Salón de té La Moderna - Ep 185
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00:00I was listening to her for a long time, without taking the opposite, to see what she was capable of, about how good of a partner she is and all that.
00:18She's a hypocrite.
00:21Yes, all good words, but not even half a good idea she has. You can tell.
00:26Well, yesterday with me the same, the same empty words. At first I thought they were coming in peace, but no, no. I already know what this woman is like.
00:35Yes, we have her well hidden.
00:38And besides, she doesn't point without a thread, that everything she does or what she says is to annoy or to get some benefit.
00:45At first she could deceive us because we are good people and we are not used to thinking badly of the first to arrive, but ...
00:50One shrinks to the heart, but what else could I say to Mrs. Bárbara, except to give her the PSM and that this tragedy happens soon.
00:57Poor woman. And for you, who has known her for so long, it also has to be hard.
01:02Yes, of course, she did not stop thinking about everything that has happened these weeks and now this.
01:07Don Fermín, why don't you take the day with some calm? I don't know, you know you can delegate to me everything you need.
01:16Well, I think you're right, Mrs. Lázara. I'm going to go eat with my nieces, if they can, of course.
01:21That will help you keep your head somewhere else.
01:24Well, now I have a meeting with my accountant, but I'm going quietly because you stay in charge.
01:29With great pleasure, Don Fermín.
01:31Thank you.
01:45I hope I can turn some of my affection for you into tranquility and temperance.
01:59No, you can't.
02:02Because there is nothing that can comfort me when I see the murderer of my daughter, free and so camping, making me shut up and discrediting me.
02:12It is natural that he does it. When you have your hands stained with blood, lying seems sinful.
02:20It is not convenient for that criminal to undervalue a wounded mother.
02:26I understand your pain and your anger, but it does not favor you to have an altercation like the one you had yesterday in the middle of the gallery.
02:34Are you going to stand aside from Peña now when you see?
02:36No, of course not. Not much less, don't say that, dear.
02:40I think you should have no doubts about my loyalty to you and you know that I will be by your side until the end of this path.
02:47Wherever it takes us, I support you unconditionally.
02:51Well, then don't make me those reproaches.
02:55I think of your image and remember that I have broken with Íñigo, who was my friend, since the day he allowed himself to come here and threaten your daughter.
03:04How strange that you didn't do it. Who wants to have friends like that?
03:08Well, let me explain, please. Being you the victim, you don't have to explain who is the bad guy in this story, and less to shouts.
03:16But above all, I think these efforts, these tensions, generate an added pain.
03:21I think you should concentrate until the last drop of your energy to recover from this serious trance.
03:27I think of you and what is best for your health, both mental and physical.
03:32You may be right, but right now my health is much less important than my daughter's justice.
03:41To continue with all this, which will require so much strength, I would reserve some of your will for it.
03:48Perhaps the road will be long.
03:52I am not a woman of putting on a show, much less in the public eye.
03:57I didn't look for that meeting with Íñigo, but I went to see him.
04:02And my blood was boiling.
04:06I have a civilized woman.
04:09But having the murderer of your daughter in front of you is proof that I don't want anyone.
04:15I understand you, my love.
04:17Every second that Íñigo is free is an insult to my daughter's memory.
04:31Yes, I understand that it was his pain that spoke.
04:35No, but the situation was very unpleasant.
04:39Well, Jacobo, don't worry, we'll talk in Madrid now.
04:43Love, don't let it affect you so much.
04:47There is nothing true in Mrs. Bárbara's words.
04:50She accuses you because she doesn't know what to do with her anger.
04:53Well, it seems unfair to me that she channels all her anger towards me.
04:56The way she insulted me in the middle of the street.
04:59And the way she looked at me, as if I were the real murderer.
05:04She wanted to kill you.
05:06No.
05:07The way she looked at me, as if I were the real murderer.
05:12She wanted to hurt you.
05:14And she did it.
05:16I shouldn't have gone to Carla's house and threatened her.
05:20The way I did it.
05:22Jacobo and I warned you not to do it.
05:25You don't know how I regret not listening to you.
05:28I want to think that the people who know me know how I am.
05:32But what about those who don't?
05:34What are they going to think? That this is the face of a murderer?
05:37The important thing is that you are innocent.
05:40And that's all that matters.
05:42And no one can prove otherwise.
05:44Because it's impossible.
05:46You're right.
05:49But no matter how innocent I am, I feel ashamed to remember it.
05:53Ashamed to see myself exposed like that.
05:57In front of everyone.
06:03I understand you.
06:05When Pablo was accused and arrested for the murder of Don Jaime at home,
06:10we had a very similar feeling.
06:12Of impotence and frustration.
06:15Do you remember?
06:17And on top of that, being a humble family, no one gave us the benefit of the doubt.
06:23But in the end,
06:25in the end we got the truth to come to light
06:28against the prejudices of many, with tenacity and hope.
06:32And in the end,
06:34reason prevailed.
06:37But I don't have a quarter of a solid.
06:42My love, who guarantees me
06:45that they will believe me when I tell them that I have spent all that time alone.
06:49At home or on the street.
06:51Why weren't they going to do it?
06:53Well, because they might think that
06:56it gave me time to kill Carla and get rid of the corpse.
06:59And then there is Mrs. Bárbara.
07:01The number she has set up for me.
07:03How she insulted me.
07:05And I hope this does not transcend the press, because I don't even want to think about it.
07:10Well, it is possible that the press will take advantage of this situation.
07:14My love, look at me.
07:16The police will not fall so low.
07:30I have to go to Madrid, Cabaret.
07:33I have stayed there with Jacobo.
07:36Very well.
07:39Quiet.
07:51I guess you already know why I called you.
07:54Right?
07:56I have an idea, ma'am.
07:57Esperanza has a backache.
07:59And that means
08:01that you will have to clean the place all by yourself.
08:05I hope you are prepared.
08:07Very prepared, Mrs. Lázara.
08:09I have learned a lot from Esperanza these days.
08:12Yes, but today is not an ordinary day.
08:15In addition to the usual cleaning,
08:17an event will be held on the upper floor.
08:19I guess you will be aware.
08:21That's right.
08:23Don't worry.
08:24In addition, Esperanza and I gave a good review to that area a couple of days ago.
08:29A couple of days ago?
08:32Well, for your own good, I hope everything is fine.
08:36I also want you to be attentive to the reservation.
08:40We have several groups of clients.
08:42Well, do you have any questions?
08:44No, none.
08:46None, Mrs. Lázara.
08:48Well, I'm going to leave.
08:50I will have a lot of suit.
08:54Marta, one moment.
08:56I hope you keep your word.
08:58It is time to show your worth
09:00and to show Don Fermín
09:02that he has not made a mistake with his hiring.
09:05Don Fermín likes the template to be up to date.
09:08And I'm not talking about moral issues anymore.
09:12For him, the modern one is an engine
09:15and the staff are the pieces of that engine.
09:18And you know what happens
09:20when a piece doesn't work?
09:24I don't know, Mrs. Lázara,
09:26that the engine doesn't start.
09:29No.
09:31What happens is that the defective piece changes.
09:35The engine always has to work.
09:38Don't worry, I'm going to try my best.
09:41Good.
09:43I hope so.
09:45Don't forget that you are on trial
09:47and that I am responsible
09:49for reporting your performance to Don Fermín.
09:51And I wouldn't like you to stop working here.
09:54You understand, right?
09:56I understand.
09:58You'll see what I'm capable of.
10:00We'll see.
10:03For now,
10:05buckle up
10:07and fix your neck a little.
10:10Come on, let's get to work.
10:12Now.
10:21And wait a moment,
10:23we have to study the Ten Commandments.
10:25Oh, that's a good rhyme.
10:29The Ten Commandments?
10:31You have to learn them by heart.
10:33Now?
10:35I wrote this with my fist and letters.
10:37And they are the Ten Commandments of the good cleaner.
10:40And we have to learn them by heart.
10:42You can do things as you like,
10:44but it's not easy to learn so many rules.
10:46Commandment number nine.
10:48Cleaning the dishes and the steel covers
10:50is not your thing, but the waiter's.
10:52Let's see, number two.
10:54When something falls and falls apart,
10:56the cleaner immediately grabs the broom.
10:58Well, grab the broom,
11:00we're going upstairs.
11:03Well, if it's what God wants.
11:12Let's go.
11:26There aren't many people today, are there?
11:31Are you crazy, woman?
11:33In the end, the vampire will catch you,
11:35Mrs. Teresa, and you're going to get into a good fight.
11:37I'm hungry. I don't know, I'd eat a boar.
11:39Let's see.
11:40You haven't had breakfast either?
11:42You eat more than a boar, Trini.
11:44You're always so full.
11:46Well, I don't know, I had breakfast,
11:48but I guess it's not enough.
11:50You must have a reason.
11:52You weren't so full before.
11:54I'm missing some iron.
11:56It's family business. My mother has it too.
11:58Well, be more careful,
12:00or you'll get into trouble.
12:02I'm going upstairs.
12:10See you later.
12:19This head of the room
12:21can recommend all the staff he needs.
12:23He has a lot of experience
12:25and he's very trustworthy.
12:27Well, I'll call him.
12:29Yes, yes, thank you.
12:31Everything I can go ahead with,
12:33as I can't go to Seville at the moment,
12:35I'll be fine.
12:37It's been a pleasure to work with you.
12:38I wish I could count on someone like you
12:40to take up the business.
12:42You're always trustworthy and well-supported.
12:44Don't think I'm so good or so diligent.
12:47Mr. Íñigo has spoken very well of me,
12:49but I also have my flaws.
12:51But it seems you were born
12:53knowing everything you need to know
12:55about this kind of place.
12:57By the way,
12:59can I ask you a question about Mr. Íñigo?
13:01Yes, of course.
13:03A client told me last night
13:05that Mrs. Bárbara was accusing him
13:06of raping her daughter.
13:08Yes, I just found out over the phone.
13:11It's a shame and unfortunate
13:13because from now on
13:15he'll have to defend himself
13:17and with all that,
13:19the rumors will spread like wildfire.
13:21Do you think they'll come to accuse him?
13:23They won't find any evidence
13:25because he's innocent,
13:27but it's possible they'll accuse him.
13:29Because of his bad relationship with Carla lately
13:31and because he doesn't have a solid background
13:33that explains his movements
13:34to the police.
13:36What bad luck.
13:38In any case,
13:40no one with two fingers up
13:42could think Íñigo is a criminal.
13:44I think the same.
13:46But Carla's family is very influential.
13:48Her mother moves around
13:50in very elitist environments
13:52and her friend Fabio
13:54has contacts in the political power.
13:56So it gets complicated.
13:58Well, yes.
14:00And I suppose the police will be in a hurry
14:02to find the culprit
14:04and I sincerely hope
14:06everything will be clear soon.
14:08I don't know what I would do
14:10instead of Íñigo.
14:12I suppose the first thing
14:14would be to find a good lawyer
14:16as soon as possible.
14:18I wouldn't do that.
14:20Oh, no?
14:22And how would you act?
14:24I'd like to be able to depend on myself
14:26and not put my luck in the hands of others.
14:28Yeah, but that didn't answer my question.
14:30I'd probably go far away
14:32for a season
14:35I doubt Íñigo would do that.
14:37He won't run away.
14:39He'll face whatever comes his way.
14:41I don't think so either.
14:43But you've asked me what I'd do.
14:45I'd solve my future for myself
14:47without having to depend on
14:49paying any favors to anyone.
14:51That's not how it is.
14:56I've had enough of you.
14:59What have you done this time
15:01besides showing off
15:02that you're better than all of us?
15:04I'm sure there's a plot.
15:06Neither Teresa nor I can decipher it.
15:08It's so bad and so deceitful
15:10that no matter how bad we think
15:12there's always a step forward.
15:14Yes, Trini told me something.
15:16She's had it coming
15:18since the first day she came to work.
15:20What are you looking at?
15:22Are the Indians coming?
15:24No, no, no.
15:26I'm just a little worried
15:28because they're going to send me a product
15:30that I'm going to sell
15:32and I hope to make progress
15:34because it's a novel,
15:36modern, very sellable product
15:38that can't be found anywhere.
15:40Are you going to tell me what it is?
15:42I'd rather surprise you.
15:46Very well.
15:48I'll tell you whatever I want.
15:50That's fine, Miguel.
15:52But don't forget that you're a married man
15:54and as a married man
15:56you have some responsibilities.
15:58And one of those responsibilities
15:59is to make sure
16:01that your wife doesn't get into any trouble.
16:03What are you talking about?
16:05Did something happen to her?
16:07Not to her, but to La Moderna's pasta, yes.
16:09A while ago she caught her eating again.
16:11Oh, yes, yes.
16:13She's been like that lately.
16:15What's the matter with you, Miguel?
16:17Did you take the bread from the shopping list?
16:19Because lately Trini is hungrier
16:21than the first one who ate a plate of snails.
16:23No, forget it.
16:25Since she gets home and there's no bread
16:27with the state she's in,
16:29she's in a state of nervousness.
16:31There she is.
16:33She's biting, she's biting you.
16:35She's pulling your hand like a hook
16:37to see what she's fishing for.
16:39Well, like Lady Alhazara's fishing,
16:41we're all going to laugh.
16:43Yes, yes, we've already talked about it.
16:45But she's not able to put her hands in her mouth.
16:47She's a bit weird.
16:49Are you hiding something, Miguel?
16:51Look, Francisco.
16:53I didn't want to...
16:55This weighs more than the horse of the Cid.
16:57What do you have there?
16:59I was talking to the truck driver
17:01and he was looking for a man named José Miguel Ruiz.
17:03Does that ring a bell?
17:05So I said, I'm going over there.
17:07Let me tell him.
17:09Thank you very much.
17:11They must be the samples of the product.
17:14Look at him.
17:16He looks like a child in the morning.
17:25Marta.
17:27What?
17:29How's the cleaning going?
17:31Well, I don't know, Antonia.
17:33I'm doing what I can,
17:35but I don't know if it's enough.
17:37Honey, all beginnings are difficult.
17:39You'll get used to it.
17:41I hope Esperanza recovers
17:43from the shot I gave her yesterday on her back.
17:45Because it's a lot of fabric for me alone, Antonia.
17:50For your own good, for mine,
17:52and so that the garbage doesn't accumulate.
17:55Honey, it's great that you're responsible,
17:57but don't suffer too much.
18:00I'll try, Antonia.
18:04I'll try.
18:08You know, with what happened
18:10the last time I worked here,
18:12I feel like everyone is watching me.
18:14Yeah.
18:16Well, it's a good time to prove what's worth.
18:21Hey, how are you?
18:23I notice you're more serious than usual.
18:27Well, Pietro and I
18:29are thinking about the business,
18:31and it's not going very well.
18:33And that?
18:35Well, Pietro has done some management,
18:37and it seems that renting that business
18:39won't be so easy,
18:41or so cheap,
18:43and I don't know if it makes sense, really.
18:45Well, what a shame.
18:47We were both very excited.
18:49It's just that, apparently,
18:51it's not a very busy street.
18:53And we'd have to condition the place,
18:55do a promotion,
18:57and for the accounts to come out,
19:00I don't know.
19:02It doesn't seem like a good deal.
19:04No, it's not easy.
19:06But, well, Antonia,
19:08if they decide what they decide,
19:10I'll be there to help them.
19:12I don't know, honey.
19:14We always count on you.
19:16But it's a bit of a shock, you know,
19:18because Pietro has a good job here,
19:20he's recognized,
19:22and suddenly, the two of us
19:24have to work from one day to the next
19:26without knowing what's going to happen to us.
19:28And what would make you happier?
19:34What would make us happier?
19:36Good question.
19:38Well, let's see.
19:40Having our own business,
19:42I'd love to, really.
19:44But it's very risky.
19:46And on the other hand,
19:48if Pietro stays here working
19:50and I'm unemployed,
19:52the only thing I could have
19:54is a night job at the hotel,
19:55cleaning,
19:57and being married to avoid seeing him.
19:59You want to be together,
20:01that's why you're getting married.
20:03Not bad.
20:05Well, if what makes you happy
20:07is the bakery,
20:09go for the bakery.
20:11I'm sure you'll have a great time.
20:13And then?
20:15When do you sign the loan?
20:17Tomorrow.
20:19Although it's all tied up
20:21because we gave the signal.
20:23How lucky you were
20:25that the guy supported you
20:27to be able to form the company.
20:29Yes, really.
20:31If it hadn't been for that,
20:33we would have had to ask twice as much money
20:35and they wouldn't have granted it to us.
20:37Now we can already
20:39put our dreams into action.
20:40How lucky we are to have you.
20:42Congratulations, Laurita.
20:44Thank you.
20:46I'm sure she'll be very happy.
20:48But she'll be even happier
20:50when she finds out
20:52about your theatrical producer.
20:54She'll be stunned.
20:56Only good things happen to us lately.
20:58We're on a very good track.
21:00In fact, sometimes I think I'm dreaming.
21:02Well, it's a shared dream,
21:04so it has to be true.
21:06I'll get it.
21:08Very good.
21:11Uncle, come in.
21:13Almost everything is ready.
21:15Hello, niece.
21:17Very good.
21:19But, well,
21:21what an exquisite table.
21:23If you had experience in hospitality.
21:25Well, we're exhausted,
21:27but the food is not ready yet.
21:29Sit down, uncle.
21:31We have a lot to celebrate.
21:33So,
21:35let's celebrate
21:37our newly formed company
21:38with a toast.
21:40There's more news.
21:42More?
21:44With you I go from surprise to surprise.
21:46Let's see.
21:48Uncle, a theatrical producer
21:50has offered me to be the star
21:52of a play.
21:54Really?
21:56Yes.
21:58But that's wonderful.
22:00And when was that?
22:02I proposed it three days ago.
22:04Three days?
22:06And why didn't you tell me?
22:08Well, I wanted to see you.
22:10Well, frankly,
22:12I'm impressed.
22:14And also proud,
22:16but at least surprised
22:18because I know you're worth a lot.
22:20A little surprised
22:22because someone realizes
22:24what you're worth so soon,
22:26but better soon than later
22:28because there are so many artists
22:30who make their careers
22:32without anyone preparing them.
22:34Yes, that's true.
22:36Vocational careers
22:38are not easy.
22:40And now that I think about it,
22:42why don't you tell your mother?
22:44I know your relationship
22:46is not at its best,
22:48but she'll like to know
22:50that your careers are going well.
22:52It's also a good excuse
22:54to be closer.
22:56She'll miss you a lot.
22:58And you, her.
23:00Uncle,
23:02I think it's better
23:04not to force things.
23:05I don't want to take too long.
23:07I'm sure our mother would be angry.
23:09Well, well,
23:11whatever you think.
23:13Very well,
23:15let's toast to the good news.
23:17Cheers.
23:19Cheers, niece.
23:22It's delicious.
23:31Come on, take it out now,
23:33for God's sake,
23:35because I don't think you're aware
23:37of the innovative product
23:39that's in here,
23:41much more than the Bible.
23:43The Bible is a very innovative,
23:45very transgressive product,
23:47after the wheel, of course.
23:49Do you want to see it or not?
23:51Of course I do, come on.
23:53With all of you,
23:55La Faja, La Fajete.
23:57La what?
23:59La Fajete, Trini, La Fajete,
24:01with a T as in French, La Fajete.
24:03Are you telling me
24:05that this is not a faja, my love,
24:07it's La Faja.
24:09It has a patented brand,
24:11no less.
24:13There are many imitators,
24:15but like Madame La Fajete,
24:17there is none.
24:19What, how do you stay speechless, right?
24:21Well, it's clear that you have listened to Cañete
24:23and that this is much more innovative
24:25than a Bible,
24:27but I don't know, my love,
24:29I don't see you selling this.
24:31Me neither, and do you know why?
24:33Why?
24:35Touch, touch the genre, ma'am.
24:43Celia,
24:45can I know what you are drawing
24:47that you disgust me?
24:49Well, I'm going to be drawing
24:51at the gramophone store.
24:53Come, come here.
24:56Look,
24:58this is the room I was telling you about.
25:00I think you can stay
25:02in a spectacular office.
25:03Well,
25:05spectacular is little,
25:07what am I going to do with so much space?
25:09And all this here
25:11would be the photography studio.
25:13What do you think?
25:15It seems to me
25:17that taking measures is good for you,
25:19but drawing ...
25:21At least you're a photographer.
25:23Hey, I remind you that soon
25:25we will be partners,
25:27so be very careful to mess with me.
25:29Celia, I am very excited
25:31to share this project.
25:33It's the first time in my life
25:35that you have also put me on the day
25:37of the musical news.
25:39I already saw you with the specialized magazine.
25:41By the way,
25:43have you bought disinfectant?
25:45What disinfectant?
25:47No, I'm buying revealing liquids,
25:49but disinfectant?
25:51No, as you told me the conversation
25:53you had with Esperanza,
25:55I thought you would like to disinfect the store
25:57so that nothing sticks to us
25:59from the bug in the middle.
26:01Shut up, shut up,
26:03I don't know, did you talk about something else?
26:05Tell me.
26:07Well, the truth is not.
26:09You know that Pedro Madri
26:11is commenting on the murder
26:13of the owner of the gallery.
26:15I see, Doña Carla.
26:17Well, then ...
26:19Are you sure about this?
26:21This?
26:23No, the drawing.
26:25No, of our store.
26:27We are throwing ourselves into the pool.
26:29Yes, it is true,
26:31we have thrown ourselves into the pool very quickly,
26:33as if we had never done it.
26:35You are absolutely right.
26:37We are young,
26:39if we don't take risks now,
26:41when are we going to do it?
26:43When we are 90 years old?
26:45That's it,
26:47as long as you don't risk being a drawer,
26:49I'll be happy.
26:51And now I'm going back to work.
26:53Very well, and right now I'm going to make you a portrait.
27:04Don't make that face, my love.
27:06It is a serious company,
27:08solvent, international
27:10and revolutionary.
27:12You see, this is sold alone.
27:14No, yes, yes.
27:16I think I have seen
27:18some advertisement of this product
27:20in some magazine.
27:22Yes, it would not be difficult
27:24because it is a modern company
27:26that invests in promotion.
27:28And it is clear,
27:30that makes my job easier.
27:31It's just that it's a very small size.
27:33It is the unmistakable brand,
27:35the Lafajete seal.
27:37Think that the lady who uses this strip,
27:39in a matter of seconds,
27:41has a wasp's waist.
27:43Please, don't talk to me about a wasp's waist,
27:45that you don't know how bad I'm having it in the living room.
27:47How could I get the uniform so badly?
27:50Well, very badly done, very badly done,
27:52and do you know why?
27:54Because before ordering a suit,
27:56renew your team, Madame Lafajete,
27:58and you will see that it falls apart.
27:59Are you okay?
28:01I'm perfectly ready to start selling.
28:05What?
28:07Aren't you very excited about the thing?
28:09No, no, it's not that, my love.
28:11It's just that I don't see it.
28:13I don't see it.
28:15Me, huh? Me.
28:17Let's see, you're the one who has to sell this.
28:19And I'm sure you'll do it great
28:21with that good face you have
28:23and that golden beak.
28:25Well, well, I don't want to spend my whole life
28:27being a salesman.
28:29My love, it's just that...
28:31No, my love, with the situation we have,
28:33the last thing we need is to be caught.
28:35I'll see you at home, my love.
28:37Yes.
28:47Good evening, ma'am.
28:49You don't know it, but what I bring you will change your life.
28:52There are many imitators,
28:54but Madame Lafajete is the only one.
28:56No, I don't know, it's too long.
28:57Let's see, I'll come back another time.
29:04Okay, miss, thank you very much.
29:06I'll keep an eye on it.
29:10What's going on?
29:12The lady says that the line is busy
29:14and that they'll call me back when they're free.
29:16Well, it's a shame that they're so busy with Marseille.
29:19Since I can't say hello to the bosses,
29:21I'm going to have to leave.
29:23Say hello, say hello.
29:25It's not...
29:27Yes,
29:29so that they listen to my voice and stay calm, isn't it?
29:32I say it would be very good if you told them yourself
29:35that you continue in this.
29:37I'm taking the piss, Marcel.
29:39Now I'm leaving, take care.
29:41Cesar,
29:43I'm very glad that you continue with us.
29:45You're going to save yourself a lot of trouble with them.
29:49I have to go.
29:51You know where to find me.
29:58Excuse me,
30:00I'm waiting for an international call.
30:02If I sit down to have a coffee,
30:04could you let me know when they call back?
30:06Ideally too, sir.
30:08I mean, yes, sir, of course.
30:10Take a seat wherever you want
30:12and I'll let my colleagues know to be on the lookout.
30:21Manoli.
30:23Yes, sir?
30:25Manoli,
30:27if an international call comes in,
30:29it's from the gentleman from table seven,
30:31the one with the blue handkerchief.
30:33And if Mrs. Lázara comes and asks about me,
30:35you haven't seen me.
30:37Come.
30:44Didn't you tell me that Don Fermín was coming?
30:47Well, I told you he was leaving his office.
30:49But we were on time, he's being late, I don't know.
30:52And there are only ten.
30:54Do you think he'll be able to come back?
30:57I don't know, I think so.
31:02Don't worry.
31:04Don't worry.
31:07If he accepts, fine.
31:09If not, we have the option of the bakery.
31:12I'm sorry for the delay,
31:14but lately the suppliers are giving me more trouble than usual.
31:17Yes, we understand that.
31:19Between that and the mess on the upper floor,
31:21we understood that you were busy.
31:22Don't worry, I'll go back and see how things are.
31:25But tell me, you wanted to talk to me, right?
31:27Yes, Don Fermín.
31:29I wanted to ask you again
31:31about the possibility of changing the rules.
31:33I don't understand that you're bringing up the subject again.
31:36This matter is settled and discussed.
31:39I'm sorry for the delay, Don Fermín.
31:42It's just, Don Fermín,
31:44I wouldn't like to have to lose my job for nothing.
31:47And you think I don't regret losing it?
31:49You're one of the best employees
31:50I've ever had in the room.
31:53And don't you think that the two problems
31:55that you and I have have an easy solution?
31:57Well, no, because I can't change the rules.
31:59And you couldn't make an exception?
32:01It wouldn't be fair.
32:03With all due respect, Don Fermín,
32:05but do you think it's fair that a married woman
32:07can't work?
32:09And do you think it would be fair
32:11to the previous employees
32:13who have submitted to the rules?
32:21How are you, Elias?
32:23Good afternoon.
32:25How's the break going?
32:27Very well, but I just finished
32:29and I have to go back to the room.
32:31If you'll excuse me, Mrs. Lázara.
32:33Well, I'm the manager.
32:35I mean, I'm glad I could give you a couple of minutes, right?
32:37But it's the time we have the most customers.
32:39I should go to the room.
32:41Well, I'm convinced that the rest of the waiters
32:43can take care of it.
32:45It's been a long time since you and I talked.
32:47Don't you think?
32:48And I'm surprised
32:50that you're so concerned about the room.
32:52Do you know how I feel?
32:54That you're avoiding me, Elias.
32:56And I'd like to know why.
32:58I'm not avoiding you, Mrs. Lázara.
33:01I just feel bad
33:03that I didn't keep my word.
33:05Me?
33:07Am I going to break my word?
33:09Yes.
33:11I think you're making a mistake.
33:13No, you promised me
33:15that you'd promote me
33:16to the board of directors.
33:18But in front of Mr. Fermin,
33:20he denied it.
33:22That doesn't mean
33:24that he doesn't intend to promote you.
33:26I'm very aware of that.
33:28But he'll understand
33:30that you can't say that
33:32in front of the rest of the employees.
33:34And why not?
33:36He said my promotion would be imminent.
33:38I didn't say it, and I'm keeping it.
33:40But the changes have to go little by little, Elias.
33:42First, the team has to realize
33:44that I'm going to be the new manager.
33:47Have you changed your mind?
33:49I see you're not saying anything.
33:51No, no, yes.
33:53Of course I want it,
33:55but I'm overwhelmed
33:57and I don't like the waiters.
33:59Well, if you want the position,
34:01you know what you have to do.
34:03You have to inform me
34:05of absolutely everything,
34:07even what has nothing to do
34:09strictly with the work issue.
34:12You want to go with that, Mrs. Lázara?
34:15This morning,
34:17I saw Teresa and Cañete whispering.
34:19They're up to something.
34:23What a humor you have, Mrs. Lázara.
34:27But what are those two up to?
34:29They were just talking about work.
34:31Do you think it's funny?
34:35No, no, of course not.
34:38The only reason I'm saying this
34:40is because I know Cañete very well.
34:42But I don't.
34:44I've seen malice in his eyes
34:46and that can't happen in this room.
34:48So I'd like you to stop
34:51protecting your good friend
34:53or I'll have to take measures.
34:55Measures?
34:58I'll be clearer, Elias.
35:00I wouldn't like to have to fire Cañete,
35:03much less because of him.
35:05Of course not, Mrs. Lázara.
35:07That can't happen either way.
35:09By power, it can happen.
35:11But I'm sure
35:12nothing will happen
35:14because you'll be aware
35:16of what Teresa and Cañete are up to.
35:19And you'll tell me.
35:21Right?
35:24Yes, yes, of course.
35:26I'll keep you informed, Mrs. Lázara.
35:29Very good.
35:31Keep your eyes and ears wide open
35:34for your own good
35:36and Cañete's.
35:38Yes.
35:40Ale, you can go to work now.
35:42Yes, excuse me.
35:59Look,
36:01I'm really sorry,
36:03but let's stick to the good part of all this,
36:06which is her link.
36:08I'm sure her marriage will be a success.
36:10With how stubborn they are with what they want,
36:13I hope they'll be just as persistent with their love.
36:19Thank you for your words, Mr. Fermin.
36:22We had to try.
36:24No, no, it's okay.
36:26You know that when there's a reason,
36:28I'm the first to question myself,
36:30if not, look at Marta's case, without going any further.
36:32I was determined to fire her,
36:34but if the circumstances allow it,
36:36I have no problem firing her.
36:38And here she is, with us, back in La Moderna.
36:42And now, if you'll excuse me,
36:44I have to go back.
36:46Thank you, Mr. Fermin.
36:51Well, it looks like
36:53we can't do much more.
36:57We'll both leave.
37:00Are you sure, Pietro?
37:02Do you think a good idea ends like this?
37:05Yes.
37:06That can be seen in many ways.
37:09You see it as an end, I don't.
37:12I see it as a beginning.
37:15New life, together,
37:17and new business.
37:19You turn everything around.
37:22And I love it.
37:25What mess are we going to get ourselves into?
37:37Yes, I'm on the phone.
37:41Yes, I called earlier to tell you the same thing.
37:46That's right. César will continue.
37:48I told you and I'll repeat it.
37:50César will continue.
37:54No, there won't be any fuss.
37:56How do you want me to tell you?
37:58Are you going to keep leaving the warehouse
38:00to hide the merchandise?
38:02No.
38:03What do you mean? It doesn't matter.
38:05If he continues with us,
38:07we can make a lot of money.
38:09It won't be necessary to take retaliation.
38:14What?
38:16Hello?
38:25Everything is perfect, Mr. Comas.
38:28But I think he has a fever.
38:30I'm sorry to tell you that that fever
38:32does more than justifies his talent.
38:34But that's a lot more money
38:36than he told me at the time.
38:38Now you see that what I offered him was serious.
38:40Even so, I recommend that you consult
38:42with your representative and your circle of trust.
38:44Yes, of course.
38:46I'll talk to Orlando,
38:48but I think everything is in order, right?
38:50I think so.
38:52In any case, it would not hurt
38:54to consult him with professionals.
38:56Don't take it the wrong way, Mr. Comas.
38:57But I think it is necessary to always review
38:59any contract that is signed.
39:01My mentor used to tell me
39:03that this type of contract must be signed
39:05as if both sides were enemies,
39:07and it is the only way
39:09that things end up between friends.
39:11And I, as a good enemy,
39:13I retire on time
39:15and so I leave you to celebrate it
39:17because I think the occasion deserves it.
39:19Thank you for everything, Mr. Comas.
39:21As soon as the contract is ready,
39:23I will let you know.
39:25It has been a pleasure.
39:27You know you have your home for whatever you need.
39:29Thank you.
39:36Mr. Comas has already left.
39:38It seems that we have to celebrate.
39:40Mauricio, tell the new guy to bring champagne.
39:43I can't believe it, Cesar.
39:45Everything in this contract
39:47is exactly what you deserve,
39:49including this zero here.
39:51But are you sure everything is fine?
39:53I would say so.
39:55Not a single coma has been removed.
39:57The happiest woman in the world right now.
39:59And the happiest woman in the world right now
40:02would like to toast
40:04to the proudest man in the world.
40:06What do you think?
40:08Thank you.
40:10Here.
40:12Bring the bottle, please.
40:14To all the successes
40:16and to those who are yet to come.
40:18And we are also going to toast
40:20because I have the man of my dreams by my side
40:22and I love him very much.
40:28Are you okay?
40:30Inés?
40:32Inés, are you okay?
40:34Help! Bring water!
40:36Inés, please!
40:38Call a doctor!
40:40Inés, please!
40:42Inés, darling!
40:48Listen, boss.
40:50It turns out that there are slots for gentlemen.
40:52Can you believe it?
40:54I believe half of you, Elias.
40:55And half of that half.
40:57The man I'm not talking about, Miguel.
40:59What the guy knows.
41:01I thought he only understood
41:03literature, editorials and metaphors,
41:05but also inventories.
41:07Because he has to know about that.
41:09He has stopped doing them.
41:11I say that if he has started to sell that,
41:13it is because there will be some slots.
41:15Man, I already tell you what he knows.
41:17Come on, as I have left my friend's price,
41:19I'm going to buy him a bad one.
41:21Why do you want a slot?
41:23Well, to start with, for my kidneys.
41:25It's the slogan.
41:27There are many imitators,
41:29but there is only one Madame Lafajette.
41:31If even the slogan is good,
41:33this is from Madame Lafajette,
41:35always in L'Anfino, boss.
41:37What are you going to give me with the slot, Elias?
41:39Until you buy it.
41:41Then let's see what I get next week.
41:43Let's see, this is not any slot.
41:45I have a lot of kidneys,
41:47I spend all day standing.
41:49Imagine, with one of those, holding them.
41:51I was going to have a port.
41:53I know they are all advantages.
41:55Hey, don't laugh.
41:57This is family inheritance.
41:59My grandfather, Jeremías III,
42:01belongs to a long generation of benigniators.
42:03We are already born with the kidneys quartered.
42:05The only doubt I have
42:07is if I could incorporate this into the dance.
42:09I know that for the waltz it will go well,
42:11but for the charleston I have my doubts.
42:13Charleston, the one that Don Marcial is going to give you
42:15as long as you don't take the carajillo.
42:17Don Marcial.
42:19He's shitting.
42:21He's shitting.
42:22Can I have a glass of water, please?
42:29What?
42:31The pasta you make is cool, isn't it?
42:33I would like to see you
42:35with a body as admiring as mine.
42:44Trinín.
42:46You don't...
42:48Shut up.
42:50Trinín.
42:53Trinín.
43:04I'm sure that miserable woman
43:06is thinking about how to get back at me.
43:08That woman is as cunning as Carla
43:11and she won't stop until she gets what she wants.
43:14And if they support Fabio to make him arrest you...
43:18Look, I know that in a situation like this
43:20it's hard to stay calm.
43:22But the reality is that neither Fabio nor Bárbara
43:25have proof against you.
43:27I'm sorry that Fabio
43:29gets involved in Mrs. Bárbara's game.
43:32I don't know what he's going to do,
43:34but I'm sure that she will try to find anything,
43:36any stupidity, with which to attack me.
43:38That woman is out of her mind.
43:40Yesterday she had her eyes injected with blood.
43:42That woman is a miserable woman
43:44who thinks that by telling a lie a thousand times
43:46she will become true.
43:48But she's not like that at all.
43:49Íñigo, threatening Carla
43:51doesn't make you guilty.
43:56I appreciate your support,
43:58but I'd rather be on alert.
44:05Are you waiting for someone?
44:07No.
44:20Good afternoon.
44:22We have an arrest warrant against you.
44:24Inspector, that can't be.
44:26No, this is a mistake.
44:28If you are so kind, Mr. Peñalver.
44:30Could you show me the warrant, Inspector?
44:34Here it is.
44:43This must be a mistake.
44:45I am innocent.
44:47That will be decided by a judge.
44:49This is a mistake.
44:51Listen to me.
44:53You decide if you want us to do things
44:55the easy way or the hard way.
44:57I recommend the first option.
45:00Mr. Peñalver, you are under arrest
45:02for the death of Ms. Carla,
45:04Mr. Jaime's widow.
45:08Matilde.
45:10Matilde, what's going on?
45:12Let's go.
45:14Inspector, you are making a mistake.
45:16I am innocent.
45:18Inspector!
45:20Iñigo is not a murderer, is he?
45:23No.
45:25Of course not.
45:28Then,
45:30he won't go to jail.
45:32Why would they do that?
45:34Iñigo is innocent.
45:36Pablo was innocent too.
45:39He was locked up.
45:41Iñigo won't go to jail.
45:44Do you promise?
45:48I promise.
46:06Clarita, my love.
46:08Listen to me.
46:10Listen to me.
46:12Let's do something.
46:14You are going to be alone for a while.
46:15I have to go.
46:18You promised me it wouldn't be the same as with Pablo.
46:21You promised.
46:46He can't talk.
46:48My God.
46:50How is he?
46:52He is more cheerful,
46:54but he has to rest now.
46:57What happened exactly?
46:59He was at the Madrid Cabaret,
47:01he was drinking a glass of champagne
47:03and his vocal cords started to burn.
47:08Good evening.
47:10I'm going to see how he is.
47:11Don Fermin.
47:13Good evening.
47:15I'm going to see how he is.
47:21The doctor said there were traces of leukemia in the glass.
47:24Leukemia?
47:26But how could something like that happen?
47:29I can't explain it to you.
47:31I can only tell you that as soon as I saw that something serious was happening,
47:34I took her to the hospital.
47:36Then it could have been worse.
47:38Of course.
47:39I checked her stomach
47:41and I heard that the intoxication was not more serious.
47:44But even so, her vocal cords have burned.
47:46Burned?
47:49Has she lost her voice?
47:51Fortunately, no.
47:53And will she be able to sing again?
47:55It's too soon to know.
47:57They have to do more tests.
48:00I don't know.
48:02Maybe we should be optimistic
48:04and think it's much less serious than it seems.
48:06Pesaro,
48:07have you told Inés the seriousness of the matter?
48:10I don't think it's time to give her more discomfort.
48:12César is right.
48:14Until it is not certain,
48:16it is not worth letting go of poor Inés.
48:18Yes, although I think something is going wrong.
48:21But with a little luck,
48:23the sedatives may work
48:25and she can rest and forget.
48:27Right now you must be tired.
48:29We will take turns to take care of her and that she is not alone.
48:31And maybe we have to postpone
48:33the meeting we had tomorrow with the notary
48:35for the matter of the store.
48:37Well, he hasn't told me.
48:39He wrote in a note that he doesn't want us to miss it.
48:42If you need to sit down,
48:44I can stay with her.
48:46I would like to be able to accompany her.
48:48No, no, it won't be necessary.
48:50We already know that he is very busy.
48:52But I don't understand how that bleach
48:55could get to Inés' glass.
48:57It must have been an accident.
48:59Some waiter would get lost cleaning.
49:02Glasses are not cleaned with bleach.
49:04It's something very strange.
49:05And if ever it was done,
49:07always very diluted.
49:10I would ask the staff again
49:12to see if I can understand what happened.
49:14In any case,
49:16the person responsible will pay for it.
49:27You will understand, Mr. Peñalver,
49:29that if you don't have a tie and you have a cell phone,
49:31you are the suspicious number one.
49:33Yes.
49:35That's why you don't make me a murderer.
49:38And you know that better than anyone.
49:43And that's why I'm here.
49:46Because I need to find something more solid.
49:50But you have nothing.
49:52Because I'm innocent.
49:55I'm not particularly interested
49:57in putting you in jail
49:58but I do know who did this.
50:00And today, I can't think of anyone else.
50:03Well, I'm sorry to tell you
50:05that I can't help you in your work.
50:07You admitted to being very close to the victim.
50:10At one time, yes.
50:12Tell me, what other enemies did Mrs. Carla have
50:14apart from you?
50:20I was not her enemy.
50:24I was not her enemy.
50:25I was not her enemy.
50:28Are you sure?
50:30Of course I'm sure.
50:32I never behaved like her enemy.
50:34I've been something here.
50:36I've been a victim.
50:38And besides, all I've done
50:40is defend myself and my wife from her attacks.
50:42That's why I imagine it would be tempting
50:44to end those attacks once and for all
50:46that, according to you,
50:48were suffered by Mrs. Carla
50:50and get for you and your wife
50:52a future free from that threat.
50:56Those attacks were real, Inspector.
50:58That should be proven.
51:00Look, you're here trying to create a story
51:02in which I'm the protagonist
51:04and you think I'm a murderer.
51:06And I'm telling you I'm not,
51:08that I haven't killed anyone.
51:10Don't be stupid.
51:12What bothers me is finding an inspector
51:14who doesn't differentiate between me and an innocent
51:16when he has it in front of him.
51:18If I don't understand,
51:20Interfecta tried to make her life impossible.
51:22She wanted to get rid of him,
51:23and that's where her wife,
51:25her little sister, almost died.
51:27And you,
51:29who wouldn't think
51:31of killing Mrs. Carla?
51:33Don't you agree
51:35that she deserves to die?
51:37What did Mrs. Carla think?
51:39That she could harm him indefinitely?
51:41That she could keep trying
51:43to kill him or mutilate him
51:45until she gets him and has her victory?
51:47I'm not here to discuss
51:49what happened to Carla or not.
51:51I have no idea and I never will.
51:53It's natural that you don't want justice,
51:55but revenge.
51:57How old is your sister-in-law?
51:59She's a little girl, isn't she?
52:01I understand that she was trapped in the car.
52:03Didn't she feel guilty
52:05for bringing bad luck to that family?
52:07What kind of man would allow
52:09one day or another
52:11that danger to engulf
52:13his loved ones?
52:15You!
52:17I thought you were of a different kind, Mr. Peñalver.
52:19Tell me, didn't you rejoice
52:21that Mrs. Carla was dead
52:23once and for all?
52:25She rejoiced in her death.
52:27How could she not? She rejoiced!
52:29I didn't kill her.
52:31Her death was good for her. Admit it!
52:33Of course it was a relief.
52:35Of course it was good for me.
52:40Are you going to tell them
52:42that you're married to Miguel
52:44and that you're expecting a child?
52:46If I do that, I'll lose my job.
52:48That's why Miguel is so concerned
52:50about raising the salary.
52:51I'll try to solve this situation,
52:53but we need both salaries.
52:55Sooner or later, I'll have to stop working.
52:57So... I don't know.
52:59I'd love to help you.
53:01I can't believe what you're saying.
53:03You can believe it, Esperanza.
53:05I'd leave if I didn't clean as I wanted.
53:07You see? Starting with threats.
53:10They just called me.
53:12It's time to say goodbye to my daughter.
53:14All I'm saying is that
53:16I've been working here for many years
53:18and we've never had a manager.
53:19We've always needed one.
53:21How long is it going to take us
53:23to get used to such a mess?
53:25That's what I think it is.
53:27Well, if you think it's an entrance
53:29to the inauguration of the bullring,
53:31then yes, you're right.
53:33What a surprise, Mrs. Lázara.
53:35I didn't know you were a fan
53:37of the art of spoons.
53:39A lot.
53:41Of course, it's a great opportunity
53:43to have a good afternoon of bullfighting.
53:45I thought so too.
53:47Does that mean you're not going anymore?
53:49Well, it took me a while
53:51to get out of bed.
53:53I'm worried about the show.
53:55The rehearsals are about to start.
53:57César, I'm sorry.
53:59Just give her a couple of weeks
54:01so she can recover.
54:03I'm sure she'll recover.
54:05I don't know if I can do that.
54:07Are you okay, Mr. Fermin?
54:09I can tell you what happened.
54:12If I find it appropriate, of course.
54:15Sit down.
54:17Well, Mrs. Lázara,
54:19it's good to have advantages.
54:21The more we work,
54:23the better things will come out.
54:25And here you are,
54:27preaching with the example
54:29without stopping to work.
54:31Are you okay?
54:33Did I hurt you?
54:35No, I'm fine.
54:37But thanks to you,
54:39otherwise I'll break my back.
54:41You are very brave
54:43opening your own business.
54:45Meeting Celia has been a gift.
54:47For me too.
54:49What are we going to bring?
54:51Women? Sweets?
54:53Why so much attention with Trini, Cañete?
54:57These wild acts will receive their fair punishment.
55:00It has to comfort you.
55:02I couldn't see her, Fabio.
55:05I couldn't look at her body.
55:07I couldn't do it.
55:09Have you told Pietro?
55:11No, I haven't told him yet.
55:14Between the bakery, the wedding,
55:16and that it's a delicate matter,
55:19I haven't done it.
55:21Yeah, but Pietro is very good.
55:23I'm sure he doesn't mind
55:25marrying the dress of his first wedding.
55:27I'm very sorry about the accident.
55:29Those stupid things
55:31that have happened to me,
55:33it's not an accident.
55:35He chose my drink
55:37because someone wanted to poison me.
55:39And surely Martel
55:41is behind all this.
55:46I'm sorry.