• 6 months ago
Transcript
00:00Once upon a time, there were three little girls who went to the police academy.
00:06Two in Los Angeles.
00:13The other in San Francisco.
00:17And they were each assigned very hazardous duties.
00:22But I took them away from all that, and now they work for me.
00:26My name is Charlie.
02:01This is ZL-5883 to ZL-114. Do you read?
02:05This is ZL-114. Go ahead, Joy.
02:08I'm at the assignment, Gary, but nobody's here. Are you sure you got the right instructions?
02:13The guy said Beamer Park, south entrance. I wrote it down.
02:17All right. Well, let's stay in open transmission. I'm gonna get out and take a look around.
02:23What is that little girl's name?
02:25Tom.
02:26Tom?
02:27Tom, what is the radio station?
02:30I want to get it.
02:32I already have it.
02:34What?
02:35I don't know.
02:39Get out.
02:40Why?
02:41To get to the station.
02:43To get to the station?
02:45To get to the station.
02:47You need to get to the station before you can get out.
02:50Angels, you've heard Joy Vance's story.
03:08The police have the bullet, if we can find the gun to match.
03:11You couldn't see anything?
03:13No.
03:14It was too dark.
03:15Ha!
03:16But, yesterday a man phoned the station and said,
03:18tell Vance she won't live to regret that story.
03:21And then he hung up.
03:23What story?
03:24I don't know.
03:25I cover as many as 20 assignments in a week.
03:28When you report on a story, Joy, do you always meet the people involved?
03:31No, sometimes I do phone interviews.
03:34And then sometimes when I'm on an investigation,
03:37some of the people involved won't talk to me.
03:39So the people who listen to you on the radio,
03:42they don't know what she looks like.
03:44Charlie, if one of our voices was similar to Joy's,
03:47couldn't we make a switch and fool the listeners?
03:49Bosley, tell the Angels what you've been doing behind their backs.
03:53Well, I secretly tape recorded our meeting earlier this morning,
03:58and then I sent it over to Joy's radio station.
04:00Bosley, are you aware that bugging is against the law?
04:05Yeah, Bosley.
04:06People in very high places have found that it leads to, uh,
04:09job insecurity.
04:10Now, Angels, he was only following my orders.
04:14Go ahead, Bosley.
04:15Well, anyway, the radio engineers made a comparison
04:18of each of your voices with Joy's.
04:22And the winner is?
04:23Kelly.
04:24It might be extremely dangerous if you'd rather not do it.
04:28Are you kidding?
04:29The chance to be a roving reporter?
04:32The chance to broadcast from one of those mobile units?
04:34The chance to get caught between a rock and a hard place?
04:38Joy, is there a possibility that somebody at the station could be behind this?
04:43I hate to think so, but I guess it is a possibility.
04:48In which case, then, the telephone call would be a red herring.
04:51I've taken that into account.
04:53As a matter of fact, you're all gonna be working for KBEX.
04:57Kelly will replace Joy, and Sabrina, I hope you like heights.
05:01You'll be assigned to the helicopter.
05:02Great.
05:03Chris, you'll be working undercover.
05:07What about Boz?
05:08My dear, you are looking at KBEX's new news assignment editor.
05:13So show a little respect.
05:15Well, let's hope the old saying holds true.
05:18Which is?
05:20No news is good news, Bosley.
05:23Oh.
05:28Mr. Townsend asked me to check you out on the equipment and procedures.
05:31Mm-hmm.
05:32You see, I'm the only editor who knows why you're really here.
05:36Gary, Joy told us there's somebody at the station who might be a suspect.
05:40Right.
05:41Let's go in Joy's office.
05:42Thank you.
05:44You're welcome.
05:50The suspect is Buck Willis, the helicopter pilot.
05:53Oh, terrific.
05:54That's a guy I gotta spend two weeks with up in that little plastic bubble?
05:58And at 5,000 feet, you better keep him laughing.
06:01The word macho was invented for Buck.
06:04He flew in Vietnam before he came here,
06:06so he got used to doing his own announcing, weather, traffic, and so on.
06:10And then we put Joy up there with him.
06:13The audience loved her.
06:14Has he ever threatened Joy?
06:16Well, we've heard reports.
06:18But, of course, he was drunk at the time.
06:20Oh, well, he was drunk!
06:23Well, anyway,
06:25Joy has left the files out for the most likely suspects.
06:28Great.
06:29Mr. Bosley, shall I check you out first?
06:32Oh, uh, Bosley's ready.
06:34Oh, boy, is he ready.
06:37Oh, yeah.
06:38The agency may be a little dull after this.
06:43Oh, Bosley, I hope we don't lose you to Barbara Walters.
06:52You'll find the call letters for each of our units here.
06:56And the assigned frequencies are listed here.
07:00All you have to do is indicate which frequency you're going through
07:04and then use normal two-way radio procedures.
07:07Assignment editor.
07:11Gosh, I never dreamed when I was working on the college paper
07:14that someday I would be running an all-news radio station.
07:18Did they have all-news radio stations back then?
07:23Dwayne Hanson served 18 months in prison
07:26for selling stolen motorcycle parts.
07:29Claims Joy Vance's reports prejudiced the jury,
07:32threatened to kill her.
07:34A reporter's life is a lack of manners.
07:36Ah, wait, I got another one.
07:37Professor Arthur Croydon
07:40after research in immunology at Western Pacific University
07:42claims he's developed an antitoxin against the common cold.
07:45Joy did a follow-up, found a half-dozen scientists
07:48who said Croydon's work was based on false data.
07:51And the professor blamed Joy for destroying his reputation?
07:54You got it.
07:56Oh, here's one I might as well take
07:59as long as I'm driving around out there.
08:01Ernie Quinlan.
08:03He beats up his wife when he gets bored.
08:05Cute.
08:06Quinlan sued Joy for invading his privacy.
08:10She interviewed his wife in the hospital.
08:13When it got thrown out of court,
08:15Quinlan swore he'd get even.
08:17He's gonna know what Joy looks like.
08:19Well, I'll tell him, uh...
08:21I'll tell him I'm a follow-up reporter.
08:23I'm gonna get at this one.
08:25Remember one thing.
08:27No police brutality.
08:29I'm not on the force anymore.
08:31Kelly!
08:35Standard mobile unit equipment.
08:37Vest, gas mask, and so on.
08:39Okay.
08:41Oh, here. Roll of dimes.
08:43Just in case you have to go landline.
08:45What line?
08:47A fancy term for phoning in your story.
08:49Always, always carry lots of dimes.
08:51But there's a two-way radio in the unit.
08:53You just showed me how to work it.
08:55None of it's worth a dam in certain parts of the city
08:58or an underground garage or a ravine.
09:00There's no way you can reach us.
09:02You mean if I get into trouble?
09:05Oh.
09:10Any more questions?
09:12Just one.
09:14How about an opening in the secretarial pool?
09:16Cut!
09:35The blaze broke out at approximately 9.30 a.m.,
09:38according to Fire Captain Darryl Loftus.
09:40By the time it was discovered,
09:42approximately half an hour later,
09:44it had spread rapidly between the walls
09:46and almost the whole structure was involved.
09:48The two victims died of smoke inhalation
09:50in the first few minutes of panic.
09:52The greatest danger for the moment,
09:54we are told, is a certain amount
09:56of potentially explosive plasma
09:58that may have been released
10:00by the explosion.
10:03There's a certain amount
10:05of potentially explosive plastic materials
10:07in an adjacent building,
10:09not as yet touched by the fire.
10:13KBX All News Radio.
10:15Editor's desk.
10:17Tell Joy Vance she won't live
10:19to regret that story.
10:21Tell her to get off the air.
10:23Who is this?
10:25What story are you talking about?
10:27Because I won't miss the next time.
10:29Oh, wait a minute.
10:31The police have already had to make several arrests,
10:33so again, we ask for your cooperation.
10:35This is Joy Vance at the scene
10:37of a major fire in the city of Compton.
10:45CL-5883, this is CL-114, over.
10:49CL-5883, over.
10:51Kelly, we had a call.
10:53It was a male voice.
10:55Threatened to shoot Joy if she didn't put broadcasting.
10:57I think we're dealing with a psycho.
11:00He could be listening,
11:02so I'd get out of there if I was you.
11:04Right. I'll check out that wife meter, Quinlan.
11:06This is ZL-5883. Clear.
11:14Bosley, I'm at the Quinlan house now.
11:16Let's stay in open transmission.
11:26Mrs. Quinlan?
11:29Yes.
11:31I'm with station KBEX,
11:33and I'd like to talk to you regarding your husband.
11:39I'm Father Palumbo.
11:41Mr. Quinlan is dead.
11:45Oh, I'm sorry.
11:47Was it sudden?
11:49Very.
11:51A heart attack two days ago.
11:53May I ask why you were interested?
11:55I'm following up on a story we did
11:58regarding their problems.
12:00Mr. Quinlan threatened one of our reporters.
12:04I'm sure Mrs. Quinlan will be just fine now.
12:12Then if you'll excuse us.
12:14Yes.
12:28Hello.
12:30Hi there.
12:32I'm Sky Lark, KBEX's new girl in the air.
12:34Oh, yeah?
12:36I thought maybe you were Buck Rogers in drag.
12:38You must be Buck Willis, right?
12:40Would I lie to a girl like you?
12:42Name your tune, honey,
12:44and I'll make this thing dance for you.
12:46Thank you.
12:48Be careful getting in there.
12:50I will.
12:52According to the boss,
12:54we're supposed to take a once-around
12:56the freeways and give the boats
12:58the first ideal of the fender benders.
13:00Ah, no sooner said than done.
13:22And now for a KBEX news chopper
13:24for weather and traffic.
13:26What's it look like up there, Sky Lark?
13:28It's looking good, Don, real good.
13:30We got some high cloudiness
13:32over the mountains and desert.
13:34We can see it moving in from the south.
13:36Otherwise, gonna be a beautiful day.
13:38Freeways are all clear, no sig alerts.
13:40Weather's behaving.
13:42Looks like those commuters down there are behaving.
13:44What more could you ask for?
13:46I'm glad to hear it, Sky Lark.
13:48I'm glad to hear it.
13:51How about old Buck?
13:53Is he behaving?
13:55Not always.
13:57That's why I wear this parachute.
13:59Okay, thank you.
14:01That's KBEX and Sky Lark bringing you...
14:03How'd I do?
14:05Well, at least not enough, Chuck.
14:07What a sweet thing to say.
14:20Whoo-hoo!
14:51I bet you didn't know
14:53these things flew upside down, did you?
14:55I don't care!
14:57You chicks are all alike.
14:59You just love it.
15:01I love the ground!
15:03Oh, you do?
15:21Mother, my place!
15:23Your place!
15:25Why else are we gonna become friends?
15:27I don't wanna be friends!
15:29Ha-ha-ha!
15:35Yes. I'd like to speak with John Bosley, please.
15:37He's the new editor.
15:43Bos? Hi, Chris.
15:45Yeah, I'm out here near Chatsworth.
15:47I'm gonna check out that guy Dwayne Hanson.
15:50You know, the motorcycle jockey
15:52that said Joy prejudiced the jury against him?
15:54Yeah.
15:56Hey, you know I'll be careful.
15:58Right, I'll check with you in about,
16:00oh, say, three hours.
16:02Right. Bye-bye.
16:19Bye-bye.
16:49Bye-bye.
16:51Bye-bye.
17:17Science says
17:19there's no trespassing.
17:21Hey, man,
17:23I didn't see no sign.
17:25That's a point in your favor, baby.
17:29Because there isn't any.
17:31We folks don't want
17:33any dopers around here, dig?
17:35Well, I'm looking for a dude
17:37named Dwayne Hanson.
17:39You got the privilege.
17:43My name's Chris Monroe.
17:45Uh,
17:47my hog broke down.
17:49Listen, I understand that you sell parts, Dwayne.
17:51Real cheap, too.
17:53You're thinking
17:55of the old Dwayne Hanson,
17:57B.R., before rehabilitation.
17:59Oh, man, come on.
18:01Give me a break, will you?
18:03My old man cuts out on me,
18:05my hog breaks down.
18:07It's the pits, you know what I mean?
18:09She's trouble, Dwayne.
18:11I can smell it.
18:13Okay, okay, look,
18:15just take a look at my bike and tell me
18:17if you think I can make it the way it is,
18:19will you? Dwayne,
18:21you know who's coming here today.
18:23She gets in the way, she blows the whole deal.
18:25Cool it, Raven. We'll be ready when the folks get here.
18:27Raven's blood
18:29runs a little hot sometimes.
18:33But that ain't all bad, is it?
18:35I can dig it.
18:37Yeah, hot-blooded woman
18:39on a cold, running bike.
18:43There ought to be a song
18:45in there somewhere.
18:47I'm hunting up some lunch meat
18:49for my family.
18:51You tag along, and maybe we'll figure a way
18:53to make your engine purr like a kitten.
18:57Well, it just needs the right man
18:59to tune it.
19:01I like your thinking.
19:05You people
19:07get things ready for the folks.
19:09This woman and me is gonna
19:11take a little walk and discuss hogs
19:13and other cosmic matters.
19:35Welcome to the castle, baby.
19:37It may not be large, but it's
19:39nice.
19:47You always stop here
19:49when you have a flight assignment?
19:51Only when I'm thirsty, baby.
19:53And right now I got a powerful thirst on.
19:55Oh, boy.
19:57You're not afraid of me, are you, honey?
19:59Oh, no, no, no. A little bit afraid of you.
20:01Powerful thirst.
20:09You like it?
20:13Uh...
20:15Well, uh...
20:19It's really you.
20:21Is this what you're looking for?
20:27This little baby
20:29is probably the kind of weapon somebody
20:31used on Joy.
20:33It's what you wanted.
20:35Um...
20:37I don't know
20:39what you're talking about.
20:41You are not a reporter.
20:43You're some kind of cop,
20:45aren't you?
20:47I don't know why you say that.
20:51I've been in trouble
20:53a few times.
20:55Oh.
21:01Okay, uh...
21:03Did you try to kill her?
21:07Why don't you
21:09come and judge for yourself?
21:11Why don't you put the gun away?
21:13When I'm
21:15finished with it,
21:17then I'll put it away.
21:19Come on.
21:21Uh-huh.
21:27Come on.
21:29Yeah.
21:33Yeah.
21:39Invenced?
21:41Of what?
21:43If I'd wanted to kill Joy, it'd be done.
21:45No sweat.
21:47What if you wanted to threaten her?
21:49Look,
21:51I don't know what made you suspect me,
21:53but if I can guess,
21:55it's some old lady down at the station
21:57doesn't like the way I've been gearing on,
21:59probably.
22:01Anyway,
22:03Joy and me, we had
22:05some laughs.
22:07And when she fluffed me off,
22:09I guess I did get a little hacked.
22:11How about you?
22:13I guess I did get a little hacked.
22:15I guess I did get a little hacked.
22:17I guess I did get a little hacked.
22:19How about her success at doing your job?
22:21Didn't that make you a little jealous?
22:23Sure it bothered me. This is all I do.
22:25If she could fly, they'd given her the chopper.
22:27So I got drunk,
22:29and I said a few nasty, angry things,
22:31but I did not say that I would kill her.
22:37I will tell you this, lady.
22:39After what I saw
22:41in Nam,
22:43I live and I let live.
22:45That's it.
22:47You have any idea who is trying to kill her?
22:51Some crackpot, that's for sure.
22:57Here's something else.
22:59What's that?
23:01It's what you came here for, wasn't it?
23:03You want to check the slugs
23:05from my gun against the one they dug out
23:07of Joy's mobile unit, right?
23:09Why are you so good to me?
23:11Because maybe you'd be good to me.
23:15Yeah.
23:19In this crazy universe,
23:21how come you knew
23:23where to find me?
23:25Heard you on the radio.
23:27K-B-E-X.
23:29You and that, uh,
23:31reporter, Joy Vance.
23:33That was the old
23:35Dwayne Hanson, all right.
23:37Unregenerated criminal.
23:39I told her that if she stuck that mic
23:41up my nose one more time,
23:43I'd wrangle her with a cord.
23:45It damn near did, too.
23:47Hold it. What is it?
23:49Grab it.
23:51Right...
23:53over...
23:55there.
24:07Missed. Life was bad.
24:09Well, there goes lunch.
24:13There's another one.
24:15I'll get him.
24:39Hey, weren't you telling me
24:41that you'll catch all the food
24:43that y'all eat?
24:45Well...
24:49we got a lot of canned goods, too.
24:51Well...
24:53it's really too bad
24:55because I got a recipe for rabbit stew
24:57that would curl your toes.
25:03Woman, you don't need
25:05rabbit stew to curl my toes.
25:09And you don't need
25:11a gun to make a move on me.
25:17It's our karma.
25:21Dwayne, lunch first.
25:23First, my toes.
25:25But my karma isn't ready yet.
25:27You're not listening to us.
25:29It's like I told you. I'm a blood-boiling man
25:31and you're setting my plasma on fire.
25:33Dwayne, I'm warning you.
25:35Woman, you're turning me on.
25:38She lied to us.
25:40She's a fake.
25:42I think maybe she's a cop.
25:47Okay, woman.
25:51March.
25:59You're a big disappointment to me, Matilda.
26:02Or whatever your name is.
26:04I had transcendental plans for us.
26:06Look, I told you.
26:08My name is Chris Monroe.
26:10I'm telling you the truth.
26:12We checked you out.
26:14That hog you're riding is rented.
26:16Rented.
26:18You are giving off false vibes.
26:20Okay, look.
26:22I'm a reporter for KBEX.
26:24I'm doing a follow-up story.
26:26So call the station
26:28if you don't believe me.
26:30Then that Vance woman
26:32sent you because she was afraid
26:34of you, right?
26:36Something like that.
26:40Joy, Vance!
26:44Do you hear that?
26:46You tell that lost soul
26:48she's got nothing to fear
26:50from Dwayne Hanson.
26:52You mean you're not angry with her?
26:54Angry? She made me famous.
26:56The more she talked about me
26:58on the radio,
27:00the more she did me a favor, baby.
27:02From petty rip-off artist
27:04to master criminal.
27:06She raised my consciousness.
27:08Now everybody's tuned in to the new me.
27:10Who's everybody?
27:12Filmmakers.
27:14That's who.
27:16Hollywood.
27:18Me and my family
27:20are gonna be in a documentary.
27:22Hell, we're gonna be the documentary.
27:24It's cosmic.
27:26Hey, Dwayne, they're here.
27:28They want to talk about wardrobe.
27:30Whoo!
27:44Listen, Buck Willis' gun
27:46did not fire that bullet
27:48they dug out of Joy's mobile unit.
27:50Yeah, well, for Mr. Macho,
27:52he's not such a bad guy.
27:54Here's, uh, suspect number four.
27:56Ah, yes, Dr. Arthur Croydon.
27:58Mm-hmm.
28:00The one with the so-called cure for the common cold?
28:02Yeah, you know, I listened to Joy's phone interview with him.
28:04He, uh...
28:06Well, about the nicest thing he said
28:08was he wanted to wrap a ski pole around her neck.
28:10Oh, peachy fellow.
28:12Yeah. Seems he's a championship skier.
28:14Runs five miles a day to keep his legs in shape.
28:16Where does he hang out
28:18when he gets out of the parka?
28:20Has a lab at Western Pacific University.
28:22You know,
28:24I got a couple hours before I have to go up again.
28:26So you are about to matriculate.
28:28Mm, oh, no.
28:30I told my mother I'd never do that,
28:32but I may run around with him a little.
28:34Oh, my, my.
28:50Here you are. Professor Croydon.
28:52Uh, I'm Sabrina Duncan.
28:54I'm a graduate student at Winslow.
28:56I was told I would find you here.
28:58You found me.
29:00Yeah, well, uh...
29:02I have been studying your papers, professor.
29:04You see, my field is immunology.
29:06I would like very much to work with you.
29:08We don't have any openings, Miss Duncan.
29:10Oh, how about as a volunteer?
29:12I mean, I practically worked my way through college
29:14as a human guinea pig.
29:16You're aware of the risks.
29:18Yes, I've already signed all the, uh,
29:20necessary legal release forms.
29:22You're just the one who told me where you were.
29:24In science,
29:26we're always searching for the truth, Miss Duncan.
29:28We never know if we'll find it.
29:30Well, I'm searching for the truth, too, professor,
29:32and I expect to find it.
29:36Be in my office after 5 this afternoon.
29:38Yes, sir.
29:42Uh, thank you!
29:52Thank you.
30:16ZL-114, this is ZL-5883, over.
30:19ZL-5883, this is ZL-114.
30:23What's up, Kelly?
30:24I'm at the location you gave me for the liquor store holdup.
30:27Are you sure the caller said Marshall Road and Highway 17?
30:31Yes, I wrote it down. He even repeated it.
30:34There's not a liquor store within a mile.
30:36I'm way out in the boondocks, Bosley.
30:38Kelly, this could be a trap. Get out of there.
30:41Count on it.
30:50Okay.
30:52All right.
31:18Bosley, somebody's after me. He's got a gun.
31:20Kelly, where are you now? Give me your direction.
31:23Victor Avenue, headed east.
31:28Bosley, can you hear me?
31:30Kelly? Kelly?
31:32Do you read me? Over.
31:37Bosley, can you hear me?
31:39Kelly, are you there? Come in. Come in, Kelly.
31:42What's the matter?
31:44Someone's after Kelly. It was a trap.
31:46Where is she?
31:47That's just it. I just lost radio contact.
31:49She was at Marshall Road and Highway 17 and then east on Victor.
31:53East on Victor. Okay, Bosley, you contact the police.
31:56I'll get up in the chopper.
31:57You call me, radio me, tell me your location, right?
32:00Right.
32:10You want to show me how good you are?
32:12Sure. Come on.
32:20Come on.
32:36Bosley, can you read me? I'm on Highway 17, headed south.
32:40Can you read me? I'm on Highway 17, headed south.
32:44Bosley, can you hear me?
32:46It's Bree and the chopper. We read you. We're on the way.
33:17Aah!
33:32About there!
33:36I'll get him. Ha-ha!
33:47He's crazy.
33:58Get him, Boss! Get him!
34:16Run, Kelly!
34:23Whoa!
34:47Whoa!
35:06You all right?
35:08Yeah, I'm fine. Did he get away?
35:10Yeah, okay, we got his eye system. Are you sure you're okay?
35:12I'm fine. I'm fine.
35:14Okay, did the bionic man get started this way?
35:17I don't know. Come on.
35:20Anything hurt?
35:22No, I'm okay.
35:45Hello. Are you all right?
35:47Well...
35:49Did he hurt you? We heard the car smashed up.
35:52No, I'm fine, really.
35:54Hot shower, and I'll be like new.
35:56Did you get anything on the license number that we radioed in?
35:59No luck. The car was reported stolen this morning.
36:02Oh, I thought we had something.
36:04Well, the police said they'd give us a full report as soon as they put it all together.
36:08Uh, look, you've got to be kidding me.
36:12Uh, look, you guys are going to have to debrief without me.
36:15I've got to meet Professor Croydon at the university.
36:18Look, Bree, in the light of what's just happened,
36:20don't you think we ought to pull back a little until we make sense out of this thing?
36:23Listen, Bosley, don't worry about it, okay?
36:25I know what I'm doing!
36:27Oh, I'm sorry. I'm sorry. I know what I'm doing.
36:29The exact words spoken by the captain of the Hindenburg.
36:32Be careful.
36:36You okay? Would you like some coffee?
36:39No. Maybe some water.
36:41All right.
37:10Hello.
37:12Um, I'm Sabrina Duncan. I was here early.
37:15Oh, yes. The doctor was doing his running.
37:17Yes. I'll tell him.
37:22Uh, Miss Duncan is here.
37:24Yes, sir.
37:26He'll be right with you.
37:28Thanks. Take a seat.
37:33What about that handsome guy you were checking out in your little motorcycle boots?
37:38Oh, I have a souvenir for you from the Dwayne Hanson Fan Club,
37:42of which I am not exactly the president.
37:45He's in the clear.
37:47The slugs don't match.
37:48Not even close.
37:50Besides, Dwayne's too worried about his film career
37:52to think about little things like attempted murder.
37:54Who else is on the list?
37:58Hello? KBEX?
38:01Oh, yes. Yes, lieutenant.
38:03Where?
38:05Oh, yes. Well, thank you.
38:08Yes. Thank you very much.
38:12What is it, boss?
38:14Oh, just a few details on a stolen car.
38:18It was taken at 9.45 this morning.
38:21The owner is a Gerald M. Bradford.
38:24He's a student at Western Pacific University.
38:28Where Dr. Croydon has his lab.
38:30The nice man who threatened to wrap a ski pole around Joey's throat.
38:33He's a skier.
38:35And the guy who chased me was wearing a ski mask.
38:38Yeah, but Kelly, so do half of the stick-up men in this town.
38:41Yeah, but nevertheless, as we sit here talking,
38:44he's about to put a needle in Sabrina's arm.
38:47Now, do we want to take a chance that he's okay?
38:49No, I think we better get out of here.
38:51If we're wrong, we'll apologize.
38:53Right.
38:54Graduate student at Winslow, majoring in biology.
38:57Ah, yes, sir. I'd like to do my master's thesis on your experiments.
39:02A grease job isn't necessary, Miss Duncan.
39:04Uh, well, I'll...
39:06You know Professor Atkins?
39:08Professor Atkins?
39:10William Atkins.
39:12In the biology department at Winslow.
39:14No, sir. I'm sorry. I'm afraid I doubt.
39:17How could you? He doesn't exist.
39:20Oh.
39:22But you do know Dr. Charles Spencer.
39:26Uh, Dr. Spencer? Yes.
39:29Well, I know of Dr. Spencer.
39:31I haven't had any classes under him.
39:34I take my experiments very seriously, Miss Duncan.
39:38Yes, sir. I'm sure you do.
39:41I want volunteers who share my concern for the advancement of science,
39:45not shallow, self-serving opportunists.
39:48Uh, well, if you're suggesting that I'm...
39:50I'm suggesting nothing.
39:52Well, up you sleep, please.
39:54Yes, sir.
40:01Good night.
40:23I am really... I'm so dizzy. I'm really very dizzy.
40:26Just lie down.
40:28Oh, does it always...
40:30Mm-hmm.
40:32Whoo-hoo!
40:34Just answer my question, huh?
40:37Well, why are you doing that?
40:39To keep you from falling off.
40:41Oh, cold serum is, uh...
40:43Uh-huh. Uh-huh.
40:45I didn't give you my serum, Miss Duncan.
40:49I injected you with sodium pentothal, truth serum.
40:53Why?
40:55Because you lied to me.
40:57You're not a student at Winslow College.
41:00Charles Spencer is my accountant.
41:04I didn't mean...
41:06Now you won't lie.
41:09Who are you, and what do you want?
41:12Uh...
41:20So you think I tried to kill Joy Vance?
41:23Uh-huh.
41:28Did you... Did you tell the police?
41:30Eh?
41:32Did you tell the police?
41:34Uh-huh.
41:36Why not?
41:41I don't have enough evidence.
41:52Do you know what happens
41:54when air bubbles are injected into the bloodstream, Miss Duncan?
41:57Huh?
41:59Huh?
42:01Oh.
42:03Did you just...
42:06try to kill Joy Vance?
42:08Twice.
42:12The March Foundation was going to give me
42:14a $200,000 grant to further my work.
42:18She ruined it.
42:25Oh, please.
42:27Oh, please, you haven't killed anybody.
42:30Hello. I'm Andrew March of the March Foundation.
42:33I'd like to see Dr. Croydon. It's urgent.
42:35I beg your pardon. I know Mr. March.
42:37He's come here several times.
42:39Look, I'm not Andrew March either,
42:41but you'd better take us to Croydon right now. It's an emergency.
42:43Who are you? What do you want?
42:45Come on, this way.
42:47You can't go in there. Don't...
42:49You can't go in there. Don't...
42:51Come on, this way. You can't go in there. Don't...
42:56Can you hear anything?
43:08Yes.
43:10What?
43:12Well, who are they?
43:15No, don't call the police.
43:21Excuse me.
43:29You're Dr. Croydon?
43:31That's right. What are you doing in here?
43:33Where's Sabrina Duncan?
43:35Get out, or I'll call the police.
43:37Do it. We'd love it.
43:39Stop waltzing us around, Croydon. Where is she?
43:43Help!
43:46Are you okay?
43:48Yeah.
44:00Is your ear all right?
44:02Uh-huh.
44:15Aah!
44:45Aah!
45:15Aah!
45:31Don't move.
45:35I don't think you have to worry.
45:46So, Joy's broadcast exposing Professor Croydon
45:48So, Joy's broadcast exposing Professor Croydon
45:50So, Joy's broadcast exposing Professor Croydon
45:52cost him literally $200,000 in research grants.
45:54cost him literally $200,000 in research grants.
45:56So, his motive was revenge.
45:58Uh-huh.
46:00I hope you know, Charlie, that my motive in doing this story
46:02was to bring out the truth.
46:04Of course, Joy, and it's a good thing you did.
46:06Apparently, the university had put him on notice also.
46:08Apparently, the university had put him on notice also.
46:10They weren't renewing his contract,
46:12so he was gonna lose his lab facilities.
46:14And you have to admit, Charlie,
46:16that could make you a bit peevish.
46:18What's this I hear about Kelly, the track star?
46:20What's this I hear about Kelly, the track star?
46:22Actually, that part of it was fun, Charlie.
46:24Oh, Charlie, listen, you should have seen her.
46:26She was wonderful.
46:28She ran that guy right into the ground.
46:30She runs just like a man.
46:32Oh, really?
46:34You mean, she runs like you run, possibly?
46:36You mean, she runs like you run, possibly?
46:38Oh, well, no, not exactly.
46:40I mean, I'm not your typical male runner.
46:42I mean, I'm not your typical male runner.
46:44I mean, look, I'm paid to think, not to run.
46:46I mean, look, I'm paid to think, not to run.
46:48Oh, I see. Then you think like a man, right?
46:50Oh, I see. Then you think like a man, right?
46:52Well, yes, I mean, of course.
46:54Does Kelly think like a man?
46:56Does Kelly think like a man?
46:58No.
47:00Well, I mean, she...
47:02Charlie?
47:04Kelly, do you think like a man,
47:06or just run like a man?
47:08Charlie, help.
47:10Bosley, you're on your own.
47:12Bosley, you're on your own.
47:14Oh.
47:16Uh...
47:18Oh, my gosh, I think I better run.
47:20Oh, my gosh, I think I better run.
47:22laughs
47:24laughs
47:26music plays
47:28music plays
47:30music plays
47:32music plays
47:34music plays
47:36music plays
47:38music plays
47:40music plays
47:42music plays
47:44music plays
47:46music plays
47:48music plays
47:50music plays
47:52music plays
47:54music plays
47:56music plays
47:58music plays
48:00music plays
48:02music plays