Inside.No.9 S09E02
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04:01Yeah, you're right. It is fucked.
04:04The system's under a lot of pressure.
04:07I like to try and see my clients face-to-face.
04:10I can get a better read that way.
04:14What do people talk about?
04:17That's up to them.
04:19And what if people don't want to talk?
04:21That's also up to them.
04:22There's no one way of doing things.
04:25I offer various mindfulness classes,
04:28a sort of cognitive detox.
04:31What kind of classes?
04:33CBT, laughter yoga, hypnotherapy.
04:36What's laughter yoga?
04:38It's a fairly new practice,
04:40popularised in the mid-90s by Dr Madan Kataria.
04:44He conjectures that you don't actually need comedy
04:47or funny stories to trick the body into the benefits of laughter.
04:51With these exercises, you just start laughing.
04:58And eventually...
05:04You really start to benefit.
05:09I don't know whether I'm laughing at you or with you.
05:12It doesn't matter, as long as you're laughing.
05:22OK, OK, let's leave it there.
05:29That's good. That's good.
05:33Let it all out, come on.
05:51Here.
05:54These are the real tools of my trade.
05:58Thank you.
06:05I'm sorry.
06:07No, it's fine.
06:09I've heard a lot worse, I can assure you.
06:13Do you want to talk about it?
06:15You know, sometimes saying a problem out loud can reduce...
06:18I think I might have killed somebody.
06:22You think?
06:26I'm not sure.
06:29OK.
06:30Do you feel able to give any more...
06:32Look, I didn't ask you to drag me from that bridge and bring me back here, did I?
06:36No. No, no, so I don't want to be fucking analysed, all right?
06:39Have a night off!
06:42OK, I'm sorry.
06:46I'm sorry.
06:52Can I use your bathroom, please?
06:55Sure.
06:57Yeah, it's just through there, on the left.
07:21Thank you.
07:51Sorry for shouting.
07:53Oh, it's no problem.
07:59Did you do the drawing in the bathroom?
08:02No, no, that's my son, Robbie.
08:04He's doing art A-level.
08:06He's good?
08:08Yeah, yeah, he's very talented.
08:10I'm proud of him.
08:12I'm proud of him.
08:14I'm proud of him.
08:16I'm proud of him.
08:18Yeah, he's very talented.
08:20I'm proud of him.
08:22I used to like drawing when I was at school.
08:25Oh.
08:27A lot of people find it very therapeutic.
08:30Robbie's quite a shy kid.
08:32It's good for him.
08:34His teacher says it really brings him out of himself.
08:37Would you like to take a seat over by the fire?
08:41So, what kind of things did you like to draw?
08:44Oh, anything really.
08:46Landscape, portrait.
08:48I wasn't very good.
08:50You'll have to let me be the judge of that.
08:52If you fancy it.
08:56So, is this art therapy?
09:01It's whatever you want it to be.
09:03Just express yourself.
09:05Ah.
09:07Here.
09:09Oh.
09:11Well, I might...
09:13I might draw you then.
09:15Well, of course.
09:17As long as you get my best side.
09:19I'm kidding, I don't really have one.
09:22As long as you get my best side.
09:24I'm kidding, I don't really have one.
09:53So, I don't even know your name.
09:56Oh, it's Drew.
09:58Ah.
10:00My name's Blake, as you probably saw on my diploma.
10:08So, do you work, Drew?
10:10I did.
10:12About a year ago, I was working as an assistant at estate agents.
10:15Just a high street branch, it was fine.
10:17Didn't feel like the sort of thing I'd do forever, but...
10:20I was happy enough.
10:22And one day, I was due to show a potential client around
10:25a rented properties to six-month sure lease contract.
10:29And when I arrived, there was this girl waiting outside
10:32before I even got round.
10:36And I introduced myself and we went inside.
10:39And I could tell straight away there was something not right about her.
10:44She'd definitely been crying.
10:46Crying.
10:48Just being distracted.
10:52Drinking.
10:53Tidying up.
11:03And the next day...
11:17EXPLOSION
11:35Jesus.
11:37Why did you drug me?
11:42I could ask you the same thing.
11:44Are you in the habit of doping people that you bring back here?
11:46Of course not.
11:48You were acting unpredictably. You have a gun.
11:50You said you'd killed somebody.
11:52I said I might have killed somebody.
11:54It was a precautionary measure.
11:57Anyway, are you in the habit of doping people who save your life?
12:00You didn't save my life. I was waiting for you on that bridge.
12:03I knew you'd be along at that time.
12:05I've been watching you for quite a while now.
12:07Why?
12:08Look, if you're going to rob me, just take what you want and go.
12:11That's not a very nice assumption.
12:13You shouldn't put negative thoughts into my head.
12:15I'm in a very fragile state of mind.
12:19Yes, I can see that.
12:21I'm starting to wonder how good a therapist you actually are.
12:27You should know my son Robbie will be back any minute.
12:30He's been on a night out with his friends.
12:32I don't think so.
12:33It's true. I promise you.
12:35Please.
12:37Please, just let me go.
12:39I know you're facing some difficulties,
12:41but you can turn this around, Drew.
12:43Oh, can I? Well, thank you very much, Blake,
12:45using your first name to establish trust.
12:48Look, I don't mean to upset you, but please,
12:52just tell me what you want.
12:56I want you to know what it's like to be me.
13:01OK, that's understandable.
13:04You read all these books?
13:06Yes.
13:07Really? You don't just have them here
13:09to make people think you're clever?
13:11No. I don't care what people think of me.
13:14Who are these? Close family relatives?
13:17No, they're psychiatric patients.
13:20It's the Tsondi test.
13:22It's designed to reveal your innermost traits.
13:25You're supposed to choose the person you find the most unsettling
13:28or scary, who you'd least like to meet in a dark alleyway.
13:32This one, number six.
13:34She's the depressive.
13:36It suggests you're repressing feelings of self-loathing and guilt.
13:39You have a predisposition to negative emotions and...
13:43inadequacy.
13:44That's not a very wise thing to say to someone with a gun in their hand.
13:47Number one looks like you. What's his trait?
13:50He's the sadist.
13:52Oh. Really?
13:55Look, it's been discredited for decades.
13:57It's just there as a talking point.
13:59Hmm. Well, let me give you a talking point.
14:01You might know this one.
14:03Imagine there is a runaway train
14:05peering down a railway track,
14:06and looking ahead you see that there are five people standing on the line.
14:09Now, you're standing next to a lever
14:11that will send the train on a different route.
14:13However, you notice that there is a single person standing on this side.
14:16Yes, yes, the trolley problem.
14:18Do you pull the lever and kill one person
14:20or do nothing and five people die?
14:22Exactly. So what would you do?
14:24Well, it's just something to engineer a moral debate, isn't it?
14:28Utilitarianism versus deontology.
14:30In English!
14:32Do you focus on the best outcome or the most moral one?
14:36Pulling the lever is essentially choosing to murder.
14:39Clearly not the moral choice, but saves the most people.
14:43It's the difference between killing and letting die.
14:48So what would you do?
14:50Well, it's all hypothetical,
14:53but sometimes the right choice is to do nothing.
14:59I thought you'd say that.
15:01All right, what if there is a third option?
15:04You can throw yourself on the line stopping the train
15:06and saving everyone, all six people.
15:09Would you do that?
15:11So the dilemma becomes a trilemma.
15:14Well, in that case, I suppose it depends on who the people are.
15:17You know, if it's Shakespeare, Einstein, Gandhi, Galileo and Mary Berry...
15:21Mary Berry? Oh, come on, she's a national treasure.
15:24Then, yeah, probably I would.
15:26But if it was Hitler, Genghis Khan and Greg Wallace, then maybe not.
15:31I don't think you're taking this very seriously, Blake.
15:33Then why don't you tell me what this is all about?
15:39What do you remember about Ellie Dawson?
15:44Who's Ellie Dawson?
15:46A former patient of yours.
15:48Well, in that case, even if I could remember, which I can't,
15:51I wouldn't be permitted to discuss it with you,
15:53doctor-patient confidentiality and all that.
15:55You're not a doctor. Well, therapist, then.
15:57Well, anyone can call themselves a fucking therapist.
15:59Oh, boo-hoo, my kids have all grown up.
16:01What am I going to do with the rest of my life?
16:03I know I'll enrol at McDonald's University and do a psychotherapy course,
16:06print my own diploma from home.
16:08Cambridge Online is a well-respected educational hub,
16:10but anyway, I don't have to justify myself to you.
16:13Am I a therapist because I'm talking to you now?
16:15No. Why? What's the difference?
16:17Because I don't tie my patients up and force them to listen to my ramblings.
16:20Oh, no, you're far more sly than that, aren't you?
16:23What do you mean?
16:26Ellie Dawson.
16:28She came to you with low mood,
16:31depression, abandonment issues,
16:33you put her on a course of anti-psych drugs,
16:35the same ones I gave you just now, and then what happened?
16:39I honestly have no idea who you're talking about.
16:41I'll jog your memory, then.
16:47Luckily, she, er...
16:49She recorded some of your meetings on her phone.
16:52Like you say, it's important to have safeguarding measures in place.
16:55I never consented to these recordings.
16:57This is a violation of my privacy.
16:59Shut the fuck up!
17:05And how does that manifest itself,
17:07the negativity you're just talking about?
17:11Erm...
17:14I have fights with my mum.
17:17I drink.
17:19A lot.
17:21That's fairly common for a girl of your age.
17:23What are you, 18, 19?
17:2522.
17:28You look younger.
17:31I cut myself.
17:34Where?
17:36My arms.
17:39And my legs.
17:43That's not too bad.
17:45That's not too bad.
17:47I've seen far worse.
17:49Does it hurt when you touch them?
17:52A bit.
17:54May I?
17:55Turn it off. Listen.
17:59Do you, er, want to take your jeans off,
18:01just so I can see the neck?
18:05Do I have to?
18:06No.
18:07Not if you don't feel comfortable.
18:10You can send me some pictures if you like.
18:12Please, just turn it off.
18:13I'll give you my card.
18:22I remember Ellie, of course I do.
18:25She was a client briefly,
18:27and then we became romantically involved.
18:29It was unethical, yes, but it wasn't illegal.
18:32Why did you take out a restraining order on her?
18:35She was young and delusional.
18:37She became obsessed with me.
18:39She was estranged from her father,
18:41and she saw me as some kind of...
18:44Oh, Christ.
18:47It's you, isn't it?
18:50You're Ellie's dad.
18:54It was.
18:55She's dead.
19:00I'm so sorry.
19:02I knew I was partly responsible for what happened.
19:05I drove her away.
19:08I was too strict.
19:10Too mean about her mother.
19:13I could see that she was becoming withdrawn.
19:16I put some money in her account.
19:19Go and see a therapist, I said.
19:25I failed my daughter.
19:29I made the wrong choice.
19:34Is that what you meant when you said you thought you'd killed someone?
19:38I want you to confess to everything you did to her.
19:42What?
19:43Everything.
19:44You got her hooked on drugs, you used her, abused her,
19:47and then you dumped her when she became an inconvenience.
19:50No, no, no, no. I cared for her.
19:53But as I said to the police at the time, she had all these issues.
19:56When she came to me, I was in no way responsible for her death.
20:00Really? So you didn't go and visit her in her room at the Metropole Hotel
20:03on the 15th of October, breaking your own restraining order?
20:06No.
20:09Coroner's report stated that she would have taken the overdose
20:14at approximately 3am, and that it would have taken...
20:22..about three hours for her to die.
20:25A man matching your description was seen leaving the hotel
20:28at ten past four in the morning.
20:31Seen by who? Never mind.
20:32Whoever that was could have seen that she'd overdosed
20:35and could have saved her if they'd raised the alarm, but...
20:39No.
20:41I suppose it's the difference between killing and letting die.
20:49I didn't do anything.
20:54Exactly.
21:00You write it all down. A full confession.
21:05Sacrifice your job, this cosy little life you've built,
21:08and admit that you were there and that you were directly responsible
21:11for her death.
21:14And then Marta Ellie can rest in peace.
21:18OK.
21:21OK, I'll do it. I'll throw myself in front of the train.
21:25But I will need to...
21:36So the whole suicide story was made up.
21:40A desperate man with nothing left to live for.
21:44I knew it would get you one side.
21:47Clever.
21:49But one thing to bear in mind, Drew,
21:51if you're going to coerce someone with a spud gun,
21:54make sure you take the potato out of the barrel.
21:59SHE SCREAMS
22:02SHE GRUNTS
22:04SHE SCREAMS
22:06SHE SCREAMS
22:08SHE PANTS
22:11SHE GRUNTS
22:14SHE GRUNTS
22:25SHE PANTS
22:31SHE PANTS
22:38SHE GRUNTS
22:42SHE GRUNTS
22:44SHE GRUNTS
22:52THUNDER RUMBLES
22:54SHE PANTS
22:56SHE PANTS
22:58SHE PANTS
23:01SHE GRUNTS
23:03SHE SCREAMS
23:05SHE PANTS
23:10SHE GRUNTS
23:14SHE GRUNTS
23:16SHE PANTS
23:26Hello?
23:31GLASS SHATTERS
23:34THUNDER RUMBLES
23:39SHE PANTS
23:43SHE PANTS
23:54THUNDER RUMBLES
23:57This is one of the problems of living in the countryside.
24:00You're an easy target for burglars.
24:05I came home early to find my house was being robbed
24:08and I was viciously attacked.
24:12He had a gun. At least I thought it was a gun.
24:15GLASS SHATTERS
24:18And so I hit him. Hard.
24:22I didn't mean to kill him. It was self-defence, officer.
24:25Is this how you make all your problems go away?
24:27What choice do I have?
24:29I can't have all that business with Ellie dredged up again.
24:31I have my reputation to consider.
24:33So you came out here where no-one knows what you really are.
24:35Look, your daughter was the one who was hounding me.
24:38She made me feel unsafe.
24:40I have my son to think about.
24:42Now get on your knees.
24:44Oh, please, Mr Chambers...
24:46On your knees.
24:49If you kill me here now, there'll still be a police investigation.
24:53I should have let you jump off that bridge when I had the chance.
24:59Actually, that's it, of course.
25:01What?
25:03You've said yourself 20 or 30 people saw you there tonight,
25:06looking longingly into the river.
25:08I should just take you back there.
25:10Me bringing you here was the sidetrack.
25:13I should have just let the train take its course.
25:15You're just going to throw me into the water.
25:17That's up to you.
25:19You can go, willingly or otherwise,
25:22but I do think it's the best solution.
25:25You could still do the right thing, Mr Chambers.
25:28Father to father, I...
25:30I am begging you.
25:32Which is what?
25:34Confess to what you did to Ellie.
25:37There's still time.
25:39Don't let me die not knowing.
25:41Please.
25:44Please.
25:46As I said before, I didn't do anything.
25:54OK.
26:04Get in!
26:09I've left my coat.
26:11For God's sake.
26:16I won't go anywhere.
26:18Don't you move.
26:20Mr Chambers!
26:25When you get my coat, you should look in the right-hand pocket.
26:41Hello?
26:43Hello?
27:10Hello?
27:12Is that you?
27:16What?
27:18Calm down. Where are you?
27:22What do you mean you're in a box?
27:27Robbie, calm down. Listen.
27:29Tell me what's going on.
27:42It's OK.
27:44It's OK. I'm going to find you.
27:46Please. Tell me where he is.
27:51Don't do this to me, I beg you. Please.
27:53Tell me where he is. I'll do anything.
27:55You made your choice.
27:58Now we're the same, you and I.
28:02If you do this, you're killing my son.
28:08I didn't kill him.
28:12Are you going to help me?
28:15You've got to get me out.
28:17You let him die.
28:19Help me, please. Dad!
28:21No!
28:29Where are you? What's going on?
28:33I can't get out, Dad.
28:36Please, please!
28:38Help me, Dad, please!
28:40Dad!
29:10Dad!