11I don't like it.
22:13You don't like it.
22:14You're an actress,
22:15you don't like this.
22:16Come on, have a drink.
22:17Don't be afraid
22:18that I'm the director.
22:19Have a drink.
22:21Barbara DuŔo,
22:22we've lost the whole day.
22:24Do you know
22:25how much it costs to produce?
22:27Oh, Faruk,
22:29I swear to you,
22:30I'm begging you,
22:31get me out of here.
22:34We can't change the script.
22:36These are copyrights.
22:38Do you know how much it would cost
22:40to produce?
22:41You have to fall in love.
22:43You're a man and a woman.
22:45But it's a conflict.
22:46Okay, have a drink,
22:47and then have another one
22:49and you'll be in harmony.
22:52Come on.
22:54Come on, another one.
22:56Ugh.
22:58Ugh.
23:00I can't.
23:01I can't do it.
23:02I can't guarantee you
23:03for this.
23:04I can't.
23:05Barbara.
23:06Can you give me a second
23:08so I can get us a drink?
23:12Oh, my God,
23:13I feel like killing her.
23:15Hey, man,
23:16how's it going with Ruža?
23:17It's a disaster.
23:19I can't even remember her name.
23:21I can't even remember
23:22how to massage her.
23:24I feel like strangling her.
23:26I have to fall in love.
23:28Faruk, I can't tell you
23:30how bad her character is.
23:32Barbara has the same problem.
23:34How did I not fall in love?
23:37I have to fall in love
23:38with this bitch.
23:40I'm sorry, my friend,
23:42Marshal.
23:44Now we're going to watch a movie
23:46and have a drink.
23:47I have to admit
23:48that with this crew
23:50it's never boring.
23:53And all the actors
23:54don't have to drink.
23:57Your hands are close
24:00and your feet are there
24:03Your head is in the right place
24:06and your pretty friend is there
24:09I never think a little better
24:12and I clear my mind
24:16You were never there next to me
24:26Good afternoon, dear.
24:28I'm back from America.
24:30Yes, dear.
24:31I missed you so much.
24:38Are you watching
24:39a cooking show?
24:41Yes.
24:42Why, dear?
24:44You never knew how to cook.
24:46Well, you like porn movies too.
24:51When it comes to porn movies,
24:53we could...
24:55Yes, dear.
24:56I missed you so much.
24:58I can't.
24:59I can't, Faruk.
25:01Stop, stop, stop, dear Barbara.
25:04We've been filming this scene for two days.
25:06Let's move.
25:07I can't, Faruk.
25:08I can't.
25:09My mouth is watering.
25:11You idiot.
25:12I told you to brush your teeth up there.
25:14I brushed my teeth up there.
25:17I didn't tell you to brush your teeth down there.
25:20I'll get a nervous breakdown.
25:22What about me?
25:24I thought
25:25you were the only psycho here.
25:28My dear Zlata,
25:30my darling.
25:31The Champions League is about to start.
25:34Barcelona is playing,
25:36Messi is playing.
25:37You could have just
25:39thrown something over there.
25:41It doesn't matter.
25:42I'm waiting for Ahmed to admit
25:44that he killed Bahruddin
25:46while she's waiting for Kemal's baby.
25:49You're right.
25:51That's what I'm saying.
25:53Just follow everything that's happening
25:56so you don't have to tell me everything
25:59that happened.
26:01I have to go to the kitchen.
26:03What's up?
26:04I have a little surprise for you.
26:08I'll be right back.
26:10What surprise?
26:11It's wonderful.
26:14You'll be filled with happiness.
26:18Just let go of my cabbage.
26:23Here's your easy bag for a second.
26:29The sun is shining.
26:31I could run around in my glasses.
26:34I could drown you in filial love.
26:37The sun is shining.
26:41No, no, no, my cabbage.
26:43My tray fell out.
26:46Here I am.
26:48My dear brother,
26:50I'm going to die.
26:52What should I do?
26:54I'm angry.
26:55I can't stand her anymore.
26:58Hello, mariofile.
27:00Come and save me.
27:03Come.
27:04If you know God,
27:06she'll bury me.
27:08Barbara, Barbara.
27:10I've thought of a way to film this scene.
27:13Only if you throw out the actress.
27:16My actress can't do this.
27:18You have to kiss her.
27:20I'm the director.
27:22I can't make a mental picture in my head.
27:25It can leave a bad impact on my directing.
27:28How can you expect that from me?
27:31You'll learn to make fun of me at school.
27:35I came up with a trick.
27:37What?
27:38A trick.
27:39Coffee.
27:41I'm here.
27:44I'm here.
27:46I put my hand in your mouth.
27:48423 chewing gums.
27:49It goes with the character I play.
27:51Americans and people who lived in America for a long time
27:54care about chewing gum.
27:56Chewing gum, Barbara?
27:58Yes.
28:00Tell me.
28:02What did you think to save me?
28:05This document.
28:07You have to force her to sign it.
28:09Otherwise I can't help you.
28:11What's that?
28:12This is her statement.
28:14It releases you from any responsibility for physical harm
28:18that she received on a disputed date.
28:20If she doesn't sign it, I can't help you.
28:24It's all a lie.
28:28I have to vote.
28:31What's this?
28:36These are the cards.
28:38This is a surprise.
28:40My heart.
28:42If she signs this,
28:45I can kick her out.
28:49Not literally.
28:52Avoid hitting her with your hand.
28:54Kick her with your foot.
28:56But if she signs it, there's no charge.
29:00Her signature on this document is her charge.
29:04You're protected like a Bulgarian sword.
29:08Come in.
29:13You made me so happy.
29:17I know it was supposed to be a surprise.
29:20But I found them by accident.
29:22You're so kind.
29:24Excuse me?
29:25These cards are for us.
29:27We're going to the opera in Vienna.
29:30Yes, yes.
29:32The opera was my weak spot.
29:36Achilles' heel.
29:40What's this?
29:41It's a useless document.
29:43My name is on it.
29:45I put it together.
29:48This is my statement.
29:51Do you think I'm going to sue you?
29:54I put it together.
29:57I thought I was going to sue you.
30:00What do you mean?
30:02I was mad at you.
30:04It's not important anymore.
30:06Yes, it is.
30:08I'll sign it right away.
30:10You don't have to sign it.
30:12We're together now.
30:14I have complete confidence.
30:16I think he's going to sign it.
30:19When you're done, I'll find the pencil.
30:23Where are my pencils?
30:25I don't have any pencils.
30:28I found them.
30:31As far as I'm concerned, you don't have to sign it.
30:35But I can see you're mad at me.
30:38Go ahead.
30:40Sign it when you're done.
30:57Good afternoon.
30:59Where is Mr. Izet?
31:01He's probably in the dining room.
31:03Excuse me, I have to go.
31:07This is all right.
31:09I sign without thinking.
31:11Good afternoon.
31:13Izet.
31:15We said we'd go to the opera at six.
31:17Excuse me?
31:19Who are you?
31:21Mr. Izet got tickets for tonight's opera.
31:24I hope I didn't interrupt.
31:26Izet, what's going on?
31:28Mrs. Branka...
31:30Bianca.
31:32I made up with my great love, Ruza.
31:37There's only room for her in my heart.
31:40You're not informed.
31:42I love Ruza, her and only her.
31:44You could have at least told me not to come.
31:49Goodbye.
31:53You didn't suffer long after we broke up.
31:56No, no, my dear Ruza.
32:00It was a desperate way to hurt you.
32:05There's no other woman who could replace you.
32:08I wasn't born yet.
32:11Put that signature down and let's go to the opera.
32:16I'm not happy about that.
32:18But we weren't together at the time,
32:21so I can't blame you.
32:23Here, it's signed.
32:25Great.
32:27Let's go to the opera.
32:32It's still early.
32:34No, no.
32:36Let's go right now.
32:39When it comes to opera,
32:41I want to be there first.
32:43I come earlier, sit down,
32:45and then meditate.
32:48I separate my thoughts from everyday life
32:52and enjoy the opera.
32:57We could have had a drink before the opera.
33:00No, no.
33:01The opera must be followed by a sober mind.
33:04Here you go, Ruza.
33:07Thank you.
33:08You're welcome.
33:12Bianca, Bianca.
33:15Izete.
33:16Bad timing.
33:17Izete, what are you doing?
33:19I'm here.
33:21Izete!
33:27Izete!
33:29Open up!
33:42Open up!
33:51I have to tell you, Rukasha,
33:53I feel better wearing this.
33:55I feel completely different.
33:57So you know you look good.
33:59Not that.
34:00I feel different inside.
34:02I want to change my job.
34:04What?
34:05I have a good idea of what I could do.
34:07What?
34:08I could be the director of a TV station.
34:11Isn't that a good idea?
34:13I don't know.
34:16How come I didn't think of that before?
34:19I wouldn't even remember that I didn't wear this.
34:22It's not bad to be the director of a TV station.
34:25You have a car, you have a driver,
34:27you have a secretary, a director's salary.
34:30Why don't people decide to be the director of a TV station
34:33instead of sitting at the office for years?
34:36It's not bad.
34:37What do you mean it's not bad?
34:39Listen, director.
34:41Go downstairs and bring us another beer.
34:44Okay, boss.
34:46Boss, do you know what else I could be?
34:49Director, run!
34:51I understand, beer.
34:57Is it taken?
34:59Yes.
35:00It's been taken for five hours.
35:02Get out, who are you?
35:04Do you hear me?
35:06Answer me!
35:07Do you hear me? Get out!
35:16Pisum foetidis decapite.
35:20It means fish.
35:22It stinks.
35:24My dear readers,
35:27look at today's politicians,
35:30and look at Tito.
35:32What did Tito leave to his children?
35:35Nothing.
35:36And today they have pacified themselves,
35:39their children and their children's children.
35:45And everywhere there were some Tito's villas
35:49on the most beautiful and most expensive locations.
35:53But when he died,
35:56on that sad 4th of May,
35:591980,
36:01at 15 minutes and 55 seconds,
36:04people went into a cataclysm
36:07when they had something to see.
36:09Not a single one of those villas was in his name.
36:13At that time,
36:15all of them belonged to the same state.
36:19And today,
36:21in a little while,
36:23they will assign the whole state to themselves and their grandchildren.
36:43THE END