• 8 months ago

Aired (April 19, 2024): Paano nga ba ginagawa ng isang Celia Rodriguez ang kanyang ultimate ‘Power Look'? #GMANetwork #GMADrama #Kapuso


Watch the latest episodes of 'Fast Talk with Boy Abunda’ weekdays at 4:05 PM on GMA Afternoon prime, starring Boy Abunda. #FastTalkwithBoyAbunda

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Transcript
00:00 [MUSIC]
00:05 >> Miss Celia Rodriguez.
00:08 >> [APPLAUSE]
00:15 >> Thank you.
00:17 Thank you for being here.
00:17 Please, please make yourself comfortable.
00:19 >> Thank you.
00:20 >> Maraming maraming salamat.
00:22 Manay, bakit importante yung mga miss?
00:24 Bakit importante yung-
00:26 >> Pangalan?
00:27 >> Sa pangalan?
00:28 >> Miss ako palagi.
00:29 >> Does it add some gravitas to you or
00:34 to any other person in the business who's called a miss?
00:39 >> I think I'm the only one who should use that.
00:41 Rita Gomez used to use that before, but she's ahead of me.
00:45 She was ahead of me.
00:46 Aside from Rita, I'm the only one who has the right to use that.
00:49 >> Pakipaliwanag nga yan, Manay.
00:51 I'm the only one who has the right to use that.
00:53 Bakit, Manay?
00:54 Anong pinagagalingan yan?
00:55 >> Anong meron sila para gamitin ang pangalan ko na my miss?
00:58 >> Oh, okay.
00:59 So, anybody who uses the miss, ay kailangan tanungin mo anong meron ka.
01:03 >> Anong credentials mo?
01:07 Yabang yan?
01:08 Hindi! Hindi!
01:10 >> Kahapon, we had this meeting dito sa Fast Talk with Buaya Buena.
01:16 So, you were brainstorming on what we can do for today's conversation.
01:20 May isang bata na umaten sa aming meeting, ang identity niya sa 'yo.
01:24 Because kami alam namin ang body of work ng Manay Celia Rodriguez.
01:29 Ay si Braguda.
01:31 Am I right?
01:32 >> Indarna.
01:33 >> Indarna. Right.
01:35 What do you remember, Manay, when you were doing Braguda?
01:37 2005.
01:39 >> I only remember one word.
01:42 Ha!
01:44 >> Pero, kailangan ikuwento mo sa amin kung bakit naging isa yung ha!
01:49 >> Actually, it's not in the script.
01:51 >> Okay.
01:52 >> Pero, ang adlib ko ayoko na maraming dialogue.
01:55 Para pag hindi ko gusto, ha!
01:57 Ganon. Pero, malakas.
02:00 Abay, pag lumalabas ako ng bahay, yung mga tao, ha!
02:03 Gumagano, nag-
02:05 Ano ba?
02:06 Sabi ko, wow!
02:08 >> At tumatak.
02:09 >> Tumatak, yeah.
02:10 >> Instead of doing the ha!
02:12 >> No, that's very common.
02:14 >> Oh!
02:15 >> Yeah. Ha is something classic.
02:18 >> Ha! Okay.
02:19 You were quoted to have said, unay Celia, that,
02:25 "If I get mad, I don't say anything.
02:30 I just lift my eyebrows."
02:32 That's a line, Manay, doon sa iyong signature Celia Rodriguez look.
02:38 Naaral mo ba yun?
02:39 Or did it come naturally?
02:42 >> Well, I, you know, I can say a lot, but it doesn't mean anything.
02:48 I can look at you and it means something.
02:50 It's the way you look.
02:52 >> Okay.
02:53 >> That transpires what I mean to you.
02:55 That goes to you.
02:56 >> I agree with you in one interview, na, of course, the discussion was about the queen of kontrabidas.
03:03 Because you're not a kontrabida.
03:05 You know, I studied your body of work.
03:06 >> No, I was the best actress in the world. I can't be a kontrabida.
03:09 >> Hindi lamang, Manay, even your awards, your FAMAS awards, for example.
03:14 >> I've done them.
03:15 >> Even your Metro Manila Film Festival, magnifico.
03:16 >> I've done them.
03:17 >> No, really, I mean, let's go to the awards.
03:19 I mean, lahat ka, hindi ka kontrabida.
03:22 >> Hindi.
03:23 >> Manay, sa ilang mga henerasyon, magpahanggang sa ngayon, people consider you as a fashion icon.
03:30 Do you have a story?
03:31 Because you started as a fashion model, tama, Manay.
03:33 >> Oo, naman.
03:34 One was taken at the year of...
03:37 >> Of a designer?
03:38 >> Yeah.
03:39 >> Eddie Ocampo?
03:39 >> In Rome.
03:40 >> Ah, in Rome.
03:40 >> In Rome.
03:41 >> Oo, okay.
03:42 So, nung nagumpisa kayo, kayo'y nasa Europa.
03:45 >> Yeah.
03:46 >> As a model.
03:46 >> Yeah.
03:47 >> You were brought there.
03:47 >> I was modeling for Pucci.
03:49 >> You modeled for Pucci?
03:50 >> Emilio Pucci.
03:51 >> I know.
03:52 >> Yeah.
03:52 >> So, nagmodelo kayo sa...
03:53 >> In Milan.
03:54 >> Sa Milan?
03:55 >> Yeah, Milan.
03:56 Hindi pa uso models noon ang mga Pilipina.
03:59 I was one of the very first, kasi si Pucci doesn't get Americans.
04:03 Either he gets Italians and Asians.
04:05 >> Oo.
04:06 >> But it's only about several months, kasi I went all over Europe.
04:10 Paano ako dun eh, para may monung lang sa paa.
04:12 Ikot ako ng ikot.
04:14 >> Wow.
04:15 >> Yeah.
04:15 >> As a fashion model, were you guys paid?
04:18 Kasi ang mga modelo noon, kung hindi ako nagkakamali,
04:21 buena, galing sa mga magagandang pamilya.
04:24 You were with Vina.
04:25 >> Sa Arivo.
04:25 >> Pilipinas.
04:26 >> We're talking here.
04:26 >> Yes.
04:27 >> Yes.
04:27 >> But wala silang pakialam kung sino ka.
04:30 >> Sa Europa.
04:30 >> And when you go out, hindi siya sabihing, "Ladies, diyan daw man may institutio."
04:34 No.
04:35 Mayroon ka rito'ng round na may number 18, number 15.
04:39 >> You were selling dresses, yes.
04:40 >> Yes.
04:41 Hindi silang alam kung sino ka, whatever.
04:43 Basta you look like a model period.
04:46 >> Pero dito sa Pilipinas, Mayra, nagandahang ka rin sa ilang mga artista at modelo.
04:50 >> Oh, yes.
04:51 >> Katulad Nino.
04:52 >> Yes.
04:52 >> Katulad.
04:53 >> We have beautiful actors now.
04:56 >> Yeah.
04:56 >> We have beautiful ones.
04:57 >> Kahit noon, noon at ngayon.
04:59 >> Mas marami noon.
05:01 >> Sino-sino?
05:03 >> Well, we have Gloria Romero.
05:05 >> Yes.
05:06 >> We have Barbara Perez.
05:08 We have Charito Soles.
05:12 Nida Blanca.
05:13 Marami noon.
05:15 Pero noon kasi pili ang artista.
05:17 Well, no insulting, ha?
05:19 Kasi ang dami kong love na mga bago.
05:22 Pili ang artista, no?
05:23 >> Ano yung pinaka-importante na lesson as an actor na iyong natutunan all these years?
05:34 >> Be honest of how you feel.
05:39 Kung gusto mo sigaw, sumigaw ka.
05:42 Kung gusto mo tumawa, tumawa ka.
05:43 Don't be hypocrite, you know?
05:46 Magpakatutuwa ka sa sarili mo.
05:49 [ Music ]
06:04 [ Music ]

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