• 6 ay önce
La vida prometida Cap 4
Döküm
00:00:00I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you, I love you
00:00:30Io ti cerco, ti invoco follemente, per dirti che ti amo appassionato
00:00:50Amapola, dolcissima amapola, la luce dei miei giorni splendente
00:01:08Fai fiorire la passione come il suono della mia canzone
00:01:39Eh, ten tan cuidado, no ve que esta embarazada
00:01:47Perdone, te ha hecho daño?
00:01:51Eh paisano, quieres cambiar money? Dolares americanos, eh?
00:01:54Tal vez, tal vez, gracias
00:01:56Una lira vale un centavo, un cent, do you understand?
00:01:59Si tienes trescientas liras, yo te doy tres dolares, eh?
00:02:02No, un dolar vale veinticinco liras
00:02:05¿Cómo que veinticinco liras?
00:02:06¿Qué dices largo?
00:02:08Le está engañando
00:02:09Eh, vete de una vez
00:02:11Eh, no se le ocurra tocar a este niño
00:02:14Volveos a vuestro país asquerosos, muertos de hambre, italianos sí
00:02:20Un dolar vale veinticinco liras, ¿verdad?
00:02:22Sí, así es
00:02:23¿Y tú puedes cambiarnos?
00:02:25No, yo no tengo dinero, pero conozco a una buena persona que sí puede
00:02:29Si quieren también les busca una casa, aunque a cambio de un pequeño porcentaje
00:02:35Una comisión
00:02:36¿Hemos venido hasta aquí para encontrarnos con lo mismo?
00:02:38Eh, el mundo es un pañuelo
00:02:40Venga, vamos
00:02:41Anda, vamos, sigamos al niño
00:02:50Amor
00:02:52No es nada, es que por un momento
00:02:54¿Qué ocurre?
00:02:56Solo estoy cansada
00:02:57Es normal, ven
00:02:58Ven, ven por aquí, buscaremos a alguien que nos eche un...
00:03:05Ya casi estamos
00:03:09Aprietense un poco más
00:03:11Tú también
00:03:12Quieto, quieto
00:03:13Ya estamos listos, ¿están todos?
00:03:15Me temo que no, falta Antonio
00:03:18Como siempre
00:03:20Ya estoy, ya estoy
00:03:21¿Has visto?
00:03:22Ah, por fin, vamos
00:03:23Perdón, perdón
00:03:28Júntense
00:03:29Siempre llega tarde
00:03:31Quietos
00:03:32Sonrían
00:03:36Venga, sonría
00:03:38Carmela, sonríe
00:03:40Por el fotógrafo al menos
00:03:44Sonrío
00:03:46Ah, por fin
00:03:55Qué hijos más guapos tengo
00:04:01Te echo de menos, Marí
00:04:04Y a ti, Duri
00:04:06Cuánto te echo de menos, Duri
00:04:31Now they go by the name of Rizzo
00:04:34They're under that name in the immigration register as well
00:04:39Rizzo
00:04:42Morín
00:04:43Yes
00:04:44Los hemos encontrado
00:04:45That's great
00:04:47Carmela Rizzo, 475 Monroe Street
00:04:51Su hijo Mikele trabaja en la fábrica Red Hook
00:04:54Su hijo Alfredo, Alfredino
00:04:56Va al colegio de las hermanas Cabrinianas
00:04:58Perfect
00:05:00Necesito que me hagas el favor de entregarle esta nota
00:05:03Okay
00:05:05A alguien que hable mi idioma
00:05:08Gracias, Morín
00:05:09I'll do it right away
00:05:11Right
00:05:27Not here, madam
00:05:28Use the back door
00:05:30No le entiendo
00:05:31Don't speak
00:05:32You must use the back entrance
00:05:33Hey, alma lady
00:05:34No me toque, eh
00:05:36Cómo se atreve
00:05:37I'm a friend of Mr. Ferry
00:05:39Look aquí
00:05:40Es italiana
00:05:41Mr. Ferry, oh
00:05:42Sí
00:05:43Welcome to the Walford Hotel, Ms. Carmela
00:05:46Thank you
00:05:48I'm a friend of Mr. Ferry
00:05:50Look aquí
00:05:51Es italiano
00:05:52Mr. Ferry, oh
00:05:53Sí
00:05:54Welcome to the Walford Hotel
00:05:55Ms. Carmela
00:05:56Thank you
00:05:57Welcome
00:06:09Good morning
00:06:10Who is this lady?
00:06:11No idea
00:06:17Sorry, I'll call you back
00:06:26Soy friend de Mr. Ferry
00:06:28Sure
00:06:29Mr. Ferry is waiting for you
00:06:31Please come in
00:06:32Thank you
00:06:33Please
00:06:36Doña Carmela, por fin
00:06:38Qué placer, Mr. Ferry
00:06:40Pase, pase, por favor
00:06:42Gracias, Morín
00:06:45Vaya, se ha instalado muy bien aquí
00:06:50I'm a friend of Mr. Ferry
00:06:52I'm a friend of Mr. Ferry
00:06:56¿Y usted ha podido instalarse bien?
00:06:59No me quejo
00:07:04Desde luego tiene buenas vistas
00:07:06Desde aquí se ve todo
00:07:08Lo bonito y lo feo
00:07:10Como me dijo aquel día en el barco
00:07:12Eso también pasa en Monroe Street
00:07:17Entonces, ¿vive usted en un hotel y trabaja aquí?
00:07:21Doña Carmela, mi casa es un baúl, un telégrafo, un teléfono
00:07:25Debo estar siempre listo para cambiar y partir
00:07:28Eso me ha enseñado la vida
00:07:31Pero veo que aún sigue llevando arrugadas las camisas
00:07:34Sí
00:07:38Por favor, siéntese
00:07:40Gracias
00:07:43Me ha costado mucho encontrarla, lo sabía
00:07:45Pero lo ha conseguido
00:07:47Sí, pero no ha sido fácil porque ha cambiado de apellido
00:07:49Ahora se apellida Rizzo Inisquiabón
00:07:52Que suena como apellido de noble
00:07:56Menudo varón mi marido, el de los cacahuetes
00:08:03¿Y sus hijos están bien?
00:08:04Sí, sí, están muy bien
00:08:06He sabido que Alfredo estudia y es muy aplicado
00:08:09Sí
00:08:11No le di las gracias por lo que hizo usted por mí
00:08:15En la oficina de inmigración por Rocco
00:08:20Señor Ferri, ¿puedo pedirle al conductor que te espere para su apuntamiento con el señor Brady?
00:08:25Ah, tiene un apuntamiento
00:08:28Está ocupado, está ocupado
00:08:30¿Se defiende en inglés?
00:08:33Sí, sí, voy
00:08:38Lo lamento
00:08:39No, tranquilo, el trabajo es el trabajo
00:08:42Ah, por cierto, he sabido que buscan personal en la lavandería del Walford
00:08:47Si está usted buscando trabajo, es una posibilidad
00:08:51¿Habla en serio?
00:08:52Sí
00:08:53Ah, qué bien
00:08:55Al menos alguien cuidará de que no tenga las camisas arrugadas
00:08:59Bien, gracias
00:09:02Ahora me marcho
00:09:04Yo la acompaño
00:09:12Goodbye
00:09:13Bye, bye
00:09:17Gracias
00:09:48No work, no pay
00:09:52Es que no lo puedo soportar
00:09:58Mr. Ferri
00:10:07Un trabajo así por cinco dólares a la semana
00:10:09¿Cómo iba a decir que no?
00:10:11Comida no nos falta
00:10:13Yo traigo dinero a casa, Mikele trabaja y Antonio también
00:10:16Todos juntos ganáis cinco dólares a la semana
00:10:22Quiero lo mejor para mis hijos
00:10:24¿Y qué problema? Yo me ocupo
00:10:26Ya estamos
00:10:27¿Ya estamos con qué?
00:10:30¿Te crees que no soy capaz?
00:10:32¿Eso crees? ¿Crees que soy un pobre idiota?
00:10:35Cuando llegué tenía 20 liras en el bolsillo
00:10:37Y con lo de los cacahuetes me compré la bodea
00:10:40Luego la perdiste
00:10:41La perdí
00:10:42¿Y qué has hecho tú para ayudarme a recuperarla?
00:10:44Nada, solo tus hijos, siempre tus hijos
00:10:47Para ti no existo, solo existen ellos
00:10:49¿Y dónde están ahora tus hijos?
00:10:51En la casa de Italia bailando
00:10:53Todos menos el que está arriba tocando la flauta
00:10:56Tus hijos
00:10:58Mírame
00:10:59Pero hazme caso
00:11:01Estoy aquí
00:11:03Muy bien, ya te miro
00:11:04Te miro, dime
00:11:05Dime
00:11:06Yo por tu amor lo he aceptado todo
00:11:08Hasta que me acusaran de tener aquí a un chivato
00:11:10Antonio
00:11:11Que mandó a salvo al reformatorio
00:11:13Él hizo lo correcto
00:11:14Tú a mis hijos ni los toques
00:11:16¿Queda claro?
00:11:17Y tampoco me puedes decir esas cosas
00:11:19Si no te las digo a ti, ¿a quién se las digo?
00:11:21Además, es la verdad
00:11:23¡Es la verdad!
00:11:31¿Sabes una cosa?
00:11:32Que no voy a dejar ese trabajo
00:11:34¡No pienso dejarlo!
00:11:36¡Y punto!
00:11:43¡Venga!
00:12:00Rocco
00:12:01¡Mete esa pierna, anda!
00:12:03Hazme el favor
00:12:04Ven dentro, que es peligroso
00:12:07Mete esa pierna
00:12:08Por favor
00:12:10Venga
00:12:14¿Te gustan las palomas?
00:12:18Eran la pasión de mi mujer
00:12:21Les puso nombre
00:12:22La grande y negra es Nerón
00:12:24Porque es mala
00:12:25Otra Rodolfo Valentino
00:12:28Como el actor
00:12:30Rosa es su pareja de siempre
00:12:36¿Sabes que cuando eligen una pareja
00:12:38Les son fieles toda la vida?
00:12:40Hasta la muerte
00:12:41Hasta la muerte
00:12:52Esquiabón
00:12:54¿Qué es lo que te pasa, Esquiabón?
00:13:00¿Qué es lo que me pasa?
00:13:04Pues...
00:13:12Es muy largo
00:13:14Y muy difícil
00:13:16Es muy largo
00:13:18Y muy difícil
00:13:20Toca
00:13:42Los Eléctricos
00:13:55¡Hey! ¿Has visto?
00:13:56Sí
00:14:05Ese es mi hermano
00:14:06Pues baila de maravilla
00:14:11Chiro told me about you, and me about you.
00:14:14He told me that you're in the syndicate.
00:14:17You know, my father also defended the workers.
00:14:22Then he was a good Christian.
00:14:25We're organizing a strike at the Red Hood Foundation, where you work.
00:14:30It will be the first real protest against the bosses, the biggest of all.
00:14:34There's Xiao.
00:14:35We'll be there, right?
00:14:36I told you that Miquel was a good boy.
00:14:38Because the more people, the stronger we'll be.
00:14:45What's the matter with you? Are you still thinking about Miquel?
00:14:47What do you care?
00:14:48Then tell me, what do you think about me?
00:14:52Go away, your mouth still smells like milk. You're a brat.
00:14:55What do you mean, brat? There are good things down here.
00:14:59How dare you?
00:15:02One, two, three.
00:15:07Look how many girls are coming.
00:15:12Joan.
00:15:13Hi.
00:15:14How are you?
00:15:15Fine, and you?
00:15:16Fine, fine. Come.
00:15:17Hi.
00:15:18Carlo and Miquel.
00:15:20Hi, this is Beth, this is Sofia, and this is Pat.
00:15:24Nice to meet you.
00:15:25Nice to meet you.
00:15:27Chiro.
00:15:28You know we have a thing for Italian boys.
00:15:32Understand, Miquel.
00:15:33These Americans love Italians, understand?
00:15:38What, are we all going to dance?
00:15:40Hey, you speak our language very well.
00:15:42I study melodramas.
00:15:44Your lyrical operas are beautiful.
00:15:47Verdi, Puccini.
00:15:48Who are those?
00:15:51Miquel.
00:15:52Miquel, are you going to make me dance or are you going to spend the night looking at me?
00:15:58What do you say?
00:15:59Embobado.
00:16:00Embobado.
00:16:02Go.
00:16:04Girl dance.
00:16:06How do you say, let's dance?
00:16:08Miquel, how do you say it?
00:16:10Miqueluzo, let's go.
00:16:11Let's go.
00:16:22Very good.
00:16:23Let's see what you have down there.
00:16:30Peanuts.
00:16:31Toasted peanuts.
00:16:34Roasted peanuts.
00:16:35Fresh roasted peanuts.
00:16:39Peanuts.
00:16:40Cents, please.
00:16:44Thank you.
00:16:46Sir?
00:16:51Sir!
00:16:52My chains!
00:16:59Good morning, Mr. Ferry.
00:17:01How are you?
00:17:02And the work?
00:17:03Good, good.
00:17:04Are your shirts ready?
00:17:10Yes.
00:17:18I just found out that there is a strike at the foundation.
00:17:22A strike at the foundation?
00:17:24I don't want to scare you, Carmela.
00:17:26But apparently the police intend to charge against the strikers.
00:17:31My God.
00:17:32It would be better if Miquel did not participate.
00:17:34He promised me that he would not be fooled by politics like his father and he promised me.
00:17:39I have to warn you, but what do I do with the work?
00:17:42That Chinese is a hyena and she won't give me permission.
00:17:46Don't worry, Carmela.
00:17:47I'll talk to your boss.
00:17:49Let's go together.
00:18:09Come on, everybody!
00:18:10All together!
00:18:11Come on!
00:18:12Come on!
00:18:13Come on!
00:18:14Come on!
00:18:15Come on!
00:18:16Come on!
00:18:17Come on!
00:18:18Come on!
00:18:19Hey!
00:18:20What are you doing?
00:18:21Let go of all that, man!
00:18:22Chiro, what are you doing?
00:18:23Get out of the way, Miquel.
00:18:24Chiro, they're provoking us.
00:18:25If we fall, it's over.
00:18:26What do you mean provoking?
00:18:27Carlos, they won't take long to load.
00:18:28We are a lot.
00:18:29They are not convenient either.
00:18:30Who is provoking?
00:18:31Carlos!
00:18:32Carlos!
00:18:33Carlos!
00:18:34Carlos!
00:18:35Carlos!
00:18:36Carlos!
00:18:37Carlos!
00:18:38Carlos!
00:18:39Carlos!
00:18:40Carlos!
00:18:41Carlos, let's load them before they load.
00:18:42Come on.
00:18:43Get them.
00:18:49What are you doing, Mother?
00:18:51Are you crazy or what?
00:18:52Miquel!
00:18:53Mom, get out of here!
00:18:54Get in there!
00:18:55Come on, come on!
00:18:56Get in!
00:18:57Come on.
00:18:58One of us can get in, and then everything is over.
00:18:59You have to go to work.
00:19:00You have to get in.
00:19:01But we have the right to strike.
00:19:02What right, Miquel?
00:19:03What right?
00:19:04The poor have no right!
00:19:06And if they're telling you yes, it's because they're lying to you!
00:19:10Get in!
00:19:11Mrs. Carmela, calm down!
00:19:12Those are beasts!
00:19:13Mom, you have to go!
00:19:15This is not a place for women!
00:19:17Go away!
00:19:18Mom!
00:19:19Mom, go away!
00:19:20They're going to kill you!
00:19:21Mom, go away!
00:19:22What are you doing?
00:19:23What are you doing?
00:19:24Come on!
00:19:25Come on!
00:19:26Hold on!
00:19:27Hold on!
00:19:28Come on, Michele!
00:19:29Come with me!
00:19:30You're forcing me to go in!
00:19:31It's dangerous here, Mom!
00:19:37No, Michele!
00:19:45Chiro!
00:19:46Chiro, no!
00:19:47No!
00:19:48Chiro!
00:19:50No, Michele!
00:19:52No!
00:19:53No!
00:20:00Chiro!
00:20:02No, Chiro!
00:20:03No!
00:20:06No!
00:20:07Mikel!
00:20:08What did you force me to do, mom?
00:20:14I was wrong.
00:20:15My mother was wrong too.
00:20:18She did it to protect me.
00:20:22Now I'm here.
00:20:26And maybe I can't even move.
00:20:29Remember what you told me?
00:20:32That we had to fight together.
00:20:36But I'm alone.
00:20:40Carlos has been detained.
00:20:42And you...
00:20:48I swear I can't forgive myself.
00:20:52Forgive me, please.
00:21:01Mikel, we have to go now.
00:21:04No.
00:21:06What about the police?
00:21:07I won't go this time.
00:21:08Of course you will.
00:21:09Let's go.
00:21:11It's useless to pretend to be a hero.
00:21:13Please.
00:21:15Come on, let's go.
00:21:18Goodbye, friend.
00:21:20Let's go.
00:21:31Doctor!
00:21:36Doctor Wright.
00:21:37We are here for Chiro Malenti.
00:21:39It's too late.
00:21:40I'm sorry.
00:21:43Please, call the other nurse.
00:21:45Yes, doctor.
00:22:06Mikel.
00:22:07Mikel.
00:22:08Mikel.
00:22:36Mikel.
00:22:38Where are you going?
00:22:39At this hour?
00:22:40With all that on your mind?
00:22:43I'm leaving.
00:22:44You're leaving?
00:22:46Where?
00:22:47When are you coming back?
00:22:48I don't know.
00:22:50Since when do you leave your family?
00:22:52Since when do you leave like this?
00:22:55I haven't given you any worries, mom.
00:22:57I've never asked you for anything.
00:22:59I've always thought about you and the family.
00:23:01About you and the family.
00:23:04But you can't treat me like a man when you feel good
00:23:07and like a kid when you feel like it.
00:23:10Mikel, forgive me.
00:23:12Forgive me, Mikel.
00:23:13I was wrong.
00:23:15I was wrong.
00:23:16Things happen.
00:23:17Chiro is dead, mom.
00:23:19Those are things that happen.
00:23:22He's dead?
00:23:24He's dead, poor thing.
00:23:26I'm sorry, Mikel.
00:23:28I'm sorry.
00:23:29But don't you see that if I hadn't been wrong
00:23:32you could be in his place now?
00:23:34Maybe it would be better.
00:23:43Thank you.
00:23:45It's easier that way.
00:23:48Forgive me, son.
00:23:49Forgive me.
00:23:55Mikel.
00:24:02Mikel.
00:24:32Mikel.
00:25:03He's dead.
00:25:13Listen, Esquivel.
00:25:15Let's do a test.
00:25:16If everything goes well,
00:25:18maybe the business will be yours again.
00:25:20But it has to go well.
00:25:23Don't worry about anything.
00:25:25Everything will go very well.
00:25:28Here, take this.
00:25:30There you go.
00:25:33Thank you.
00:25:34You're welcome.
00:25:37Goodbye, Antonio.
00:25:48Chivato!
00:25:50Are you an idiot?
00:25:51What the hell are you doing?
00:25:53I've already cleaned everything.
00:25:55I'm sorry, I'm sorry.
00:25:56I've already cleaned everything.
00:25:57Sit down, Salvo.
00:25:58Come on.
00:25:59It's okay.
00:26:00It's okay.
00:26:01It's part of the family.
00:26:02They're all cowards.
00:26:04And Chivatos.
00:26:05When did you leave?
00:26:06This morning.
00:26:07Good.
00:26:08You know you left thanks to me.
00:26:09I paid for the reformatory's bail.
00:26:11If you were in debt with me before,
00:26:13now you're even more so.
00:26:15Very good.
00:26:16Thank you, Mr. Matranga.
00:26:17You're useless.
00:26:18Bring him another glass, Salvo.
00:26:19We're going to toast.
00:26:20Hurry up.
00:26:21And don't break anything.
00:26:28Goodbye, Rocco.
00:26:31Goodbye.
00:26:33Goodbye, Mom.
00:26:35Behave yourself at school.
00:26:37Yes.
00:26:44Good morning, Mom.
00:26:46Hello, Antonio.
00:26:48Hey, is it true that Salvo has already left the reformatory?
00:26:52Oh, yes.
00:26:54What a Christmas gift.
00:27:01Antonio, there's $3 missing.
00:27:03Are you telling me?
00:27:06I'm telling the guy who bought a shirt and a new jacket this week.
00:27:09Of course.
00:27:10Because whenever something happens here,
00:27:12who is to blame?
00:27:13Antonio's criminal.
00:27:16Because you always give me reasons.
00:27:17But why?
00:27:18What have I done?
00:27:19I work, don't I?
00:27:20I make money, just like Mikele.
00:27:22But he's your favorite, even though he left home.
00:27:24But what are you saying?
00:27:26This time, you shouldn't look at me alone.
00:27:29And who should I look at? Tell me.
00:27:31We'd better leave it.
00:27:32Who should I look at?
00:27:39Esquiabón.
00:27:40Esquiabón?
00:27:46And what does he have to do with it?
00:27:49Did you know he sold the cart?
00:27:51The cart?
00:27:53I think he wants to get the business back.
00:27:56He's been talking to Matranga in the warehouse for a long time.
00:27:59About the Black Hand.
00:28:00What's that about the Black Hand? I'm interested, too.
00:28:02It's not about women, Mom.
00:28:04Antonio!
00:28:06Antonio, where are you going?
00:28:07When we talk about something serious, you always leave.
00:28:10Can you explain to me what the Black Hand is?
00:28:12Is it like a mafia?
00:28:14Have we crossed the ocean to meet again in the same situation?
00:28:18Can you explain it to me?
00:28:20Mom, forget it.
00:28:21Antonio!
00:28:22You have to listen to me when I'm talking to you.
00:28:24It's too long, Mom!
00:28:27It's very long and very difficult.
00:28:34Pastorcillo.
00:28:38Oveja.
00:28:42I'm sorry!
00:28:43What are you doing? You're always here.
00:28:47This is my place.
00:28:49Where else would a fool like me be?
00:28:51The one they insult and slap.
00:28:54Come on, slap me, too.
00:28:56Shut up!
00:28:57Even if they want to slap you.
00:29:03What's wrong with you now?
00:29:05Again, Matranga?
00:29:08No, no.
00:29:10My mother.
00:29:12What happened?
00:29:13Mikele is handsome and strong.
00:29:15Alfredo, smart.
00:29:17Rocco, a bastard.
00:29:18And me?
00:29:19I'm a thief, a liar and a cheater.
00:29:21Hey!
00:29:23How many things!
00:29:25I don't like good guys.
00:29:28You know?
00:29:30And why do you like Mikele?
00:29:32I liked Mikele.
00:29:34But he prefers the Americans.
00:29:38Come here.
00:29:39Come.
00:29:43I think I'm going to give you a gift, boy.
00:29:48A gift?
00:29:49Yes.
00:29:50It's almost Christmas.
00:29:52Do you want one?
00:29:53Maybe.
00:30:10Thank you.
00:30:12And Antonio?
00:30:14He's out.
00:30:18And Rocco?
00:30:20He's on the roof with the pigeons.
00:30:24Very good.
00:30:28And Alfredo?
00:30:30At school, like every morning.
00:30:36And you?
00:30:37What is the pot of money doing here?
00:30:41I'm watching him.
00:30:43Someone in this family has very long hands.
00:30:46Really?
00:30:48Do you know something, Esquiavo?
00:30:50No.
00:30:51No.
00:30:52I don't.
00:30:55Esquiavo, let's be clear.
00:30:57I know it was you.
00:30:59So tell me why you sold the cart of money.
00:31:02I don't know.
00:31:04I don't know.
00:31:05So tell me why you sold the cart of money and then pretend to go to work.
00:31:09Do you think I'm stupid?
00:31:11What happened?
00:31:14Happened.
00:31:15Happened.
00:31:17Nothing happened.
00:31:18I just want to get the business back.
00:31:21The peanuts were provisional until God gave way.
00:31:25And how?
00:31:27Business.
00:31:28Business.
00:31:29With whom?
00:31:31You can rest assured.
00:31:33I don't know what that is.
00:31:36I want to know who you're doing business with.
00:31:39I've made money.
00:31:40I've made money.
00:31:41Look.
00:31:42And I put it in the pot.
00:31:44No, no, thank you.
00:31:45Save it for the winery.
00:31:47Who are you doing business with?
00:31:48With the Black Hand?
00:31:51The Black Hand.
00:31:53The Black Hand doesn't exist.
00:31:54It's a children's story.
00:31:55The Black Hand is coming.
00:31:57No, no.
00:31:58No.
00:31:59Trust me.
00:32:00In two months,
00:32:01we'll get the winery back.
00:32:03Mateo Esquiabón's word.
00:32:06I'll fix everything tonight.
00:32:08I'm busy tonight.
00:32:09I am busy.
00:32:12You're busy.
00:32:18The eggs are very good.
00:32:32Hey.
00:32:48I'm sorry, Mr. Ferri.
00:32:50Miss Rizzo is waiting for you in your office.
00:32:53In my office?
00:32:54Yes.
00:32:55Okay, thanks.
00:33:02Mr. Ferri, can you explain to me
00:33:04what the Black Hand is that everyone is talking about?
00:33:07Something that is better to stay away from.
00:33:10Kidnappings, extortions, homicides, smuggling.
00:33:15It's a mess.
00:33:17There's an article in La Voz d'Italia today.
00:33:20See you this afternoon, Mr. Ferri.
00:33:23See you soon, ma'am.
00:33:24Goodbye.
00:33:27See you later, Maureen.
00:33:29See you later, Maureen.
00:33:33Look.
00:33:35Michele Guarino.
00:33:38The king of New York distilleries.
00:33:41People like him dirty the reputation of the Italians.
00:33:46I'm afraid that Black Hand has already entered my house.
00:33:49That's why I've come to bother you.
00:33:52Because if someone steals, he's in his house.
00:33:55He has serious problems.
00:33:57Who are you referring to?
00:33:59My husband, Esquiavo.
00:34:01He says he's doing business, but he doesn't look good.
00:34:06And since you have so many friends,
00:34:09like that police officer who managed to find us,
00:34:12I don't know if you could ask him to find out
00:34:14what that bastard is up to.
00:34:17Don't worry, Carmela. I'll take care of it.
00:34:20Thank you.
00:34:21He's a good friend.
00:34:28Carmela.
00:34:32Why don't you stay and eat with me?
00:34:35When you called me, I was at the restaurant and...
00:34:38for a moment,
00:34:40I got excited thinking you'd eat with me.
00:34:43No, I can't.
00:34:45I have to go home with my children.
00:34:48Besides, my clothes aren't the right ones.
00:34:51You're beautiful, Carmela.
00:34:53Clothes are just an appearance.
00:34:55Clothes are just an appearance.
00:34:57But appearance matters.
00:35:00I'm fine where I am.
00:35:02Downstairs, where the Lord put me.
00:35:05Otherwise, it would be a mess.
00:35:06I see.
00:35:08But thank you.
00:35:11Maybe tonight?
00:35:14My appearance will still be a problem.
00:35:21See you later, Carmela.
00:35:25Bye.
00:35:32Appearance.
00:35:55Miss Rizzo?
00:35:56Yes.
00:35:57Rizzo Esquiabón?
00:35:58Yes.
00:35:59This is for you, from Mr. Ferry.
00:36:02For me?
00:36:03Yes.
00:36:05This?
00:36:07He waits for you at 8 p.m.
00:36:09At the Walford Hotel.
00:36:11I don't understand.
00:36:12Tonight, 8 p.m.
00:36:14Ah, tonight.
00:36:15Tonight?
00:36:16Yes.
00:36:18And what do I do with Esquiabó?
00:36:20Ah, Esquiabó works tonight.
00:36:22He's busy.
00:36:23Okay.
00:36:24Sorry, I don't understand.
00:36:26It doesn't matter.
00:36:27Tell Mr. Ferry that okay.
00:36:29Okay.
00:36:30Okay?
00:36:31Okay, thank you.
00:36:32Bye.
00:36:33Bye.
00:36:34What is this?
00:36:35Is it a dress?
00:36:38Come on, hurry up!
00:36:39Pepe!
00:36:40Come on, it's for today.
00:36:41Come on!
00:36:42Let's see.
00:36:43Take the state one for New Jersey.
00:36:44Come on, be careful, be careful.
00:36:45If there is a control station ...
00:36:46You've already told me.
00:36:47I'm not stopping because I'll go slowly.
00:36:50Esquiabón, be careful.
00:36:51You have very valuable merchandise.
00:36:53And above all, it is forbidden.
00:36:55Have you told him, Matranga?
00:36:57Let me introduce you to Mr. Guarino.
00:36:59The one in charge of all this is ...
00:37:01It's the boss.
00:37:03It's an honor.
00:37:05Thank you for your trust, Mr. Guarino.
00:37:07Don't worry.
00:37:08Now we do business together, right?
00:37:10True.
00:37:11Come on, come on, come on, Mateo.
00:37:12Move, come on.
00:37:14To work, Mateo.
00:37:15To work.
00:37:18He's a head of chorlito.
00:37:20A bobalicón.
00:37:21And we send it straight to the police.
00:37:33This time bad luck will not stop me.
00:37:38Everyone will see that the money is made, Esquiabón.
00:37:43And I will recover the business.
00:37:45Everyone will see it.
00:37:47Guys, hurry up.
00:37:48Another truck has been loaded.
00:37:49Come on.
00:37:50Salvo, move, come on.
00:37:52Come on, come on, come on, come on.
00:37:54Up, up, come on, come on.
00:37:56Come on, come on.
00:37:57Hurry up.
00:37:59Come on, come on, come on.
00:38:01This is the plan, huh?
00:38:03Esquiabón marches south and you north.
00:38:05In the right direction.
00:38:07Move, come on.
00:38:08Come on, come on.
00:38:20Come on.
00:38:50Move, come on.
00:38:51Move, come on.
00:38:52Move, come on.
00:38:53Move, come on.
00:38:54Move, come on.
00:38:55Move, come on.
00:38:56Move, come on.
00:38:57Move, come on.
00:38:58Move, come on.
00:38:59Move, come on.
00:39:00Move, come on.
00:39:01Move, come on.
00:39:02Move, come on.
00:39:03Move, come on.
00:39:04Move, come on.
00:39:05Move, come on.
00:39:06Move, come on.
00:39:07Move, come on.
00:39:08Move, come on.
00:39:09Move, come on.
00:39:10Move, come on.
00:39:11Move, come on.
00:39:12Move, come on.
00:39:13Move, come on.
00:39:14Move, come on.
00:39:15Move, come on.
00:39:16Move, come on.
00:39:17Move, come on.
00:39:18Move, come on.
00:39:19Move, come on.
00:39:20Move, come on.
00:39:21Move, come on.
00:39:22Move, come on.
00:39:23Move, come on.
00:39:24Move, come on.
00:39:25Move, come on.
00:39:26Move, come on.
00:39:27Move, come on.
00:39:28Move, come on.
00:39:29Move, come on.
00:39:30Move, come on.
00:39:31Move, come on.
00:39:32Move, come on.
00:39:33Move, come on.
00:39:34Move, come on.
00:39:35Move, come on.
00:39:36Move, come on.
00:39:37Move, come on.
00:39:38Move, come on.
00:39:39Move, come on.
00:39:40Move, come on.
00:39:41Move, come on.
00:39:42Move, come on.
00:39:43Move, come on.
00:39:44Move, come on.
00:39:45Move, come on.
00:39:46Move, come on.
00:39:47Move, come on.
00:39:48Move, come on.
00:39:49Move, come on.
00:39:50Move, come on.
00:39:51Move, come on.
00:39:52Move, come on.
00:39:53Move, come on.
00:39:54Move, come on.
00:39:55Move, come on.
00:39:56Move, come on.
00:39:57Move, come on.
00:39:58Move, come on.
00:39:59Move, come on.
00:40:00Move, come on.
00:40:01Move, come on.
00:40:02Move, come on.
00:40:03Move, come on.
00:40:04Move, come on.
00:40:05Move, come on.
00:40:06Move, come on.
00:40:07Move, come on.
00:40:08Move, come on.
00:40:09Move, come on.
00:40:10Move, come on.
00:40:11Move, come on.
00:40:12Move, come on.
00:40:13Move, come on.
00:40:14Move, come on.
00:40:15Move, come on.
00:40:16Move, come on.
00:40:17Move, come on.
00:40:18Move, come on.
00:40:19Move, come on.
00:40:20Move, come on.
00:40:21Move, come on.
00:40:22Move, come on.
00:40:23Move, come on.
00:40:24Move, come on.
00:40:25Move, come on.
00:40:26Move, come on.
00:40:27Move, come on.
00:40:28Move, come on.
00:40:29Move, come on.
00:40:30Move, come on.
00:40:31Move, come on.
00:40:32Move, come on.
00:40:33Move, come on.
00:40:34Move, come on.
00:40:35Move, come on.
00:40:36Move, come on.
00:40:37Move, come on.
00:40:38Move, come on.
00:40:39Move, come on.
00:40:40Move, come on.
00:40:41Move, come on.
00:40:42Move, come on.
00:40:43Move, come on.
00:40:44Move, come on.
00:40:45Move, come on.
00:40:46Move, come on.
00:40:51Move.
00:40:53Come on.
00:40:56Move.
00:40:58Move.
00:41:00Move.
00:41:02Move.
00:41:04Move.
00:41:06Move.
00:41:08Come on.
00:41:13This fucking crates are empty.
00:41:17They're really gonna sustain, didn't they?
00:41:22You see, Mate? They've all been fooled.
00:41:43Giovanni?
00:41:59Dona Carmel.
00:42:06Your husband...
00:42:13Wait a minute. I have to change.
00:42:35Mr. Ferris, it's late. I'm leaving.
00:42:38Could you cancel the restaurant first?
00:42:42You're not even going to dinner?
00:42:44No, not even me.
00:42:48Thank you.
00:42:49Thank you.
00:43:0729, 29.50.
00:43:10No, I don't even have enough for the funeral.
00:43:23And this?
00:43:26How much is it?
00:43:27More than 20 dollars, Mom.
00:43:29I was saving it for the school, but you need it more for the poor Esquiagón.
00:43:36Holy Virgin.
00:43:38How can a child I had to buy glasses from,
00:43:42gather so much money?
00:43:45No, Mom. It's not what you think. It's all legal. I've earned it.
00:43:49How?
00:43:50At the pier, when the Italians arrive.
00:43:52I change their currency.
00:43:53You fool those people, who are like us?
00:43:55Aren't you ashamed?
00:43:56But what have I taught you?
00:43:58Antonio almost finished high school, and you've become a swindler.
00:44:03No, Mom. I'm not a swindler.
00:44:05In fact, I help poor immigrants.
00:44:07Mr. Ferri taught me. He also started like that.
00:44:09Mr. Ferri?
00:44:11Then he also started badly.
00:44:13But he's done well.
00:44:14I don't want this money, soaked in sweat and tears of all those poor people.
00:44:18I prefer to sell my eyes,
00:44:20which with you only serve me to cry.
00:44:24I'm going to sell everything to the house of Empeños. I'm leaving.
00:44:27Mom, why don't you go to the Jewish neighborhood?
00:44:31And what do you know?
00:44:32In the Jewish neighborhood, they do good business.
00:44:34Look at the money, Caco.
00:44:37Save the money for college.
00:44:55Sorry, pawn shop?
00:44:57In the corner, there.
00:44:59Thank you.
00:45:02Good morning.
00:45:11Good morning.
00:45:16Good morning.
00:45:19I don't speak English.
00:45:21Don't worry, ma'am. You can speak in your language.
00:45:25Thank goodness.
00:45:27I'm from Naples.
00:45:28My grandfather was from Naples.
00:45:32You'll see how much I get for this.
00:45:43It's 8-karat gold.
00:45:46And it's not good?
00:45:47Let's say it's not of the highest quality.
00:45:50But let's weigh it.
00:45:54Can it be opened?
00:45:56There are two photographs inside it.
00:45:58If it stays, I'd like to keep them.
00:46:00I'm fond of them.
00:46:10Is there a problem?
00:46:21Come here a moment, ma'am.
00:46:27Come in, come in.
00:46:29You're worrying me.
00:46:30No, come on, sit down.
00:46:34Do I sit here?
00:46:35Sit here.
00:46:39I'll be right back.
00:46:42Hey, could it be that it was stolen?
00:46:46Lately, I've only had misfortunes.
00:46:48Misfortunes happen.
00:46:58Don't be scared now.
00:47:01Don't worry.
00:47:02I'm worried, but I'm worried.
00:47:04No.
00:47:13Mom.
00:47:16Mom.
00:47:18Mom, it's me, Mom.
00:47:20Maria.
00:47:21Are you Maria?
00:47:23My daughter.
00:47:24My daughter.
00:47:29Maria.
00:47:30Maria.
00:47:31It's me, Mom.
00:47:33You're so beautiful.
00:47:35I've been looking for you.
00:47:38I knew you were alive.
00:47:40I knew it, I felt it in here.
00:47:42I told everyone.
00:47:43I told them, Maria is alive, Maria is alive.
00:47:46Because Maria is alive.
00:47:47I knew Maria was alive.
00:47:50My daughter.
00:47:56And this little one?
00:47:58He's our son, Salvatore.
00:48:02Salvatore.
00:48:07Salvatore.
00:48:11You've called him like your father.
00:48:16So I have to sit down.
00:48:19He's my husband, Moses.
00:48:20It's a pleasure.
00:48:21Likewise.
00:48:24I told you we'd find her, didn't I?
00:48:26I told you.
00:48:28The truth is, she found us.
00:48:30Salvatore.
00:48:33My daughter.
00:48:37It's Grandma.
00:48:38Grandma.
00:48:45She gave this to me when we arrived.
00:48:49Mrs. Carmé, I'm sorry to have to question you right after the funeral of poor Esquiabón.
00:48:54But we have to investigate.
00:48:55Don't worry, I understand.
00:48:59But I can tell you little.
00:49:02Because I didn't pay much attention to poor Esquiabón.
00:49:07He was a good person.
00:49:09That's for sure.
00:49:10And I was wrong.
00:49:12Because he helped us a lot.
00:49:15And don't you think I could help you now?
00:49:17How?
00:49:19We have to find out who set you up.
00:49:22He told me he was doing things to get the business back.
00:49:27And that he had sold the cart.
00:49:30He was probably doing someone a favor.
00:49:33But I don't know who.
00:49:34I only hear rumors.
00:49:36Matranga.
00:49:38The Black Hand.
00:49:39And what do you know about that?
00:49:41Only that they have also killed him.
00:49:45We could have stayed where we were.
00:49:48What's the difference between these bastards and the murderer of my poor Turi?
00:49:53The difference is that here we do our best to punish the murderers.
00:49:57I'm going to go against Matranga, his accomplices, and Guarino, the king of the distilleries.
00:50:02And Guarino, the king of the distilleries.
00:50:05Mr. Ferry told me about that Guarino.
00:50:08I'm sure there's a connection between the two of them.
00:50:12Trust me, Mrs. Carmen.
00:50:14We're on the right track.
00:50:16This time they have no escape.
00:50:20Let's hope so.
00:50:32Ángela!
00:50:34Ángelina!
00:50:46Ángela!
00:50:48Ah, hello.
00:50:50What?
00:50:52Are you peeing on me?
00:50:54Come in, you're free now.
00:50:56I've also made him a little gift.
00:50:58Anto, what did you think?
00:51:00That you were my boyfriend?
00:51:02I'm going with whoever I want.
00:51:06I don't care either!
00:51:08I don't give a shit!
00:51:11Do you see this?
00:51:14Give it to me.
00:51:17This was for you.
00:51:19You're so stupid.
00:51:23Anto.
00:51:25Anto.
00:51:27We have to talk.
00:51:29Today at Esquiabón's funeral, what did Ardigo want from your mother?
00:51:33I have no idea.
00:51:35Esquiabón was set up.
00:51:38And the police are doing their job.
00:51:40Come here.
00:51:42If you find out anything, tell me, do you understand?
00:51:46You're such a good boy.
00:51:48Yes, yes.
00:51:54Let's go.
00:52:00He's good.
00:52:02Yes, my dear.
00:52:04I love his music.
00:52:06He's beautiful.
00:52:12Josephine.
00:52:14Have you seen the Gaiteros?
00:52:16There.
00:52:18How nice.
00:52:20When is dad coming?
00:52:22He's coming now.
00:52:25I can't believe it.
00:52:27If it weren't for the death of poor Esquiabón,
00:52:30I would never have been able to find my Maria.
00:52:33And look at this.
00:52:35Look at what she brought me.
00:52:37The alliances.
00:52:39One is mine and the other is your father's.
00:52:42And Mrs. Carmen, we've been looking for you.
00:52:45We haven't stopped, but how did you change your last name?
00:52:48No, no, that was a mistake from the immigration office.
00:52:51Grandma is beautiful.
00:52:52Grandma is beautiful.
00:52:54Grandma is beautiful.
00:52:56Do you like Rocco's flute?
00:52:58Rocco will teach you all the songs.
00:53:00Grandma.
00:53:02I'm Grandma Carmela.
00:53:04How do you say grandma in English?
00:53:06Grandmother.
00:53:08What?
00:53:10Grandmother.
00:53:12Too long.
00:53:14Very, very long.
00:53:16I've learned a new religion.
00:53:18And you, mom, will learn English.
00:53:23Is it true that you celebrate Christmas twice because now you're a Jew?
00:53:28Hanukkah is not like Christmas, Alfred.
00:53:31But it's celebrated on the 24th.
00:53:33We have celebrated Hanukkah at lunchtime.
00:53:36And now we are here.
00:53:38But where is Antonio?
00:53:40We are about to sit at the table.
00:53:42He went out to get a cake.
00:53:44He's always late.
00:53:46Come on, don't be.
00:53:48You'll see. Let's see when he comes back.
00:53:50Mom, are we expecting someone else?
00:53:52No.
00:53:54But weren't Cheta and the policeman coming?
00:53:56No, they're having dinner with their in-laws.
00:53:58Maybe it's a gift, mom.
00:54:00A Christmas gift.
00:54:02Could be.
00:54:06What a surprise.
00:54:08Mrs. Carmela, I hope I'm not bothering you.
00:54:11You never bother.
00:54:13It's a pleasure to have you here. Come in.
00:54:15Thank you.
00:54:17I brought you a panettone. Do you know what it is?
00:54:20No.
00:54:22It's a Christmas gift from Italy.
00:54:24Take it.
00:54:26Thank you.
00:54:28Alfredo, take it.
00:54:30I'll keep the coat.
00:54:32Thank you.
00:54:34You know, I found my daughter Maria.
00:54:37Yes, Alfredo told me.
00:54:40He invited me.
00:54:42Thank you, Alfredo.
00:54:44I'm very happy.
00:54:46It's clear that sometimes miracles do happen.
00:54:50Yes, if you believe in them.
00:54:53I'm glad you're all here.
00:54:56You have a beautiful family, Carmela.
00:54:59Family is important.
00:55:01Especially if you find the right person to train you.
00:55:07Please, come in.
00:55:09Come in, Mr. Ferry.
00:55:11Thank you.
00:55:22Thank you.
00:55:31Giovanni Ardigo!
00:55:32Antonio!
00:55:51Antonio, if you speak, your mother and you are dead!
00:55:54Do you understand? Shut up!
00:55:57Antonio.
00:55:59Antonio!
00:56:00Antonio!
00:56:02You stay with the girl, I'll be right back.
00:56:08Carmela, wait.
00:56:10Don't leave me.
00:56:12Mom!
00:56:14Wait, come with me.
00:56:20No!
00:56:22Giovanni!
00:56:25No!
00:56:27Why?
00:56:31Antonio, my son.
00:56:33My son.
00:56:35Have you seen anything?
00:56:37No, Mom.
00:56:39Have you seen who shot?
00:56:41No, I arrived later.
00:56:43I haven't seen anything, Mom.
00:56:45You have to believe me.
00:56:47Carmela, there's nothing to see here.
00:56:49Let's go home.
00:56:51Let's go home.
00:56:53He killed my husband.
00:56:55He killed him.
00:56:57Poor Ardigo.
00:56:58He killed him.
00:57:16I almost forgot how beautiful our land is.
00:57:21You like it, huh?
00:57:23And you want to go to New York?
00:57:25Are you sure you want to give up this paradise?
00:57:28For a bigger paradise?
00:57:30Yes, cousin.
00:57:35But in America,
00:57:37I'm going to rule.
00:57:39I want you to know.
00:57:41I'll keep everything.
00:57:43How beautiful you are.
00:57:45You have to be mine.
00:57:47Only mine, Carmela.
00:57:49No!
00:57:51Help!
00:57:54That depends only on you.
00:57:55And how willing you are to play, cousin.
00:57:58Because there,
00:58:00the stakes are high, Vince.
00:58:02Very high.
00:58:05Come on, your boss is here.
00:58:08Yes, but for a short time.
00:58:19Sooner or later, all this will be mine.
00:58:23Baron, at your service.
00:58:25At your service, Baron.
00:58:55To be continued...
00:59:25To be continued...
00:59:55To be continued...
01:00:25To be continued...
01:00:55To be continued...
01:01:25To be continued...