Igra sudbine, Epizoda 1124,Igra sudbine 1124 ,Igra sudbine 1125,Igra sudbine Epizoda 1124, Igra sudbine Epizoda 1125,Epizoda 1124 Igra sudbine ,Epizoda 1125 Igra sudbine
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00:00A few days later
00:05Okay.
00:07Tell me, where did you get that from?
00:10What? You think I shouldn't?
00:13No, no. I mean, I don't know.
00:17But how did you come up with it all of a sudden?
00:21Okay, not all of a sudden.
00:24Andrija, I feel useless here.
00:27Somehow, I have nothing to do here,
00:30and then all sorts of stupid things come to my mind,
00:33and I think the job would solve that.
00:37Why is it so strange to you now?
00:39No, no. It's not strange at all.
00:43Look, if it bothers you that you don't earn money,
00:47that's not a problem for me.
00:49But if that's the motive, to think about the job...
00:52No, no, no, that's not the motive.
00:54I just have to use my brain.
00:58Okay, then.
01:00Find... I don't know.
01:03Find a hobby.
01:04Andrija, what hobby? A hobby is not enough for me.
01:12What do you think about going back to the company?
01:16Of course.
01:17I mean, if...
01:19If that makes you happy.
01:21It will.
01:22Yes.
01:23Really?
01:24Yes.
01:25That's great.
01:27The old PR is back to work, right?
01:34Okay.
01:35I didn't mean the old PR.
01:39I meant...
01:42Cannes Capital.
01:53First time.
02:04Hey, where are you going?
02:06Am I bothering you?
02:07You're bothering me, I'm just asking.
02:09I don't know, I didn't expect you, so...
02:11I didn't know I had to apologize.
02:13You don't have to apologize, you have to miss it.
02:15Really?
02:16Yes, they're on the handcuffs like this,
02:18and it says Ruka Kanački.
02:19And then you have a complete...
02:21Pass.
02:23Where can I get that?
02:24It's downstairs, the lady will make it for you,
02:26and then you can order whatever you want.
02:28You can order something to drink, to eat...
02:30Maybe wine?
02:31Maybe, maybe wine.
02:32For example, maybe wine.
02:34Tell me, are you...
02:37Did you come just like that, or do you need something?
02:39I came to thank you.
02:40For your great gesture.
02:42Come on, how can I thank you?
02:44I'm begging you, you gave me half the money,
02:46you spent more than fair.
02:47No, we just understood what is right to do,
02:49and then we did it.
02:52I assume that spending was your idea.
02:55Of course, whose idea is more important?
02:57Why didn't you have to do it for me?
03:01We did it for the Dobrobit project.
03:03Everyone would do that.
03:05Okay, I get it.
03:07I don't want to rush who made a mistake,
03:09that now I'm accusing someone,
03:11that I'm dealing with these things.
03:13If we want to succeed,
03:15we have to watch out for each other.
03:17And that's how it is.
03:19You have a good business mind.
03:23But I still hoped that you made that decision
03:26for me.
03:30Well, maybe I did.
03:34Come on, cheers.
03:35Cheers.
03:42Excuse me, I have to go.
03:44Come on, come on.
03:47Cheers.
03:58Look at him, look at him.
04:00Why are you looking at me like that?
04:02Why are you looking at me like that?
04:04Come on, I haven't asked you anything yet.
04:06I know, boss, but...
04:07What?
04:08I assume what's going on, and honestly...
04:10You will never hit her, never.
04:13I have a lot of complications with Leposa.
04:16I hope she's not involved.
04:18She's not involved, let me go, Leposa.
04:20Everyone's going crazy, like a mad woman,
04:22just look where she's going.
04:27She's involved with Gala.
04:31Really?
04:32I want to find her, you know,
04:34but I need your help.
04:36To ensure privacy, and all that?
04:39Yes, you see how you're camping,
04:41there's something under that bar.
04:43Do you want to help me?
04:45Of course I want to help you, boss.
04:47Okay, okay, but listen to me now,
04:49don't let that snake Pechila tell anyone.
04:51Me, you, and Crdan Zemlja, is that clear?
04:55Give me your hand.
04:56That's right, don't fall over, don't be afraid.
04:59That's right.
05:00That's a man.
05:03Thank you, boss.
05:09I don't care if you work for Cannes Capital.
05:12Leposa works for me even more.
05:15You know that, don't you?
05:17Don't you?
05:19What kind of argument is that?
05:20Why are you forbidding me to work?
05:22I'm forbidding you?
05:23Come on, what kind of man would I be
05:25if I forbade you to work?
05:26What's wrong with that?
05:29Find somewhere else.
05:31But why?
05:34You worked for Starbillard, didn't you?
05:37Yes.
05:38You covered for the director.
05:42That's a nice job.
05:44It is.
05:45But isn't Cannes Capital also in need of a PR director?
05:49That's not the point.
05:51What are you going to do where all the women are snakes?
05:58So that's where we are.
06:00Where are we?
06:01What did you conclude based on what I said?
06:04Everything.
06:05Everything?
06:09I just want you to feel comfortable.
06:12Why would I come to a place where there is a party,
06:15where there is such an atmosphere?
06:17I would say that you don't look comfortable to me,
06:21but to you.
06:39Do you want another one?
06:40No.
06:41We have to work.
06:43That's right.
06:44This was a test and you passed it.
06:50I have to tell you something else.
06:52Go ahead.
06:54This mistake about the purchase of the space
06:56is personally mine.
06:58Okay.
06:59What does it matter?
07:00It doesn't matter anymore.
07:01It doesn't matter to me.
07:02I want everything to be clean.
07:03Everything is clean.
07:04The mistake has been corrected.
07:05Which means that it doesn't matter anymore.
07:08And that it doesn't happen again.
07:09And that it doesn't happen again.
07:10But okay, you are a smart girl.
07:12I believe that you won't make the same mistake twice.
07:15I know.
07:16But it shouldn't have been about the price of the space.
07:19Now I'm just confused.
07:21What do you care?
07:22It has nothing to do with that.
07:23Believe me.
07:24It has nothing to do with that.
07:25You didn't do anything wrong.
07:26Tell me.
07:27Is this going to go like this or should I tuck it in?
07:30I think it's good like that.
07:32So there is no worry.
07:35I don't know.
07:36Something strange is happening with that space.
07:39How strange?
07:41The owner of the company that sold it to us
07:44is hiding it in the papers.
07:48Tell me, how did you find out about that space?
07:51I talked to the executive director,
07:53the neighbor in Serbia.
07:55But the owner of the company is hiding it in the papers.
07:59Okay.
08:00We won't take anything for granted.
08:02I'll figure it out.
08:04You don't have to worry about anything.
08:08Okay.
08:11We're going to the studio.
08:12Let's go.
08:13After you.
08:26Actually, you don't mind if I work with you, right?
08:30I do.
08:32I do.
08:33I think it's not smart.
08:35First of all, on a professional level.
08:38Or on a personal level.
08:40Time is equal.
08:44Let me ask you something.
08:46You don't mind if Jovan is there?
08:48I do mind, but I'm trying to be professional.
08:52So it doesn't affect me.
08:54And I know I can't do anything about it.
08:56But you can.
08:58I'm trying to prevent damage in the future.
09:04You think I wouldn't be professional, right?
09:08I think all the professionalism in the world
09:11couldn't change anything in Common Capital
09:14or change the atmosphere.
09:16Okay, but if you don't give me a chance,
09:18you can't know if it's right or wrong.
09:21It can't be better than it is now.
09:23What do you mean?
09:25I'd have to protect you all the time.
09:28I'd be vulnerable afterwards.
09:33Okay, don't exaggerate.
09:35Besides, I believe in you.
09:37You'd be able to do it.
09:38I'd lose a lot of energy doing it.
09:40Believe me.
09:42Andrija, please.
09:43Let's not talk nonsense.
09:46You're surrounded by all those strong women.
09:49Would it bother you to have a wife?
09:55So?
09:58Did I get a job?
10:00Or...
10:03No.
10:06I have to finish something here
10:10and let him think, okay?
10:13Okay.
10:21Get some rest.
10:24Okay.
10:38Here you go.
10:40Wait, Gala.
10:41Come on.
10:42No, thank you.
10:43No calories.
10:44No, no.
10:45No?
10:46Oh, God.
10:47Wait.
10:48I think you need to eat something.
10:50Slowly.
10:51What is it?
10:52They look...
10:53They're nice and ripe.
10:55Beautiful.
10:56Come on.
10:57Great.
10:58Can I eat now?
10:59I'm offering you now.
11:01Oh, God.
11:02What's wrong with you?
11:04Do you know that I really feel like I'm on vacation now?
11:07There you go.
11:08Because you're actually on vacation.
11:13And I'm bored.
11:15Do you know why you're bored?
11:17Because you're actually starting to rest.
11:19No.
11:20You know that, right?
11:21Because I like to lie somewhere in a closed space
11:24and read some good literature.
11:27People, these are real peanuts.
11:29They're ripe now.
11:30There's no more vitamin C that's pulling on the diarrhea.
11:33Mila, it's better for you to eat this.
11:35You won't be bored at all.
11:36He says, it's better for you to eat this,
11:38and I'm eating this.
11:39Eat more.
11:40What do you want me to eat?
11:41Come on, stop it.
11:42Eat more.
11:43You talk so much,
11:44you don't say anything,
11:45and you miss the point.
11:47Eat these peanuts.
11:48I brought you nice ones.
11:51You're nervous.
11:52I am?
11:53Of course.
11:54People!
11:56Look what I found.
11:57What is it?
11:58Is that a potato?
11:59Aha.
12:00What's that?
12:01It's nothing but a potato.
12:02It's very expensive.
12:03No, no, no.
12:04You can eat it.
12:05You can eat it.
12:06It's around the apartment,
12:07so if anyone wants to look for it,
12:09they can come with me.
12:10Wait, you want to say that it's expensive?
12:12And that we're going to find it?
12:14Extremely expensive.
12:15No, he wants to say that it's cheap
12:17and to throw it in the garbage.
12:18Of course it's expensive.
12:19It's more expensive than gold.
12:20No, no, no.
12:21You're kidding me.
12:22We can do this.
12:23Like platinum.
12:24Wait, wait, wait, people.
12:25You want to take us to look for it
12:27and find it?
12:28I want to.
12:29Let me see, let me see.
12:30No, no, I have to keep it.
12:32I'll give you coordinates, people.
12:33I'll give you coordinates.
12:34Come on, give us coordinates.
12:35Where are we?
12:36Come on.
12:37What are you waiting for?
12:38Tell me.
12:39Come on, let's go.
12:40What?
12:41Come on, let's go.
12:42You're Bosnians,
12:43you don't eat potatoes.
12:44Come on, come on.
12:45Come on.
12:46Let's change our clothes.
12:47Come on, let's get rich.
12:48Let's go.
12:49Let's collect potatoes.
12:50Come on.
12:51Gala.
12:52Are you coming with us?
12:53No.
12:54Why?
12:55I can't do that.
12:56It's not for me.
12:57Now I'm rolling in some mud.
12:58I can't.
12:59You're a great lady, Gala.
13:00Here, take this trash.
13:01Come on.
13:02We're going to get rich.
13:03Do you hear?
13:04Potatoes.
13:05I didn't even know.
13:06Come on, come on.
13:07Come on.
13:08What's going on?
13:09I don't know.
13:10I don't know.
13:11I don't know.
13:12I don't know.
13:13I don't know.
13:14I don't know.
13:15I don't know.
13:17Why?
13:18Don't ask me any silly questions.
13:19What's happening with the guests?
13:19They've become mixed up.
13:22What if the water's dry now?
13:25No, it's not.
13:26I've found the potatoes.
13:28I'm sending them off to search.
13:29Looking for.
13:30What kind of fool are you, eh?
13:33What did I do?
13:35How dare you report this to the guests.
13:38We should be going Masterchef to fetch potatoes to get rich.
13:41We will go, why wouldn't we?
13:42Here, let's go now.
13:43Why not? Let's go now.
13:45Ljubinka!
13:46Yes?
13:47Come here, quick!
13:49I'm coming!
13:50Come on!
13:51Quick!
13:52I'm coming!
13:55Come on, quick!
13:56Follow the shovel, follow Aša, and let's go!
13:58What shovel and Aša?
13:59We're going to Tartufa!
14:01Come on!
14:02What Tartufa?
14:03Come on, quick!
14:04Quick!
14:05Here, here!
14:06And you, and you, and you with her!
14:08Come on, quick!
14:09Okay.
14:10Quick!
14:14Ljeposava!
14:16You're shaking like you're sitting on a hot ring!
14:20What happened?
14:23Don't remind me, get ready!
14:25Come on!
14:26Where are we going?
14:27We're going to Tartufa!
14:29I'm going to Tartufa?
14:30Yes.
14:31Ljeposava, how am I going to Tartufa?
14:33I don't have a dress for Tartufa!
14:35I'm going to Rilja!
14:37Ljeposava, Tartufa doesn't grow on a branch!
14:40You're driving me crazy!
14:42You went last year!
14:44Last year, Ljeposava!
14:46Last year!
14:47I don't want to go this year!
14:49You know what?
14:50I don't want to argue with you!
14:52You're acting like you inherited the National Bank!
14:55Really?
14:56God forbid you die five minutes before me,
15:00so I can be happy for five minutes!
15:10Tartufa
15:40Tartufa
16:11Tartufa
16:23Well, kids, here's the thing.
16:27I want you to understand one thing.
16:30This is a situation that has happened to us once in a lifetime.
16:35And you have to understand me and the situation.
16:39Is that clear?
16:40Yes, it is.
16:42I don't get it, what's going on?
16:44Is that clear?
16:45Yes, it is!
16:46Please.
16:48Where's Dobrit?
16:49Dobrit is in the apartment,
16:50she's putting on sunscreen, she'll join us,
16:52she'll apologize to us later.
16:54She's coming with us, right?
16:55She's coming with us, 100%.
16:56Okay.
16:57So, kids,
16:59what's happening now
17:01is a mutual search,
17:03and we have to set up some rules.
17:07Okay.
17:08So that everything is fair and concrete.
17:12Is that clear?
17:13Yes, it is.
17:14I can't say I don't believe you,
17:17but I can't even express myself as if I believe you.
17:21I repeat,
17:22it's a mutual search,
17:24and what does that mean?
17:26What does it mean?
17:27All the tartufas,
17:28did I say that right?
17:29Yes, tartufas.
17:30All the tartufas we find,
17:32we put them on the rack.
17:34Okay.
17:35Then we sell them,
17:36and we divide them equally.
17:39Is that clear?
17:40Yes, it is.
17:41I didn't hear you.
17:42Yes, it is!
17:43Okay, listen.
17:45If someone accidentally
17:47takes a waste tartufa for himself,
17:51he will pay a heavy penalty.
17:54Not an ordinary one, but a heavy one.
17:57Is that clear?
17:58Can you tell me more about that heavy penalty?
18:01What does it mean?
18:02What is a heavy penalty?
18:04Can I ask?
18:05You can't.
18:08A penalty is a penalty,
18:09but the rules are the rules.
18:11Please respect me,
18:13so that the fat guy doesn't end up like you.
18:17Children.
18:20We go to the woods,
18:22we roll on the mud,
18:24like poor people,
18:27and we come back like rich people.
18:31Is that clear?
18:32Yes, it is!
18:34Follow me.
18:35Grab your tools and let's go.
18:37Come on.
18:38After the tartufas.
18:39Come on.
18:40Tartufas.
18:41That's what I said.
18:42Follow me.
18:43Let's go.
18:44Left.
18:45Left.
18:46Left.
18:47Let's go.
18:48Let's go.
18:49Let's go.
18:50Is there a song?
18:51No.
18:52Okay.
18:56PEACE
19:11Hey.
19:12Chief.
19:13Yes?
19:14Is everything okay?
19:16I don't know.
19:17What?
19:19I don't know yet.
19:21Sit down.
19:26I heard that you haven't been to Kosmaja again these days.
19:33To Kosmaja? No, no, God forbid.
19:35Not since you forbade us. We wouldn't have thought of that.
19:42I don't know, I just wanted to check.
19:45Because I received a package.
19:49Right from there.
19:52From Kosmaja?
19:53Ask him one more time.
19:56From Kosmaja?
19:59Yes, from Kosmaja. It's from Mida Pjarović.
20:03See, he's writing.
20:07What's inside?
20:09I'm asking.
20:13I hope you didn't forget something there.
20:17No, no, not at all.
20:19When we said we wouldn't, we won't.
20:21Trust me, we won't.
20:24Okay.
20:26Trivanović...
20:31It's best if...
20:34You open the box.
20:36Me?
20:42I can, boss. No problem.
20:45Thank you for the compliment.
20:47But I need a colleague.
20:50I have a hand.
20:52I have a gift.
20:54I have a pain in my ass.
20:59Sometimes I feel like I can't tie my shoes.
21:04How do you tie your shoes?
21:07With a bow tie.
21:12Guys, you're not scared, are you?
21:16Don't you think there's a bomb inside?
21:23A bomb?
21:27Why would we think there's a bomb inside?
21:31Is there a reason for a bomb?
21:34Boss, even if there is a bomb, I'll open it for you.
21:41You want to open it?
21:42Great.
21:45I didn't mean...
21:47Come on, Trivanović.
21:49You said you'd open it.
21:51No, no, no.
21:53If there's a bomb...
21:55No, no. You open the package.
22:02Okay.
22:04I'll open the package, but...
22:08I don't have a scalpel, boss.
22:13Give me that.
22:15My shift's called, you know.
22:21Right.
22:43And where are your promises?
22:46Tartuffe and the Black Death.
22:48Smršić is 200 kilos.
22:50Be patient, girls.
22:52They've always been here. We'll find them somewhere.
22:55We can't let other people find more than us.
22:59We have a lot more than us.
23:01So, one.
23:03Because if someone finds one, it means he won.
23:06Because we didn't find anything.
23:08Just dig, darling, and don't be afraid.
23:10You won't make it.
23:21Come on, my falcon.
23:23Open it.
23:25There's nothing to be afraid of if you have a clear conscience.
23:28Come on, buddy.
23:30You can do it.
23:32Here, here.
23:34Now I'll just...
23:36What could...
23:37Maybe we know what could be inside, but...
23:40We'll find out when you open it.
23:43Come on.
23:45Great.
23:47This is great.
23:52Great.
24:00I'll call you.
24:04Boss, I just remembered.
24:05I just remembered.
24:07All the guys from scalpel and surgery,
24:10I had a back surgery, so I saw them wash their hands.
24:13Maybe I can just wash my hands first.
24:16I just remembered, if I could,
24:18I'd like to go to the office for a bit, just...
24:21What?
24:23So we can explode, right?
24:25Why would we explode?
24:27I'm ashamed of you.
24:29No one's getting out of here.
24:31Come on, Trivanović, open it.
24:33Here, boss.
24:35This is my first cut.
24:37Good.
24:39Good, good, good.
24:50Plitko!
24:55Oh, my mother.
25:06Huh?
25:09What could that be?
25:13Huh?
25:15Whiskey.
25:19Whiskey, boss.
25:21We're alive, boss!
25:23We're alive!
25:24Whiskey!
25:26Boss, we're alive!
25:28Wait, wait, wait.
25:30How do I open it?
25:32How do I open it?
25:34Oho!
25:35Whiskey, boss.
25:37How do I open packages, man?
25:39To my friend Nebojši Tambur,
25:41as a token of gratitude for saving my daughter.
25:44Oh!
25:46Heartily, Mido Pijanović.
25:48Hey, bravo, Mido, bravo.
25:50Look at Mido, look at Mido.
25:52No, no, no.
25:54He needs some help.
25:56No, no, thank you.
25:58You can go to Sokić now.
26:00No, I volunteer.
26:02Now!
26:03This is not for kids.
26:04Come on, now.
26:06Right now!
26:07Come on, come on, come on.
26:08What are we going to do?
26:09No, no, no, no.
26:10Don't touch it, it's dangerous.
26:12Come on.
26:16Thank you for everything.
26:17Great.
26:18Enjoy your life.
26:19Come on.
26:26Mido, Mido.
26:28Oh, my Lord.
26:29How is it, man?
26:31Tasty?
26:41Oh, my God, Mido.
26:43What is it?
26:44You are dangerous, dangerous.
26:46Me?
26:47You, you.
26:48Oh, no, please.
26:50I'm not a mother.
26:51It just seems to me.
26:52How not?
26:54I'm a gentle, huge, you know?
26:56Is that so?
26:58God help me.
27:00What did you think?
27:01What?
27:02Tartuffe.
27:03On Kosmaj.
27:04So I don't remember when I heard something so creative or how.
27:10That's right.
27:11Do you like my Mido Klik?
27:13I'm not an egg for throwing, you know?
27:15Come on, man.
27:16You are a hundred years old to me, and you are important to me.
27:24I have to tell you.
27:25Tell me.
27:26I'm glad you gave me a chance to be a little alone.
27:31Me too.
27:32But I'm sorry you only have these apartments.
27:36We are forced to play these games, you know?
27:39It's a little bit boring for me.
27:41Just a little, just a little.
27:43What do you mean?
27:45I mean, I told you that I love traveling.
27:50Me too.
27:51God.
27:52But we always dream about some exotic places, islands.
27:59Although I am aware that for something like that you need much more than apartments.
28:05I am aware of that.
28:06Forget about apartments.
28:09Apartments are not important.
28:13I have Mido Cash if you want.
28:17Do you have Mido in your life?
28:19I have Mido in my life.
28:20You have?
28:21You have.
28:22You have.
28:23Thank you.
28:26You are so lucky.
28:27Don't lie to me.
28:28Just don't lie to me.
28:30Me?
28:32Why would I lie to you?
28:33I wouldn't lie to you.
28:34When Mido went to...
28:39Well, Vanja.
28:41I'm glad you came to me.
28:44There is a lot for the rest of the job.
28:47Here, I sent you the list where all the reports should be.
28:53Ok.
28:55Where are all the reports?
29:00Here they are.
29:05Is something wrong?
29:06No, no, no. Everything is fine.
29:16You know what I'm interested in?
29:18What idiot sent us five kilometers away from home to look for a turtle?
29:24It wasn't me.
29:25I called her nicely, so you wanted to go.
29:27And I was forced to come here.
29:29It's not my fault, it's not my duty.
29:31It's nothing.
29:32You just need a little recreation.
29:34Why are you complaining then?
29:36I don't need recreation.
29:46I don't need recreation.
29:56Come on.
29:58I'll take you to the pool.
29:59It's cold.
30:01To the fireplace.
30:02It's cold.
30:03To the piano.
30:04It's not cold.
30:05Tell me, did you go to the forest, made a hole and buried the money?
30:08Come on, tell me.
30:09You know what Mido looks like to you?
30:11That I dig a hole and hide the money.
30:13I'm not digging a hole.
30:17Come on.
30:18What do you want me to say?
30:19I want you to tell me everything.
30:21I want you to tell me everything.
30:34When you wanted my job so much,
30:36this is the perfect opportunity for you to prove yourself.
30:40I doubt anyone can prove themselves by putting numbers in tables.
30:44But okay.
30:45And when you finish it,
30:47you need to put the tables from last year in the middle.
30:52For which there is probably no need anymore.
31:10Here you go.
31:12Let's see what you've prepared.
31:14Can I?
31:15Of course.
31:16Thank you.
31:18I didn't know if you like basil.
31:23I didn't want to overdo it.
31:28Great.
31:29Right?
31:30Yes.
31:31Come on, please.
31:32Let's eat together.
31:33Great.
31:34I'm glad you like it.
31:39Let's go.
31:50Wait.
31:51Which materials are we talking about?
31:53I'll tell you right now.
31:55It's somewhere...
31:58Good afternoon, girls.
31:59Hello.
32:00I found out who the owner of the space is.
32:10VANJA
32:16Can I ask you to take Vanja to the office with me for a while?
32:21No.
32:23Please.
32:25Maybe I need Vanja now.
32:28Maybe you need her.
32:30And if she goes with me for a while, the company will go bankrupt.
32:34It's a matter of principle.
32:40VANJA
32:52Here I am.
32:58I'll put your necklace tomorrow.
33:10VANJA
33:18Where is he?
33:19Who?
33:20Don't be crazy.
33:21Where is Mido?
33:24I really don't know why I would want to know that information.
33:39VANJA