Combo Film
  • last year
The 10th Victim -HD (1965)
Transcript
00:00:00Hold it where you're going.
00:00:15I'm a hunter.
00:00:16Where's your license?
00:00:17Let's see it.
00:00:18Go on.
00:00:21The rules of the big hunt are quite easy, yet they are of great importance.
00:00:26The 21st century shall be the one that has legalized violence.
00:00:33Rule number one.
00:00:34Each member is obliged to undertake ten hunts, five as a hunter, five as a victim, alternately.
00:00:42Each pair of hunter and victim is chosen electronically by a computer in Geneva.
00:00:48Hey!
00:00:57Rule number two.
00:00:58The hunter shall know all about his victim, name, address, habits too.
00:01:12Rule number three.
00:01:30The victim shall not be told who his hunter is.
00:01:34He must find out and kill him.
00:01:54Rule number four.
00:01:56The winner of each separate hunt will win money.
00:02:01The one who comes out alive after the tenth hunt shall be proclaimed decathlon.
00:02:10He shall receive honors and one million dollars.
00:03:27Over here!
00:03:55What do you want?
00:03:58And now, friends, we bring you our extraordinary top attraction of the evening.
00:04:03For the very first time, New York is going to see the greatest, the most exciting show
00:05:39Take off my mask.
00:06:04As a souvenir.
00:06:32Is he dead?
00:06:34All in order?
00:06:35Yeah.
00:06:36Congratulations.
00:06:37Thank you very much.
00:06:38Silence, please.
00:06:39Silence.
00:06:40Hunter or victim?
00:06:41Victim.
00:06:42Ninth hunt.
00:06:43It's official, all right.
00:06:44Put the prize money in my account.
00:06:45Only at the Massac Club, my friends, can we see such amazing and fabulous entertainment.
00:06:47The only show of its kind in the world.
00:06:48A genuine victim and a genuine murderer.
00:06:49A genuine victim and a genuine murderer.
00:06:50A genuine victim and a genuine murderer.
00:06:51A genuine victim and a genuine murderer.
00:06:52A genuine victim and a genuine murderer.
00:06:53A genuine victim and a genuine murderer.
00:06:54A genuine victim and a genuine murderer.
00:06:55A genuine victim and a genuine murderer.
00:06:56A genuine victim and a genuine murderer.
00:06:57A genuine victim and a genuine murderer.
00:06:58A genuine victim and a genuine murderer.
00:06:59A genuine victim and a genuine murderer.
00:07:00A genuine victim and a genuine murderer.
00:07:01A genuine victim and a genuine murderer.
00:07:02A genuine victim and a genuine murderer.
00:07:03A genuine victim and a genuine murderer.
00:07:04A genuine victim and a genuine murderer.
00:07:05A genuine victim and a genuine murderer.
00:07:06A genuine victim and a genuine murderer.
00:07:07A genuine victim and a genuine murderer.
00:07:08A genuine victim and a genuine murderer.
00:07:09A genuine victim and a genuine murderer.
00:07:10A genuine victim and a genuine murderer.
00:07:11A genuine victim and a genuine murderer.
00:07:12A genuine victim and a genuine murderer.
00:07:13A genuine victim and a genuine murderer.
00:07:14A genuine victim and a genuine murderer.
00:07:15A genuine victim and a genuine murderer.
00:07:16A genuine victim and a genuine murderer.
00:07:17A genuine victim and a genuine murderer.
00:07:18A genuine victim and a genuine murderer.
00:07:19A genuine victim and a genuine murderer.
00:07:20A genuine victim and a genuine murderer.
00:07:21A genuine victim and a genuine murderer.
00:07:22A genuine victim and a genuine murderer.
00:07:23A genuine victim and a genuine murderer.
00:07:24A genuine victim and a genuine murderer.
00:07:25A genuine victim and a genuine murderer.
00:07:26A genuine victim and a genuine murderer.
00:07:27A genuine victim and a genuine murderer.
00:07:28A genuine victim and a genuine murderer.
00:07:29A genuine victim and a genuine murderer.
00:07:30A genuine victim and a genuine murderer.
00:07:31A genuine victim and a genuine murderer.
00:07:32A genuine victim and a genuine murderer.
00:07:33A genuine victim and a genuine murderer.
00:07:34A genuine victim and a genuine murderer.
00:07:35A genuine victim and a genuine murderer.
00:07:36A genuine victim and a genuine murderer.
00:07:37A genuine victim and a genuine murderer.
00:07:38A genuine victim and a genuine murderer.
00:07:39A genuine victim and a genuine murderer.
00:07:40A genuine victim and a genuine murderer.
00:07:41A genuine victim and a genuine murderer.
00:07:42A genuine victim and a genuine murderer.
00:07:43A genuine victim and a genuine murderer.
00:07:45Would you be at all interested in tying in your 10th hunt with a TV program?
00:07:49Could be terrific.
00:07:50Terrific.
00:07:52You could kill your 10th victim right on camera.
00:07:56Sweetheart, our commercials for Ming Tea are seen by millions of people all over the world.
00:08:01It could be a marvelous opportunity for you.
00:08:03Spectacular.
00:08:05Why don't you discuss it with my lawyers?
00:08:08Okay, my dear.
00:08:09Okay.
00:08:15On the beam with Count del Magalha.
00:08:21Rider and horse number four.
00:08:24Rider is Armando Mello.
00:08:27Winner of five years show.
00:08:30For the next contender, Italy is honored to be host to one of Germany's finest riders.
00:08:35Will Baron von Rachthofen please stand by.
00:08:39Baron von Rachthofen, please.
00:08:42Baron von Rachthofen.
00:08:44The president of the Oval Office of the United States.
00:08:48Baron von Rachthofen.
00:08:50Baron von Rachthofen.
00:08:52Baron von Rachthofen.
00:08:54Baron von Rachthofen.
00:08:55Baron von Rachthofen.
00:09:05My boots.
00:09:25Your pure delicate.
00:09:28With your flag we have come to visit.
00:09:31On where is Garcia?
00:09:33G-A-R-C-I-A.
00:09:39It's true.
00:09:40Our friendship has risen once again.
00:09:42In the olden days.
00:09:44By John the knight.
00:09:46In 1968.
00:09:49It's only by a father's oath.
00:09:53Baron von Rachthofen.
00:10:03Baron?
00:10:04No thanks, I'm not in the hunt.
00:10:06I just wanted to remind you they're waiting for you.
00:10:09I'll tell the officials you're on your way.
00:10:11Good luck.
00:10:14The next contender, please.
00:10:23The next contender, please.
00:10:36Baron von Rachthofen has withdrawn.
00:10:50Victim or hunter?
00:10:51Hunter, I-T-29-29.
00:10:53Sixth hunt.
00:10:54Check.
00:10:57Beautiful.
00:10:58Thanks.
00:11:00Sixth hunt, hey?
00:11:01Lucky man.
00:11:03He's dead, all right.
00:11:06Hunt ministry, over.
00:11:07Yes?
00:11:08This is 16 reporting regulation killing location Piazza di Siena.
00:11:11Victim's number, please.
00:11:13Victim's number is 11-35-62.
00:11:17Ladies and gentlemen, we have just been informed that the big hunt killing was successfully performed here in our base.
00:11:25We wish to thank the big hunt ministry.
00:11:27Why kill him here, not in Hamburg? Wasn't that his own city?
00:11:30Traveling bores me. Besides, I knew he'd be here for the horse show.
00:11:33But why use such a brutal method as an explosive?
00:11:36The baron wore bulletproof underwear.
00:11:38You prefer to be a hunter or a victim?
00:11:40A hunter.
00:11:41Why's that?
00:11:42It's easier.
00:11:43Now that you've been a hunter, what does it feel like to be a victim?
00:11:45I don't know. I'll manage.
00:11:47What vitamin do you prefer?
00:11:49Z and B-22.
00:11:52Do you think the big hunt is a valid outlet for your aggressions?
00:11:55Yes.
00:11:56What's your favorite comic strip?
00:11:58The Phantom. I'm a romantic.
00:12:00Yes, you don't seem to be violent or aggressive at all.
00:12:02Oh, who knows?
00:12:04Do you believe in God?
00:12:05Oh, yeah, sure.
00:12:06Do you believe in the family?
00:12:07Less.
00:12:08Do you hope to get through ten hunts?
00:12:10If my nerves hold out, I guess so.
00:12:11In other words, you're a coward. You're afraid of dying. Admit it.
00:12:15Naturally, I'm a coward.
00:12:16Why did you bleach your hair?
00:12:17Enough! Get out of here! All of you, get out!
00:12:20Are you a saint?
00:12:21These are Christians, boy.
00:12:22Look on the road.
00:12:23Who do you think you are?
00:12:27That was an on-the-spot interview of Marcelo Perez.
00:12:30Brought to you by the Big Hunt Ministry.
00:12:32Ah, Tommaso. Come here.
00:12:34Good boy.
00:12:36You're the only one that understands me.
00:12:38Come on. Come here. Come here.
00:12:42Tommaso, go on.
00:12:45That's right, you old idiot.
00:12:56Marcelo?
00:13:01Marcelo?
00:13:03Know what I dreamed of?
00:13:05That you already got your annulment, but you didn't tell me.
00:13:09Funny dream, huh?
00:13:10Know what? I think I'm going to call your wife.
00:13:13At least she'll tell me the truth. With you, I never know what's going on.
00:13:17Marcelo?
00:13:19Marcelo?
00:13:21Marcelo!
00:13:24To remind all Big Hunt members, an unrenewed license is no license at all.
00:13:30Do away with wars of the masses.
00:13:33The Big Hunt knows no class distinction.
00:13:36Only the Big Hunt can finally give the world a sense of security.
00:13:40Become a member of the Big Hunt today.
00:13:43Come on. Move. Move.
00:13:45Let me go. Let me go.
00:13:47It was a mistake. I didn't mean to do it.
00:13:49What did he do?
00:13:50Instead of killing somebody named Borsini, he killed a man named Corsini.
00:13:54That means 30 years in jail.
00:13:55An elementary study of history confirms the validity of the Big Hunt theory.
00:13:59It is mankind's safety valve.
00:14:01If the Big Hunt had existed in 1940, Hitler would have certainly become a member.
00:14:05And there would have been no World War II.
00:14:07Indeed, the Big Hunt has done away with war
00:14:10by giving man's violent instincts a competitive outlet.
00:14:14Never again will the innocent be molested by the tyrannical.
00:14:17For at last, man's lust for violence has been successfully challenged.
00:14:22Marcelo Poletti. Collect for sixth hunt.
00:14:35Come on.
00:14:54But I got an annulment six days ago.
00:14:56Weren't you notified?
00:14:58No.
00:14:59When did she withdraw it?
00:15:06If you would do away with the terrible wars of the masses,
00:15:10become a member of the Big Hunt.
00:15:15Make your murders legal.
00:15:18Only the Big Hunt can give the world a feeling of true security.
00:15:23An enemy a day keeps the doctor away.
00:15:27Don't stop. Please keep kissing me.
00:15:30I beg you.
00:15:32It's against the rules.
00:15:34Rules?
00:15:40Why have birth control when you can have death control?
00:15:46Live dangerously, but within the law.
00:15:50If you are suicidal, the Big Hunt has a special place for you.
00:15:56Control, this is 619 reporting a regulation killing at 10.34 a.m.
00:16:00Where, please?
00:16:01On the steps of the hunt ministry.
00:16:03Now?
00:16:04Just a minute.
00:16:05Live dangerously, but within the law.
00:16:10Is that your car?
00:16:12Yes.
00:16:13Parked on the wrong side of the street.
00:16:15I've got to give you a ticket.
00:16:17We, computer 7 and 8, have chosen Miss Caroline Merritt, Miss American,
00:16:27as hunter number 14,632,
00:16:34and Senior Marcello Polletti, Italian,
00:16:40as victim number 14,879.
00:16:47Residents of victim Rome, Italy,
00:16:51communicate to hunter all relevant data about victim.
00:18:10Live dangerously, but within the law.
00:18:35What a spot!
00:18:36We don't find a perfect location to shoot the commercial in Rome.
00:18:38We might as well drown ourselves.
00:18:42Why not try St. Peter's?
00:18:44After all, the Pope is American.
00:18:46And I should dress as a nun.
00:18:48I'm for shooting it in the studio.
00:18:50Well, you can push that idea right out of your head.
00:18:52That'd be easier in a studio.
00:18:54That's the Vatican, isn't it?
00:18:56Boy, what I'd give to be able to shoot it down there.
00:18:58Forget it. They're against the whole Big Hunt idea.
00:19:01That's too bad, though.
00:19:03I came here a couple of years ago on my honeymoon
00:19:06with my, uh...
00:19:08Let's see, what was it? 11th wife.
00:19:10Boy, time flies, doesn't it?
00:19:13I still say that we ought to shoot it in the studio.
00:19:17Stop cackling about it, will you?
00:19:19You come all the way to Rome and now you want to shoot it in a studio.
00:19:21What are you, flaky?
00:19:23Hey, that wouldn't be a bad spot.
00:19:25But the body could fall in that fountain in the middle.
00:19:27No, that would never work.
00:19:30I just saved the day.
00:19:32You know what the perfect place is?
00:19:34The Coliseum.
00:19:35Hey, that's not bad, not bad.
00:19:37How about it if we change the script
00:19:39and we open the show with a couple of dozen gladiators?
00:19:41Steady, boy, steady. We're on a budget, remember?
00:19:43No, listen, we can bring them in from Yugoslavia for peanuts.
00:19:46I think it's a good idea.
00:19:48Although we have to watch out they don't smash the equipment and everything.
00:19:52Say, if we could get him rigged up as a gladiator,
00:19:55that would really be the greatest.
00:19:57I like it, I like it.
00:20:00And I call Miss Cleopatra.
00:20:02Now, what's Cleopatra got to do with the Coliseum?
00:20:05Wait a minute, forget about it.
00:20:07We can't shoot in there, it's full of holes.
00:20:09Yeah, maybe you're right.
00:20:11Well, they just let it go to pot, didn't they?
00:20:13Now, what about the chorus?
00:20:15A midget couldn't dance in there, much less 20 girls.
00:20:19Now, we got to find somewhere else.
00:20:22Wait a minute, there it is.
00:20:24Carolyn, that's where you're going to kill him.
00:20:26Look down there.
00:20:27What is it?
00:20:29The Temple of Venus.
00:20:32May I come in?
00:20:35Who are you?
00:20:36Oh, don't be afraid, we're only here to attach your furniture.
00:20:38How are you, Senor Poletti, how are you today?
00:20:40Fine, fine, come in.
00:20:44You could have notified me at least.
00:20:53Well?
00:20:54The law says I can keep my bed.
00:20:55You also have the right to a chair and a table, like last time.
00:21:00If you don't mind, take the TV last, I'm watching a program.
00:21:02Yes, the television last, if you want.
00:21:05I'm a great follower of the Big Hunt.
00:21:07As a dedicated fan of yours, I've followed your hunt for many years, and I...
00:21:10Shh, shh, shh.
00:21:17What is this, what are you doing?
00:21:18Taking the furniture.
00:21:20Well then, I'll help you.
00:21:21Thank you.
00:21:22Marcello.
00:21:23You can go out, darling, and get me some new furniture.
00:21:30Oh, no!
00:21:32Take my classics, no!
00:21:33Marcello!
00:21:36Marcello, they're going too far, you've got to do something.
00:21:40If you permit them to take our classics, what will I read?
00:21:43I wouldn't be doing my duty if I didn't take it, because it's an extremely valuable library.
00:21:47Marcello, do something!
00:21:49Wait, I'll help you.
00:21:54Do you realize I have a Flash Gordon in the Gold Kingdom?
00:21:57A first edition, valuable work.
00:21:59We will show you the victory celebration for Tjutsi,
00:22:02the first Asian in history to reach the glorious goal of ten victorious hunts.
00:22:07Oh, the damn hunt!
00:22:08Quiet.
00:22:09Here are the Hong Kong celebrations in his honor.
00:22:12All China has risen up as a single person to honor its new hero.
00:22:16The parade will last four days,
00:22:19and he will be awarded all the special privileges which our society can bestow upon him for his courage and greatness.
00:22:25Total tax exemption, a state of appeal, free admission to all theaters,
00:22:30discounts on railway and airplane fares.
00:22:33There he goes, passing through the crowds.
00:22:35Decathlon Tjutsi.
00:22:37Protected by an immense, sealed umbrella, sun-shaped to symbolize...
00:22:44Sorry.
00:22:46Well, see you next time.
00:22:48Next time we attach your furniture.
00:22:50Very sorry about your classic, signora.
00:22:53Signorina.
00:22:56Good hunting.
00:22:58Hello, please send me some samples of neo-gothic furniture.
00:23:01We'll pay for it.
00:23:02You with what you get from the next hunt.
00:23:03And if I die?
00:23:04That's what insurance is for.
00:23:05Sorry, we live at Piazza Fellini, 123.
00:23:10Yes, on the top floor.
00:23:12Thank you.
00:23:13Leave me alone.
00:23:15Play with Tommaso.
00:23:19How old is this Polletti?
00:23:21Forty.
00:23:22Married?
00:23:23Yeah.
00:23:24How many times?
00:23:26Once.
00:23:27Once.
00:23:33Rich?
00:23:34Hasn't got a cent.
00:23:36Well, I wrapped up the Temple of Venus.
00:23:38We can start any time.
00:23:41Under what sign was he born?
00:23:43Gemini.
00:23:44All liars, you can't trust him.
00:23:46I've got him on the monitor.
00:23:47Let's go.
00:24:01Look at that.
00:24:02Just moping around.
00:24:04Typical Italian.
00:24:05All he wants to do is goof off in the sun.
00:24:07Like a turtle.
00:24:11He looks tired.
00:24:12Maybe he has trouble sleeping.
00:24:14Ideal victim.
00:24:15I don't trust those lazy types.
00:24:17You never know what they'll do next.
00:24:22What's he picking up?
00:24:24That's a towel.
00:24:25Maybe he's got sex problems.
00:24:27Who knows?
00:24:28What's going on?
00:24:29Hey, they're really having a fight.
00:24:31Look, it doesn't faze him at all.
00:24:33Who are all those guys?
00:24:35Ah, they're nothing.
00:24:36Artists.
00:24:39You think they're artists?
00:24:41Artists.
00:24:44You think he got the notification?
00:24:46I was soon to see.
00:24:48There he goes again.
00:24:50Same old hangout.
00:24:53If you hurry up, you can catch him there.
00:24:56Information Hunt Ministry.
00:24:57I'd like some information, please.
00:24:59Can you tell me if B-2738, Poletti Marcello,
00:25:03has received notification of the hunt?
00:25:06Affirmative.
00:25:07He's been notified.
00:25:08Are women allowed in?
00:25:11Who knows?
00:25:13But there's a dietetic restaurant with a terrace
00:25:15where he goes every day.
00:25:17Anybody can go there.
00:25:19Go on, hurry up.
00:25:22You follow them.
00:25:23Right.
00:25:25Hello, hello, hello.
00:25:26Over.
00:25:27What's the situation?
00:25:28Over.
00:25:29I'm at the snack bar.
00:25:31Poletti has arrived and Carolyn's near him
00:25:33up on the terrace.
00:25:34Over.
00:25:35Good.
00:25:36Keep an eye on them.
00:25:37Roger.
00:25:38Over and out.
00:25:42What do you want?
00:25:45I am all alone here in Rome.
00:25:47I'd like very much to talk to someone.
00:25:51I'm famous for not speaking to people.
00:25:54My name is Carolyn Meredith.
00:25:56All right.
00:25:58Are you busy this evening?
00:26:00No, I'm not.
00:26:01I'm busy.
00:26:02I'm busy.
00:26:03I'm busy.
00:26:04I'm busy.
00:26:05I'm busy.
00:26:06I'm busy.
00:26:07I'm busy.
00:26:08I'm busy.
00:26:10Are you busy this evening?
00:26:13This evening I'll probably be a dead man.
00:26:17Oh.
00:26:20But you're very brave to expose yourself like this.
00:26:23I don't have the money it would take me
00:26:25to organize an efficient defense.
00:26:28Well, if it's a question of saving your life...
00:26:35Good Lord!
00:26:39Hey!
00:26:56Excuse me.
00:26:59Hey, hey, no, no.
00:27:00You can't, you can't shoot here.
00:27:04It's not permitted to shoot here.
00:27:05Put your gun away.
00:27:06It's not permitted, what do you mean?
00:27:07It's not permitted since the first of the month.
00:27:08We put up a big sign over the door.
00:27:09Find out about the rules before you go on a hunt.
00:27:15I'll give you a minute's head start.
00:27:16Go on.
00:27:18What a life we live.
00:27:21In hospitals, it's not permitted to shoot.
00:27:23In restaurants, not permitted.
00:27:24In churches, not permitted.
00:27:25At the barbers, it's not permitted.
00:27:27In the orphanage, it's not permitted.
00:27:29It's not permitted any place anymore.
00:27:31What's the good of the hunt anyway?
00:27:33What a way to earn a living.
00:27:35Good luck.
00:27:36Thanks.
00:27:37Excuse me.
00:27:46Excuse me.
00:27:49But once I saw one that was loaded with a Colt .45.
00:27:53In America, we don't have those kind of restrictions.
00:27:56Every man is allowed to shoot wherever and whenever he pleases.
00:28:01America's another story.
00:28:04Answer it.
00:28:06Hello?
00:28:07Is Marcello Poletti there?
00:28:11No, I'm sorry, Mr. Poletti isn't here.
00:28:13There.
00:28:18Thank you.
00:28:25Mr. Poletti.
00:28:35Mr. Poletti.
00:29:05Mr. Poletti.
00:29:32I want to relax, please.
00:29:33What nationality would you like?
00:29:34English.
00:29:35Is this a charge?
00:29:36No, cash.
00:29:37Will you register?
00:30:05Hello, darling.
00:30:09Would you like something cool to drink?
00:30:11A little music?
00:30:13This is the first time I've seen you here.
00:30:15My name is Lisa.
00:30:18Like that?
00:30:21What do you usually want?
00:30:22Any particular atmosphere?
00:30:24I have a selection of terribly exciting sounds.
00:30:28How about wolves howling in the distance?
00:30:30Darling.
00:30:31Or would you rather hear a spaceship taking off?
00:30:36Hard to please, huh?
00:30:39Come here.
00:30:41Put your head on my breast.
00:30:43I know a fairy tale.
00:30:44It's about a little red riding hood.
00:30:46Want to hear it?
00:30:47Can't you keep quiet?
00:30:49I want to think.
00:30:50That's the only reason I'm in this place.
00:30:52All I want to do is please you.
00:30:54I want to think.
00:30:55I want to think.
00:30:57I want to think.
00:30:58All I want to do is please you.
00:31:00If being quiet excites you more, fine.
00:31:21What do you want, anyway?
00:31:22Why are you following me?
00:31:24May I have two minutes with you, please?
00:31:26I don't have time.
00:31:27Listen.
00:31:28Why don't you go away?
00:31:29I'm here in Rome to make an inquiry on the sexual behavior of the Italian men.
00:31:33That's why I'm following you.
00:31:35Please, leave me alone.
00:31:44Please.
00:31:46Irina, my sexual behavior is my own affair.
00:31:49Well, do you know there are eight million unsatisfied women in America?
00:31:53I'm making an inquiry and I would like to ask you some questions.
00:31:57Then I want an interview on TV at the Temple of Venus.
00:32:02Will you do it for me?
00:32:04Why me?
00:32:08Because I prefer to be with a difficult man like you.
00:32:13Please.
00:32:14Please say you'll do it and you'll come tomorrow.
00:32:17To the Temple of Venus.
00:32:43The Temple of Venus.
00:33:07That's it.
00:33:09Let's say you have a pulse of 90.
00:33:11That's not too bad.
00:33:13Well, how many shots did you count, Marcello?
00:33:17Well, I asked you to say how many.
00:33:18How many shots?
00:33:2023.
00:33:21There are 40.
00:33:22You're out of shape.
00:33:23I know, I know.
00:33:31More firing practice?
00:33:32No, no.
00:33:38Marcello.
00:33:39You're a bundle of nerves.
00:33:46I'm going to die, I'm sure of it.
00:33:48I know you'll die, Marcello.
00:33:52But the important thing is how one dies.
00:33:54Like an insect or a samurai.
00:34:03Raise the rifle, imbecile!
00:34:10I was notified that I was a victim 48 hours ago,
00:34:12and nothing's happened.
00:34:14Your hunter might not be in Italy yet,
00:34:17or he's playing a game of nerves.
00:34:20You got on your bulletproof vest, eh?
00:34:23Are you armed?
00:34:26Hey, Marcello, you're beginning to act like a weak sister.
00:34:30You're feeling sorry for yourself.
00:34:32It's a long, hard fight.
00:34:34Only 15 in the world have survived 10 hours.
00:34:37Only 15 in the world have survived 10 hours.
00:34:45Marcello, wait.
00:34:46You still owe me money.
00:34:48You do, you do.
00:34:49You never finished paying for training here in my gymnasium.
00:34:51You've got to give me the money you owe me.
00:34:53I won't wait.
00:34:54Next time, professor.
00:34:56It's always next time.
00:34:57If there is a next time.
00:34:59Touch the arm.
00:35:00Touch the arm for luck.
00:35:03No, no, no, no, no, no, no.
00:35:07My good hand.
00:35:09No curare on it.
00:35:11Get out of here.
00:35:12Get out of here.
00:35:26Hello, Carolyn.
00:35:27Yes?
00:35:28We lost sight of Palletti, too.
00:35:30It's just as well we're not ready at the Temple of Venus yet.
00:35:33A perfect example of disorganization.
00:35:37A little disorganization never hurt anybody.
00:35:40I'll bet the Roman air is making us lazy.
00:35:43Well, be careful.
00:35:45I will, don't worry.
00:36:03I telephoned every damn hotel.
00:36:06There are two Mexicans at the Excelsior.
00:36:08The maid says they're unarmed.
00:36:10I guess a pair of refugees.
00:36:12And there's a couple of dozen Russians at the Hotel Ambassador.
00:36:16I was told they're here to see the Pope.
00:36:19Listen, I...
00:36:21Why don't they collect the bodies in Rome?
00:36:23Look at that.
00:36:25I'm going to stay at your place a few days.
00:36:27You had a fight with Olga?
00:36:29No, no.
00:36:30I just want out.
00:36:32I'm exhausted.
00:36:33Look, give me a shot.
00:36:34Did Olga buy the annulment yet?
00:36:36You think I'm out of my mind?
00:36:37Come on.
00:36:41A girl from America is after me to be on a TV show at the Temple of Venus.
00:36:44She'll pay me, she said.
00:36:45What's her name?
00:36:46Carolyn Meredith.
00:36:48Seems strange.
00:36:53Got anything on her?
00:36:55An American.
00:36:57She's staying at the Hilton with a group of Americans.
00:37:00Doing something on television, not armed.
00:37:02Positive?
00:37:04If I weren't positive, would I open my mouth?
00:37:07Left or right?
00:37:08I don't really...
00:37:09You should keep track.
00:37:11It began a week ago Monday on the left.
00:37:13All right.
00:37:14Tuesday, Wednesday, Thursday, Friday, Saturday, Sunday.
00:37:16The left. Here we go.
00:37:17Here we go.
00:37:28Did you find Poletti?
00:37:30Yeah, Chet. We found him, all right.
00:37:31With the sunset worshippers.
00:37:32Oh, down on the beach?
00:37:33Yeah, Chet. That's right.
00:37:34They only congregate at sunset, don't they?
00:37:36Yeah.
00:37:37I'd better get Carolyn over there right away.
00:37:39Plenty of time.
00:37:40Right now, it looks like Poletti's going to take a rest in that shack of his.
00:37:43Then he has to get outfitted for the ceremony.
00:37:45As long as she gets there before sunset.
00:37:47Right.
00:37:48Keep your eyes open.
00:37:49Keep me posted.
00:37:50If anything happens.
00:37:52Hello, Carolyn.
00:37:53Yes, Chet.
00:37:54As soon as you can, make a U-turn.
00:37:56And head the other way.
00:37:58Why?
00:37:59Because Poletti is with the sunset worshippers.
00:38:01The what?
00:38:03The sunset worshippers.
00:38:04Look at the map we gave you.
00:38:05To the west of Fiumicino.
00:38:07You've got time till sunset.
00:38:09I'll be there.
00:38:11Good evening.
00:38:15Good evening.
00:38:23Oh, brothers and sisters.
00:38:25Still after that miserable interview?
00:38:28It's fun to follow you around.
00:38:30You're such an unpredictable character.
00:38:32Unpredictable, huh?
00:38:33Well, go with the others.
00:38:34I'll show you something you've never seen before.
00:38:36And it's no laughing matter.
00:38:46Today, our sunset begins at 7.33.
00:38:50Meditation on the brother's son.
00:38:53We are born in this world by chance.
00:38:56But fortunately, we must all die by chance.
00:38:59This is the last ray of light.
00:39:01Which has traveled 145 million kilometers.
00:39:05Our father is leaving us.
00:39:07We can see him darkening with our own eyes.
00:39:09For we must not despair.
00:39:12Our tears purify us.
00:39:13They liberate us of the agonies of our daily cares.
00:39:16In the sweetness of our agony,
00:39:18let me remind you that as we mourn the passing of our lifelong friend,
00:39:22our brothers in California are greeting him as he rises in joy.
00:39:26Now, let us concentrate, my friends.
00:39:28The moment of departure is at hand.
00:39:30Let us begin.
00:39:32Minus ten.
00:39:35Nine.
00:39:36Eight.
00:39:38Seven.
00:39:40Six.
00:39:41Five.
00:39:43Four.
00:39:44Three.
00:39:46Two.
00:39:48One.
00:39:49Go away, you fanatic!
00:39:51Go home and take your sunset somewhere else!
00:39:53Go away, you sick of you!
00:39:56Let me see!
00:39:57I'll give you something to cry about!
00:40:00Get him on his job!
00:40:04Take your sunset someplace else!
00:40:08Take your sunset someplace else!
00:40:19No, brothers.
00:40:21No, don't pay attention
00:40:23to these neorealistic, unkind, and vulgar people.
00:40:27Cry, my brothers.
00:40:29Free yourselves.
00:40:30All right!
00:40:36That was beautiful.
00:40:38What's the matter, crying?
00:40:39Haven't you ever seen a sunset before?
00:40:41Yes, as a child, but I forgot what it was like.
00:40:43Brothers, sisters!
00:40:54Now, go.
00:40:55Go to the waters, brothers and sisters.
00:40:57Purify yourselves with the tears of the sea.
00:40:59I can only be with you in spirit tonight.
00:41:01Purify yourselves!
00:41:06Don't tell me you're crying, too.
00:41:07I took a couple of pills that made you cry.
00:41:09They're pretty good.
00:41:10The effect must last a quarter of an hour.
00:41:11So you really don't believe in what you're saying?
00:41:13Sure, I do.
00:41:14I have to believe it.
00:41:15I'm paid 20% of the take.
00:41:16You should have seen what a success it was
00:41:18when I started out.
00:41:19Even the psychiatrists were all for it.
00:41:21I was on television every night.
00:41:22But then everything was ruined
00:41:24by those damn moon-worshiping fanatics.
00:41:27Why don't you give it up, then?
00:41:29Is this an interview or a simple curiosity?
00:41:31One and the other.
00:41:34Everything has its price.
00:41:35How much?
00:41:39$300.
00:41:43$500.
00:41:45$1,000.
00:41:49How long do you expect it'll take?
00:41:53One or two hours.
00:41:56And where am I supposed to do this?
00:41:58At the Temple of Venus,
00:42:00near the Colosseum.
00:42:02At this hour? Isn't it a little late?
00:42:04No, they're working all night long.
00:42:06They have lots of things to do.
00:42:08An advance would be nice.
00:42:16$500.
00:42:19Well, let me get dressed,
00:42:20and we'll leave right away for Rome, okay?
00:42:23Okay.
00:42:26Let's go.
00:42:45There, I knew it.
00:42:46She's signaling somebody.
00:42:48This is a perfect spot to kill her.
00:42:50But if she isn't your hunter, you'll get 30 years.
00:42:52If she is my hunter, everything's fine.
00:42:54If not, we'll make it look like she's only some sunset worshiper
00:42:56who drowned. It happens all the time.
00:42:58All right, explain to me why she hasn't tried to kill you.
00:43:00I don't know. I don't know.
00:43:01She's the only one who's been following me.
00:43:03You explain to me why, since the start of the hunt,
00:43:05no one else has tried to kill me.
00:43:06Why is she stalling around, then?
00:43:07I know, because she has to kill me at the Temple of Venus.
00:43:09She keeps wanting to drag me there.
00:43:11Look, Marcello, let's be sure.
00:43:13I'll go over right now to the Temple of Venus and look around.
00:43:15I'll meet you later at Lydia's house.
00:43:17In an hour.
00:43:18I'll be there.
00:43:24For what reason did you join the hunt club?
00:43:27I joined for money. Come on, why else would I do it?
00:43:29What's more, I've always thought that life was too damn long, anyway.
00:43:32Age?
00:43:33Middle age.
00:43:34Profession?
00:43:35Oh, anything.
00:43:37Are you married?
00:43:38Do you know the Sacra Rota?
00:43:40No.
00:43:41It's a marriage court.
00:43:42You get married in Italy and you learn all about it.
00:43:45Three days ago, I received an annulment of my marriage.
00:43:47You know, it took six years before they granted it to me.
00:43:50And now, do you expect to marry again?
00:43:52No, I'm not that crazy.
00:43:54Why?
00:43:55Let's not get too curious. Don't worry.
00:43:56You'll learn everything by and by.
00:44:11Is it because of your peculiar family situation that you want to die?
00:44:14If you don't protect yourself, what kind of a victim are you, anyway?
00:44:18Don't try to find out everything all at once, all right?
00:44:23Will you at least tell me where you brought me?
00:44:26My wife's house. I've got something to take care of. It won't take long.
00:44:29Hey, Cole, you heard what he said?
00:44:31They're coming in a few minutes. Go get them ready.
00:44:33Right.
00:44:36I practically built this place myself. Now it all belongs to my wife.
00:44:39Lydia!
00:44:43Want music, jazz, or a little opera?
00:44:46Piano solo.
00:44:48Want an aphrodisiac?
00:44:50A moderate one, if you have it.
00:44:53You keep your stimulants in a safe.
00:44:55No, I'm looking for something much more exciting. Money.
00:45:12Enough of that.
00:45:14Go ahead, help yourself.
00:45:16Sorry, but I'm always beat after these sunsets.
00:45:20You get to a point when you don't know what to do to earn a living.
00:45:24Three minutes of relaxation.
00:45:39Listen, we have to get to the Temple of Venus.
00:45:41Venus?
00:45:48Poletti! Hey!
00:45:51Poletti!
00:46:11Poletti!
00:46:12Poletti!
00:46:38Oh, my heavens, what a beautiful girl.
00:46:40Come over here, senorina. Have something with us, a little coffee.
00:46:43Coffee, sure. Maybe she's a spy.
00:46:45Come on, she's no spy.
00:46:47It's all right, mama.
00:46:48So you're spying for the collection center of the age. I should have known.
00:46:52Cello, don't hurt the poor child.
00:46:57It's not true. I'm a journalist.
00:46:59What do I care about your parents?
00:47:02The reward money, naturally.
00:47:05But what on earth are you doing with your parents anyway?
00:47:07Why haven't you turned them over to the state?
00:47:12In Italy, we're for the family, no matter what the laws are.
00:47:15Almost no one turns in his parents.
00:47:17We keep them hidden.
00:47:19Sometimes we fix them up to look like teenagers.
00:47:22Like teenagers? Incredible.
00:47:24Then you love yours very much.
00:47:27No, I'm not the type that follows orders.
00:47:31If you're not an agent from the center of the age, you're my hunter, aren't you?
00:47:35All right, come on, get it over with.
00:47:39Go ahead.
00:47:41Why not get it over with?
00:47:43Right now.
00:47:48Why do you have to make such a drama out of everything?
00:47:51What possible reason could I have to want to kill you?
00:47:55Oh, I understand.
00:47:56What possible reason could I have to want to kill you?
00:47:59Oh, I understand the situation you're in.
00:48:02The hunt, your wife, money.
00:48:04But don't take it so seriously.
00:48:06There's nothing worse for your reflexes than to be worried all the time.
00:48:10You want me to give you a nice little massage.
00:48:13I'm good at it, you know.
00:48:14Why not?
00:48:16Tell me how you solved the problem with the old ones in your family.
00:48:19Oh, I was born in Hoboken.
00:48:21At the artificial insemination center.
00:48:23You're pretty good at giving massages.
00:48:25Are you ticklish?
00:48:27Yes.
00:48:28That means you're very sexy.
00:48:30Regular cyclone.
00:48:32Oh, how I envy you.
00:48:36How about a little demonstration?
00:48:41Lie down.
00:48:50I don't feel a thing.
00:48:51I don't feel a thing.
00:48:53You can go on as long as you like.
00:48:56I'm an iceberg.
00:49:08Yes, you certainly have a good technique.
00:49:11I should...
00:49:13I should go take a course in light erotics.
00:49:16But it's so depressing.
00:49:18Especially the written part.
00:49:21Come on, how can I go to work on you if you don't shut up?
00:49:39Marcello.
00:49:48Marcello.
00:49:51Sorry to disturb you.
00:49:56Oh, Lidia, it's all right.
00:49:58Caroline, I present my wife, Lidia.
00:50:01Ex. Ex-wife.
00:50:03You might have let me know.
00:50:05Now that I think of it,
00:50:07no one telephoned Olga,
00:50:10and I told her that we had finally received the annulment.
00:50:13Did I do wrong?
00:50:21You idiot, now she'll run to apply for a marriage license.
00:50:24Of course.
00:50:26After so many years.
00:50:28Don't forget you always promised her you'd marry her.
00:50:31She even forced me to be friends with her.
00:50:34She's always here with me.
00:50:36Well, I didn't force her on you.
00:50:38What a morbid pair you are.
00:50:40I feel sorry for her, she wants to marry you so badly.
00:50:42Looking for something?
00:50:44Yes, my prize money.
00:50:46Sorry, darling, I've already spent it.
00:50:48All of it?
00:50:49Of course, the whole thing.
00:50:51If I'm to remarry someday,
00:50:53I have to buy myself some pretty things.
00:50:56And besides, your parents eat like everyone else.
00:51:00Don't think they don't cost me a lot.
00:51:04Too old people.
00:51:06Want me to hand them over to the state?
00:51:20Marcello?
00:51:32Marcello?
00:51:37Marcello?
00:51:43Marcello?
00:51:49Marcello!
00:52:20Where's Marcello?
00:52:22Oh, it's you.
00:52:25You're why I never see him these days, huh?
00:52:27I'm going to murder the two of you.
00:52:29I'm sorry, but just who are you?
00:52:31I've been waiting for the annulment for years,
00:52:33and now you arrive on the scene.
00:52:35You're not going to ruin everything for me.
00:52:37I'm going to murder you.
00:52:39What did you say?
00:52:41I'm going to murder you.
00:52:43I'm going to murder you.
00:52:45I'm going to murder you.
00:52:47I'm going to murder you.
00:52:49If you want, I'm going to stand by and let you take him.
00:52:51You're out of your mind.
00:52:53Not in my house. Calm down, calm down.
00:52:55Stupid idiot.
00:52:57Marcello sends you his regards. He just left.
00:53:04It's not just a simple interview
00:53:06like that girl tried to make you believe.
00:53:08I have the impression that there's something more behind it.
00:53:10For me, it's a trap.
00:53:12Anyway, you go take a look, but be careful.
00:53:19Wait for me here.
00:53:24Be careful.
00:53:40Sir, is this the Temple of Venus?
00:53:43Yes, of course.
00:53:50Caroline, get ready.
00:53:52Come on.
00:53:55He's here.
00:54:01Why isn't Caroline here?
00:54:03Don't worry about it. She'll be here.
00:54:12Come on, girls. We're starting.
00:54:14Come on, everybody. Place it.
00:54:16Look here.
00:54:18I was paid for an interview,
00:54:20but somehow the girl who asked...
00:54:22We got separated and lost.
00:54:24Is it possible to do the interview without the girl?
00:54:26No, I'm sorry.
00:54:28But I think Caroline will be here pretty soon.
00:54:30Any word from Caroline?
00:54:32Yeah, she knows that she should be here.
00:54:34She's usually very punctual.
00:54:36Well, since you're not ready for me yet,
00:54:38want me to return the advance she gave me?
00:54:40It's not important if we don't have the interview,
00:54:42but we'll get her. We're not in a hurry.
00:54:43Isn't that right, Cole?
00:54:45Sure. Tonight, tomorrow.
00:54:47Why don't you hang around for a while?
00:54:49We'll get it done. Don't worry about it.
00:54:51Have a drink of whiskey.
00:54:53A vodka tonic?
00:54:55Oh, by the way, if Senorina Caroline has any more use for me,
00:54:57I'll be at the Big Hunt Club tonight.
00:54:59She's going to be here in a few minutes.
00:55:01Come on.
00:55:03At the Big Hunt Club. At midnight.
00:55:08Hold everything. Kill it.
00:55:10Come on, girls. Down here.
00:55:12Let's take advantage of this delay and go over the new stat.
00:55:14One, two.
00:55:16You're right.
00:55:18The interview on television is just an excuse
00:55:20for them to bring me here where their pigs can kill me
00:55:22on a commercial.
00:55:24Commercial, huh?
00:55:26That's right. Quite an idea, isn't it?
00:55:28No doubt about it. The Americans are ahead of us in everything.
00:55:34Get out.
00:55:36I heard they tried the same sort of thing in Milan.
00:55:37The only one here who would go out of his mind
00:55:39for an idea like this is Count Silvestri.
00:55:41What idea?
00:55:43I'm going to kill her on a commercial the same way.
00:55:45But how can I organize that in one night?
00:55:47Come on, that's your business. I don't care how you do it.
00:55:49I want you to do it because that's what I'm paying you for.
00:55:51You understand?
00:55:53What do you mean? You haven't paid me for months.
00:55:55Let go of me because you know what's good for you.
00:55:57Thanks a lot.
00:55:59Come on. Get in.
00:56:02They still say it's damn near impossible
00:56:04to organize in one night.
00:56:06Hello?
00:56:08I want to speak to the Commendatore.
00:56:10I'll get him for you. Hold on, please.
00:56:12Thank you.
00:56:14Hey, we're in luck. He's in.
00:56:16Yes, hello. Go ahead. This is he.
00:56:18Commendatore, I'm Counselor Rossi,
00:56:20the assistant of Marcello Poletti.
00:56:22Have you heard of him? He's a...
00:56:24Oh, yes. The Hunt.
00:56:26Yes, the Big Hunt. That's right.
00:56:28Commendatore, I want to propose to you
00:56:30a great super publicity stunt for your product.
00:56:32Picture this. Your pool and the crocodile.
00:56:33And the killing of a beautiful girl.
00:56:35To me, the idea of killing someone
00:56:37for publicity amuses me very much.
00:56:40The thing that might bother me
00:56:42is the fact that it concerns murdering a girl.
00:56:44Why?
00:56:46In Italy, it might have a bad effect on sales.
00:56:48Insist.
00:56:50Have you considered murdering someone else?
00:56:52That's impossible.
00:56:54Commendatore, did you know that this year
00:56:56it's said to be in to kill girls?
00:56:58It's not important who's murdered,
00:57:00but how she's murdered.
00:57:01Say that people today want things like that.
00:57:03As you know, the only thing they like today
00:57:05is the spectacular.
00:57:07Yes, yes, you're right, but I'd better think it over.
00:57:09Commendatore, I'm sorry, but we must be sure.
00:57:11We can't waste any time. Is it yes or no?
00:57:13All right, then. Come right over here.
00:57:15Wonderful.
00:57:17Now, come right away.
00:57:19Right away.
00:57:21He bought it. He's waiting at his villa. Come on.
00:57:23Out of the way, please. Out of the way.
00:57:25Let us pass. Don't come too close.
00:57:27It's dangerous to come too close.
00:57:28Out of the way.
00:57:30What did I do? It's marvelous.
00:57:32Come here, boy. Beautiful, huh?
00:57:34Put him down.
00:57:36Careful, careful.
00:57:38Put him down right by the edge, but be careful.
00:57:40Careful.
00:57:42I was told he was to eat a girl.
00:57:44Nothing to it. You can relax.
00:57:46This one can eat three. The old boy's got an appetite.
00:57:48You sure? He looks so quiet.
00:57:50Oh, Harry, sure.
00:57:52This one is a terror, believe me.
00:57:54How does he do it?
00:57:56He gets his prey in his jaws and snaps the spinal column.
00:57:58His injury also has a very special characteristic.
00:58:00Characteristic?
00:58:02He's the only crocodile in the world that doesn't shed tears
00:58:04after he eats in the water.
00:58:06The old fellow's a regular torpedo.
00:58:08Tomorrow morning, I leave for Milano.
00:58:10This little show of yours shall have to be done tonight
00:58:12or not at all.
00:58:14It'll get done. You may count on it.
00:58:16Marcello, the contact. It's getting very late.
00:58:18Mm-hmm.
00:58:20For now, put the crocodile in the gazebo.
00:58:23A mere detail, but what slogan do you have for Poletti to say?
00:58:29Read it.
00:58:31Oh, yes. Let me see.
00:58:33At the moment of killing the hunters Carol and Meredith,
00:58:36the undersigned, Marcello Poletti,
00:58:38shall be seen to raise a big glass of your product.
00:58:40He will smack his lips and say in a manner that's clear and distinct,
00:58:43after smiling kindly and invitingly, the following slogan.
00:58:45With Coca 70, you always win.
00:58:47Good.
00:58:49We're ready.
00:58:51Come along.
00:58:59You didn't talk money.
00:59:02Miss Caroline will sit here.
00:59:07Look here. Are you quite sure it will work?
00:59:10Quite sure.
00:59:12I want to see for myself.
00:59:14Of course.
00:59:16You, Caroline.
00:59:18Oh, really, I...
00:59:20Sit down.
00:59:22You sure the crocodile isn't in there?
00:59:24Don't worry. Over here. The controls are here.
00:59:26Don't be nervous. It's only a test. Sit still.
00:59:28I just have to push this button.
00:59:30Will you sit down?
00:59:32No, please. Please.
00:59:35Poletti, push the button.
00:59:37Push the button.
00:59:43Oh, no. He's not sure that you're his hunter.
00:59:46He may suspect, of course.
00:59:48But just suspect.
00:59:50Why did he sneak out on me at his wife's house
00:59:53and then go to the Temple of Venus all alone?
00:59:55Like you said, that's a guy in trouble.
00:59:56He's confused.
00:59:58He has all those women, all those problems.
01:00:00You caught a couple of punches, didn't you?
01:00:02Yes.
01:00:04But why did he ask for me at the Temple of Venus
01:00:06when he knew where I was?
01:00:08He didn't ask for you. He just said he had lost sight of you.
01:00:10You know when we said that we wouldn't do it without you?
01:00:12He wanted to give the money back.
01:00:14Tell you what I think.
01:00:16I think we've got this guy just where we want him.
01:00:18Right in our pocket.
01:00:20He's too stupid.
01:00:22I'm perfectly sure the moment he sees me, he'll shoot.
01:00:24Well, if there's one place you can go,
01:00:26because killing is prohibited there,
01:00:28you can go there without a worry.
01:00:30All right, I'll go.
01:00:32Get me my dress.
01:00:38We better dream up something good to mislead him,
01:00:41to make him think his hunter is someone else.
01:00:46Pistol.
01:00:48You will shoot at him without hitting him, understand?
01:00:51Yeah, I get it.
01:00:53Make sure he doesn't get a good look at you.
01:00:54Really make him think you're his hunter.
01:00:56Right.
01:00:58Come on, Carol, and hurry up. Let's go.
01:01:00I've just got another idea.
01:01:04Get me a very good-looking man.
01:01:25Hello, can you read me? Over.
01:01:27What happened?
01:01:29I took a couple of shots at him.
01:01:31What do I do now?
01:01:34I'm not going around with you anymore.
01:01:36That was just a little joke.
01:01:38They sent that one to me to confuse the issue.
01:01:40A real hunter would never have missed at that range.
01:01:42Mm-hmm.
01:01:45Carol, I want you to get the club soon.
01:01:47You stay here.
01:01:49I'll be right back.
01:01:51Carol, I want you to get the club soon.
01:01:53You stay right here and wait.
01:02:20I'll be right back.
01:02:51Marcello.
01:02:54Marcello.
01:02:56She's here with someone else.
01:02:58Someone else?
01:03:00Yes, and he's not one of the TV crew.
01:03:03You don't have much time.
01:03:05At four, she has the date with the crocodile.
01:03:07Go away.
01:03:11I'll be right back.
01:03:12You're a yellow skunk.
01:03:16A terrible one.
01:03:19And a very good one.
01:03:21And a very bad one.
01:03:22You're a yellow skunk, a coward, not worth stuffing.
01:04:16Shall I consider myself free?
01:04:26Do whatever you want to do.
01:04:32And the interview, is that all over?
01:04:34You're too busy.
01:04:35Besides, I like Rudy, you.
01:04:41Maybe he's not so interesting.
01:04:43Eh, my little baby Rudy?
01:04:50But he's nice and simple.
01:04:55You can keep the advance I gave you.
01:04:59It solves everything, doesn't it?
01:05:24Poor Marcello, all mixed up with his troubles with women, wives, mistresses, money.
01:05:30The king of the hunters.
01:05:32And here I thought you were the symbol of savage masculinity.
01:05:50Why are you joking?
01:05:51I'm not joking.
01:05:52Disappointed?
01:05:53Yes, very.
01:05:54For a while, when I was at your wife's house, I began to feel free.
01:06:02But then your wife, I mean your ex-wife, came in and you ran away.
01:06:08I have a little proposition for you.
01:06:11Maybe if we were someplace more romantic.
01:06:13Come on.
01:06:15I know a wonderful villa on the Apia Antica with a swimming pool.
01:06:18It's beautiful.
01:06:19Really?
01:06:20Let's go there, huh?
01:06:31No.
01:06:32I'd better stay here.
01:06:33Sorry.
01:06:34Oh, auntie darling.
01:06:35The crocodile.
01:06:36I love effeminates.
01:06:37They're ideal friends for a woman.
01:06:38They're so amusing.
01:06:39Have you ever been one?
01:06:40Why this contempt you have for men?
01:06:41But I really like them.
01:06:42But once we reach a certain point...
01:06:43Where are you going?
01:06:44It's time.
01:06:45I must go.
01:06:46I'll see you later.
01:06:47Goodbye.
01:06:48Goodbye.
01:06:49Goodbye.
01:06:50Goodbye.
01:06:51Goodbye.
01:06:52Goodbye.
01:06:53Goodbye.
01:06:54Goodbye.
01:06:55Goodbye.
01:06:56Goodbye.
01:06:57Goodbye.
01:06:58Goodbye.
01:06:59Goodbye.
01:07:00Goodbye.
01:07:01Goodbye.
01:07:02Goodbye.
01:07:03Goodbye.
01:07:04Goodbye.
01:07:06It's time.
01:07:07I must go to the Temple of Venus.
01:07:23What's going on?
01:07:24She's doing the interview with the other one.
01:07:27But then it's a real interview.
01:07:30She's not your hunter at all.
01:07:33Bet your real hunter is nobody but the one who shot at you tonight
01:07:39Be careful Marcello, I've been looking at you two
01:07:45You two are falling in love
01:08:03Ming-Ti makes better lovers
01:08:14Ming-Ti makes better lovers
01:08:16Yes, Ming-Ti, Ming-Ti makes better lovers
01:08:23It was all true, now I'm wrong, she's not my other after all
01:08:27Think it over, maybe this fellow Rudy is just a blind
01:08:30Women are tricky Marcello
01:08:32She's the only one who's been following you
01:08:34She follows you, she pays you for an interview
01:08:36You see her making signals in the night
01:08:38And she does everything to get you here
01:08:40No, no, no
01:08:41Come on Marcello, if you weren't convinced it was she
01:08:43Why didn't you say so right away?
01:08:45Oh come on, come on, it was all an intuition
01:08:47Is that so amazing?
01:08:48A victim, remember, is never given anything precise to go on
01:08:51Well then what do we do with the crocodile deal?
01:08:53You took the advance, didn't you?
01:08:54They're at the villa waiting, you've got to decide
01:08:56I'll invent an excuse, I'm sick, anything like that
01:08:58But stall, stall
01:08:59I've got to be sure before attempting to kill Carolyn Meredith
01:09:0230 years in jail if I'm wrong, understand?
01:09:05Oh, here she is, go on, disappear
01:09:20Carolyn
01:09:29Hey Philford, go on
01:09:38Why did you call me all those things, a yellow skunk and a coward?
01:09:42Only because you're scared
01:09:44Of who?
01:09:45Of me
01:09:47Come on, get in
01:09:59Good
01:10:07Hey, boys, come back, come back here
01:10:11I'll go follow them in the car
01:10:13Hurry up
01:10:29Do you love her?
01:10:30Who?
01:10:31Olga, your mistress
01:10:33No
01:10:34Then why don't you tell her the truth?
01:10:36It's much simpler and it clears up the situation
01:10:39No one wants the truth
01:10:42No one even likes to hear the truth
01:10:44It's much better like this, scheming, cheating, being a liar
01:10:47I couldn't tell her the truth if I wanted to
01:10:51Want the truth, is that it?
01:10:53All right, wait a second
01:10:58Come on
01:11:19Hello
01:11:21How are you, Olga?
01:11:22Marcello, it's you, where are you? I looked for you all day
01:11:25Shut up and listen
01:11:27Tonight, for some strange reason, I felt like telling the truth
01:11:30Really?
01:11:31So listen to me, please
01:11:33The annulment I got a few days ago
01:11:35I know, Lydia told me
01:11:37Yes, but I'm not going to marry you
01:11:39You're telling the truth, aren't you?
01:11:41Yes
01:11:42Wait, you listen to me
01:11:43Yes, dear
01:11:44If you think I'm going to let you do this to me, you're absolutely wrong
01:11:46I said I'm not going to marry you
01:11:48I'll kill them both of you
01:11:50I have been waiting to get married much too long to...
01:11:57I told the truth, so what's in it for me?
01:12:27What a marvelous night, Marcello
01:12:57I can't get used to it
01:13:19You have a coin?
01:13:21No
01:13:22You know, in New York, we have a...
01:13:25You put in a coin, and two people like you and I...
01:13:29Bingo! Your husband and wife.
01:13:32We don't happen to be in New York.
01:13:34Excuse me, Carolyn, but just to be clear...
01:13:38We in Italy, we don't get married. Almost no one does.
01:13:41There's still no divorce. It isn't worth it.
01:13:44We just live together. Extremely realistic.
01:13:48I want a baby.
01:13:51Maybe two or three.
01:13:53Yes, darling. It could be good for three or six, seven or ten.
01:13:57But no wedding bells.
01:14:00You're making fun of me.
01:14:02It's the first time I ever, ever asked anyone.
01:14:10She has them eating out of her hand.
01:14:13It's all going nicely, so don't worry about it.
01:14:16Shouldn't take long. Over and out.
01:14:23I feel like a normal woman with you.
01:15:23Let's go, let's go. A truck has to make it over this stretch.
01:15:26A truck and a crane. So make sure it's solid.
01:15:54You're doing great, honey.
01:16:18Come on, let's go.
01:16:23Let's go.
01:16:53Let's go.
01:17:23Let's go.
01:17:47Okay, fine.
01:17:54Good morning.
01:18:11How long did I sleep?
01:18:14Six hours. It's 11 o'clock now.
01:18:17Strange. I can't hear the surf breaking on the beach.
01:18:21The sea is very calm now.
01:18:31Caroline.
01:18:38Know what I was thinking about just now?
01:18:41Why don't we go away, just the two of us?
01:18:46To a little island somewhere.
01:18:51I know, of course, you're right.
01:18:54I made a mistake.
01:18:57I have to change. I've got to change my life.
01:19:00I don't believe you. You're a liar.
01:19:03I'll prove to you I'm sincere by demonstrating the sincerity and honesty of what I said.
01:19:09The truth you seem to search.
01:19:12Did you ever meet Tommaso?
01:19:15No.
01:19:18Go on, Tommaso. Go see Caroline.
01:19:21Don't be afraid.
01:19:24Show her whether I'm sincere or not.
01:19:27Tommaso is my only friend.
01:19:30Touch his nose.
01:19:33You'll see how affectionate he is.
01:19:39Nice, isn't he?
01:19:42He's a very sensitive animal.
01:19:45Open him up.
01:19:49There's a gun inside.
01:19:52Mine?
01:19:55I have no wish to kill you.
01:19:58I love you. I want to live with you.
01:20:01I know it, and I've always known it.
01:20:04You're my hunter, aren't you?
01:20:07Your hunter? Yes.
01:20:11Is it?
01:20:22All right, start the Ampex.
01:20:25Speed. All right, ready to roll now.
01:20:28This is fantastic, Caroline.
01:20:31Stand by, everybody. All right, action. Here we go now.
01:20:34Honored, sir. Drink me tea.
01:20:38What a stupendous death you've rigged up for me.
01:20:49This is marvelous.
01:20:52Why are you laughing?
01:20:55I laugh because I'm enchanted with your organization.
01:21:03Thank you.
01:21:07Thank you, thank you.
01:21:10No, no, move over a little bit. There we are.
01:21:17Drink Ming tea and you're really living.
01:21:20Right, drink Ming tea. There's only one Ming tea.
01:21:29Ladies, get Ming tea. It's the greatest tea.
01:21:32More boys.
01:21:35It's for your pleasure.
01:21:38A special big hunt program brought to you all the way from Rome in sunny Italy.
01:21:44Fire. Go ahead. What are you waiting for?
01:21:47Fire, Caroline. What's the matter with her? Fire.
01:21:50Kill him, Caroline. Go on, shoot. Fire.
01:22:06You were wonderful.
01:22:09Caroline, your tenth victory. Now you get a million dollars.
01:22:12What a girl. What a girl.
01:22:15She's the engine. Congratulations.
01:22:18All right, fellas, let's wrap it up. Pack up all this equipment.
01:22:21We'll meet back at the hotel later. You and I better take care of the body.
01:22:24Right.
01:22:27Where is he?
01:22:30Call.
01:22:33What happened to the body?
01:22:50Hey, Caroline.
01:22:57Marcello, forgive me. I love you so much.
01:23:00But you fired anyway.
01:23:03Marcello. Stop right there.
01:23:06I'm sorry. I love you very, very much.
01:23:09It's a bit too late, Caroline. A little bit too late.
01:23:12You shouldn't try to kill a victim with his own gun. It might have blanks in it.
01:23:18You always make mistakes when you're in love.
01:23:21Oh, really? Yes.
01:23:24No, no, dear, no.
01:23:27It's too bad, darling.
01:23:30You're the only woman that I might have loved, and you ruined it, Caroline.
01:23:36I'm very, very sorry.
01:23:43Very good. Excellent. How much?
01:23:46Ten thousand dollars. Go on. See my lawyer. I'll see. I'll talk to him.
01:23:49Smile. Smile. Come on, now. Big smile.
01:23:52The slogan. The mistake I made was because I didn't drink a double dose
01:23:55of delicious mint tea. Good.
01:24:26Caroline, enough. Enough.
01:24:29All right. All right. I give up.
01:24:36Come on, Caroline. That's enough.
01:24:39You're breaking my eardrum. I give up.
01:24:42She must have had a bulletproof dress on.
01:24:45Damn it. Who could have imagined that?
01:24:48Skin colored armor. It's the only one in the world.
01:24:51My own personal invention. Come on. Don't kill me, Caroline.
01:24:54Without television, wouldn't it be useless?
01:24:57Don't worry about that. It's for my pleasure. Go on.
01:25:25Marcello, this is your last hunt.
01:25:28Marcello, I'll kill you and your parents, too.
01:25:31Yeah, that Caroline. They'll kill us.
01:25:34Come on. Let's get to shelter.
01:25:38What are you doing? I didn't give you a chance. Let go of me.
01:25:41Come on. Hurry.
01:25:45Marcello. Ha-ha.
01:25:48There's a bush over there.
01:25:51Come on. Give me that thing. Give me that thing.
01:25:54Give me that. Come on.
01:25:57Give me that rifle. You're going to have to murder me, understand?
01:26:00Give me that rifle. No.
01:26:03You get out of here. This is my house. Go away. Go.
01:26:06No.
01:26:09All right.
01:26:14Caroline.
01:26:17I killed his first victim.
01:26:20That's not true.
01:26:23The idea of the exploding boots was mine.
01:26:26You're lying like hell it was your idea. Just wait till I get my hands on you.
01:26:29No. No. Stay here.
01:26:45Did you get hurt?
01:26:48No. Just a charley horse.
01:26:51Okay. Let's go.
01:26:54Give me the gun. Give me the gun.
01:26:57Let's go.
01:27:00Come on. Run. Run.
01:27:03Run.
01:27:06Women.
01:27:09Come on. Run.
01:27:13Come on. Run. Run.
01:27:21And who are you? Some ancient Roman?
01:27:24Not too ancient, signorina.
01:27:27What's your name? Otello.
01:27:30Is your brown hair natural? Yes. Olga.
01:27:33You better disappear. She's crazy. Olga, wait for me. Where are you?
01:27:36Come with me. I want to tell you something.
01:27:39Come on.
01:27:47Olga. Me too. Me too.
01:28:09Welcome aboard, miss.
01:28:14I'm so tired.
01:28:25I want to sleep.
01:28:28No.
01:28:40This is a crazy plane.
01:28:43A matrimonial airplane. My goodness.
01:28:46Madness.
01:28:49Do you, Fred Thomas, take this woman, Marianne Chiang? Yes.
01:28:52Good luck.
01:28:55Thank you.
01:29:02Do you, Karen and Meredith, take this man, Marcello Poletti?
01:29:05Yes.
01:29:13Excuse me. What did you say again?
01:29:16Aren't you Marcello Poletti?
01:29:19Look here. There's been an error.
01:29:22We're just aboard by accident, and I think I might as well get off.
01:29:25Aren't you Marcello Poletti? Yes.
01:29:28Then you have to get married.
01:29:31What better way to come to the end of your story with this lovely signorina?
01:29:37Carol.
01:29:40You're the one who's behind this whole business.
01:29:43Do you, Marcello Poletti, take this woman, Carol and Meredith?
01:29:46I...
01:29:49No, no. I want to think about it.
01:29:52No? You don't really want to think about it, do you?
01:29:55Shall we get on with it?
01:29:58Mm-hmm.
01:30:01Do you, Marcello Poletti,
01:30:04wish to take this woman, Carol and Meredith?
01:30:07It appears to me I don't have much of a choice, Father.
01:30:10Yes.
01:30:13Good luck.
01:30:16Carol, in?
01:30:19Why you wanted to go and ruin such a marvelous love story, I'll never know.
01:30:22Psst, psst.
01:30:52I've come to get you.
01:30:55Take this one in.
01:30:58That just happened deadly, but nice.
01:31:01Better think twice.
01:31:04If you fall for me, you will soon find.
01:31:07My lips are red as fire, but made of ice.
01:31:10I want to play a game of love with you.
01:31:13Let's try some kissing for a start.
01:31:16But when I play with you, you'll lose your heart.
01:31:19Come, love me.
01:31:22My lips are red as fire, but made of ice.
01:31:25Come to me, let's embrace, don't pretend to resist me.
01:31:28I know you can't wait to hold me,
01:31:31touch me and kiss me.
01:31:34Beware, beware, you've been warned.
01:31:37My lips are red as fire,
01:31:40but made of ice.
01:31:43Try to throw me
01:31:46Just caress and obsess and possess me
01:31:49all night through.
01:31:52Melt in my cold heart
01:31:55by making, by making
01:31:58some wonderful love to me.
01:32:01Since you don't have a chance, why don't you give in?
01:32:04Your heart's been tidied out, won't we?
01:32:07Might as well enjoy it.
01:32:10Come here, my love.
01:32:16© transcript Emily Beynon