La Promesa Episodio 361 Completo
Category
🎥
Short filmTranscript
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00:12:25 Who's there?
00:12:27 It's me, daughter.
00:12:30 How many times do I have to tell you that I don't want any visitors?
00:12:34 I'm sorry, I know. But I have to tell you something important.
00:12:38 What do you want?
00:12:42 [music]
00:12:47 Today is your brother Manuel's birthday.
00:12:50 Manuel?
00:12:54 Does he have any news about you?
00:12:59 No.
00:13:02 And it's been many days since I heard from him.
00:13:08 [music]
00:13:12 Well, be clear, father. What does he want?
00:13:16 And what does it have to do with Manuel's birthday?
00:13:19 [music]
00:13:25 Cruz wants to celebrate a special dinner in his honor and that we are all together.
00:13:29 But what kind of pantomime is that?
00:13:32 Catalina, please. Make an effort. Just this time.
00:13:35 No. I'm not going to collaborate for Cruz to make that absurd commemoration.
00:13:40 And I don't think he's going to miss me.
00:13:43 Does he want us all to be together?
00:13:47 No. What worries him is what third parties might think
00:13:51 if there's a rumor that I don't even want to go to that supposed special dinner.
00:13:56 Catalina, loosen up a bit.
00:13:59 You don't know what we're suffering.
00:14:04 It's very hard to live with the uncertainty of not knowing if your son is alive or dead.
00:14:09 We're all full of uncertainty. He's also my brother.
00:14:13 I know, Catalina. Of course I know.
00:14:17 And I also know that since ...
00:14:27 your relationship with Pelayo broke.
00:14:31 Why does that bitch hurt Pelayo?
00:14:33 Because I know that this is a dagger that is still stuck in your heart, Catalina.
00:14:41 I know it very well.
00:14:43 Well, I'm not going to lie to you.
00:14:47 And I don't wish this pain on my worst enemy.
00:14:52 This constant pressure on the chest.
00:14:54 Time will heal the wound.
00:14:59 I thought that, but it's not like that.
00:15:01 Why are you isolating yourself?
00:15:07 Let us help you.
00:15:10 Let us all help each other as a family.
00:15:13 Maybe I'm moving you for a good cause, father.
00:15:17 But you don't even believe those words.
00:15:20 You know perfectly well what Cruz did to me.
00:15:23 Maybe tonight is a good night to ease the laziness.
00:15:26 She doesn't deserve to make that effort.
00:15:29 I swore not to break my promise.
00:15:32 Until she fixed what she did and apologized to me.
00:15:35 If you make a small approach, she may ...
00:15:39 Don't insist. My decision is firm.
00:15:42 I'm sorry.
00:15:49 No.
00:15:50 You're not going to change your mind?
00:15:56 No.
00:15:57 Well, I won't bother you anymore.
00:16:04 Thank you for listening to me at least.
00:16:10 [Music]
00:16:39 Well, today I don't have the mood to talk about it.
00:16:43 Cheer up, Candelilla, that's very strange of you.
00:16:46 Lope was also quieter than a dead man.
00:16:49 We miss you not to raise your morale a little with your jokes.
00:16:53 Well, today ...
00:16:54 Today it will be that no.
00:16:55 Come on, more work and less gossip.
00:16:58 Come on, you bastard.
00:16:59 You are going through a hundred towns with your bad manners.
00:17:04 Are you putting me down, Candela?
00:17:06 Well, yes. Because there is no right for you to treat us all badly.
00:17:11 We have already found out that you have made the boys go through with all the boots in a row.
00:17:16 Nor do animals treat their companions like that.
00:17:20 Nothing of companions.
00:17:22 Now I am your superior.
00:17:24 You ...
00:17:26 You think you are a tyrant.
00:17:30 I agree with Candela.
00:17:32 We are fed up with you treating us so badly.
00:17:35 It has happened a lot with the servants.
00:17:38 Especially with Doña Pia, with Hanna and with Virtudes.
00:17:41 Ah, Virtudes.
00:17:44 That's what it's about, right?
00:17:46 Simona?
00:17:47 You will defend your daughter.
00:17:49 Well, let her know that I don't plan to have any eye contact with her.
00:17:53 I have every right in the world to arrest her.
00:17:56 And to kick her out on the street if necessary.
00:17:59 Abuse.
00:18:01 How brave you are.
00:18:04 Like a poor girl, like Virtudes.
00:18:06 That warning is not only for her.
00:18:09 It also goes for you.
00:18:11 And for all the kitchen staff.
00:18:14 Be very careful with me.
00:18:17 You may have the power.
00:18:20 But you will never be right.
00:18:23 Right.
00:18:24 And what's the point of being right?
00:18:28 Well, that's fine.
00:18:29 You.
00:18:31 What?
00:18:32 Come on, say it.
00:18:33 Come on, say it.
00:18:35 Say it!
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00:19:47 Lope!
00:19:48 What are you doing?
00:19:50 What's wrong?
00:19:51 Sorry, I was distracted.
00:19:52 No, you weren't. You were whispering.
00:19:54 What's wrong?
00:19:55 That I can't stand Felicia's partner. That's what's wrong with me, Salvador.
00:19:58 Who are you referring to? Santos?
00:20:00 Santos, yes. Who am I referring to?
00:20:02 That I don't know what's wrong with me when I see him kissing her or touching her.
00:20:06 All I want is to break his face.
00:20:08 That's exactly what he wants, Lope.
00:20:10 He's hoping you try it first to be able to do it to you.
00:20:14 Don't you see how he enjoys your jealousy and your bad faces?
00:20:17 He's already taken your girlfriend away from you.
00:20:20 Don't make him sad to see you suffer.
00:20:22 Yes, you're right. Of course I am.
00:20:26 So come on.
00:20:28 Head up and eyes forward.
00:20:30 Yeah.
00:20:32 And where are my feelings, huh?
00:20:34 Those go inside.
00:20:35 But on the outside you have to look like a stone statue.
00:20:38 Sure.
00:20:41 [Music]
00:20:44 Alonso.
00:20:53 Any news from Manuel and Curro?
00:20:56 No. We still don't know anything.
00:20:58 I promise I get up every morning hoping that a letter from him will arrive.
00:21:02 Yeah.
00:21:03 They haven't written in a long time.
00:21:05 Well, since the last press conference.
00:21:09 In any case, we don't have good news, but neither bad.
00:21:12 Well, it's better to live blind than to have a ray of hope, don't you think?
00:21:17 That's true.
00:21:18 May I interrupt?
00:21:21 Absolutely, Maria Antonia.
00:21:23 It will only be a moment.
00:21:24 I wanted to make sure everything was in order for dinner.
00:21:27 Yes, everything is in order.
00:21:30 Wow, I'm very happy.
00:21:32 In that case, I'm going to inform Cruz.
00:21:34 I'm glad to know that we will all be there for the event, including Catalina.
00:21:38 Good.
00:21:39 Have you managed to convince Catalina to come to the celebration?
00:21:46 I went to talk to her first to try to persuade her.
00:21:50 I haven't had a conversation with her for centuries.
00:21:53 I don't know how she is still alone, locked up in that hangar.
00:21:56 She will become a woman of the caves who only communicates with animals.
00:21:59 Little by little she will get out of her isolation.
00:22:01 In any case, I'm glad you managed to convince her.
00:22:06 The truth is that I haven't.
00:22:08 I lied.
00:22:09 She's not going to come to that dinner.
00:22:12 Then why did you just say the opposite?
00:22:15 I don't know.
00:22:16 My marriage has been going through a very delicate moment since Manuel and Curro left.
00:22:20 Alonso, do you think you're going to fix things with ambushes?
00:22:23 I don't even know what I'm saying, I don't even know what I'm doing.
00:22:25 Cruz is determined to celebrate Manuel's birthday with the whole family together.
00:22:29 But what's the point of that?
00:22:31 Why are we going to rejoice in the pain?
00:22:33 Have you spoken to your wife?
00:22:35 Of course I've spoken to her.
00:22:37 But you know how it is when they insist on something, they don't stop until they get it.
00:22:41 But you have something to say, you are her husband, you are the Marquis.
00:22:44 Alonso, I just want things to not get worse, that's what I'm satisfied with.
00:22:47 But if not, everyone goes to that celebration, Cruz will be angry.
00:22:50 I know.
00:22:51 And that's why I need your help.
00:22:54 You are the only one who can convince Catalina.
00:22:56 Why do you think she's going to listen to me?
00:22:59 Because you have a great ascendant over her.
00:23:02 Margarita, I never ask you for anything.
00:23:05 Please.
00:23:06 Well, I can't promise you anything, Alonso, because you know your daughter is a real bitch.
00:23:12 But I'll do everything I can.
00:23:14 It's the only thing I can guarantee you.
00:23:16 Thank you.
00:23:29 Stop meddling in my affairs once and for all!
00:23:32 How do I tell her?
00:23:34 Uh ... take a break and then we'll continue with that.
00:23:38 Can you tell me why you speak to me in that tone? What have I done to you?
00:23:45 You know very well.
00:23:47 I promise you I don't.
00:23:49 Isn't it true that before she took her face off in front of me, Mrs. Petra?
00:23:52 It wasn't just for you, that woman is going too far with all the service.
00:23:56 No, I need you to protect me like a raw chicken defends its chicks.
00:24:00 Don't be a good mother.
00:24:01 I repeat, it wasn't just for you.
00:24:03 Survive without your protection when I was a child.
00:24:05 I don't need anything from you.
00:24:07 But Virtudes ...
00:24:08 Don't defend me in front of Petra and in front of anyone.
00:24:11 Daughter ...
00:24:12 Don't even call me daughter!
00:24:14 How do I tell you?
00:24:17 I just don't understand why you speak to me in that tone.
00:24:20 All I want is for us to be fine and for you to get your son back.
00:24:25 Just like you got me back.
00:24:27 You haven't been a good mother, so don't come to me now with moral lessons.
00:24:31 It's beautiful.
00:24:54 And how much has it grown?
00:24:56 Even if it's a bonsai, it will never stop being a tiny little tree.
00:25:00 Naturally. That's its charm.
00:25:02 But you have to admit that when you gave it to me, it was nothing more than a little branch in a clover.
00:25:06 Do you realize that I take care of it with primacy?
00:25:08 Yes, I should also take care of the care.
00:25:12 But you do it so well.
00:25:14 You are so good with plants.
00:25:16 It's not just a matter of good hand.
00:25:18 You also have to devote time and patience.
00:25:21 Well, then it's definitely much better that you take care of this.
00:25:24 Although I have to admit that this variety of bonsai does not require much care.
00:25:30 It develops very quickly.
00:25:33 At a certain age, you should not waste time with eternal expectations.
00:25:39 Does that go with seconds?
00:25:43 Not at all.
00:25:47 In that case, I think you should not waste time, no matter how old you are.
00:25:51 I agree with that.
00:25:54 By the way, I don't know if you are aware of the birthday party that Cruz is organizing.
00:26:00 It's like not finding out. They are all relieved with that occurrence.
00:26:04 Well, I guess she needs to celebrate her son Manuel's birthday.
00:26:10 She has no idea.
00:26:12 Why celebrate the birthday of someone who does not know if he is alive or dead?
00:26:16 Ayala, I will continue to think about that until I have no evidence of the opposite.
00:26:21 Sorry for my rudeness, but I have only told the truth.
00:26:23 No. No. Because we don't know the truth, neither you nor I.
00:26:27 What we do know is that Manuel has gone to war, not to a carnival party.
00:26:31 Yes, obviously.
00:26:33 But I prefer to take hope no matter how weak it is.
00:26:37 So I ask you, please, not to be so honest.
00:26:40 Okay. Sorry.
00:26:45 Anyway, even if you think it's a good idea, we're going to have to go to that birthday party.
00:26:50 Cruz wants no one to be absent.
00:26:52 Of course.
00:26:54 Although, we end up having fun.
00:26:58 Having fun? Why?
00:27:01 You yourself have said that Cruz does not want anyone to be absent.
00:27:03 I don't want to lose his face when he sees Catalina's chair empty.
00:27:07 Well, you may have to avoid that enjoyment.
00:27:12 Because maybe Catalina will come.
00:27:15 Alonso asked me to talk to her.
00:27:19 To try to convince her by all means.
00:27:22 And what are you going to do?
00:27:40 How often has Maria Fernández been released today?
00:27:43 Yes.
00:27:44 Are you okay?
00:27:47 You've been crying, haven't you?
00:27:51 I've had a little run-in with my daughter Virtudes.
00:27:55 I see.
00:27:57 Nothing new.
00:28:00 Can I help you with something?
00:28:02 No one can help.
00:28:04 And how are you, Ponica?
00:28:09 Well, well ...
00:28:11 But these hands, do you have them broken?
00:28:14 They're just red, and well, nothing else.
00:28:16 I've heard about the job the Marimandrajos did for you.
00:28:21 That they can't treat you like slaves.
00:28:23 And what can we do?
00:28:25 If all we have left is to hold on and support each other.
00:28:28 I guess you can do nothing else.
00:28:31 That's what we're doing, taking him with as much resignation as possible.
00:28:35 And Petra being the keymaker is like a biblical curse.
00:28:39 I'm also telling you that it was a matter of time,
00:28:42 being the right eye of the Marquis.
00:28:45 Well, but in the end, the one who is having the worst time is Doña Pia.
00:28:48 She's getting on her nerves.
00:28:50 Well, yes.
00:28:51 And I don't know, I've been thinking that since Don Manuel and Señorito Curro left La Promesa
00:28:56 and went to war, everything has changed a lot.
00:28:59 It's true.
00:29:01 I've been here all my life and ...
00:29:04 I feel like this place is very different.
00:29:32 Keep playing.
00:29:34 That melody is beautiful.
00:29:37 I'm sorry, aunt, but I'm losing my strength.
00:29:44 Do it for me.
00:29:47 Music gives me peace.
00:29:50 That's exactly what I was looking for.
00:29:56 A little peace.
00:29:59 I was trying to evade my mind with ... with music.
00:30:05 But you can't.
00:30:08 At some points, yes, but then ...
00:30:14 I run into ...
00:30:17 the harsh reality again.
00:30:20 I wish one could stop thinking at will, right?
00:30:28 I can't get Manuel out of my head for a moment.
00:30:32 It's a pain not to have news.
00:30:37 Not even knowing if Manuel and Curro are still alive.
00:30:41 Don't mention Curro. I beg you.
00:30:45 But he's also fighting for his life in the war.
00:30:49 That fool insisted on going to the front for a stupid whim.
00:30:54 And he dragged my son with him.
00:30:56 It's not fair.
00:30:58 Manuel went to the war of his own free will. It's not fair that he carries Curro with all the guilt.
00:31:02 I told you not to mention him in my presence.
00:31:05 That boy is the worst thing that has ever happened to me.
00:31:09 I understand that you are upset, aunt, but I think you are exaggerating.
00:31:14 Not a bit, Martina. Not a bit.
00:31:18 Manuel would never have thought of going to war.
00:31:21 If it weren't for Curro's disastrous influence on him,
00:31:25 my son would be here, at home, safe and sound.
00:31:29 And I wouldn't spend days and nights suffering,
00:31:36 thinking that my son could be dead right now.
00:31:41 [Music]
00:31:45 Mr. Arcos, I couldn't get the doublet until almost midnight.
00:32:08 Well, you better get ready.
00:32:10 I've been washing clothes and cleaning floors all day.
00:32:13 You did it late. Late and wrong. Don't contradict me.
00:32:19 I don't think I did it wrong.
00:32:21 I told you not to take me the opposite.
00:32:23 If I say you did it wrong, it's because you did it wrong. Understood?
00:32:27 Mr. Arcos, the shirt was black and it was night, so ...
00:32:35 I may have made a mistake, without realizing it.
00:32:39 Yes, you did it.
00:32:42 Maybe this maid job is too much for you.
00:32:45 If you want to quit, I would understand.
00:32:48 Because when you get used to giving orders like a key mother,
00:32:52 you lose the habit of working hard.
00:32:55 Do you want to leave your job, yes or no?
00:33:05 Of course not.
00:33:07 Well, next time do it better. Much better.
00:33:13 Because my patience has a limit. Is that clear?
00:33:16 Yes, Mr. Arcos.
00:33:19 And I've also made you come for something.
00:33:27 Don't think you're going to leave Rositas.
00:33:33 Cook.
00:33:35 I've done something you didn't like.
00:33:42 That's right.
00:33:44 When I was in the kitchen before, you left me with the word in your mouth.
00:33:48 And that's not an admissible behavior.
00:33:52 With a key mother.
00:33:54 I didn't realize.
00:33:56 No.
00:33:58 It was not a matter of misguidance.
00:34:01 Besides, I didn't feel a good disposition either.
00:34:04 To make dinner tonight.
00:34:07 In fact, you haven't told me yet what dessert you plan to make.
00:34:11 Well, I hadn't decided it at all.
00:34:15 And you didn't think of making a fabulous cake?
00:34:19 A cake?
00:34:22 Yes.
00:34:25 Do you have it ready, yes or no?
00:34:27 Yes. Yes, yes, yes.
00:34:30 I'm going to make a soufflé.
00:34:32 And for that you have to work it at the last moment, so that the texture is fluffy and light.
00:34:37 Okay.
00:34:39 People here have been sleeping in the laurels for a long time.
00:34:45 And that's something I'm not going to tolerate.
00:34:48 You've had enough time to adapt to my discipline and my order.
00:34:53 Understood?
00:34:55 Understood?
00:34:57 Yes, ma'am.
00:35:00 Yes, ma'am.
00:35:02 Well, I hope you can see that I don't want to have to call you back to order.
00:35:07 I am a methodical and observant Madillabés.
00:35:12 But I have a small defect.
00:35:16 I can't stand employees who don't do their job well.
00:35:21 Did you understand that well?
00:35:25 Yes.
00:35:27 Yes.
00:35:29 Good. Now leave.
00:35:32 I have a lot to do and I can't waste time with you.
00:35:37 [Music]
00:35:40 [Music]
00:35:44 [Music]
00:35:47 [Music]
00:35:53 [Music]
00:35:58 [Music]
00:36:04 [Music]
00:36:09 [Music]
00:36:12 Catalina.
00:36:30 Can I talk to you?
00:36:34 I don't feel like talking, aunt.
00:36:36 Well, I haven't heard from you in a long time and ...
00:36:39 Anyway, I'm worried.
00:36:42 Well, don't worry, I'm fine.
00:36:44 Well ...
00:36:46 So why are you still locked up here? Isolated from everyone.
00:36:49 Precisely because I am isolated and alone, I feel much better.
00:36:53 I see.
00:36:55 Well, and what? How are you doing with your heart issues?
00:37:01 Are you still hurt by Pelayo?
00:37:03 Well, if everyone is determined to keep talking to me about him, it is difficult for me to stop hurting.
00:37:08 Okay. Okay. Excuse me.
00:37:11 Come on, aunt, don't point the finger at me. Be clear.
00:37:16 If you have come here, it is for something specific.
00:37:19 I have not come to know about you, to be interested.
00:37:22 Yeah.
00:37:24 And, by the way, try to convince me to go to dinner at the palace tonight, right?
00:37:28 Come on, be honest and we'll finish before.
00:37:30 You know I don't like crazy parties.
00:37:33 Okay. Okay.
00:37:36 I have come to Alonso's instances.
00:37:39 Well, you can tell my father that I am not going to go to that birthday party that Cruz has organized.
00:37:45 I think you are absolutely right, Catalina.
00:37:48 What right does Cruz have to ask you anything after everything he has done to you?
00:37:52 I don't feel like talking about it.
00:37:55 Leave me alone. I can't stand more lies and more deceit.
00:37:58 No, Catalina, you don't include me in the scam.
00:38:00 But if everyone is in the garlic.
00:38:02 No, I'm not.
00:38:04 He came with the excuse of knowing about me.
00:38:07 But he just wanted to manipulate me to go to that damn dinner.
00:38:10 I think you have a very bad concept of me, niece.
00:38:13 Because my feelings are true.
00:38:15 And yes, I miss you in the palace.
00:38:17 I don't know if I trust his good intentions.
00:38:19 Well, I ask you to do it.
00:38:22 He may have a sincere affection for me.
00:38:25 But it is no less true that he moves the corner he felt towards Cruz.
00:38:27 No. No, it's not like that this time.
00:38:30 How would I enjoy it more, aunt?
00:38:33 Seeing how much Cruz dislikes my absence or how much my presence bothers him.
00:38:38 Big dilemma, right?
00:38:40 I think it's a rudeness on your part, Catalina.
00:38:42 I think you are being very unfair to me.
00:38:44 Because I have simply come to soften things.
00:38:47 I'm sorry to offend you.
00:38:52 But understand that I feel too pressured.
00:38:55 All I want is for you not to forget that I was the one who suffered Cruz's humiliation.
00:39:00 I know. It is very clear, niece. Very clear.
00:39:02 Well, this is my life. And this is how I want to live it.
00:39:05 I'm not going to move from here until she fixes what she did and apologizes to me.
00:39:09 [♪♪♪]
00:39:12 [♪♪♪]
00:39:40 Excuse me. I was told you were looking for me.
00:39:43 What are you doing here? How dare you?
00:39:56 I've come to remind you of something.
00:39:59 Since it seems you have a bad memory.
00:40:02 I am aware of all my debts.
00:40:05 And also that you have a deadline to meet them?
00:40:07 Yes. I'm going to pay for it all. All of it.
00:40:10 You better do it.
00:40:12 Because if I have to come back here, it won't be just to remind you.
00:40:17 This wound will seem like a caress compared to what I'm going to do to you.
00:40:22 Understood.
00:40:25 You have blood on your face.
00:40:33 [♪♪♪]
00:40:36 [♪♪♪]
00:41:05 [gasps]
00:41:07 Oh my God, you scared me. I asked for help.
00:41:09 Yes, because opening the door with your elbow was a bit...
00:41:12 What a king.
00:41:14 I brought clean sheets for both of us.
00:41:16 Well, for both of us and for everyone.
00:41:18 Petra hasn't let me change my clothes. She has made me distribute sheets like a madwoman.
00:41:22 You have to get over her. We couldn't even breathe.
00:41:25 She's almost done. To take that off too.
00:41:28 Have you managed to do everything she asked you? The shopping and the shopping?
00:41:32 Yes. Everything. Absolutely everything.
00:41:34 And that way she'll be happy, right?
00:41:36 Mario Mandrago happy.
00:41:38 I just managed to make the fight softer, but the fight has fallen for me.
00:41:42 Come on, we're a little late.
00:41:44 That woman treats us like we're her servants.
00:41:46 She was already a saboteur.
00:41:48 Imagine now that she has the command.
00:41:50 A demon. All she needs is to get her horns and tail out.
00:41:53 Are you sure she doesn't have them?
00:41:55 My grandmother suffers from time to time.
00:41:58 The thing is that she doesn't make me work like a mule.
00:42:01 She's always going here and there and she's always making me angry.
00:42:04 Yeah.
00:42:05 And have you been able to put the letter in the mailbox? The letter for Manuel?
00:42:10 Oh, the letter.
00:42:12 Yes, man. Of course. How could I forget such an important thing?
00:42:17 Was there any letter from Manuel?
00:42:20 But since I was there, I asked if there was a new letter from Teresa.
00:42:26 But nothing.
00:42:27 It's just that it doesn't do you any good. You're a pain.
00:42:30 Yeah, but I like to know about her and how she's doing at the Duke and Dauberon's house.
00:42:33 How is she doing? Maria de Guinda. You already know that.
00:42:36 I didn't even think that job would have been for me.
00:42:40 Do you regret having given it to her?
00:42:42 No.
00:42:43 No. She deserves to be happy.
00:42:46 After how bad it was with Feliciana's death.
00:42:49 She needed to leave this palace to get over it.
00:42:52 Although that doesn't mean that we have to have a bad time.
00:42:56 And enduring the stone is a nightmare.
00:42:59 Of course, Teresa has gotten rid of one.
00:43:01 Although she was the only one Mrs. Petra was fond of.
00:43:05 Maybe she could have appeased her a little.
00:43:08 I don't think that would be enough, Maria.
00:43:10 It's true.
00:43:12 And you've gotten rid of a good one today too.
00:43:15 Because we've had a day of gripping and not moving.
00:43:18 You know we've had to clean the floor twice.
00:43:21 And why is that?
00:43:22 Because Mrs. Petra, in case we didn't have little work, she's too shy to be lenient.
00:43:28 What happened? Tell me.
00:43:30 I'll wear the blue dress.
00:43:34 It's the one my friend Maria Antonia suggested.
00:43:37 Mrs. Maria Antonia has an exquisite taste, of course, ma'am.
00:43:43 But I have a better proposal.
00:43:46 And I have no doubt in asking for my opinion.
00:43:49 Lately, you've been very busy.
00:43:54 I wanted to distract you from your obligations.
00:43:58 Certainly, ma'am, I'm very busy as a keymaker.
00:44:03 But for me it's always an honor to attend to you on such personal matters.
00:44:08 I see.
00:44:10 What do you think of this proposal?
00:44:13 After all, it's about the celebration of a birthday.
00:44:18 Although the tribute is not present, ma'am.
00:44:21 I think it's good.
00:44:24 I hope to have a pleasant celebration.
00:44:27 Although for the good of the family I have to make an effort and put up with certain people.
00:44:32 You mean Miss Catalina?
00:44:35 If it were only her.
00:44:37 After all, she will return to her knife when we are finished.
00:44:41 There are others who don't even leave with hot water.
00:44:45 Like Mrs. Margarita and Count de Ayala.
00:44:48 I can't stand them.
00:44:50 I can't stand them either.
00:44:52 It's not that their presence is too pleasant for me.
00:44:56 They are unbearable.
00:45:00 I wouldn't have defined them better.
00:45:03 [Music]
00:45:22 It's an intolerable shame.
00:45:24 I understand that it is a disgrace to clean the entrance twice in a row.
00:45:28 But you are not like that for that.
00:45:32 I know you, girl.
00:45:34 You are charging against Petra because you cannot charge against what really oppresses you.
00:45:39 Isn't it?
00:45:40 It's not the thought.
00:45:42 Don't you easily lose your temper with a disdain for Mrs. Petra?
00:45:46 What's on your mind?
00:45:50 Well, I would like to have news about Manuel and Curro.
00:45:54 Why did I ask that?
00:45:56 Because the last letters we received from them were more than a month ago.
00:46:01 Well, I'm afraid I can't tell you how I saw you.
00:46:04 Because I remember how bad it was when Salvador went to the war in Morocco.
00:46:09 I also remember how impotent I felt for not being able to help you, so ...
00:46:15 I understand how you feel.
00:46:17 The same, Ika.
00:46:18 Sometimes I thought of Salvador and a smile was drawn on my face.
00:46:23 And sometimes I thought I could be dead and a knot was put here, in my throat, that I couldn't breathe.
00:46:30 So I understand everything perfectly.
00:46:33 But don't lose hope.
00:46:36 It's a bit difficult, Maria.
00:46:38 Until you know for sure that Manuel and Curro have fallen in the war, you think they are fine.
00:46:47 Look, I thought Salvador was dead and look at him.
00:46:51 You never know.
00:46:54 The only thing that comforts me is ...
00:46:56 is writing to Manuel and Curro and thinking that they are listening to me.
00:47:00 And thinking that they are here with me.
00:47:02 I know it sounds absurd, but it relieves me.
00:47:06 Well then write.
00:47:08 Write.
00:47:09 And vent and write all the anger you have on that paper.
00:47:12 That I'm going to change and take care of your job.
00:47:15 And you don't come back until you have a leaflet of the fat ones.
00:47:18 Thank you, Maria.
00:47:20 You're welcome.
00:47:22 And also, if it's good, you can think about publishing it.
00:47:25 I would call it "The adventure of a sweetheart in love".
00:47:28 What do you think?
00:47:29 So you make me a very fine smile.
00:47:32 Thank you.
00:47:36 [Sighs]
00:47:39 They told me you wanted to talk to me.
00:47:58 Go to hell because I don't have time for nonsense.
00:48:00 I will be clear and brief.
00:48:02 I hope so.
00:48:03 You see Mr. Manuel's birthday dinner and everything has to be perfect.
00:48:07 Something very difficult having to deal with that bunch of useless people.
00:48:11 I forbid you to refer to the rest of your colleagues in those terms.
00:48:15 He forbids you.
00:48:16 If each one did his job as God commands.
00:48:19 Look, Mrs. Alcos.
00:48:21 That is precisely the matter for which I have brought you here.
00:48:25 The bad ways you have to address the rest of the service.
00:48:29 I'm just trying to instill a little discipline in them, for God's sake.
00:48:33 No, no. You treat them with humiliation.
00:48:35 With the tip of the boot.
00:48:37 But what do you intend to achieve with this attitude?
00:48:39 That everyone gets bitter and ends up leaving here?
00:48:41 That they start another strike?
00:48:42 What do they dare?
00:48:43 If they have nothing to say.
00:48:44 I don't want you to reply to everything I say.
00:48:46 I want you to listen to me.
00:48:47 I'm listening to you perfectly, Mr. Pellicer.
00:48:49 Well then, admit that your ways are not the most correct and modify them.
00:48:53 I'm not going to be a hammer. It's soft and lax.
00:48:56 I'm not telling you that.
00:48:57 What I want is that you treat them with respect.
00:48:59 Why do you come in those voices?
00:49:00 Excuse me.
00:49:02 We have exalted ourselves too much.
00:49:04 I should have been more temperate.
00:49:06 If you can know what you were talking about so intensely.
00:49:09 I was asking Mrs. Alcos not to treat her colleagues so abruptly.
00:49:13 That sometimes it touches the mistreatment.
00:49:15 I completely agree with Mr. Pellicer on that.
00:49:18 I'm not going to be a hammer that no one takes seriously.
00:49:21 You are very wrong, Mrs. Alcos.
00:49:24 Bad ways only infuse fear. They do not grant any authority.
00:49:28 I am the key master of this palace.
00:49:30 And I will follow my own criteria.
00:49:32 If you do not change your attitude, I will be forced to inform the Marquises of your conduct.
00:49:38 Go ahead.
00:49:40 Go talk to Mrs. Marquesa.
00:49:42 See what she thinks.
00:49:44 See how the last time you got the play, Mr. Baeza.
00:49:47 [Music]
00:50:02 Dear Manuel.
00:50:03 Every day without you is an eternity.
00:50:06 All the corners of the promise speak of you and remind me of you, but ...
00:50:12 But you are not.
00:50:15 I miss you.
00:50:16 I miss taking refuge in your arms and, above all, I miss your kisses.
00:50:23 I would do anything for a kiss from you, my love.
00:50:28 And we are all wishing you to come back as soon as possible.
00:50:35 I'm sure your mother is only thinking about seeing you again.
00:50:45 About hugging you and leaving behind all the differences that separated you before your departure.
00:50:49 And your father was the first to rejoice in your reconciliation.
00:50:57 I have no doubt that he is looking forward to hearing you talk about some new aviation improvement.
00:51:02 Some that you have learned by watching the airplanes in front.
00:51:05 In fact, Miss Catalina misses you so much that she spends a lot of time in the hangar.
00:51:14 I think that makes her feel that she has you closer.
00:51:17 And your cousin Martina, you will see how much she has improved in her piano skills.
00:51:25 I think she wants to welcome you with a great concert on your arrival.
00:51:30 I hope you will return soon and you can see everyone.
00:51:42 I dream of seeing you crossing the threshold of the door safe and sound.
00:51:45 And I count the hours that are left for us to hug again.
00:51:52 When that happens, you will be one more year old.
00:51:58 Happy birthday, my love.
00:52:03 I love you.
00:52:05 I love you.
00:52:06 I love you.
00:52:08 [Music]
00:52:11 [Music]
00:52:14 [Music]
00:52:16 [Music]
00:52:22 [Music]
00:52:27 [Music]
00:52:34 [Music]
00:52:41 [Music]
00:52:43 Good night.
00:53:08 Wow, I thought you were late.
00:53:11 I miss the hostess.
00:53:13 Do you know if it will take long to start the play?
00:53:16 I'm starving.
00:53:18 Yes, me too.
00:53:20 You are very beautiful.
00:53:32 Thank you.
00:53:37 You told me that we were all going to be there, including Catalina.
00:53:40 We have tried to convince her.
00:53:45 Margarita and I have spoken to her separately.
00:53:49 But it has been impossible to force her to give her arm.
00:53:52 Stupid.
00:53:53 Cruz.
00:53:54 Catalina is not here, but we are all here.
00:53:58 So we are not going to make a world.
00:54:01 And we will not ruin this strange evening.
00:54:04 No, if that whimsical woman had to spoil her brother's birthday dinner.
00:54:08 Don't blame her.
00:54:11 Not even the protagonist himself, for God's sake.
00:54:14 And he has his reasons, you know.
00:54:17 His reasons?
00:54:18 All Catalina wants is to annoy me.
00:54:20 And you know it.
00:54:21 It's about her brother, for God's sake, her brother.
00:54:25 Enough, Jack Cruz.
00:54:26 We have a lot to try to understand what we are doing here.
00:54:32 We are all here.
00:54:33 Oh yeah?
00:54:37 Is that true?
00:54:39 You don't understand anything.
00:54:45 No.
00:54:51 You don't understand anything.
00:54:53 Because you are all stupid and insensitive.
00:54:58 So you think this dinner is an extravagance of mine, a whim, a nonsense?
00:55:03 Well, no.
00:55:05 This is Manuel's birthday celebration and he would like us all to be there.
00:55:10 Or what do you think?
00:55:13 That I want to see you?
00:55:15 Or see Catalina?
00:55:17 Of course not.
00:55:20 But it's his birthday.
00:55:23 Manuel would have liked it.
00:55:26 [Music]
00:55:28 Celebrating his birthday is the only way I have to get rid of this anguish I feel.
00:55:51 It's the way to cling to the idea that he's still alive.
00:55:55 Because I need him to be alive.
00:55:58 Do you understand?
00:55:59 Or you don't understand that either.
00:56:04 And you can keep doing whatever you want, denying the reality.
00:56:13 Keep on with your lives as you have done all these months.
00:56:18 One thing, one thing I'm telling you.
00:56:20 With me?
00:56:21 Don't count on me.
00:56:23 Enjoy your meal.
00:56:25 [Music]
00:56:28 [Music]
00:56:30 [Music]
00:56:31 [Music]
00:56:38 [Birds chirping]
00:56:50 [Music]
00:56:51 What are you doing here all alone, sister-in-law?
00:57:02 Better alone than badly accompanied.
00:57:05 And right now there's no one in my family who would be a pleasant company to me.
00:57:09 I came to ask you how you were after last night, but I see that you haven't been angry.
00:57:15 No, it's worse. I'm furious.
00:57:18 Catalina has exceeded all limits.
00:57:20 She could have had the decorum of having shown up at dinner, really.
00:57:24 That girl is a nightmare.
00:57:26 And if she doesn't want to behave with me as she should, I'm not going to do it with her either.
00:57:30 Is this a declaration of war?
00:57:33 No, I'm just saying that I'm not going to put up with that girl forever.
00:57:36 And what are you going to do?
00:57:37 Well, think.
00:57:39 Think.
00:57:41 I've been in the candlelight all night.
00:57:47 I don't like the drift that my life is taking.
00:57:49 I've missed my son and, if that weren't enough, I'm more distant than ever from my husband.
00:57:56 Well, at least you have your friend María Antonia to comfort you.
00:58:01 Thank goodness.
00:58:02 If it weren't for her, I would have gone crazy from being tied up.
00:58:06 And the only crazy person here is Catalina.
00:58:09 And do you know what is the best place for those who have lost their judgment?
00:58:12 What are you thinking about, Cruz?
00:58:16 Catalina in a asylum.
00:58:17 And you are going to do it.
00:58:19 You are the one who has experience in these leads.
00:58:21 First you got my sister involved and then you sent me to a supposed retirement home.
00:58:28 Cruz, please. I just got here. Don't get me in this.
00:58:31 You owe me a favor.
00:58:33 I have allowed you to return to the promise despite the mess you made with the jam business, right?
00:58:39 And I put you in charge.
00:58:40 So do whatever it takes to get Catalina in an asylum.
00:58:43 I'm even going to tell you the plan.
00:58:45 As I told you, I haven't slept all night, so I've had time to give it a little thought.
00:58:50 Surprise me.
00:58:51 With the excuse that some doctors are going to come and give you the report on your wife Eugenia's condition,
00:58:58 you are going to ask them to examine Catalina while they are here.
00:59:02 And when they finish, they will tell us that it is urgent to enter the asylum.
00:59:07 What do you offer, Mr. Baeza?
00:59:11 A letter has arrived from the French front.
00:59:15 You have to have faith.
00:59:24 And you have to think that both Don Manuel and Mr. Curro are going to return.
00:59:28 Mr. Curro.
00:59:29 That ingrate bastard.
00:59:31 He better not come back here.
00:59:33 He dragged him into that madness, so I'm not going to let anyone in this palace be afraid of that brat.
00:59:40 Don't even think about asking Mrs. Petra for an opinion.
00:59:42 I thought Don Romero was going to be able to contain her.
00:59:45 He's been chasing that job for years, like a stray dog.
00:59:47 Well, in the end he got the prey.
00:59:49 Hey, you're not going to tell us now, are you?
00:59:51 You criticize Mrs. Petra because she wants to do things right.
00:59:54 You already have enough homework taking care of my wife day by day.
00:59:57 Well, apparently taking care of my friend also involves taking care of you.
01:00:01 What do you think if we take a walk and you forget a little about this accountability?
01:00:04 Let's go.
01:00:07 I want to know what Vera was doing.
01:00:09 For laughing at him, why would he do it?
01:00:11 They're dating, Lope.
01:00:12 Salvador, didn't you tell me I had to fight for her?
01:00:15 Sometimes putting Tierra in the middle is the best way to protect yourself, but ...
01:00:18 Don't forget that in the end your place is with your family and one day you will have to come back with them.
01:00:23 But I would do nothing without your consent, sir.
01:00:27 Well, you have it right now.
01:00:28 If you get my daughter to come home, I will be eternally grateful to you.
01:00:32 Do you know what would be missing to make our walk perfect?
01:00:36 Well, that we finally formalize our relationship.
01:00:41 It's time to give our relationship a serious opportunity.
01:00:47 Let's go.
01:00:49 [Music]