Movie
  • 6 months ago
Transcript
00:00Once upon a time, there were three little girls who went to the police academy, two in Los Angeles.
00:13The other in San Francisco.
00:17And they were each assigned very hazardous duties.
00:22But I took them away from all that, and now they work for me.
00:26My name is Charlie.
01:00And I'm Charlie.
01:02Charlie!
01:28Are you ready, Novitsky?
01:30All right. Drum roll.
01:37All right. Drum roll.
01:41The Barjot Circus is proud to present the only man to do the flange,
01:46double sound, front 90 feet, the great Walensky.
01:50Now the drum roll.
01:52Ladies and gentlemen, we direct your attention higher on the center ring.
01:56The great Walensky!
02:00Come on.
02:21Come on. Will you hurry up?
02:23Shut up. This isn't easy.
02:30Get an ambulance.
02:32He's not dead. Thank God for a gypsy lock.
02:35We can't depend on gypsy lock anymore, Pop.
02:37We got to do something. We have to call the police.
02:39No. I handle this myself.
02:41Pop, you're going to lose the circus. No police.
02:50Angels, the Barzak Circus has been plagued.
02:53The circus has been plagued.
02:56Angels, the Barzak Circus has been plagued by these accidents for several weeks.
03:01There have been mechanical failures.
03:03Dangerous animals have somehow gotten out of their cages at night.
03:07Just what I always wanted, a tiger in my tent.
03:11Charlie, if the accidents weren't accidents, why no police?
03:15The owner, Janos Barzak, is, believe it or not, a genuine gypsy.
03:19It seems they have a code of honor.
03:21They prefer to solve their own problems.
03:23But our client, David Barzak, Janos' son,
03:26has reason to believe that whatever's going on is too big for mere gypsies to handle.
03:31Do you have any idea what is going on, Charlie?
03:34Possibly one of the big circus combines is trying to swallow up the Barzak operation,
03:38keep it from opening the new season.
03:40What, cut down on the competition?
03:42It's only a theory, Sabrina.
03:44And what complicates matters is that Barzak is known to be a shrewd businessman.
03:50Shrewd businessman.
03:52Or, as Sister Jill would say, he stepped on a few toes.
03:55More than a few.
03:56We've worked out covers for all of you. Bosley will fill you in.
04:00Charlie, would you run a computer check on all the big circus combines?
04:04Find out which one is being hurt financially by the Barzaks.
04:07It's already in the works, Kelly.
04:17Charlie, what's that whistling sound?
04:19That's a model train, Kelly.
04:21The history of railroading has always fascinated me.
04:24I'm doing a little research.
04:26You're hitting the old books again, huh, Charlie?
04:29Well, actually, I'm working with a tutor.
04:32A historian?
04:34Well, sort of an engineer.
04:36Name of Casey.
04:38Jones?
04:40Bakulenikoff.
04:44Feminine gender, Mr. Townsend.
04:46Sabrina, how did you guess?
04:48It has been said that at times you have a one-track mind, Charlie.
05:01By the way, don't worry about your cover stories.
05:04Historically, circus people never ask many questions.
05:07Except my father.
05:09Well, this is the first time I've ever gone on a job...
05:12where I was undercover from one of the clients.
05:14I'm really sorry about that.
05:16I guess that he would really be upset if he thought I brought in outside help.
05:19Especially since you're all...
05:21Women?
05:23Ah, very 19th century.
05:2519th century?
05:27No, 18th century.
05:29You're in for a big surprise. Where do you meet my father?
05:31Oh, but you're not anything like him.
05:33Well, let's say I'm an updated gypsy.
05:36I like these kind of clothes.
05:38I like liberated women.
05:40And I also fix a terrific chicken Kiev.
05:43Gypsy style.
05:45I love chicken Kiev.
05:47What's gypsy style?
05:49Well, first you steal a chicken.
06:02All right, lady, move it!
06:04You move it, turkey! We were here first!
06:07Maybe we should move it.
06:09He thinks he can push me around just because I'm a woman. No way!
06:12Look, lady, you better back off...
06:14Before I break your boyfriend's legs!
06:16You think he's afraid of you?
06:18As a matter of fact.
06:20What do you think we should do now?
06:22I think you should scream. As a matter of fact, if you don't, I will.
06:28All right, hold it. That's enough.
06:30She started it, and I'm stopping it.
06:33What do you want?
06:35I'm looking for a job.
06:37Job? Doing what?
06:39My act. I'm Go-Go Garrett.
06:41Go-Go?
06:42She jumps over things on a motorcycle.
06:45I don't hire no woman to do motorcycle stunt.
06:48You have something against women?
06:50No, as long as they wear skirts and stay in kitchen where they belong.
06:53Now, don't waste my time.
06:55Listen, how'd you like a swift kick in the shins?
06:59You know, if you risk as much with your motorcycle as you do with your mouth,
07:03that should be interesting to watch.
07:05So give me a try.
07:07What have we got to lose?
07:09All right, you set up your stunt.
07:11And, Otis, you help her.
07:13Me help her? You heard what I said?
07:18I'll move the truck.
07:25You remind me so much of Nadia, my niece.
07:28I've wanted to be a clown ever since I was a little girl.
07:32A clown bleeds grease paint and breathes sawdust,
07:36but the tears he cries are little bits of his heart.
07:41My grandfather used to tell me that when I was a little boy.
07:44It's true.
07:46I tell it to all my apprentices.
07:49Uh, does that mean you'll take me on?
07:53The honest doesn't pay very well, even for a master mime such as myself.
07:57I'll talk to my dad.
07:59Listen, I have a couple of new acts to check on. I'll see you in a while.
08:03Um, I don't care about the money.
08:06I just... I just want to be a clown.
08:09Then I'm sure Giannis will hire you.
08:12Hi.
08:14Thank you.
08:16Bye-bye. Bye.
08:22So, your name is Chris Monroe, and you want a job, too, huh?
08:26You got it.
08:28What do you do?
08:30I'm doing it.
08:32Doing what?
08:34Posing. I'm a showgirl.
08:37I could be a terrific ringmaster's assistant.
08:39I am the ringmaster, and I work alone, and I have enough showgirls.
08:43Well, maybe I could ride an elephant,
08:45or hang from the high wire by my teeth.
08:47I learn real fast, and I have great gums.
08:49Gums?
08:51Well, yeah, what good are strong teeth if your gums cave in, right?
08:55Oh, please, I really need this job.
08:57I mean, like, so I can keep on eating.
09:01Maybe I have position for a girl with your talents.
09:06Yes, come.
09:18Don't worry. He is very good.
09:21Helmut.
09:23Yeah.
09:25Helmut, I think I have found you an assistant.
09:28Fraulein.
09:30Pleased to meet you, Miss...
09:32Chris Monroe.
09:34Ah, Miss Monroe.
09:36I would be much pleased to throw my knives at you.
09:39His English is not very good, but you get the point.
09:43You still want the job.
09:45Well, yeah.
09:47I'd like to make one phone call first.
09:49I'd like to call my mom.
09:51She might be able to collect double indemnity
09:53if I come out of this with a split personality.
09:56As you wish.
09:58Well, now, I must continue my work.
10:06Hey.
10:07Hey, how'd it go?
10:08Well, you're looking at the new apprentice mine.
10:10Great. Tarloff liked you?
10:12Well, he didn't throw rocks.
10:14You know, he was one of the finest mimes in Europe.
10:16He spent most of his life behind the Iron Curtain,
10:18so he's not so well known here.
10:19He's a very sweet man.
10:20Oh, by the way, Chris got herself hired
10:22as assistant to the knife thrower.
10:23Doing what?
10:25He throws knives at her.
10:26You're kidding.
10:27Don't worry. He's great. He never misses.
10:29You mean he never hits.
10:31Right, never hits.
10:32Okay. How are Kelly and Bosley doing?
10:34Not so easy.
10:36My pop decided to test her.
10:44Okay, fellas, I'm gonna go over and get them now,
10:47so you guys make one last check
10:49and just be certain that nothing's loose, okay?
10:52Yeah.
10:54Hey, we get rid of Walensky and three new whacks show up.
10:57Well, maybe the old man hired them,
10:59but they haven't performed yet.
11:00Yeah.
11:02You think maybe we could make them change their minds?
11:04We can try.
11:06Let's make a few, uh, adjustments.
11:23Ready?
11:25Ready!
11:54Somebody get a doctor!
11:56Okay.
11:58You sure?
11:59Okay.
12:00Maybe we should call the doctor.
12:02I'm okay, really. Don't worry.
12:05Well, I worry about my insurance premiums.
12:08Why you bring defective equipment to my circus?
12:10I don't know.
12:12I don't know.
12:14I don't know.
12:16I don't know.
12:18I don't know.
12:20I don't know.
12:22Why you bring defective equipment to my circus?
12:24There was nothing wrong with the equipment.
12:26You checked the ramp before you make the run?
12:28Of course I checked it.
12:29Look, I don't need this.
12:31Put the things back in the truck.
12:33Right.
12:34We're getting out of here.
12:36Wait a minute. You can't leave.
12:38Watch me.
12:39What about the job? Don't you want it?
12:41You saying I got it?
12:43You still want it?
12:45I want it.
12:47All right. All right, you got it.
12:49One thing. You check the ramp next time.
12:58And some of the clamps that hold the ramp section together were loosened.
13:01Anybody help you set it up?
13:03Yeah, a couple of workers from the circus.
13:05Otis and Reed.
13:07What about them?
13:09Very possible.
13:11But why?
13:12I don't know.
13:14We better have Charlie run a check on them.
13:16Yeah, well, I already put a call in.
13:18And Charlie is worried.
13:20Too many things around here to go wrong.
13:22Kelly was just lucky.
13:23Does Charlie think we should pull out?
13:25Well, he said we can, and we think it's too rough.
13:28Well, I'm for staying.
13:29I've got a score to settle with those two.
13:32We took the job.
13:34Um, besides, I don't want to disappoint David.
13:38Oh, like that crazy son of a gypsy, do you?
13:40Cooks me chicken Kiev.
13:42Oh.
13:43And let's not forget about all those people
13:46Okay, it's unanimous, then.
13:48I'll stay, too.
13:49My mama didn't raise no quitters.
13:50Me neither.
13:52Here, have a grape.
13:54Thanks.
13:56Where is it?
13:57Yeah.
14:00Hey, who's that?
14:02That's the executioner.
14:04The who?
14:05My boss, the knife thrower.
14:07Well, he was looking at you very suspiciously.
14:10Maybe he's measuring me for a new knife.
14:13Ha, ha, ha.
14:16Ha, ha.
14:40Hi, cutie.
14:42Hello.
14:44Name?
14:45Bosley, John Bosley.
14:47Bosley, John Bosley.
14:49Nice ring to it.
14:51Married?
14:52Not lately.
14:54Me neither.
14:55Oh, I'm Tinklebell.
14:57Tinklebell.
14:58Oh, I love the way it sounds when you say it, Bosley, John Bosley.
15:03Uh, look, just Bosley, John Bosley.
15:07That's what I said.
15:09Bosley, John Bosley.
15:12Ha, ha.
15:14See you around, big boy.
15:17Don't forget Tinklebell.
15:21Say hello to Peter Pan.
15:26Bosley, John Bosley.
15:29Hey, watch where you're going.
15:31I'm sorry, I...
15:32That's okay.
15:33Got a light?
15:35Yeah, yeah.
15:37Please.
15:42Thank you.
15:43Yeah, how, uh...
15:51How do you do that?
15:53Do what?
15:56Oh, I thought so.
16:07That was a terrific dinner.
16:09You'll make somebody a great little wife someday.
16:14Thank you.
16:16You sound just like my pop.
16:19Cooking is woman's work.
16:21Yes, well, cooking is just one of my many failings.
16:24He also hated it when I went to law school.
16:28A gypsy lawyer.
16:30Next, we'll have honest fortune tellers.
16:34Do you know...
16:35Do you know why he wanted me to handle the books?
16:37No, why?
16:38So he'd have someone who was trustworthy to cheat for him.
16:41You're kidding.
16:43Yeah, but we do have some battles.
16:46Sometimes I have to do things without telling him.
16:51Anybody ever tell you that you're too pretty to be a detective?
16:55Too pretty to be a detective?
16:57Yeah, I think somebody did.
17:00It was my ex-husband.
17:03Yeah, well, he was right.
17:05You think you should have hired a man for the job?
17:07No.
17:08I mean, I don't think so.
17:10I don't know.
17:11Listen, maybe I'm not as liberated from my dad as I think I am.
17:14Well, maybe I'm not so liberated either.
17:16Confession time?
17:17No.
17:18No, I think equality is everything.
17:22It's just sometimes...
17:24Sometimes the old-fashioned way seems more attractive.
17:29Like maybe next time I steal the chicken and you do the cooking.
17:34Yeah.
17:44I'll do both.
18:04Well, good evening.
18:18Yes, it is a very good evening.
18:21You make a nice couple.
18:23Well, he's a very nice fellow.
18:26And you are a flower.
18:28Beautiful.
18:29Delicate.
18:31You're very European.
18:33Guilty as charged.
18:34Absolutely no crime.
18:36Get some sleep.
18:38Tomorrow we work.
18:40Good night.
18:41Good night.
19:04Help!
19:18Help!
19:22Help!
19:25Help!
19:31What is that?
19:32A snake.
19:33Very large, very mean, very ugly.
19:35What's going on?
19:36Well, either I attract very strange types or somebody put a snake in my bed.
19:40Oh, that's terrific.
19:42Are you okay?
19:44What is this?
19:46It's a caftan.
19:48Fine son Janusz has.
19:50He wears the skirts, she wears the pants.
19:57Lucky you didn't jump into bed without turning on the light.
19:59Well, it wouldn't have been one of my better nights.
20:01Listen, you can't stay here tonight.
20:03Why don't you stay with me?
20:09No.
20:10You can have the bed.
20:11I'll take the couch.
20:13One second thought.
20:15I'll take the couch.
20:16You take the bed.
20:23You suppose somebody's trying to tell us something?
20:25Yeah, maybe we better check around.
20:27Maybe somebody saw someone coming in here.
20:32Hello.
20:33Hi.
20:34Excuse me.
20:35Did you see anybody go in the tent over there tonight?
20:37I don't gossip.
20:39Wait a minute.
20:40I did see somebody.
20:42The new girl who lives there.
20:45Thanks anyway.
20:46Don't be a stranger.
20:51I'm sorry.
20:52I'm sorry.
20:53I'm sorry.
20:54I'm sorry.
20:55I'm sorry.
20:56I'm sorry.
20:57I'm sorry.
20:58I'm sorry.
20:59I'm sorry.
21:00I'm sorry.
21:02I'm sorry.
21:03I'm sorry.
21:04I'm sorry.
21:08But what if somebody finds out?
21:10If somebody finds out...
21:12It doesn't bother you at all?
21:14I don't know.
21:16It's kinda
21:17I don't feel good in my skin.
21:21You have too many worries.
21:24I have a lot to give up too.
21:27Believe me,
21:28You have no reason to be disappointed.
21:32So?
21:33So.
21:34Good night.
21:35Good night.
21:58Good night.
22:29Pass me a jumbot.
22:37Somehow I knew your feet would find this pathway tonight.
22:40Well, one of the girls found a snake in her tent tonight.
22:43What's new?
22:44In my book, every guy who works in this circus is a snake.
22:47Except you, of course.
22:49No, no, I mean a real snake.
22:51With rattles and teeth and paisley skin.
22:54No kidding. Is she all right?
22:56Well, she's recovering.
22:58Oh, I'm so glad it wasn't you.
23:00I'd hate to lose you now that I found you.
23:03Yeah, that would be a shame.
23:06I feel a great spiritual closeness to you.
23:10I don't think we'd ever be able to overcome our differences.
23:14What differences?
23:17Uh-huh.
23:22Any luck?
23:23I don't know.
23:24I heard Janus and Helmut talking in German.
23:27Anyway, I think they were arguing.
23:29I followed Helmut into the cook tent and I found this.
23:31It's his fingerprints.
23:33Good work.
23:34What else have we got, right?
23:36Right.
23:37Unless we can get the snake to talk, nothing.
23:40Look, you're a brilliant guy.
23:42I can sense these things.
23:44Sometimes I read people's minds.
23:46Good.
23:47You should try reading mine.
23:49Well, come to my tent and we'll have a few drinks.
23:52Look, you've got a terrific personality, but...
23:55And we're the same sign.
23:57And we're the same sign.
23:59But I just can't see us going through life
24:01with me carrying around a box for you to stand on.
24:03Why do I need a box?
24:09Chris, do you think Helmut could be the brains behind Reed and Otis?
24:13Well, somebody is.
24:14And I don't think Otis and Reed are smart enough
24:16to pull this off by themselves.
24:18Whatever this is.
24:20Yeah.
24:32Chris, it's us.
24:34Come on.
24:35Help!
24:36Help!
24:37Somebody shut it down.
24:39I can't.
24:40Help!
24:41Somebody!
24:42Come on.
24:46Open it.
24:47Open it.
24:48Come on, we've got to get out of here.
24:52Help!
24:53Help!
24:54Help!
24:55Help!
24:56Help!
24:57Somebody!
24:58Help!
24:59Help!
25:00Help!
25:01Help!
25:02Help!
25:05Help!
25:06Help!
25:07Second fire extinguisher!
25:19Let me get this over with.
25:23It'll go all right, it'll go all right.
25:25Go to the church.
25:26Get out of this.
25:28It's all right.
25:29Help!
25:30Help!
25:31Help!
25:32Help!
25:33Help!
25:34Help!
25:35Start Fire!
25:36Help!
25:40Help!
25:41Help!
25:42Help!
25:43Help!
25:44Let him out.
26:15How do you let the fire start?
26:17Somebody tied the tent flap shut, struck a match.
26:20I might have known you would be there again when there is trouble.
26:24Thanks for being so concerned, Mr. Barzak.
26:27You are okay, right?
26:29Oh, yeah. We're fine.
26:33I wasn't worried about you. I was worried about the, uh...
26:36Insurance.
26:38Insurance.
26:40Insurance.
26:42I wasn't worried about you. I was worried about the, uh...
26:45Insurance. Yeah, I know.
26:47By the way, thanks.
27:01What the hell are you doing?
27:03You crazy drunk. You almost killed those two girls with that fire.
27:06What are you talking about? I didn't start no fire.
27:08Don't jive me, Otis. Now, if you didn't set it, who did?
27:11We were paid to put the old man out of business, not to kill nobody.
27:15Well, this thing is getting out of hand.
27:17I think we better have a little talk tomorrow.
27:19All right. Maybe the three of us.
27:22Definitely the three of us.
27:24Everybody not working and out of the tents, go help with the rolling stock.
27:29Farmers, don't need your attention. Go help with the rolling.
27:32Someone knows who we are and why we're here.
27:34Very possible. More than possible.
27:36You almost cuddled up with a snake. We almost got barbecued.
27:39If we're way off base, why is someone trying so hard to discourage us?
27:43You know, I sure wish I spoke German...
27:45so I'd know what Janos and Helmut were arguing about.
27:47Yeah, well, you might have heard them talking about who Helmut really is.
27:51What do you mean?
27:52Well, the fingerprints on the glass do not belong to Helmut Kloss.
27:56There is no one by that name.
27:59Yeah, Charlie's running those prints through Interpol's computer right now.
28:03Is there any way to tie Helmut to Reed and Otis?
28:06Well, Reed and Otis are ex-cons.
28:08That's all Charlie could turn up on them.
28:10But the clown, Anton Tarlov...
28:13had a niece who worked for Barzak a long time ago.
28:16Nadia. Yeah, Nadia was her name. He mentioned her.
28:20Yeah, but did he mention that she was injured in a fall...
28:23and eventually died an invalid?
28:25No, that's awful.
28:28Well, does Charlie think there could be a feud between Barzak and Tarlov?
28:33Well, they're both gypsies, aren't they?
28:35And gypsies have a very strong code of honor.
28:38Does Janos know who Tarlov really is?
28:40Probably not.
28:42Tarlov is a very common name in the European circus world.
28:46And his niece had an accident a long time ago.
28:49He doesn't seem like a man who could hate that much.
28:52Yeah, but there's more.
28:54See, the Barzaks stand to make an awful lot of money...
28:57if they sell the circus.
28:59But if they don't, sooner or later, they're gonna go belly-up...
29:02and they'll lose everything.
29:04Well, Janos doesn't care about money. The circus is his life.
29:07Right.
29:09So the big winner, if Janos did sell...
29:12would be Janos' son, David.
29:15No. No.
29:17There is no way that I will believe that David is behind all of this.
29:20He wouldn't be the first one who hired detectives to throw the suspicion off himself.
29:24We certainly aren't lacking possibilities, are we?
29:29Okay, uh, where do we start?
29:33Pick a number.
29:58Come on.
30:18You're a fast learner.
30:20I can't tell you how much you remind me of my Nadia.
30:24Nadia is your niece, right? You mentioned her before.
30:27Was she involved with the circus in Europe?
30:29No. She had an accident.
30:31Oh.
30:33Who told you I was from Europe?
30:36Uh, well, your accent.
30:40Yes, the accent.
30:42I don't even think I have one.
30:44But, of course, if you say so, then I must.
30:47Well, it's just a little one.
30:49Did you work with the Barzaks over there?
30:51Some members of my family did.
30:54Let's go on to the next part of the act, which is when I challenge my reflections to a duel.
30:58Everybody will take their lunch before the dress rehearsal today.
31:07Oh, yeah.
31:13This is really wonderful.
31:15I owe you an awfully lot for giving me this chance.
31:18And Mr. Barzak, too.
31:20You owe Mr. Barzak only one thing.
31:22A good performance at each of his shows.
31:25En garde, my alter ego.
31:40I saw a helmet go in the cook tent.
31:42Yeah, he's probably hitting the schnapps again.
31:44You keep an eye on him for me. I'm gonna see what I can find in here.
31:46Okay.
31:49All right, you people.
31:51Now, the act's rehearsed without the watch.
31:53We got work to do.
31:55You get to it. Audience, we get later.
31:57Workers, we need now.
32:19What are you doing, Miss Monroe?
32:21Oh, I was just looking for my costume.
32:23Ah.
32:25You were looking for your costume.
32:28Yeah.
32:30So...
32:36Here it is.
32:38Oh.
32:40Put it on. We practice.
32:42Now?
32:44Now.
32:46You know what? I've been trying to lose a couple of pounds.
32:49Couldn't we do this tomorrow?
32:51Now.
32:53Now. Okay.
32:55I'll, uh...
32:57I'll, uh...
33:00I'll, uh...
33:02I'll, uh...
33:14Hey, listen, did you happen to see a helmet come this way?
33:17Yeah.
33:19Well, which direction?
33:21What am I, a compass?
33:23You just missed him. He and the girl were heading toward the main tent.
33:26Oh, no.
33:28Oh, well, uh, thanks a lot.
33:34What were you doing in my tent?
33:36I told you, I was just looking for my costume.
33:39In Europe, I was always watched.
33:45I came here to get away from spies.
33:49Spies?
33:51You think I'm a spy?
33:52Do I look like a spy?
33:55Then what are you?
33:59I'm just a girl who was looking for a job, that's all.
34:01Look, you've got to believe me, please.
34:09Bosley.
34:10Am I interrupting something?
34:12We were just practicing.
34:15A challenge.
34:17Is that not right?
34:19Just practicing.
34:21Auf Wiedersehen.
34:25I'll be needing a medic.
34:26I'll report to wardrobe if you can't see him.
34:29Wow, you look quite as a sheet.
34:31I just scared two months off my suntan.
34:34Look, I tell you, why don't you go change
34:35and I'll wait for you.
34:37As soon as I stop shaking.
34:39I'll go with you.
34:42If you are not a woman, you have great makings for a man.
34:45Is that a compliment?
34:46Ah, you women, always picking things apart.
34:49I take it back.
34:50You're late.
34:51I heard you say it.
34:54Janos, why do you fight the odds?
34:57One of these days, there's going to be a bad accident
34:59and you're going to have to sell out.
35:01Hold up.
35:02Janos never quit.
35:03I'm surprised to hear that from you.
35:05Isn't it true that all the small circuses
35:08like yours are folding up?
35:09They just can't compete with the big shows.
35:11They quit.
35:12I tell you about Janos.
35:15The Barzakh circus, they make people happy for 100 years.
35:18Many people try to take it away from us.
35:20The Turks, the Germans, communists, but nobody does.
35:23The family keep it.
35:24And nobody make me quit now.
35:27What kind of man would I be if I don't give to my son
35:30what my father give to me?
35:33Janos, I don't think David wants the circus.
35:36He just, uh, how you say, he does his things.
35:40No, no, no, he is going to get cents.
35:42He's going to come back.
35:43He's going to work hard.
35:44He get his hands dirty like you.
35:47You should be my son.
35:48Oh, yeah, now I know that's a compliment.
35:54Ah, ah, ah, ah.
36:06Tarlov, it's time we had a talk.
36:09Yes, I've been expecting you.
36:11All right, what's going on?
36:12That fire was no part of the plan.
36:13Yeah, them girls would have been burned up.
36:15This whole place would be crawling with cops.
36:17And talking about those new girls,
36:19they ask a lot of questions.
36:20In fact, that's what they do mostly is ask questions.
36:23I fear you are correct.
36:26I don't believe they're what they claim to be.
36:28You think they might be cops or something?
36:30Barzak could have hired them to investigate the accidents.
36:34Oh, wait a minute, man.
36:35This whole thing is getting out of hand.
36:37Why don't you give us the five grand we're split?
36:39Because you haven't earned it yet.
36:41Barzak must be destroyed.
36:43Why, because of some crazy gypsy feud?
36:46I honor my obligations to Nadia.
36:48She is dead.
36:49And Barzak is responsible.
36:51I thought you said she died in a fall or something.
36:54Barzak gave her inferior equipment.
36:56It cost her life.
36:58Sounded to me like some ordinary accident.
37:00No, Barzak was too ambitious.
37:03He should have been more careful.
37:05He should have cared more for his people.
37:07He is responsible.
37:08All right, all right.
37:09I don't care about Barzak.
37:10You blame him if you want to.
37:11But I do care if those dames are cops, because we
37:13can all end up in a slammer.
37:14Now, I'll tell you what.
37:16You give us half the bread, we're gone.
37:18You think running will make those girls forget you?
37:20It would only prove your guilt.
37:23Terrific.
37:24We stay, we're in trouble.
37:25We leave, we're in trouble.
37:26We have no choice.
37:28We are committed.
37:30Well, then what you're saying is we got to get rid of them,
37:31huh?
37:32All three of them?
37:34Yes, I'm afraid that is what I am saying.
37:39OK.
37:41Reed and me will take care of the blonde
37:43and the one with the motorcycle.
37:45Good.
37:46I have a special surprise planned for my new apprentice.
37:53They look exactly alike, don't they?
37:54Yeah.
37:55Sometimes even I can't tell them apart.
38:01So who would blame me?
38:17All right.
38:18After the rehearsal, take all the wardrobe
38:20to the trailer for cleaning or repair.
38:23Everything must be perfect for opening.
38:25Handlers for ponies, elephants, assemble in middle area.
38:31Please, give ponies more check reign
38:33and keep them together.
38:34Handlers for ponies, elephants, assemble in middle area.
38:39Please, give ponies more check reign
38:41and keep them together.
39:05Hmm.
39:20Oh!
39:34Did I do something wrong?
39:46No.
39:47No.
39:48Are you nervous?
39:49No.
39:51That's not true.
39:52I'm scared to death.
39:54Remember, it's only a dress rehearsal.
39:57You'll be fine.
40:04You ready?
40:35Excuse me, sir.
40:37Helmet?
40:38Helmet?
40:39What?
40:40What happened to you?
40:41Uh, someone hit me.
40:42Who?
40:43Who hit you?
40:44I don't know.
40:45I couldn't see.
40:46Look, I think it's just about time you and I
40:47start leveling with each other.
40:48Now look, I know who you are.
40:49I am Helmet Cloud.
40:50And I'm not a clown.
40:51I'm a man.
40:52And I'm not a man.
40:53I'm a man.
40:54I'm a man.
40:55I'm a man.
40:56I'm a man.
40:57I'm a man.
40:58I'm a man.
40:59I'm a man.
41:00I'm a man.
41:01I'm a man.
41:02I'm a man.
41:03I am Helmet Cloud.
41:04Then you are wearing somebody else's fingerprints.
41:08You are Bruno Schmidt.
41:09You are an East German circus star who disappeared in Montreal.
41:12Curiously enough, at the same time that the Barzak Circus was there.
41:15No, no, I am Helmet Cloud.
41:17Now look, I don't want to send you back.
41:19I just want to know who hit you and where is Miss Monroe.
41:23I don't know.
41:24I don't know where she is.
41:29That's my music.
41:30Let's go over here.
41:34Watch it, Helmet.
41:35You wouldn't like me with short hair.
41:42Helmet, what's wrong with you?
41:47This has been fun, but I got to run.
42:04Yeah.
42:15Come.
42:20Okay, where's Reed?
42:21And who else is in it with you?
42:23I don't know what you're talking about.
42:26Helmet, he's all yours.
42:28Thank you.
42:30Wait.
42:32He's up.
42:33I'll tell you.
42:37It's Tarlov.
42:39One of the swords is real.
42:41He's going to kill her.
42:46This way.
43:01Come on.
43:31Come on.
44:01Come on.
44:32Thank you.
44:45I didn't do it.
45:02Come on.
45:03Come on.
45:07Well, I'm glad you chose the right sword, Harlock.
45:09Are you?
45:11Yes, I am.
45:13What's going on?
45:16You look so much like Nadia.
45:19I just couldn't do it.
45:22Couldn't do what?
45:27I couldn't do it.
45:29What is that?
45:31Well, you never would have had to die again, babe.
45:42Your friend Kelly.
45:43You better warn her.
45:45Once she makes the jump, they're going to kill her.
45:48What?
45:58What?
46:28Kelly!
46:35All right!
46:53Are you hurt?
46:54No, I'm okay.
46:55Good.
46:57Oh, honey!
46:59Pretty good!
47:01Fantastic!
47:03That was great!
47:04How about that?
47:22But the name Tarlov, I didn't recognize it.
47:25He blamed you for Nadia's death.
47:28And it was only an accident, nothing more.
47:31He's a fine performer, I'm truly sorry.
47:34So am I.
47:36What about Helmut?
47:37Ah, Helmut.
47:38Helmut came to me in Montreal.
47:41And I know what it is to be a refugee.
47:43He's hiding with us until political asylum can be arranged.
47:47Why didn't you tell me?
47:49You would call the authorities.
47:51Pop, did I do so bad when I called them?
47:55No.
47:58First time you do good without me.
48:04May I have the first dance?
48:06Wait, wait, wait, wait.
48:07I am patriarch.
48:08First dance is my privilege.
48:10When you grown up father, then your privilege.
48:14Would you dance with Janos?
48:15I'd love to.
48:17Shall we show them how to do it?
48:18Sure, why not?
48:20Yeah, make it good.
48:23Well Bosley, looks like it's just you and me.
48:26And me Bosley, John Bosley.
48:30Hi big boy.
48:32Aha!