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00:07:23The Tale of Cassidy Redd, a ballad of love and hate.
00:07:53The Tale of Cassidy Redd, a ballad of love and hate.
00:08:13The Tale of Cassidy Redd, a ballad of love and hate.
00:08:33The Tale of Cassidy Redd, a ballad of love and hate.
00:09:03The Tale of Cassidy Redd, a ballad of love and hate.
00:09:23The Tale of Cassidy Redd, a ballad of love and hate.
00:09:49The Tale of Cassidy Redd, a ballad of love and hate.
00:10:19The Tale of Cassidy Redd, a ballad of love and hate.
00:10:47The Tale of Cassidy Redd, a ballad of love and hate.
00:11:07The Tale of Cassidy Redd, a ballad of love and hate.
00:11:27The Tale of Cassidy Redd, a ballad of love and hate.
00:11:47The Tale of Cassidy Redd, a ballad of love and hate.
00:12:07The Tale of Cassidy Redd, a ballad of love and hate.
00:12:27The Tale of Cassidy Redd, a ballad of love and hate.
00:12:47The Tale of Cassidy Redd, a ballad of love and hate.
00:13:07The Tale of Cassidy Redd, a ballad of love and hate.
00:13:27The Tale of Cassidy Redd, a ballad of love and hate.
00:13:47The Tale of Cassidy Redd, a ballad of love and hate.
00:14:07The Tale of Cassidy Redd, a ballad of love and hate.
00:14:27The Tale of Cassidy Redd, a ballad of love and hate.
00:14:47The Tale of Cassidy Redd, a ballad of love and hate.
00:15:07The Tale of Cassidy Redd, a ballad of love and hate.
00:15:27The Tale of Cassidy Redd, a ballad of love and hate.
00:15:48I like your new hair, darling.
00:15:52It softens your face.
00:16:07I am sorry if I hurt you, Jo.
00:16:11But you hurt me first.
00:16:14Matter of fact, you shattered my heart into jacket shards and then sprinkled them pieces all over that campfire.
00:16:29If you have any heart still left to beat, I aim to silence it for good.
00:16:37That's my girl. Stance to the last.
00:16:44Let's find this heartbreaker a soft place to lay down them fiery locks, shall we boys?
00:16:57And how did you think this was going to end, exactly?
00:17:07Well, you're a blood on mountains.
00:17:13Whoa!
00:17:23Ain't neither of you long for this world.
00:17:27Enjoy your last night together.
00:17:37Jo.
00:17:44Jake?
00:17:59You're alive.
00:18:01I am now.
00:18:14Let me guess. They share some poison berries that Jacob had holstered just in case this ever happened.
00:18:21Not everyone in every story is quite as hung up on martyrdom as you are.
00:18:26Since I don't know what that word means, I'm going to go ahead and take it as a compliment.
00:18:30They say that when lovers are pulled apart by fate and circumstance, their bond is only strengthened as if the heart responds to a challenge with resolve.
00:18:42You an authority on love, Cricket?
00:18:44May I continue?
00:18:47Josephine Cassidy was conceived and delivered in that room right there.
00:18:53Daughter of Harley O'Houlihan, one of the founding members of Bellevue's most profitable enterprise.
00:19:00And Cork Cassidy.
00:19:02Part-time killer, full-time drinker.
00:19:06A young girl who grows up in a saloon, sees and hears things no child should ever have to.
00:19:12But when Harley went to work, she'd banish her daughter from the Belle for days at a time.
00:19:17Jo would light out for Court's Ranch, half the day's ride south of Ruby.
00:19:22Often as always, Rowena would come along.
00:19:26She was the product of the barkeep taking liberties with one of Harley's gals.
00:19:30Pretty young thing named Jill, who died giving birth.
00:19:32Nobody in Ruby paid Rowena no never mind, so she followed Jo back and forth across that desert.
00:19:38Looked up to her like a sister.
00:19:41Besides the occasional meal, Cork only really had one thing to offer his daughter.
00:19:47After all, even when half in the bag, he was still a sinister shot.
00:19:51Hey!
00:20:21And back in them days, a hired druggie like Cork Cassidy could wipe entire families of Apache off their land.
00:20:36Spill them orphans into the desert.
00:20:38One of them orphans wandered for months through open country,
00:20:41till he made the mistake of squatting on the wrong property.
00:20:45Hey!
00:20:49What do you got there?
00:20:52You're trespassing on my father's land.
00:20:55And that tree you're digging in? Belongs to us.
00:20:58So whatever you have there is now our property.
00:21:01Hand it over.
00:21:03You hear me, Cochise?
00:21:05I said hand it over.
00:21:10Give it to me!
00:21:17Hey!
00:21:21Tom Hayes, you're a bully and a thief.
00:21:24Leave the poor Apache alone. Can't you see he's a halfwit?
00:21:27I'm gonna knock the teeth out of your head, you little whore.
00:21:31Call me that again.
00:21:43He's just a jackass, you know?
00:21:46A donkey.
00:21:49A burro.
00:21:51Do you talk?
00:21:53I'm not gonna take it, you silly redskin. I just wanna see it.
00:21:58You better light out of here. Tommy's gonna be back with his daddy soon, and then you've really had it.
00:22:03He knows where you hide that thing now. Can't very well leave it behind.
00:22:07It'll be gone by morning.
00:22:15Come on, then.
00:22:22Come on!
00:22:42That jackass will never look in here.
00:22:45He's scared of snakes.
00:22:47Ha! I knew you could understand me.
00:22:52What's in there that's so damn important anyway?
00:22:55Yakky silver.
00:23:06Them missionaries teach you to talk?
00:23:08You all scalp them afterward?
00:23:17What the hell is this for?
00:23:21I don't know.
00:23:33I think that's the most wonderful, horrible sound I've ever heard.
00:23:39What's it say?
00:23:44Yazzie.
00:23:47Yazzie. What's that, your tribe?
00:23:51No.
00:23:54That's your name?
00:23:56No. Yazzie.
00:24:00That's your family? It's your family's name?
00:24:03Yes.
00:24:05Well, it's your name.
00:24:09Everybody knows all the best names come out of this silly book.
00:24:13That's where my name comes from. See?
00:24:21Guess my folks respectin' a boy.
00:24:27What, you like that name?
00:24:39You can't be Jacob.
00:24:41Jacob is Joseph's daddy, and I already got me a daddy. See?
00:24:47That's Cort. That there's Harley.
00:24:50Your family?
00:24:52My folks. Not much of a family.
00:24:57Fine, you can be Jacob. But at least do this.
00:25:04Otherwise, it's just weird.
00:25:07I'm wearing this for way too long.
00:25:11You wear it.
00:25:17And what's that?
00:25:20It ain't gonna hurt ya. Look, I got one too.
00:25:26I got one too.
00:25:30I got one too.
00:25:33I got one too.
00:25:37Them saguaros really let you know if you get too close.
00:25:49Got any more scars, Jacob Yazzie?
00:25:55Josephine! Rowena! Where'd y'all run off to?
00:26:00Don't worry, he won't come out here. He's more scared of them rattlers than you are.
00:26:06I know.
00:26:17This might be the ugliest goddamn thing I've ever seen.
00:26:37A local prospector by the name of Hank Hayes amassed a small fortune
00:26:42when the Apache were forced out of the mountains to make way for silver mining.
00:26:46He was something of a patron saint of the town,
00:26:49as his deep claims had paid for a rubies courthouse, a saloon,
00:26:52and the education of his only son, Tom.
00:26:58What the heck?
00:27:01Ain't you gonna plug him for what he done?
00:27:03What he did?
00:27:05What did he do?
00:27:07Little red bastard gave me this.
00:27:20Sure you wanna stick to that story?
00:27:23Poor little squirrel couldn't kick his own ass.
00:27:26Reckon them gals out there is the one that gave you that bruise.
00:27:31Perhaps he felt guilty about all that Apache blood stained in the silver he took out of them hills.
00:27:36Or maybe he was just trying to get a rise out of his ornery son.
00:27:40Are you Apache or Yaki?
00:27:44You understand me, don't you?
00:27:47Yes.
00:27:50Well, what's your name, son?
00:27:54I'm Hank.
00:27:56Hank.
00:27:57Well, what's your name, son?
00:28:00Hank Hayes made a decision.
00:28:03And with that, Tommy had himself a new brother.
00:28:15Joe!
00:28:17Get over here.
00:28:23Hell, is that around your neck?
00:28:28Get in here.
00:28:32Josephine!
00:28:34Joe, come back here!
00:28:57Joe!
00:29:13The thrill of kindred spirits and youthful possibilities fuel the intarnished heart of a child.
00:29:19But the journey to adulthood rides saddled with the sting of reality.
00:29:22And by the time Joe Cassidy had been poisoned by her father's prejudice and her mother's opportunism,
00:29:28she had forgotten all about her fellow outcast and landed in the arms of his brother, the better prospect.
00:29:40Jake, look after my fiancée now.
00:29:44She's the most valuable thing on this ranch.
00:29:47How long do you reckon you'll be?
00:29:48Should be more than a few weeks. Bisbee, Tucson, Phoenix. Collect only old man's claims.
00:29:54I'm sorry, Tom.
00:29:56Your father was good to me.
00:29:59Well, let's hope he's good to us from beyond the grave.
00:30:02I've got a feeling it's going to cost me a fortune to buy that woman a new family tree.
00:30:06What are you talking about?
00:30:08Well, I can't very well have the whole territory knowing who my wife's parents really are.
00:30:13It's a scandal we're going to bury under sand and gold.
00:30:17If it's what she wants.
00:30:21Look after the ranch, little brother.
00:30:25Jake, things aren't exactly the same as I left them.
00:30:30When I get back, you and I are going to have words.
00:30:46I love you.
00:31:16I love you too.
00:31:39What the hell are you doing out here pointing rifles at cans?
00:31:42You're going to get black powder all over that rock, you know.
00:31:44I'll spray powder all over that red smirkin'.
00:31:46You should be thanking me, Joe Cassidy.
00:31:49You're far too dignified a specimen to be venting cans in public.
00:31:54And what do they pay good money to pick your people off this land?
00:31:57Your dad took that job very seriously.
00:32:00And took pleasure in his work.
00:32:02You don't know nothing about my daddy.
00:32:04You're probably right.
00:32:06But just think.
00:32:08If Tommy's daddy hadn't paid so much good money to your daddy,
00:32:11and used this thing on my daddy,
00:32:15I'd be missing out on the pleasure of my company right now.
00:32:29Is that story supposed to make me feel sorry for you?
00:32:32I don't need your pity, Mrs. Hayes.
00:32:34It ain't Mrs. Hayes yet.
00:32:39Pardon me.
00:32:42Miss Cassidy.
00:32:44I won't make that mistake again.
00:32:46I promise.
00:33:11Damn it!
00:33:23Damn it to hell!
00:33:26Oh!
00:33:28Frickin' son of a...
00:33:30What's all the singing about?
00:33:32Ain't it a little late to be doing a rain dance?
00:33:35Can't get the goddamn nails in unless I get my face underneath the goddamn hole.
00:33:39Well, I'll have to get up on the ladder and do it for you.
00:33:41I wouldn't want you to rip your corset.
00:33:54Oh, don't you dare hit me with that thing.
00:33:56I won't do it.
00:34:07Well, come on up here.
00:34:12You know, this would be a lot easier to do from on top of the roof.
00:34:15It's raining on top of the roof.
00:34:30You can get up.
00:34:32It won't be too long before you start complaining about being hungry.
00:34:41I'm hungry.
00:35:12What's that one?
00:35:14What one?
00:35:16That one.
00:35:18That big black son of a bitch who keeps circling the same spot over and over again.
00:35:21That one?
00:35:23We call that one...
00:35:25Angel who draws salt from the earth.
00:35:27Really?
00:35:29No.
00:35:31You ass.
00:35:34Why do you assume I know what every bird, snake and rodent is called?
00:35:38I don't know who you're talking to.
00:35:39What do you think they're called?
00:35:41I don't know.
00:35:44Don't your people have some sacred bond with the land, sky and every animal in between?
00:35:47My people?
00:35:49We're born here too, you know.
00:35:51I've spent a hell of a lot more time with your people than with my own.
00:35:53You really don't know what that thing is?
00:35:55Of course not, that's why I asked.
00:35:57A turkey vulture.
00:35:59What, are you big or something?
00:36:01What the hell with you?
00:36:03Hell with you.
00:36:04What's he circling?
00:36:09Food.
00:36:11I know that. What kind?
00:36:13I don't know if I know.
00:36:15Something that ain't dead yet.
00:36:20You remember when I pulled a gun on Tom for you?
00:36:23What?
00:36:25We were kids.
00:36:27Tom was beating you senseless and I had the drop on him.
00:36:30Reckon you confuse him with dreams from memories.
00:36:33Yeah, I do that sometimes.
00:36:38You comfortable in that?
00:36:40How do you mean?
00:36:42Soaked in sweat twice through and your hands are swollen from those frilly manacles.
00:36:48That dress make you happy?
00:36:52He gave it to me.
00:36:54Looks like it's dinner time.
00:38:54If a man arrives home early from his journey, he may very well find his house empty and his bed cold.
00:38:59Tom Hayes made such a haste to write him home from Bisbee
00:39:03that he's rewarded with the kind of welcome that no man ever recovers from.
00:39:12How did they meet?
00:39:14She was a pro, he was a customer.
00:39:16It ain't hard to make friends on the second floor of the Bellevue.
00:39:20Does he still visit her?
00:39:22Once a week, every week, for the last 20 years.
00:39:27Does she charge him?
00:39:29That's not a conversation I'm especially interested in having with my mother.
00:39:35Why are you so curious about Harley and Cort?
00:39:38I'm curious about you.
00:39:43And Tom mentioned you didn't want people knowing that Harley and Cort were your folks.
00:39:50Tom doesn't want people knowing they're my folks.
00:39:54I could give a shit.
00:39:58But he can't have people knowing that his in-laws are a whore and are steady drunk.
00:40:06Do you love him?
00:40:14Of course not.
00:40:19Then why are you married?
00:40:21I thought he could take me away from all this.
00:40:24Away from this town.
00:40:27Does that make me a horrible person to you, someone like that?
00:40:33Not necessarily.
00:40:38I'm relieved you think that.
00:40:41Why?
00:40:50Because I'm not marrying him, Jake.
00:40:55I don't know if I can take you away from this place, Joey.
00:40:57I know.
00:41:01But here I am.
00:41:19No!
00:41:38How'd that bastard become sheriff anyway?
00:41:41Well, there were rumors that when Tom Hayes realized his fiancée was fixing to leave him for his adoptive brother
00:41:48that he used his daddy's fortune to buy himself a badge.
00:41:53Who'd vote for a monster like that?
00:41:56Well, the mines had dried up. Railroad hadn't passed through here yet.
00:42:02Tom Hayes was the only person in town with any seed.
00:42:06And he planted it in all the right pockets.
00:42:10Why didn't people just leave?
00:42:12A lot of them did.
00:42:14Before Hank Hayes passed on, this town was fixing to be another Bisbee.
00:42:19Plenty of farms, homesteads, ranches, promise.
00:42:25But when his son became sheriff, this palatial establishment we're currently residing in
00:42:32as well as Harley O'Hoodlehan's pleasure parlor upstairs became the center of this town.
00:42:40And the only profitable business left in it.
00:42:45When the engagement was called off, rumors began to swirl as to why Tom Hayes hadn't just gunned down his fiancée and brother.
00:42:57But he never threatened the lovers, nor involved himself in their affairs.
00:43:02Instead, he took up residence in the Bellevue.
00:43:06Using his father's money and political influence, he set about rewriting the rule of law in Ruby.
00:43:13Still, Joe and Jacob behaved cautiously around Tom at all times.
00:43:19Uneasy about the new sheriff's intentions, they made quiet preparations for their escape.
00:43:25But shortly after Tom had taken control of the saloon, Harley's consumption reared up with a fierce vengeance.
00:43:32So at Rowena's pleading, Joe decided she couldn't leave her mother to die alone in a brothel.
00:43:42To be continued...
00:44:12To be continued...
00:44:42That was the plan.
00:44:45Tom Hayes would have killed the lovers and that would have been the end of this here story.
00:44:50But in the glow of that campfire, he decided death was too good for him.
00:44:56He wanted them to hurt the way he had hurt.
00:44:59And the best way to hurt a person ain't to hurt that person.
00:45:03It's to hurt the person they love.
00:45:12To be continued...
00:45:42To be continued...
00:46:13To be continued...
00:46:26How did he do it?
00:46:29He shot him.
00:46:31In the street?
00:46:33Harley's room.
00:46:38Did you see it?
00:46:40I didn't have to.
00:46:43He's dead, Joe.
00:46:49I'm going back to Ruby.
00:46:51You can't do that.
00:46:53They'll be on you the moment you set foot onto Main Street.
00:46:56There's no place in that town he doesn't have eyes.
00:46:59If you go back to Ruby and get yourself shot, then what did he die for?
00:47:02What did he die for?
00:47:04If he were still alive, he'd beg you not to do anything foolish.
00:47:07He'd want you to stay away.
00:47:13To be continued...
00:47:26Let's take that little whore's advice to heart, Josephine.
00:47:31Mama was a whore.
00:47:33She'd be the first to admit that.
00:47:38Is that how you see them?
00:47:39Sports first and women second?
00:47:42Just the judgment of a whore over just about anyone.
00:47:47You trusted Harley?
00:47:49You think she loved you?
00:47:52Why are you so concerned whether your mom and I loved each other?
00:47:57Because she's dead, Cort.
00:48:00I thought you should know there won't be a warm body in a bottle waiting for you above the bell anymore.
00:48:05Your mama, she...
00:48:07Don't hurt yourself, Cort.
00:48:11Maybe you can get together with all of Harley's regulars.
00:48:14Who knows how many brothers and sisters I've scattered all over the territory.
00:48:18I'll pluck your eyebrows off if you don't watch your mouth about your mama.
00:48:22Harley O was the decentest woman I ever had.
00:48:24If you loved her so much, then how come you didn't take her away from this life?
00:48:28I told her every time I saw her that I loved her.
00:48:29How come you didn't take her away from this life?
00:48:31I told her every time I saw her that I loved her.
00:48:36She never came to see you?
00:48:38Sent that Roween out here to deliver a few letters.
00:48:42You and I have both had someone taken from us.
00:48:45You can't hunt down consumption, but I can put a bullet in the heart of that seed sucker who killed Jake and made a slave out of Harley.
00:48:52Oh, good. You just leave me out of it.
00:48:54You're too busy pining for a whore, you can't even shoot straight.
00:48:56I shoot just fine, young lady.
00:48:58But stomping into a suicide mission to avenge some Apache bastard who gives you the vapors?
00:49:03This ain't the way I planned on ending my life.
00:49:08Are you sure you want your last words in this world to be a slur about a man who died today?
00:49:13As far as I'm concerned, that Apache bastard is the only family I got.
00:49:22Well, you get every right to go and seek your revenge.
00:49:27But I don't owe him nothing.
00:49:33I thought there was a good man buried inside that poisonous husk.
00:49:36I don't owe him nothing.
00:49:38I thought there was a good man buried inside that poisonous husk.
00:49:40I thought there was a good man buried inside that poisonous husk.
00:49:45You may have me confused with someone else.
00:49:53You may have thought that Apache was the only family you ever had.
00:49:57By God, now I'm really the only family you got left.
00:50:03I'm going to Ruby to kill Hayes.
00:50:06With or without your help.
00:50:07With or without your help.
00:50:09Well, you're going to see your mom again.
00:50:12A lot sooner than I will.
00:50:38Hayes would have already plugged you twice in the time it took you to aim your first shot.
00:50:43I thought you said you didn't want any part of this.
00:50:45I don't. Don't mean I'm adverse to entertainment.
00:50:48What sick sense of humor some bitch taught you how to shoot?
00:50:59Hell, maybe some people just can't be taught.
00:51:07You know what?
00:51:24You know what poultry for supper I suggest using an hatchet.
00:51:27You smoke them hands with a bullet, the meat just ends up tasting of antimony.
00:51:32You ever do any actual ranching?
00:51:34This bread's about as useful for ranching as a cactus is for a saddle.
00:51:37Then how'd you pay for all this?
00:51:44So killing still pays well.
00:51:46Pays a hell of a lot better than conspiring.
00:51:49Unarmed Navajo, Apache, Chinese, women and children, they deserve it?
00:51:53You'll forgive me if the judgment of a petulant child smacks of hypocrisy.
00:51:58And you think killing Hayseed Hayes is going to give you that satisfaction?
00:52:02I'll let you know.
00:52:07What are you closing one eye for?
00:52:09Close one eye, you're just going to see half as much.
00:52:11Plus you're just going to end up spraying wide because you ain't got no depth perception.
00:52:21I know you think I'm an ancient, bigoted, drunken fool.
00:52:26And you're not wrong.
00:52:28But tell me, Lady Vengeance,
00:52:31how is it that someone twice your age and twice as drunk as you
00:52:34can get three dead-eye shots off in the time it takes you to get one?
00:52:38Because you've been practicing your whole life?
00:52:40Wrong.
00:52:42Because you're so drunk you're not even trying to aim?
00:52:44That's close.
00:52:46I ain't got time for the ramblings of a lonely, pickled reptile.
00:52:48So busy looking that you ain't seeing.
00:52:50For every second you spend crossing your eyes at your target,
00:52:54you lose two split seconds you could have spent firing.
00:52:57Tell me how, Cort.
00:52:59Tell me how to shoot like you.
00:53:01Look, I ain't never asked for anything and you ain't never given me anything.
00:53:02I gave you my name.
00:53:05Give me something I can use, Daddy.
00:53:08Give me something I can use to defend myself.
00:53:15You don't want to defend yourself.
00:53:18You want to take a man's life.
00:53:21Josephine.
00:53:23Now, your hand is on its way from wherever it was to point directly at your target.
00:53:28The weapon is just something it happens to pick up along the way.
00:53:32The holster is talking to the gun as your hand rides by it.
00:53:36The gun matches the speed of your hand and joins it.
00:53:40Go then.
00:53:42I'm not going to let you go.
00:53:44I'm not going to let you go.
00:53:46I'm not going to let you go.
00:53:47It joins it.
00:53:49Go then.
00:53:52What was that?
00:53:54A shot at the son of a bitch.
00:53:55No, you didn't.
00:53:56I did.
00:53:57No, you did not.
00:53:59You took three to the chest before you even had a chance to fire your first shot.
00:54:04Go.
00:54:06Go again.
00:54:07Go again.
00:54:13Why is your hand shaking like a punched or a pugilist?
00:54:17There ain't no blood left in it.
00:54:19Tell your veins to pump the blood where it's needed.
00:54:24Are you in charge of your hand or is it in charge of you?
00:54:32I guess that answers that question.
00:54:38Better.
00:54:39I miss.
00:54:40Hey, your eyes don't aim, your arm aims.
00:54:42When you blink, does your weapon discharge?
00:54:44No.
00:54:45What discharges your weapon?
00:54:46My hand.
00:54:47Your arm.
00:54:48Hand is an extension of your arm.
00:54:50Finger's an extension of your hand.
00:54:52All right.
00:54:53Your arm aims the gun, your finger pulls the trigger.
00:54:56They do the work, so they make the rules.
00:54:58All right.
00:54:59Your eyes don't even hardly factor in.
00:55:01All right.
00:55:02All right, then.
00:55:04What are you doing, Cass?
00:55:05Don't call me that.
00:55:06Why not?
00:55:07He calls me that.
00:55:08Who?
00:55:09You know who.
00:55:10You hate that crooked son of a bitch and badge polisher?
00:55:12Yes.
00:55:13You want to put two between the blank beady eyes of his?
00:55:15Yes.
00:55:16You want him to answer for Jacob?
00:55:17Yes.
00:55:18Draw a coat!
00:55:24Better.
00:55:36I'm gonna go to the bathroom.
00:55:49You all right?
00:55:52What's it look like?
00:55:53It looks like you haven't slept.
00:55:56What's it do to you?
00:55:58Are we gonna go shooting or do you want to get into bed?
00:56:01I want you to leave me alone.
00:56:03You know, I thought you were gonna help me.
00:56:05Help you do what?
00:56:07Help you get yourself killed?
00:56:09I'm not like Harley Court.
00:56:11I'm like you.
00:56:13Never wanted to believe it, but I can't deny it any longer.
00:56:16So what?
00:56:18So you're the best shot I've ever seen.
00:56:21And if you can make me half the shot you are, I'll be twice the shot Hayes is.
00:56:24So I shouldn't have a problem.
00:56:25So you can do what?
00:56:33Why don't you put that bottle down and come with me back to Ruby?
00:56:36Don't you listen to me, girl!
00:57:03Shit.
00:57:33You know, I thought you were gonna help me.
00:57:35Help you get yourself killed?
00:57:37I'm not like Harley Court.
00:57:39I'm like you.
00:57:41Never wanted to believe it, but I can't deny it any longer.
00:57:44So what?
00:57:46So you can do what?
00:57:48Why don't you put that bottle down and come with me back to Ruby?
00:57:51Don't you listen to me, girl!
00:57:53Shit.
00:57:55So you can do what?
00:57:57Why don't you put that bottle down and come with me back to Ruby?
00:58:00Why don't you put that bottle down and come with me back to Ruby?
00:58:18You shouldn't have come back.
00:58:20Why?
00:58:21Because you were safe.
00:58:23You'd gotten away.
00:58:25You should have stayed there.
00:58:29You couldn't bear the thought that he won, could you?
00:58:31So whether he shot you yesterday or hung you tomorrow, I should just let him get away with it?
00:58:34To hell with him.
00:58:36I know I couldn't trust you to look after yourself.
00:58:38To hell with you too.
00:58:39I leave you alone for five minutes and you get your skinny ass caught.
00:58:42Nobody asked you to come back here.
00:58:44If I hadn't come back here, you'd have a noose around your neck by now.
00:58:46I can take care of myself.
00:58:48Clearly.
00:58:50Bump off haste, then what, huh?
00:58:52You shoot your way out?
00:58:53I didn't care what happened after I killed him.
00:58:55Jo, you have to be smarter than that!
00:58:57No, I don't, Jake.
00:58:59No, I don't. You're the smart one. You've always been the smart one.
00:59:01And I thought you were dead, so I didn't give a damn if they plugged me the minute I left that room.
00:59:08Harley's room.
00:59:10Hell, it's where she died, after all.
00:59:15Where's places to take my last breath?
00:59:28He ain't never gonna leave us alone, is he?
00:59:33Not as long as we're both still alive.
00:59:51Never spent any time in lockup?
00:59:53I have.
00:59:55Didn't care for it much.
00:59:57They didn't let you bring your piano in with you?
00:59:59If memory serves, my jailbird days preceded my ivory pickman days.
01:00:05So you didn't play piano as a child.
01:00:08Well, there weren't a lot of pianos where I come from.
01:00:11Where's that?
01:00:12Not too far from here.
01:00:16This town is like a whale.
01:00:18Anything gets too close, it ends up falling in and never coming out.
01:00:22Anything gets too close, it ends up falling in and never coming out.
01:00:25That's why smart people keep their distance.
01:00:29Even if they're dying of thirst.
01:00:31Why haven't you left?
01:00:34What?
01:00:35What's keeping you here? You got family.
01:00:41Family?
01:00:45No.
01:00:47You're hot tied to this piano.
01:00:50Getting a lot of satisfaction out of serenading drunken lowlifes on their way to Nogales?
01:00:55Ask me another question.
01:00:59What made her believe Jake was dead in the first place?
01:01:04She made a mistake.
01:01:06And what was that?
01:01:10She trusted someone.
01:01:16She trusted someone.
01:01:42When my father died,
01:01:45he said, I wish you could have been more like your younger brother.
01:01:51Said I could have learned something from my brother.
01:01:57This was never about you, Tom.
01:02:01Shows what you know about a man's heart, Cass.
01:02:05Don't call me that.
01:02:06A man loves what he loves because that's what he loved.
01:02:11That ain't got nothing to do with whether or not he loves him back.
01:02:16You host her and rejoined her?
01:02:19Hard breather?
01:02:21You don't have to do this, Tom.
01:02:25Let her go.
01:02:27She's innocent.
01:02:30Innocent, says you.
01:02:34You realize this woman started her evening by pointing a gun
01:02:38at the publicly elected lawman of this here municipality.
01:02:43Who exactly elected you?
01:02:45And the penalty for attempted murder of a sheriff in Atchitoa County
01:02:51is death by hanging.
01:02:55Then what's his crime?
01:03:00Just leave me here and let him go.
01:03:03Tell you what.
01:03:05Why don't we make this easy on ourselves, hmm?
01:03:17Two bullets.
01:03:20Two bullets to change your world.
01:03:26The way I figure it, you can pick up that gun.
01:03:29The way I figure it, you can pick up that gun.
01:03:32Shoot the other one.
01:03:34Shoot yourself.
01:03:36And then the two of you can shuffle off in a blaze of glory,
01:03:39all Romeo and Juliet fashion.
01:03:43Or you could pick up that gun.
01:03:46Shoot me.
01:03:48Shoot the other one.
01:03:50And then toss the gun back in my lifeless body
01:03:52and convince whoever comes through that door in the morning
01:03:55that I was consumed by a fit of homicidal, suicidal jealousy.
01:03:59Or I could just shoot you twice in the head
01:04:01and not give a shit what anyone thinks.
01:04:06It is going to be hard to convince anyone
01:04:08that I got two in my own head before I went down.
01:04:11Cass.
01:04:12Don't call me that.
01:04:14Then when they find out who was responsible in the morning,
01:04:17you're both gonna swing anyway.
01:04:19Or maybe just one in the head
01:04:21and Jake and I make your suicide sound real convincing.
01:04:23I dropped four rounds at my feet,
01:04:25popped myself with the fifth,
01:04:27and then left a live one in the barrel.
01:04:31There is not a deputy in this town
01:04:33that's gonna believe I was drunk enough for that.
01:04:35Sorry, Cass.
01:04:37Joe, don't!
01:04:38Come on, Cass.
01:04:39Come on.
01:04:40Put us all out of our misery.
01:04:41Make Papa Corp proud.
01:04:43Joe!
01:04:50You see that?
01:04:53I just told her
01:04:54you were gonna get your neck stretched in the morning,
01:04:56and she still couldn't help
01:04:58but use those precious imaginary bullets on me.
01:05:19You may think this woman loves you, Jacob.
01:05:23You may be right.
01:05:25But I can goddamn well guarantee you
01:05:27she ain't got the necessary faculties to love your ass
01:05:29half as much as she hates mine.
01:05:34She truly is her father's daughter.
01:05:54Well, I guess the main question of the evening is
01:05:57which one of you gets to go first in the morning.
01:06:01Because the second one gets to watch.
01:06:03The big night for him.
01:06:06He had him to watch us suffer.
01:06:10That man suffered because of us, Josie.
01:06:13He ain't a man.
01:06:15He's a man.
01:06:17I'm not a man.
01:06:20I'm not a man.
01:06:21I'm not a man.
01:06:23I'm not a man.
01:06:25I'm not a man.
01:06:27I'm not a man.
01:06:29I'm not a man.
01:06:31I'm not a man.
01:06:33He was a boy, always been a boy.
01:06:36He didn't deserve what we did to him.
01:06:40He hasn't recovered.
01:06:41We may have caused him pain.
01:06:42The difference is we never took any joy in it.
01:06:46Daddy had a saying.
01:06:48The open door might invite the bad
01:06:50but the closed door rejects any possibility of the good.
01:06:54It's alright to get angry, Jake.
01:07:04I reckon you've got enough anger inside you for both of us, Joe Cassidy.
01:07:28How did we end up here, you and I?
01:07:30How did we end up here, you and I?
01:07:35Ain't no one else I'd rather spend my last night on earth with.
01:07:38No.
01:07:59Oh, I'm sorry, darling. Did I wake you up?
01:08:03I didn't mean to frighten you.
01:08:05I brought some hooch but it looks like you started without me.
01:08:09It's alright.
01:08:10As long as you're not too drunk to rub my tired feet.
01:08:15Sheriff Hay sent me.
01:08:17Got me up out of bed.
01:08:19Said his best man was ducking here all night, cold and bored.
01:08:24Doing his job, guarding the condemned and all.
01:08:28Said I ought to come and keep you company.
01:08:33Said I was to do whatever you asked.
01:08:35Whatever you wanted.
01:08:38For as long as you wanted.
01:08:41And I said, yes, sir, Sheriff, sir.
01:08:46Did I do wrong?
01:08:48You're not going to send me all the way back up to the bell before sunrise, are you?
01:08:55That's what I thought.
01:09:06Don't be greedy. We ain't got enough blankets to carry the whole goddamn arsenal.
01:09:10Where are we going to stash them?
01:09:11Do I have to do everything for you two? Use your imagination.
01:09:14And don't forget them cartridges.
01:09:16Those are 30-30 Remington shells, genius. That's a Winchester.
01:09:20It's a .44 caliber rifle.
01:09:23Okay, then.
01:09:27You know what?
01:09:29I don't think I'm going to do this anymore.
01:09:31Okay, then.
01:09:35Hand me that satchel.
01:09:46Rowena?
01:09:49Well, you may have lost your looks, Jake, but at least you've still got your eyesight.
01:09:53What the hell are you doing here?
01:09:55What's it look like, Ginger? I'm springing you.
01:09:57Why?
01:09:59I mean, she's got a real gratitude problem, don't she?
01:10:04Well, maybe I just spring him.
01:10:07And I'll leave your ass for Hayes to string up.
01:10:10Rowena, listen to me.
01:10:11Why should I ever trust you again?
01:10:14You're the reason we're in here.
01:10:17I made a mistake, now I'm trying to make it right.
01:10:21You told me Jake was dead.
01:10:24You told me!
01:10:27You left me out there believing he was dead this whole time, and then you helped Hayes trap me!
01:10:31Don't move!
01:10:33Why shouldn't I just watch these bars with your brains?
01:10:35Don't!
01:10:37You helped that son of a bitch, and now we're in here!
01:10:39Why should I believe you?
01:10:41It was my fault!
01:10:43You lied to me!
01:10:45You lied to me?
01:10:47He promised me!
01:10:49Promised you what? That he'd let me go?
01:10:50That he'd let me go?
01:10:52He promised me that if I helped him lure you back, he'd let Jake go.
01:10:58You're useless.
01:11:08I thought that maybe, if he knew I was the reason,
01:11:14someday he might look at me the way he's always looked at you.
01:11:21I'm sorry.
01:11:28You both need to get out of here, right now.
01:11:37No!
01:11:38No!
01:11:47I can't have everyone.
01:11:53Poor, sweet little Rowena.
01:11:55Shame to see her go just when I was beginning to trust her.
01:11:58But, aiding in a jailbreak is punishable by death.
01:12:01That's just law of the land, I'm afraid.
01:12:06You found me, Cass.
01:12:08Shedding tears for that little turncoat who was more than happy to trade your life
01:12:12for a chance to dig her claws into your wrist.
01:12:18I'm gonna kill you.
01:12:22You are in no position to be making threats, my old friend.
01:12:27Maybe I'll just string that noose up right about here.
01:12:30I wish you would. I really do.
01:12:36And that is exactly why.
01:12:38I won't.
01:12:43Achateau County Municipal Code expressly forbids public execution before 7am on the Lord's Day.
01:12:49I ought to know. I wrote the law myself.
01:12:56Look out that window.
01:12:58You should be able to see the sun hit them gallows at 7.01.
01:13:02Enjoy the show.
01:13:08No!
01:13:16No!
01:13:38No!
01:14:09Come on.
01:14:21Well, you're not looking your best, Josephine.
01:14:25But I guess you proved me wrong.
01:14:28You're still alive.
01:14:32Well, thanks to you.
01:14:39I am sorry, darling.
01:14:47That's just about all the apologies I can handle for one morning.
01:14:57Think you can knock Hayes off the gallows with ease?
01:15:02Before he has a chance to string up your boy.
01:15:05If you can keep those bastard deputies off me.
01:15:08Don't think you're going to be exchanging no gunfire wearing that frock.
01:16:09I'm sorry.
01:16:23Well, well.
01:16:25These are the surviving members of the Cassidy clan.
01:16:28Why don't you just let them go, Tom?
01:16:31Free Evans is all right out of here.
01:16:34Never see us again.
01:16:36Not a very strong bargaining chip, Cork.
01:16:38What makes you think I'd ever let this one get away again?
01:16:42You have any idea how many guns are on you right now?
01:16:44Got any idea how many eyes are on you right now?
01:16:49I own them eyes.
01:16:51That boy may be an arrogant, ornery troublemaker.
01:16:55But that don't make him a criminal.
01:16:57You really going to execute an innocent man in front of all creation?
01:17:03Who's going to stop me, Cork?
01:17:05You?
01:17:06Your daughter?
01:17:08Them whores?
01:17:10You ain't going to do a goddamn thing.
01:17:13You're going to stand there and watch me hang this backstabbing, freeloading homewrecker.
01:17:18Then you are going to turn tail on Harley's child and run to your dusty bottle back in the desert.
01:17:23Drop that door bar.
01:17:24She killed Rowena.
01:17:26She was unarmed and alone and he shot her in the back like the coward son of a bitch he is.
01:17:31Are you really going to spend your lives giving half your nut to a murderer just because he has a badge bought and paid for?
01:17:38When are you going to say enough is enough?
01:18:08Hold your fire!
01:18:38Hold it!
01:19:09Guys.
01:19:22Joe, this is me.
01:19:24Y'all can ride out of here.
01:19:26I promise I'm not going to follow you.
01:19:30I mean it. Just get on out of here.
01:19:38Kill an unarmed man.
01:19:41If loving you is punishable by death,
01:19:44then I'm going to go with the Queen of Cups.
01:19:48I love you, Joe Cassidy.
01:19:51I'll see you in hell.
01:20:08Come back to me, alright?
01:20:38Joe!
01:20:45That was fast.
01:20:52Not quite fast enough.
01:21:01I'm so sorry, Joe.
01:21:03Don't you dare do this to me again.
01:21:06I thought you were dead.
01:21:09Joe, please.
01:21:10That was so much more painful than this.
01:21:14I can't do this without you.
01:21:16Yes, you can. For me, you can.
01:21:20Thank you.
01:21:22Joe Cassidy.
01:21:24I love you, Jean.
01:21:38I love you.
01:22:09I love you.
01:22:11I love you.
01:22:13I love you.
01:22:38Were you just trying to make a point, or is that story true?
01:22:40I'm afraid it's true.
01:22:43And a lady like yourself deserves the truth.
01:22:46I appreciate that, Cricket.
01:22:49It's going to be awful cold in my room.
01:22:51I don't know where you plan on sleeping, but
01:22:54we could fight off that chill together.
01:22:57That's the finest offer I've had in many years, Q.
01:23:02And I'd be the luckiest man in the territory if I were to accept such a gift.
01:23:07But I ain't loved but one woman.
01:23:10She's the only one I can imagine falling asleep next to.
01:23:16You think of her when you play all them melancholy love songs in here.
01:23:21Every single night.
01:23:29I'm off sunrise.
01:23:31I get to be about that time.
01:23:34I ain't never seen a sunrise.
01:23:35I ain't never seen a sunrise.
01:23:38Well, that's tragic.
01:23:40Why is that?
01:23:42Well, a sunrise is at least twice as beautiful as a sunset.
01:23:45Twice?
01:23:47It's more magical.
01:23:49More symbolic.
01:23:51More deeply cleansing.
01:23:55To the sunrise.
01:23:57May she never take a day off.
01:24:05You know, I'm pretty sure that train depot faces east.
01:24:09What are you saying, young lady?
01:24:11I'm saying that platform would be a mighty fine place to see the sunrise.
01:24:17Watch the steam from the dawn train getting closer by the minute.
01:24:21Nogales behind, Tucson ahead.
01:24:26Ain't nowhere but here, Q.
01:24:32You know, leaving this place don't mean you've left her behind.
01:24:36No.
01:24:44You forgot your little friend.
01:24:47Ain't my friend.
01:24:49And I don't plan on needing him.
01:25:06Come on.
01:25:30Hey, Q.
01:25:32You're a humble admirer.
01:25:34Pay your way.
01:25:36Appreciate the offer, but I ain't never bought myself a train ticket before,
01:25:40and I'm kind of looking forward to it.
01:25:42Don't you dare get off that train to your spot someplace out that window.
01:25:46You ain't never seen before.
01:25:48You take care of yourself.
01:25:50I particularly.
01:26:01Thank you.
01:26:31You're welcome.
01:27:01You're welcome.
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