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Short filmTranscript
00:00♪♪
00:30It's time for me to give you back your scapular.
00:34I'm no one to tell you who you have to be with, but I need you to open your eyes.
00:37Lope, you don't understand.
00:38No, I don't understand. That's why I need you to explain it to me.
00:41What if he knows more than we think?
00:43Do you think Mrs. Arcos has the slightest idea of what really happened?
00:48I have information that will surely be of great interest to you, Mr. Gregorio.
00:53If he's going to tell me that Pia is dead, I've already heard the rumors.
01:02That fool has had the worst possible ending because of his stubbornness.
01:07No, if I called him, it's precisely because I don't give you a hint of credibility to that rumor.
01:14What does he say?
01:19That I really think he's supposed to be dead.
01:23Pia has not been without a pantomime,
01:26borne with the help of some of his companions.
01:30And why would they do something like that?
01:32It's not clear.
01:33To deceive you, I wanted to leave at once and leave you alone.
01:38Where do your suspicions come from?
01:41Although you don't have to know everything, I've been to so many places.
01:45And Pia never left her town.
01:49She supposedly died here on the promise.
01:51And then they took her body so that no one could say goodbye to her.
01:57The excuse they gave was that they didn't want the scandal that could occur
02:04when it was known that Pia had taken her life here, inside the palace.
02:11It's strange.
02:14It's strange, yes.
02:16Yes.
02:17And after that, I've seen Hanna go out of the palace several times,
02:22with some messages for Mr. Baeza, of whom I had not been informed.
02:27All very mysterious.
02:29Despite being the one who takes care of the maids,
02:33Mr. Baeza gives orders to Hanna behind his back.
02:37That's right.
02:39And as I told you, it has been something constant.
02:44If you are right, they will have Pia hidden near here
02:49and someone will be taking care of her.
02:52That's it.
02:53And I think it could be Hanna,
02:55who will be bringing her food and everything she needs.
02:58Has Mr. Baeza given you any justification
03:01for being the one who gives Hanna the orders?
03:06Yes.
03:07Yes, he has given them to me.
03:10When I did it, I found it uncomfortable, even annoying.
03:15If you are right, it's not strange that you are, of course.
03:19But that's not all.
03:21Then I surprised Hanna by running around in the blankets,
03:24where we keep the bedding.
03:26And then another one, in the kitchen, filling a pot.
03:31What excuse did he give you?
03:33That maid is too awake and always comes out well from the dark.
03:37But she doesn't fool me.
03:41The first thing is to check if Pia really died.
03:46And I know how to do it.
03:48Can I help you with something?
03:51Keep an eye on Hanna.
03:54Don't let her leave the palace again, under any circumstances.
03:59Don't worry, I won't take my eyes off her.
04:40I love you.
05:10I love you too.
05:40I love you too.
05:55Tell me.
05:57Please.
06:03I don't love Santos.
06:06And I've never loved him.
06:09He's vain and arrogant.
06:17Then why are you still dating him?
06:20Because I have no choice.
06:24Vera, I don't understand.
06:27What forces you to continue with him?
06:29Lope, please, don't ask me more questions because I can't tell you more.
06:32Vera, don't you realize that this is crazy?
06:35That you can't be with someone you don't love.
06:40The truth is that I can't do anything else.
06:45That's all you're going to tell me?
06:47You're not going to tell me anything else?
06:51What's wrong? Don't you trust me?
06:55Vera, I'm devastated.
06:57Devastated.
06:59First you left me when I thought we couldn't be happier.
07:02And you don't know how much it hurt me.
07:04And me?
07:07Why did you leave me broken?
07:11Why do you keep hurting us both?
07:14Why?
07:18Okay.
07:20But ...
07:23Don't ask me to tell you more than I'm going to tell you.
07:26Don't ...
07:28Don't try to get in the way or say anything to Santos.
07:33Do you promise me?
07:42Yes. I promise you.
07:46I'm doing all this because ...
07:50Because Santos knows something about my past that no one else can know.
07:55And he has me at his mercy.
07:58Vera, you can't allow him to mistreat you.
08:01I do what I can. I try to stop him.
08:04What Santos is doing has a name, Vera.
08:07And it's called blackmail.
08:09That bastard is blackmailing you and you can't allow it.
08:12And much less allow him to take advantage of you and touch you if you don't want to.
08:16Because all that will go further.
08:19Because a blackmailer is never satisfied, Vera.
08:22Never.
08:24Never.
08:25Vera.
08:26Never.
08:27He will always want more.
08:30Until now I have been able to stop him.
08:32You haven't said it.
08:34Until now.
08:38Vera.
08:45There will come a day when he does something to you that you will regret all your life.
08:49And I'm very afraid that day is very close.
09:19Manuel.
09:29Manu.
09:32My son.
09:33My son.
09:34Manuel.
09:36Manuel.
09:38Manuel.
09:40Ma'am?
09:41No.
09:42My son.
09:43Ma'am, are you ok?
09:44My son.
09:45Manuel.
09:46No.
09:49Oh God!
09:51Señora.
09:52Señora.
09:53Wake up.
09:54Señora.
09:57And my son?
09:58He's in the palace right now, in his room.
10:01He was having a nightmare.
10:06I already know that.
10:07What are you doing here?
10:09I heard shouts from the corridors and I got scared
10:11so I decided to come in.
10:13Then you can leave now.
10:15Yes, señora.
10:17Bring me breakfast.
10:18I'll take it from here.
10:49I've brought you a little gift from my trip to Puebla de Tera.
10:54It's nothing, just a detail. I thought you'd like it.
10:58So, here you are. Open it.
11:06It's made of silver.
11:09Maybe it's not the most luxurious jewel in the world,
11:12but when I saw it, I knew it had to be for you.
11:15It's elegant and delicate, like you.
11:24Thank you.
11:44What?
11:46You don't know what I have for you.
11:48For me? For you, yes.
11:51A little gift from your friend.
11:56Don't think I didn't have a hard time getting it.
11:58Juana, thank you so much. You don't know how good this is for me.
12:01To write to that faggot you love so much. If only I knew.
12:04I'd do it right now, but how did you get it?
12:07I can get almost anything in here.
12:11But how did you do it?
12:12With effort.
12:14Look, if we have something here, it's time.
12:17So tell me in detail.
12:21Okay, I'll reveal my tricks to you.
12:24I already told you that sometimes my head hurts a lot.
12:28Yes, you told me you even throw up because of the pain.
12:31And those times, they usually take me to the infirmary,
12:34lay me down on a bed and give me a pill to relieve me.
12:37I spend hours there.
12:39I'm not following you.
12:40The point is that when I'm at the infirmary,
12:43a nurse always accompanies me.
12:45But since I fall asleep, sometimes the nurse leaves.
12:51No, every time I go there, my head hurts.
12:54So sometimes I don't take the pill and I fall asleep.
12:58Uh-huh.
13:00Then they leave me alone and I can look around the whole infirmary.
13:04There they have a closet that they keep everything.
13:07Also toilet paper.
13:08Also toilet paper.
13:10Also paper and pencil.
13:12Uh-huh.
13:14But what I've told you, keep it between you and me.
13:16No, no, don't worry, I'm not going to tell anyone.
13:19What I was thinking is,
13:21how am I going to send the letter once I have it written
13:24if we can't get out of here?
13:27That also has a solution.
13:29The warden here likes pesetas more than a fool.
13:33So if you have any money, everything is arranged.
13:36I don't have a penny, but I'll think about how I do it later.
13:39What I have to do now is write the letter
13:42and get it out of here no matter what.
13:52And the river swept away everything that was in its way.
13:55I ... I was fainting.
13:57And Manuel started to hug me
13:59and pull his head out over the water,
14:02trying to breathe.
14:05Ma'am, I bring you breakfast.
14:09How did that nightmare end?
14:12Thank goodness I woke up.
14:15Well, they woke me up.
14:17Oh, MarÃa Antonia, you don't know what it was.
14:21I was ... I was soaked in sweat.
14:24It was horrible, I couldn't stop shaking.
14:28It's normal for you to dream things like that, ma'am.
14:31Your son is at war and we are all living it with great tension.
14:35Can you tell me what tension you have?
14:38Well, I ...
14:39The one of scrubbing the floors?
14:41Or the one of ironing the sheets?
14:45It was just a way of speaking, excuse me.
14:48Well, I hope you learn to speak better.
14:50Or rather, that you learn to be quiet.
14:52Cruz, please.
14:54The girl just wanted to cheer you up.
14:56I don't need the cheer of a baby shower.
15:01Take the breakfast, I don't feel like it anymore.
15:03Okay.
15:05You don't have to come back.
15:07I'll stay with the Marquise.
15:09Yes, it will be better.
15:16Come on.
15:18Leave that bed.
15:20Let's go for a walk.
15:22The air in your face will do you good to forget that nightmare you had.
15:25Yes, it will do me good.
15:27Come on.
15:29Let's go.
15:32Get up.
15:36Get up.
15:42Were you calling me?
15:44Yes.
15:46Close the door and come in.
15:52So?
15:54What do you say?
15:58Get in.
16:00I don't want you to go around saying that absurd theory of yours that I poisoned myself.
16:07Absurd?
16:09Yes, absurd.
16:11Based only on your delusions.
16:15Well, I think it's getting more and more accurate, Ignacio.
16:19For example,
16:21I have already informed myself of what Miss MartÃn bought at the boutique.
16:26I just bought some menthol pills.
16:30The butcher himself told me.
16:32How naive you are.
16:34Do you really think that man will tell you happily that he sold poison to a young lady?
16:39We see that he would get into a huge mess.
16:42But there is something else.
16:45For example,
16:48the mail you received shortly before suffering that horrible poisoning.
16:54Do I get a lot of correspondence?
16:56Yes, Ignacio, but it was not a letter, but a package.
17:04I don't know what you're talking about.
17:07Yes, you know it well.
17:10It was a package of those in which you receive some of those medicines
17:17that sometimes you take for pleasure
17:20and that as far as I know
17:22are a bit suspicious,
17:24especially if you use it for other purposes.
17:27You are an ignorant.
17:29You don't know anything.
17:31Since I took care of your correspondence for a while,
17:37I know much more than you should.
17:42Who you write to,
17:44who writes to you
17:46and what they tell you,
17:48what they send you
17:49and how much you pay for certain things.
17:52There is one thing I don't understand.
17:55What else do you care about what happens to Martina?
17:59What is that girl's defense?
18:01You're right.
18:03I don't care what happens to that spoiled brat.
18:05So?
18:07Do you do all this just to annoy me?
18:09To make my life impossible?
18:11Maybe.
18:13And I assure you that I have just started, Ignacio.
18:16What will Martina's parents think?
18:19Maybe that's when they find out about your tricks.
18:22And Margarita?
18:24Margarita will never look at you again.
18:27Never again.
18:29Very well.
18:31I agree.
18:33Speak.
18:35Say whatever you want.
18:37But be clear about one thing.
18:39If I fall,
18:41you will fall with me.
18:43Me?
18:45And tell me,
18:47how are you going to do it?
18:49How are you going to kill Feliciano's son?
18:51You would throw stones on your own roof.
18:54A noble
18:56who takes advantage of a poor maid,
18:58leaves her pregnant and does not recognize her son.
19:00Tell me,
19:02how would your dear Margarita look at you after that?
19:05And how do you think Cruz will react
19:07when I tell her that you asked me to come here
19:10to show that she tried to kill Curro
19:12and that trying to kill him
19:14ended up killing our son?
19:16I'll tell them it's a lie.
19:17Because you didn't come here because I told you nothing.
19:20Maybe not.
19:22But are you going to deny the rest?
19:24Whatever it is,
19:26it would be the word of a maid
19:28against that of a count
19:30and you no longer have Cruz by your side to defend you.
19:33Who do you think they will believe?
19:39Good morning.
19:44Is the lady sick?
19:45She hasn't had a bite.
19:47No, she's not sick.
19:49She's just in a dog mood
19:51because she had a nightmare that left her very upset.
19:56Well, it seems that you don't have much appetite either.
20:00Well, they're not going to look for me
20:02because they don't want to eat.
20:04I have enough with what I have, with what is mine,
20:06to get angry at some capricious and clumsy ladies.
20:09And what's wrong with you?
20:12Your in-laws are not happy.
20:15It's because of the financial solvency they asked Virtudes, right?
20:19That's right.
20:21Although there is more than solvency,
20:23they should call it soltency.
20:25Because these people who love me, you know?
20:27They are giving them rooms to manservate.
20:29But what are you talking about?
20:31My daughter's in-laws have asked my Virtudes
20:33to give them 550 pesetas
20:36to return to her son.
20:38But that's the money the in-laws have asked for.
20:40That's right.
20:41Virtudes is not going to get so much money
20:43with her in-laws.
20:45It's not possible.
20:47Not in three lives.
20:49Well, I think she could get it in a few weeks.
20:51What are you thinking?
20:53Are you going to steal a bank?
20:55She's not going to realize anything.
20:57Of course she realizes.
20:59That's why I'm telling you, Mrs. Candela.
21:01I know Virtudes can't get it on her own,
21:03but maybe all of us, if we put our shoulders up, well ...
21:05A collection?
21:07Like the one you made to pay for my son's surgery?
21:09To be honest,
21:11if I did it for an eye,
21:13what less, right?
21:15You do the same for an innocent creature.
21:17Yes, my dear Adolfito.
21:19Besides, this would be half the money
21:21that that surgery was worth.
21:25Do you think everyone wants to help?
21:29Of course.
21:31Not to mention his mother and his grandmother,
21:33Dersavea.
21:35How long does Virtudes have to get the money?
21:37Ideally, in two months,
21:39which is when she goes to work at the village priest's house.
21:43Well, she'll see how,
21:45when she has to go to work at Mr. Fermin's house,
21:48she's going to go with Adolfito.
21:50And her father-in-law will see what virtues he has.
21:52Solvency, solvency,
21:54and whatever it takes.
21:56Well, no more talking.
21:58Now we have to tell everyone
22:00and we have to save too.
22:02Well, all the less Maria Mandrao.
22:04Are you capable?
22:05Of her talking to Virtudes' father-in-law
22:08to tell him to ask for a thousand pesetas instead of five hundred.
22:11You'll see, Mrs. Simona,
22:13how soon she'll be with Adolfito again.
22:22The marmalade business
22:24keeps giving penguins benefits.
22:26And all thanks to the fact that I run the business.
22:29I already gave them to you before you took them.
22:33This war
22:35is a magnificent business opportunity
22:37that we have to take advantage of.
22:39Yes, take advantage of it.
22:41Are you thinking of investing more money?
22:43Don't count on me.
22:45Well, you can always ask for a loan.
22:47I don't see it.
22:49Of course you don't see it.
22:51You should have exploited your business better a long time ago.
22:53For example, if you sold your wheat abroad,
22:55I would pay you much better.
22:57And leave our neighbors without flour to make bread?
22:59Or with the prices skyrocketing?
23:01You're squeezing the title.
23:03No, I can't act like that.
23:05If we start playing with people's bread,
23:07this is going to end very badly.
23:09But those are not ways to do business.
23:11Look, brother-in-law,
23:13in this, as in many other things,
23:15we don't agree.
23:17So let's leave it.
23:19Let's change the subject.
23:26What do you think if we talk,
23:28I don't know,
23:30about women?
23:32No, about a woman.
23:34About Maria Antonia.
23:37What about Maria Antonia?
23:39I expected you to tell me.
23:42I haven't seen her in days.
23:44And why do I have to know what's wrong with her?
23:46Because I haven't seen her
23:48since the day I found you arguing in the greenhouse.
23:51What a coincidence, don't you think?
23:53Don't talk nonsense.
23:55Did you have the feeling that you were having
23:57one word higher than the other?
23:59Lorenzo, I'm tired of your insinuations.
24:01I don't have to give you any explanations.
24:03I don't have to give you any explanations.
24:09Well, just a moment.
24:11Before you start eating,
24:13I want to give you an order from Mr. Marquez.
24:16I want you to buy Raja Tabla.
24:18No one wins if they buy Oreno, Mr. Baeza.
24:21I'm going.
24:23If any of you go to Lujan
24:25and ask for Mrs. Adar,
24:27you have to answer
24:29that she died in her town.
24:33I've already been asked.
24:35And what did she say?
24:37Well, I acted stupid and I went the other way.
24:39From now on, you have to answer
24:41what I'm telling you,
24:43without going into details.
24:45I'm not going to say a word about it.
24:47I get sad just thinking about it.
24:49And what do we do if they ask for details, Mr. Baeza?
24:52Lujan's people are very curious.
24:54Well, against the vice of asking,
24:56the virtue of keeping quiet.
24:58You only know what I'm telling you,
25:00so you don't have to tell me anything else.
25:03It's very difficult for me to talk about Mrs. Pia
25:05knowing that we will never see her again.
25:07Everyone.
25:09Yes.
25:11She has left a very big void.
25:14It's true that it was very sad,
25:16but not everything is a pity.
25:18In fact, now we have an opportunity
25:20to bring some joy to the promise.
25:24We could help Virtudes
25:26to get her son back.
25:28Explain yourself, Miss Expósito.
25:30You see, the child's grandparents
25:31have asked Virtudes for a certain amount of money
25:34as a guarantee.
25:36No more, no less than 550 pesetas,
25:38one after the other.
25:40And my poor daughter doesn't have it, nor will she have it.
25:44But we could collect it to help them.
25:47Oh, well, I think it's an excellent idea.
25:50Well, you're not going to get me out of it.
25:52Well, it's not mandatory either.
25:54Anyone can do it.
25:57Of course I'll help, Hanna.
25:59She too.
26:01Count on me.
26:03And me, of course.
26:05And me too, of course.
26:07I want Simona to be able to enjoy her grandchild soon.
26:10I don't know what to say.
26:12Thank you very much from the bottom of my heart.
26:25I see that everyone is very hungry today.
26:28Eat and shut up.
26:31Yes.
26:37Well, I ...
26:40I wanted to apologize.
26:42Can we know why, Mrs. Alcos?
26:45Yes, of course you can.
26:48I know that Mr. Bellicer and I have our differences.
26:53And well, sometimes one gives an order and the other the opposite.
26:57Well, yes.
26:59Unfortunately, it has happened several times.
27:02That's right.
27:04And with that, what we have achieved is to confuse the service.
27:08And I have been forced to intervene to avoid unnecessary harm.
27:13Of course, I am aware that we cannot continue like this.
27:16And from now on, I would like Mr. Bellicer and I to reach an agreement.
27:24I also want the same.
27:27Well, it seems very sensible of you, Mrs. Alcos.
27:31I thank you for the initiative.
27:33And it would also be sensible for us to start eating the lentils because they are starting to get cold.
27:53You have no idea what I miss you, Curro.
27:56And the desire I have to hug you.
27:59I pray every day for you to return soon from that healthy and safe war.
28:05When that day comes, we can lead a life like the one before, but happier.
28:10Because now we will know how to love each other better.
28:14I will know how to love you better.
28:18My life without you is boring and lonely.
28:21I hardly talk to anyone.
28:22I remember every moment how lucky I was to have you by my side
28:26and how blind I was for not knowing how to see my luck.
28:31I, Curro, I don't know if I should tell you this because you will have enough with your problems,
28:39but I need you to know, I can't hide something like this from you.
28:46My life, Curro, is now very different from the one I had when I wrote to you for the last time.
28:51And that's only a few weeks ago, but everything has gotten worse.
28:57Not even alive in the promise, but locked up in a sanatorium where they treat me like a madwoman capable of committing any barbarity.
29:04And they force me to take pills every day.
29:10I guess you can't imagine how I ended up here.
29:13Sometimes I think about it and it seems to me to be in a nightmare that I will one day wake up from,
29:17but unfortunately this is my reality.
29:23It all started because someone poisoned Conde de Ayala.
29:27And who do you think they accused?
29:30Yes, me.
29:33They accused me of wanting to kill him for wanting to marry my mother.
29:37I know that if you had been in the promise you would have defended me, but you weren't.
29:41Or I would have accepted to be admitted to this center or Conde de Ayala would accuse me in front of the Civil Guard.
29:47I don't know what would have been worse, because in the face of justice I could have tried to prove my innocence, but here...
29:53I'm surrounded by women who have lost the promise and there are days when I...
30:00I...
30:02I remember your poor mother.
30:04Of everything you told me about her.
30:07And I'm afraid that if I'm still locked up, I'll end up like her, but...
30:10But I want to be strong.
30:13Get out of here.
30:15And that when you come back from that war, we'll be together forever.
30:19That's why I will fight to prove that I am innocent.
30:23You fight to get out of that war alive and that we can love each other as we deserve.
30:33I have been told that when the king went to rest at the farm,
30:37the queen accompanied the princess of Sarsal on a horse ride through St. Ildefonso.
30:42Poor princess.
30:44Her husband is in prison and in the hands of the English.
30:47Well, that princess has her husband in Gibraltar.
30:51I mean, nearby. I'm sure they'll let her visit him.
30:54That's why he's here, in Spain.
30:58Salvador, since you're here,
31:01is there any news about that rumor that we have heard that Mrs. Adarre has died in her town?
31:06Well, we have also heard something, but so far they are rumors without confirming.
31:12Mr. Baeza is trying to find out more.
31:14Well, have me informed.
31:17And tell the rest of the service that we feel a lot about the end of poor Pia.
31:21I guess they will be very affected.
31:23Yes, sir. Mrs. Adarre was very loved by everyone.
31:28It has been a great loss, without a doubt.
31:30I'm sure God has already taken her in his bosom and is finally resting.
31:35Shouldn't we have a mass for her soul?
31:38I don't think Mrs. Adarre's soul needs many masses to go up to heaven.
31:44But I'll talk to Mr. Fermin when I go to Lujan.
31:48I'll see when, although I'm not in the mood today.
31:52Are you still upset about that nightmare?
31:54The truth is that I feel better, but I'm still a little impressed, to be honest.
31:59Has something happened?
32:02Nothing, a bad night.
32:04A scary night.
32:07She had a terrible nightmare and woke up screaming.
32:11It is not necessary to go into detail, dear.
32:14And what did you dream of? If you can tell me.
32:18I had a terrible nightmare.
32:19It is not necessary to go into detail, dear.
32:21And what did you dream of? If you can tell me.
32:25With my son Manuel.
32:28And it is natural, given the circumstances you are experiencing.
32:32Well, according to whom? I'm sure Lorenzo doesn't have nightmares, does he?
32:37Well, some of them, yes.
32:39Although, as I suppose you well know, you don't need to be asleep to have bad dreams.
32:44Cruz, it is normal for a woman to have nightmares.
32:46Even so, you should avoid copious dinners.
32:50And have dinner at least two hours before going to bed.
32:53So that I have time to digest.
32:55And avoid wine and liqueurs at night.
32:58Exactly, and not to make a lot of heat in the room.
33:01I have heard that a hot bath before going to bed also helps.
33:04Well, enough! Enough!
33:07Can you get into your business and leave me alone once and for all?
33:11I'm tired of so much advice to tell me how to lead my life
33:14or how I have to face the fact that Manuel is in front of me.
33:17Cruz, everyone does it to help.
33:19Well, it doesn't help me at all, Maria Antonia.
33:21It would help me more if you took care of what really matters.
33:25For example?
33:27For example, find out how the poison got to Martina's room.
33:30Well, that's clear.
33:32No, it's not clear, Ignacio.
33:34You have locked up that poor girl so that they take care of her while you investigate, right?
33:39Who is investigating here?
33:41Huh? Who?
33:44Is there anyone who wants to know what really happened?
33:48Cruz, I think you're exaggerating.
33:50Lorenzo, you don't even need to talk.
33:52I really didn't expect anything from you.
33:54But you, Margarita.
33:56Do you want to do something for your daughter, yes or no?
33:59Well, of course I do.
34:02Your daughter is locked up in an asylum and you are not doing anything to get her out of there.
34:06Stop accusing me, Cruz.
34:08What can I do?
34:10I don't know, I don't know, but something, Margarita, something.
34:15And you, Ignacio?
34:17I don't see you very concerned about investigating anything.
34:20Cruz, it's not necessary.
34:22Yes, it is necessary.
34:24It's necessary because I'm at home.
34:26Period.
34:45Phew.
34:47Phew.
34:49It's so cold in here, miss.
34:51You get the cold in your bones.
34:53It's not that bad.
34:55Yes, it is.
34:57You're going to catch something bad here.
34:59Good thing I brought you a hot plate of lentils.
35:01Thank you very much, Simona.
35:03But I have a stomach that I can't eat anything.
35:07And that?
35:09Well, so many things.
35:12My brother.
35:14The situation in the house.
35:17But above all, that my cousin is locked up in an asylum.
35:21And not being able to do anything to avoid it.
35:24I have heard that it is a center of great importance.
35:28Yeah, and I'm the one who says it.
35:30Ayala, I don't believe a word of that man.
35:33But I don't think Mrs. Margarita is aware that her daughter is being neglected.
35:38My aunt seems to be losing her mind because of that man.
35:41How can they put an innocent girl in such a place?
35:45I understand that you are angry and upset, but ...
35:48But don't say that, because in the end your character will be spoiled.
35:53Well, yes, it may be.
35:56The truth is that lately I have been going from trouble to trouble.
36:00And who do you have a problem with, miss?
36:03Well, look.
36:05I had it with Cruz for receiving Adriano at the palace.
36:08He insulted us, humiliated us.
36:12Who does he think he is?
36:14Always above everyone else.
36:16You know how the Marquise is.
36:19On top of that, he made me face my relationship with Count Daniel.
36:23At this point.
36:25And what did you tell him?
36:27Well, much less than I should have told him.
36:30But I made fun of him, I made fun of him when I was little and ...
36:34And that eats me up inside.
36:35No, don't get mad, miss.
36:38It is very easy to blackmail someone when you catch him with the scythe.
36:42The difficult thing is to get up when one falls.
36:46And you always do that.
36:49That was before.
36:51And now too, you'll see.
36:53You believe in my strength more than I do, Simona.
36:56I have reasons to do so.
36:59You are not one of those who bow their heads.
37:01You are not one of those who bow their heads.
37:04If what worries me is Adriano.
37:07That the poor man is not to blame for anything.
37:09He had to be shocked.
37:12Yes, but at least it seems that he did not take it badly.
37:15He even makes fun of it.
37:18You know what, miss?
37:21Every time you name this boy,
37:24you get a little smile on your face.
37:27Me?
37:29What's wrong with you?
37:31Miss, we've known each other for many years.
37:39You have me very angry, huh?
37:42Well, you're right.
37:45Yesterday, Adriano and I kissed.
37:49I knew it.
37:52But what am I doing, Simona?
37:55This story doesn't make any sense.
37:57And why not?
37:58Well, because it's crazy.
38:00After what happened to me with Count de Añil,
38:03what do I do with another man?
38:05I shouldn't be with him.
38:07Listen to me, miss. I'm going to tell you ...
38:09But I'm a fool.
38:11An idiot who doesn't know what she's doing.
38:14Shut up for a moment, miss.
38:16I'm sorry to talk to you like that.
38:18But I can't stand hearing you speak ill of yourself.
38:22Let's see.
38:24Don't you realize that you can't turn things around so much?
38:28Don't think so much.
38:30And listen only to your heart.
38:33It's very big and very wise.
38:35I'm telling you.
38:46Have you finished writing the letter to Tomás?
38:49Yes.
38:51I've written three pages on both sides.
38:55My wrist hurts from writing everything.
38:58And have you thought about how to pay the jailer?
39:09Do you think this bracelet would work?
39:14It's ...
39:17It's beautiful.
39:19I gave it to the young man to whom I sent the letter.
39:22I value it very much.
39:24But right now the important thing is that my letter reaches him.
39:28And do you think it will be useful to pay the jailer?
39:50Well, I don't know how Mrs. Darre will be, but I haven't seen her in days.
39:53I don't know.
39:55But the last time she brought a lot of water and food, right?
39:59Well, yes, but I've been doing calculations and ...
40:03Maybe it's not enough.
40:06If it's not the end of it, of course.
40:08She was very down-to-earth and in the end she's there alone.
40:12So I'm afraid she could do something crazy.
40:15No, no. Mrs. Darre is a very sensible woman.
40:18I know, but in the end she's been there for a long time and she hasn't seen her son for a long time.
40:23No, don't worry.
40:25You'll see how soon we can bring her to a more comfortable place.
40:28And when is that going to be?
40:30In no time. You'll see.
40:32In Lujan, people are already talking about how Mrs. Darre died in her town.
40:36Now we just need this to reach Mr. Castillo's ears.
40:39Well, and we also need him to act as we want him to.
40:42And he will. Trust me.
40:44As soon as Mr. Castillo believes that Mrs. Darre has died, he will go to the town to verify that the tombstone is there.
40:50And when he sees it, Mrs. Darre will be out of danger.
40:53But that can take days.
40:56And I need to see her before.
40:58Besides, Petrán won't leave me and I can't go to the cave.
41:01Now that Mrs. Arcos has settled the mea culpa with Mr. Pellicer,
41:05you'll see how to lower the vigilance. You'll be calmer.
41:08Well, God willing, because if not ...
41:10You'll see how.
41:12Very good.
41:14Maria, why have you arrived like this?
41:16Like this? Walking?
41:18You try to put one foot, then the other, then the other again, and that's how it works.
41:22Why do you look so scared? You look very pretty.
41:26No, no, because nothing has happened. Nobody is scared.
41:30Well, if you say so, Mr. Baeza.
41:33Hanna, Mrs. Petra has told you that we have to go to the laundry, because there is a lot of laundry to wash.
41:37I also have to go to the laundry?
41:39Yes, we have to wash blankets and napkins. And this time she said it in a very good way. Barely without shouting.
41:44Well, that's weird, look.
41:46Yes, it's weird, yes. Because listening to Mrs. Petra apologize is not something that usually happens.
41:49No, it surprises me too.
41:51Well, as soon as you finish the rooms, go to the laundry.
41:55Very well, Miss Expósito, then we will finish clarifying this matter later.
41:59Good.
42:01Shall we go?
42:03Let's go.
42:08What are you looking at?
42:10Nothing important.
42:20Hello.
42:22You're going to think I'm a little heavy with so many visits.
42:26No, never.
42:28I really like your visits.
42:41What are you carrying there?
42:43A game of tabas that I made for a friend's daughter.
42:45Do you want to see it?
42:47Yes.
42:55They are not as sophisticated as their pieces, but ...
43:05They seem made of bone.
43:07They are made of bone.
43:09With the hind legs of a lamb.
43:12They are made of bone.
43:14With the hind legs of a lamb.
43:16And you also painted them?
43:18Yes.
43:20As you can see, I'm not very good with the brush, but I did what I could.
43:23Well, they have been very beautiful.
43:27And is the game very complicated?
43:30Not as much as your chess.
43:32For me for sure.
43:34Have you never played the tabas?
43:36No, I've heard about them, but I've never played or seen them play.
43:40Well, it's easy.
43:42In short, you have to take the tabas and throw them.
43:45And as they fall, that's how you will go in the game.
43:47Like with the dice?
43:49Not at all.
43:51Because you also have to pick them up as they have fallen.
43:54But they don't have six sides like the dice.
43:57No, they have four.
44:00Look.
44:02This is GT.
44:05Belly.
44:07Verdugo.
44:09And King.
44:11Here it doesn't matter the chance, but the player's ability.
44:15So it's like chess.
44:17I wouldn't say so.
44:20You know what?
44:22I challenge you.
44:25But miss, what need does it have to be defeated if you told me a minute ago that you've never played this?
44:29Defeated?
44:31Well, we'll see.
44:33I'll be the first to throw.
44:35Let me finish explaining the rules better.
44:36You'll explain it to me while we play, so you learn better.
44:39I'll throw.
44:42Well, what?
44:44Did I win?
44:46I'd better explain the rules to you, because this doesn't make any sense.
44:50Whenever you want, sir.
44:53Good.
44:56Well, do you know that Queen Elena of Montenegro has ordered to build a hospital with 300 beds for war wounded?
45:02Those are a lot of beds.
45:04But of course, thousands die in that war.
45:07Excuse me, Hanna.
45:09Are you sure nothing happens to the young ladies?
45:13Maybe it can happen to them.
45:15I know it and everyone knows it.
45:17Including Mrs. Marquesa, who was unbearable today.
45:21Just today?
45:23Always today.
45:25But today I was about to tell you that I also had the right to be devastated.
45:30Because in the end, Manuel is my fiancé.
45:32Because in the end, Manuel is my fiancé.
45:35What?
45:37Well, in the end, I didn't tell you, Maria.
45:39Well, thank goodness, because with how weird you are, I see you capable.
45:42What do you mean weird? I'm not weird.
45:45No, girl. You're weirder than a green dog.
45:50Well, if I'm weird, what?
45:52What do you want me to do to Maria with everything I'm going through?
45:55Mrs. Pia just passed away.
45:58Manuel and Curro are at war.
45:59Yes, that's the reason for being sad.
46:02But I'm talking about how weird you are.
46:06What am I weird? Tell me.
46:08Come on.
46:10Well, look, to begin with, you're very thoughtful.
46:12You eat snacks. You're gossiping with Mr. Baeza.
46:15And you do mysterious errands for him.
46:18Maria, I'm not gossiping with anyone.
46:20I talk to Mr. Baeza from time to time because it comforts me to talk to him, nothing more.
46:24And what about the errands?
46:27They are simple orders.
46:29I'm behaving exactly the same as anyone would behave in my situation.
46:34I don't know if I believe you.
46:36You're weird.
46:38Come on, you're weird.
46:40Well, think whatever you want.
46:49But do you think the stairs at the entrance to the service are very clean?
46:54I have given them until they shone.
46:57Until they shone?
46:59What are they going to shine?
47:01If it doesn't even seem that you have given them a water.
47:03But if I have brought them brightness step by step.
47:06Well, you can't see it. They are wrinkled.
47:08I don't care how I do things, you're always going to stick to my work.
47:12How dare you, foolish?
47:14What I hear.
47:16It seems to you that you enjoy scolding me.
47:18Have I done something to you?
47:20But do you really have the audacity to ask me for explanations?
47:25They wouldn't be too much.
47:28Well, I'm not going to bother answering you.
47:31For two reasons.
47:35The first, because I don't give explanations to the maids.
47:38Understood?
47:40And the second,
47:43because I know you're not going to last long in this house.
47:46I know you're going to go to town to work for the priest.
47:49What did you think, that he wouldn't find out?
47:51No, no, it's not safe.
47:53It's just a possibility.
47:55First I have to get my son back.
47:57Do you want to leave here?
47:59Don't worry.
48:01No one is going to stop you.
48:03You can pick that door for me right now.
48:05No, Mrs. Arcos.
48:07I still plan to stay for a while.
48:09You plan.
48:11So we're here to fulfill your wishes.
48:14No, it's not that.
48:16Get out that door right now and go scrub the stairs until they shine like a mirror.
48:19Let's go.
48:25And close the door.
48:27Let's go.
48:42Look at him, he thought he was stupid, but he's not.
48:47What are you doing?
48:49Don't you see that letter is not good for us?
48:51I thought so.
48:53You should have thrown something from the Golden Stick.
48:55You're an ignorant, Vera.
48:57It's better this way.
48:59The truth is that the Mayor and the key man are arguing all day.
49:03They treat us like cows without a fence.
49:05When one says white, the other says black.
49:07Well, I don't think so.
49:09The truth is that when Mrs. Arcos and Mr. Pellicer hook up,
49:12one doesn't know what to do.
49:14It's a bit of an uncomfortable situation.
49:16And in the end, we always end up paying the same, the lower ones.
49:19But hey, it looks like they've already signed the peace.
49:22The good thing is when we all work with the same goal.
49:25Right, Salvador?
49:27I love the 40s.
49:29We're on a roll, huh?
49:31I told you you should have thrown gold. You're in a bad mood, Vera.
49:33Do you want to leave me alone?
49:35It's just a game.
49:37Even if it's a game, you have to play well. You're in a bad mood, Vera.
49:40Well, what did you want? For us to come and see you argue?
49:43Do you know what I'm saying? I'm leaving.
49:45I came to have a good time.
49:47Not to be bitter.
49:49Let's go.
49:57Let's go.
50:11Cruz, I finally find you.
50:14Did you need me for something?
50:16Yes, I wanted to apologize.
50:19This morning we have all been very unfortunate,
50:22telling you what you should or should not do so as not to have nightmares.
50:25If only it were this morning.
50:28As if a mother who has a son at war
50:32was able to decide what she wants to dream of.
50:36Are you looking for something, Ignacio?
50:38Because this way of giving me the ears is a little rude, even for you.
50:43We are friends.
50:45It is normal to support each other among friends.
50:47We haven't been friends for a long time, so stop giving me the pill, please.
50:50I just pretend to be kind.
50:51With some interest, sure.
50:53But from me,
50:55after having admitted Martina to a asylum,
50:57you won't get anything.
51:00I warned you.
51:02If something bad happens to my niece,
51:04I'll finish you off.
51:06Come on, Cruz.
51:08I think I have a right to have control over the main suspect
51:11of my poisoning while I investigate.
51:14Investigate, you say?
51:16Well, I'm going to investigate.
51:18Investigate, you say?
51:20Well, you tell me how you do it,
51:22because I don't see you moving a finger.
51:24But what else do you want me to do?
51:26Well, whatever.
51:28Except wait for the answers from heaven to fall on you.
51:39Petra.
51:41Come closer.
51:48Ms. Marquesa and I were talking about
51:51everything that happened with Martina.
51:53You know, my poisoning.
51:56And what does it require from me?
51:58Well, we both want to get to the bottom of the matter.
52:02And I've heard that you have some information
52:05about this sad matter.
52:07Me?
52:09Uh-huh.
52:11Well, tell me.
52:13Do you know anything that might interest Mr. Marquesa?
52:15Well, has the cat eaten your tongue?
52:26I can't get my head out of my face, can I?
52:29Damn it.
52:31Now that you mention it, Maria,
52:33I have to tell you something.
52:35Mr. Baeza, I beg you to be a little clearer.
52:38A good understander doesn't need many words.
52:41And you're better than good, Mr. Pellegro.
52:43If so far I have wanted to convey my confidence in your worth,
52:47know that this can change at any time.
52:50You acted without heart and with a lot of selfishness.
52:53That's the truth.
52:55Well, enough. I'm a little fed up with so much hypocrisy.
52:58You're a lynx looking at the straw in someone else's eye
53:00and not looking at the vein in the cross itself.
53:02When that letter gets to Curro's hands,
53:04he'll know where you are and he'll know
53:06that you still want to kiss him anyway.
53:08I hope so.
53:09I hope so.
53:12Uh...
53:14One moment.
53:17Do you know his name?
53:19I'm very distressed. I don't feel like doing anything.
53:22This situation is getting out of hand.
53:24But Cruz, I have a bad feeling that something bad is going to happen
53:28if it hasn't already.
53:30Hanna?
53:32What's going on?
53:36My God.
53:37I need you to be my eyes and ears.
53:41The promise.
53:43Count on it, Mr. Castillo.
53:45But now leave.
53:47It's convenient that no one sees you around here.