Penyanyi Aepul Roza memang berani mati tau apabila mengetengahkan konsep memijak kaca dalam program The Hardest Singing Show minggu ketiga, malam tadi. Min pun terkejut!
Meskipun hanya tampil di tempat kedua, Aepul meluah rasa syukur dapat menjayakan aksi yang dirancangnya itu dengan lancar ➕ pertama kali menari di pentas ~ POWERRRR
#TheHardestSingingShow #THSS
#remaja #majalahremaja #remajamalaysia
Meskipun hanya tampil di tempat kedua, Aepul meluah rasa syukur dapat menjayakan aksi yang dirancangnya itu dengan lancar ➕ pertama kali menari di pentas ~ POWERRRR
#TheHardestSingingShow #THSS
#remaja #majalahremaja #remajamalaysia
Category
😹
FunTranscript
00:00 This is our job, and this is the job I love. I don't want to make it halfway.
00:05 He has to step harder, bro. I'm like, if a little bit, it's like this. It hurts. If it's strong, what happens?
00:10 When we did it earlier, Alhamdulillah. And when I got a comment like that from Abang Edry, I think that's the moment I want.
00:20 Not a victory, but that's the moment when someone appreciates our work.
00:26 This is the time for the announcement of the concept or theme. Last week, I was already defeated.
00:32 Other people were praying, I was defeated. Because that's my weakness. I'm not good at dancing.
00:37 And what we do is we try to deliver a performance that people can feel.
00:43 In our ability, but we push the very end of the limit because this is my first time.
00:50 So I danced, just turned six and a half days old. And Alhamdulillah, the audience was entertained.
00:58 When we get a challenge, we do it seriously. InsyaAllah, because this is our job, and this is the job I love.
01:04 I don't want to make it halfway, I don't want to make it half-hearted. So what you all see in the audience, that's my heart.
01:11 I'm very interested in this music, but we want to bring this music to the current era to be enjoyed by listeners and audiences of today.
01:25 That's why we make it a fusion, so that all age groups can appreciate the performance, can appreciate the song.
01:33 Because when we're on the stage, we're the workers to the audience. So we need to satisfy their hearts.
01:43 That's why we come up with the fusion ideas. The modern ones are there, but they don't lose their value.
01:50 The glass element.
01:52 Yes. I need to thank my choreographer, Honey, my husband and wife, Zaini and Honey, Zihi Production, for giving me the idea.
02:02 I thought, when we're doing a performance of Megadansar, I thought of the song Gazal for Abiyah, what can we make it special.
02:13 So Honey gave me the idea to step on the glass. At first, I was nervous, because we can't rehearse many times.
02:20 Because the glass is getting smaller and smaller, it's getting more dangerous.
02:25 So I can only rehearse twice or thrice. And the real thing I stepped on was during the performance.
02:32 I stepped on it as hard as I could. And thank you so much, Honey, for this idea.
02:37 And he's the one who really convinced me.
02:39 The real glass.
02:40 The real glass. It's not a prop glass.
02:42 Let's have a technique like that.
02:44 Yes, the technique is that we cut the broken glass at the ends.
02:49 We make it less sharp at the ends, but because there are many of them, we have to check before we start.
02:57 So there's still a risk.
03:01 But when we get to the end, we get the feeling that we're going to perform.
03:09 So we try to perform. I put it in the video, "Whatever happens, happens."
03:13 Alhamdulillah, it didn't get injured.
03:14 So along the way, there was no injury from the reaction?
03:18 No.
03:19 Alhamdulillah.
03:20 It's just that the first time I stepped on it, I could feel it.
03:23 It's actually sharp. And Honey said I have to step on it harder.
03:26 I was like, "Even if it's a little, it's like it hurts."
03:28 If it's hard, it happens.
03:30 When we did it earlier, Alhamdulillah, it was easier.
03:34 Safe.
03:35 [BLANK_AUDIO]