The Hitch-Hiker Movie (1953) - Full Movie - Plot synopsis: Two fishermen pick up a psychopathic escaped convict who tells them that he intends to murder them when the ride is over.
Director: Ida Lupino
Writers: Collier Young, Ida Lupino, Robert L. Joseph
Stars: Edmond O'Brien, Frank Lovejoy, William Talman
Full Movie #FullMovie
Director: Ida Lupino
Writers: Collier Young, Ida Lupino, Robert L. Joseph
Stars: Edmond O'Brien, Frank Lovejoy, William Talman
Full Movie #FullMovie
Category
🎥
Short filmTranscript
00:00:00 >> From the Library of Congress in Washington, D.C.
00:00:04 [ Music ]
00:00:19 [ Silence ]
00:00:29 [ Horn Blowing ]
00:00:38 [ Music ]
00:01:07 [ Horn Blowing ]
00:01:12 [ Music ]
00:01:36 [ Horn Blowing ]
00:01:43 [ Screaming ]
00:01:45 [ Explosion ]
00:01:59 [ Music ]
00:02:15 [ Music ]
00:02:43 [ Explosion ]
00:02:46 [ Music ]
00:03:10 [ Explosion ]
00:03:20 [ Music ]
00:03:45 [ Engine Starts ]
00:03:50 [ Music ]
00:03:56 >> When you get to the next intersection, why don't you turn south?
00:03:59 >> Chopper Mountains are east.
00:04:01 Well, they were the last time we headed that way.
00:04:03 >> Who needs the mountains?
00:04:04 Why don't we go to San Felipe?
00:04:06 >> Nothing to do in San Felipe but fish.
00:04:09 >> Well, that was the idea, wasn't it?
00:04:14 >> Yeah, I guess so.
00:04:17 We might just pick up a drink in Mexicali.
00:04:21 Remember Floribel at the Alhambra Club?
00:04:24 >> Yeah.
00:04:26 She's probably dead by now.
00:04:28 That was a long time ago.
00:04:30 >> Yeah.
00:04:31 Poor old Floribel.
00:04:33 Well, there's no harm in drinking a toast to her.
00:04:36 >> Okay.
00:04:40 You know, except for the war, this is the first time I've been away from Morty and the kids.
00:04:45 >> You want to turn back?
00:04:46 >> No, no, no.
00:04:47 We've come this far.
00:04:50 Mexicali's beginning to sound good.
00:04:54 [ Music ]
00:05:02 >> There's an Amy's.
00:05:07 >> I'll have that shot.
00:05:13 Let's go ahead.
00:05:18 [ Music ]
00:05:39 [ Foreign Language ]
00:05:42 >> This is the place, senor.
00:05:43 Come right in.
00:05:44 Juanita's just starting her famous fan dance.
00:05:47 You are just in time.
00:05:48 >> Well, I might as well take a look.
00:05:49 >> Take a look.
00:05:50 Hey, Gil.
00:05:51 Gil?
00:05:52 >> Sorry, friend.
00:05:55 No sale.
00:05:57 [ Music ]
00:06:04 >> Oh, well.
00:06:06 San Felipe, here we come.
00:06:08 [ Music ]
00:06:27 >> Out of gas?
00:06:28 >> Yeah.
00:06:29 >> Hop in.
00:06:31 [ Music ]
00:06:38 >> We're going to San Felipe.
00:06:39 You can pick up some gas there, it hits you right back.
00:06:43 Waiting out there long?
00:06:45 >> Yeah.
00:06:46 [ Music ]
00:06:50 >> Gil, I have your cigarette.
00:06:52 [ Music ]
00:06:56 >> Smoke?
00:06:58 >> No.
00:07:01 >> What are you doing, rolling?
00:07:05 >> Face front.
00:07:08 And keep driving.
00:07:13 Sure, I'm Emmett Myers.
00:07:16 Do what I tell you.
00:07:17 And don't make no fast moves.
00:07:18 There are a lot of dead heroes back there getting nervous.
00:07:25 From now on, while you're driving, keep both hands high on that wheel.
00:07:28 And you, keep one hand along the top of this seat.
00:07:32 The other hand high on that window.
00:07:36 All right.
00:07:38 Now turn off the next side road we come to.
00:07:52 Pull up.
00:07:59 Open the glove compartment.
00:08:06 What's the box?
00:08:08 >> Cartridges, .22s.
00:08:10 >> Give them to me.
00:08:16 Close it.
00:08:22 Now this is how we get out after this.
00:08:25 First give me the keys.
00:08:30 Now we all get out the same way.
00:08:32 This one.
00:08:33 I get out first.
00:08:34 Then you.
00:08:35 Stand away from the car.
00:08:37 And then you.
00:08:39 Let's go.
00:08:47 Drop your jackets around your elbows.
00:08:59 Turn around.
00:09:04 We're going to open the trunk.
00:09:06 Move.
00:09:14 Pull your jackets up.
00:09:18 You.
00:09:20 Open the trunk.
00:09:21 Both of you, keep your hands on the lid.
00:09:27 Throw me the keys.
00:09:30 Now get the blankets.
00:09:32 You'll never make it.
00:09:35 Get the groceries.
00:09:42 Whose gun is that?
00:09:43 >> Mine.
00:09:44 >> You like to shoot?
00:09:45 >> Yeah.
00:09:46 >> So do I.
00:09:48 So I'm warning you, don't try anything smart with me.
00:09:51 Move.
00:10:04 >> Move.
00:10:15 >> Move.
00:10:39 >> I told you my name.
00:10:40 What's yours?
00:10:41 >> Mine's Gilbert Bowen.
00:10:44 He's Roy Collins.
00:10:46 >> What do you do for a living?
00:10:48 >> I'm a draftsman.
00:10:50 He runs a garage.
00:10:52 >> That makes you smarter.
00:10:54 Or does it?
00:10:58 You ought to be all over that windshield.
00:11:00 You got lucky it hit an empty chamber.
00:11:02 I had to use it a while back.
00:11:04 Now don't make any more fast moves.
00:11:06 I told you the last guy made that mistake.
00:11:21 [tires screeching]
00:11:38 >> When are you due back?
00:11:40 >> No particular time.
00:11:43 >> Yeah, we told our wives to expect us home when we got there.
00:11:46 >> You got wives, huh?
00:11:48 Any kids?
00:11:50 >> I have.
00:11:52 >> Just keep thinking how nice it'll be to see them again.
00:12:00 There's the checkpoint.
00:12:01 Slow down.
00:12:02 >> No talking.
00:12:04 >> I give you the word, step on it.
00:12:18 [music]
00:12:36 >> This car rides pretty good.
00:12:39 When I get where I'm going, I think I'll sell it.
00:12:42 >> Where are we going?
00:12:46 >> Pull in the next pump.
00:12:48 We'll fill up with gas and get a road map.
00:12:51 I got an idea.
00:12:53 Pretty good one.
00:13:15 >> Speaking English, you.
00:13:16 >> I told you he doesn't understand English.
00:13:18 >> I don't understand Mexican.
00:13:20 Never mind the change.
00:13:21 Let's get out of here.
00:13:27 >> Loco.
00:13:32 Give me the map.
00:13:48 >> Take the first side road we come to.
00:14:10 >> Pull up.
00:14:15 >> Keys.
00:14:18 >> All right.
00:14:19 Now get out like I told you.
00:14:26 >> You're the smart guy.
00:14:28 Spread the map out on the hood.
00:14:35 >> Get your hands up in the car.
00:14:37 Look for a town called Santa Rosalia.
00:14:43 How far is it?
00:14:45 >> About 500 miles.
00:14:47 >> Is it on the Gulf of California?
00:14:48 >> Yeah.
00:14:49 >> Say anything in there about a ferry across the Gulf?
00:14:53 >> Friday.
00:14:55 >> Not bad.
00:14:58 We're loaded with time.
00:15:00 We can make that easy.
00:15:07 After that, I won't be needing you guys anymore.
00:15:13 Well, I guess we won't be having rabbit for dinner.
00:15:16 >> I wasn't trying.
00:15:26 >> Collins.
00:15:28 Put the can out on that rock there.
00:15:34 Give me the map.
00:15:45 >> Not that one.
00:15:47 >> The other one.
00:15:50 >> That's it.
00:15:55 >> All right, Collins, put the can back on the rock.
00:16:04 Don't forget, this is loaded, too.
00:16:06 >> I say you try it.
00:16:08 See how good you are.
00:16:15 >> Go ahead.
00:16:24 >> Not bad.
00:16:26 >> Collins!
00:16:28 Pick up the can.
00:16:33 Take it out on that point there.
00:16:35 If you don't, I'll let Bowen have it.
00:16:39 Out on the point, that's right.
00:16:42 Further.
00:16:49 Now hold it up.
00:16:51 You won't get hurt.
00:16:52 Your buddy's good with guns.
00:16:54 >> You're crazy.
00:16:55 I won't do it.
00:16:56 >> It's just a game.
00:16:58 Go ahead.
00:16:59 >> Collins, hold it closer to you.
00:17:02 What's the matter?
00:17:03 You scared?
00:17:05 Hold it closer.
00:17:07 You want me to try it again?
00:17:09 I might miss this time.
00:17:11 Shoot.
00:17:14 Shoot.
00:17:17 Shoot.
00:17:20 >> Come on, Gil, get going.
00:17:22 [Gunshot]
00:17:48 >> Nervous?
00:17:52 Relax.
00:17:54 All right, Collins, come on in.
00:17:57 Fun's over.
00:18:02 You guys worked up quite a sweat.
00:18:12 [Music]
00:18:35 >> Collins.
00:18:38 Collins!
00:18:40 What do you want?
00:18:41 >> Turn on the radio.
00:18:42 >> Why bother?
00:18:43 All you get is Mexican commercials.
00:18:45 >> Never mind.
00:18:46 Turn it on.
00:18:57 >> Get something else.
00:18:59 >> Like what?
00:19:00 >> One of those news guys from the States.
00:19:08 >> The murder of a young man in the United States is being investigated.
00:19:12 The police have been alerted to the murder of a young man in the United States.
00:19:17 The murder of the young man is being investigated.
00:19:20 The police have been alerted to the murder of a young man in the United States.
00:19:24 The murder of the young man is being investigated.
00:19:27 The police have been alerted to the murder of a young man in the United States.
00:19:31 The murder of the young man is being investigated.
00:19:34 >> The victim is a young man named John Johnson, a salesman from Portland, Oregon,
00:19:39 who was found late yesterday in Imperial County, California.
00:19:43 The victim's car, possibly with Myers in it, has not yet been found.
00:19:48 The United Nations passed --
00:19:49 >> Shut up.
00:19:50 >> -- resolutions by near unanimous --
00:19:54 >> They're not even close.
00:19:56 You guys don't have to worry.
00:19:59 Not yet.
00:20:01 >> -- about the car, if they ever do.
00:20:08 >> And a good, good evening, ladies and gentlemen.
00:20:10 This is Sam Hayes reporting your news final.
00:20:12 At the top of the news tonight is the report that the hitchhike murderer, Emmett Myers, is still at large.
00:20:17 Yesterday, the devil thumbed another ride, and William Johnson of Portland asked him to hop in.
00:20:21 Now, William Johnson is dead.
00:20:24 In an all-out effort to apprehend Myers, the police have set up roadblocks on all major highways in the Western states,
00:20:29 and all border stations are being closely watched.
00:20:32 Myers is slight, 28 years of age.
00:20:35 He's wearing a dark shirt, dark gray trousers, and a black leather jacket.
00:20:39 His right eye lid is partially paralyzed.
00:20:41 If you are in possession of any information regarding the whereabouts of this individual,
00:20:45 please communicate with your nearest office of police or office of the Federal Bureau of Investigation.
00:20:50 [music]
00:21:01 >> Pull up.
00:21:08 Keys.
00:21:14 [music]
00:21:27 Move.
00:21:36 Each of you take one.
00:21:43 Get around the car.
00:21:48 We camp here tonight.
00:22:00 I know what you're thinking, Collins.
00:22:03 You haven't got a chance.
00:22:08 You guys are going to die, that's all.
00:22:10 It's just a question of when.
00:22:13 Santa Rosalia, that's the end of the line.
00:22:18 If the cops find out we're together, or if you try to cross me up.
00:22:31 You know, you make pretty good targets from where I sit.
00:22:36 Anyway, you couldn't tell if I was awake or asleep.
00:22:42 I've got one bum eye.
00:22:45 It won't stay closed.
00:22:48 Pretty good, huh?
00:22:51 [music]
00:23:20 [explosion]
00:23:30 [music]
00:23:55 We're getting out here and buy some grub.
00:23:58 We get out of the car like usual.
00:24:00 You guys go in the store ahead of me.
00:24:02 No Mexican.
00:24:04 I'm talking to you.
00:24:06 He tells you how much you pay, is that clear?
00:24:09 Now one other thing.
00:24:11 I'm going to have my hand in my pocket.
00:24:13 So far my record in Mexico, I want to keep it that way.
00:24:17 Let's go.
00:24:26 Buenos dias, senores.
00:24:42 Buenos dias, senores.
00:24:44 Provisiones?
00:24:45 Tengo un gran surtido de frutas y legumbres, ropa, calzado, al mismo precio que existen en Tijuana.
00:24:50 What did he say about Tijuana?
00:24:52 He says their prices are about the same as in Tijuana.
00:24:55 Never mind the kid.
00:24:59 What do you want?
00:25:00 Some beans and stuff.
00:25:02 And tomato soup, I like that.
00:25:03 Get four cans.
00:25:05 He wants four cans of beans, four cans of tomato soup, three cans of chili.
00:25:11 It's no use, he doesn't understand English.
00:25:13 Well, you're not talking Mexican.
00:25:15 Get the cans off the shelves, give them to Collins.
00:25:32 I can take some more.
00:25:40 Go on, load it up.
00:25:44 Pay him.
00:25:47 Quince pesos, diez centavos, senor.
00:25:58 Dame una mazana.
00:26:00 Dame una mazana.
00:26:02 Dame una mazana.
00:26:07 Get her away from me.
00:26:11 Put the kid down, let's get out of here.
00:26:13 Come on, Collins.
00:26:14 Hasta luego, senores.
00:26:15 Muchas gracias.
00:26:21 Bano usted con Dios.
00:26:23 What did you say to her?
00:26:25 You wouldn't understand.
00:26:26 What did you say to her?
00:26:30 I said, "Go you with God, little one."
00:26:50 Get in.
00:26:54 Hey, mister, you live in El Centro?
00:26:57 I live there sometimes.
00:26:59 Nice place, huh?
00:27:01 Yeah.
00:27:03 I'm going to get you a drink.
00:27:24 You're going to get me a drink?
00:27:52 Where'd you get the watch, Bowen?
00:28:15 My wife gave it to me.
00:28:18 Throw it over here.
00:28:24 Didn't you hear me?
00:28:25 I told you to throw it over here.
00:28:46 I had a watch like this once when I was 17.
00:28:51 Nobody gave it to me.
00:28:53 I took it.
00:28:55 Knocked off a broken-down jewelry store in a little jerk town outside of Tulsa.
00:29:01 It was a cinch.
00:29:05 You guys are soft.
00:29:10 You know what makes you that way?
00:29:14 You're up to your necks in IOUs.
00:29:18 You suckers.
00:29:21 You're scared to get out on your own.
00:29:24 You always said it's good to see you soft.
00:29:28 Well, not me.
00:29:32 Nobody ever gave me anything, so I don't owe nobody.
00:29:39 My folks were tough.
00:29:42 When I was born, they took one look at this puss of mine and told me to get lost.
00:29:47 I didn't need them.
00:29:49 I didn't need any of them.
00:29:52 Got what I wanted my own way.
00:29:57 You get the know-how and a few bucks in your pocket.
00:30:00 You can buy anything or anybody.
00:30:05 Especially if you got them at the point of a gun.
00:30:08 That really scares them.
00:30:11 You ever been at the other end of a gun?
00:30:14 No, and I never will.
00:30:21 I'm going to listen to the news.
00:30:40 Turn it up. We'd like to hear what's going on.
00:30:42 You just get the grub ready.
00:30:44 Anything interesting, I'll let you know.
00:30:49 I gotta find an excuse to raise the hood of the car and put that radio out of commission.
00:30:54 First time he finds out they're looking for us together, we're through.
00:30:57 Never mind the radio. I'm not gonna take it anymore. We gotta get him.
00:31:00 You can't beat him that way.
00:31:02 You give him one good reason and he'll kill us.
00:31:05 We gotta take the chance.
00:31:07 As long as he needs us, we'll stay alive.
00:31:11 When he gets ready to jump us, we'll jump him. Not before.
00:31:14 Maybe today, maybe tomorrow.
00:31:19 All right now.
00:31:23 They found Johnson's car.
00:31:30 They know I'm in Mexico.
00:31:34 And they're looking for you, too, in the Chocolate Mountains.
00:31:39 Where are the Chocolate Mountains?
00:31:43 In Arizona, near home.
00:31:44 Not in Mexico?
00:31:45 No.
00:31:49 Well, what do you know?
00:31:53 That's where you told your wives you were going, huh?
00:31:56 Then you came to Mexico.
00:32:00 What for?
00:32:03 To get your revenge on the Danes?
00:32:07 You boys ought to be ashamed of yourselves.
00:32:10 Causing all that trouble.
00:32:12 Telling lies.
00:32:15 They got everybody and his brother looking for you in them mountains.
00:32:32 I told you to turn the radio on.
00:32:34 I did.
00:32:35 Takes time to warm up.
00:32:39 Try another station.
00:32:45 Stop it! Stop it!
00:32:46 I can't. I gotta pull up and disconnect it.
00:32:48 Then pull up!
00:32:51 Paul, raise the hood.
00:33:03 Keep your hands on it.
00:33:05 All right, Collins, get to work.
00:33:10 Get the right one the first time.
00:33:12 Don't pull the radio wire!
00:33:25 Faster, faster! I thought you were a mechanic!
00:33:27 I'm going as fast as I can. The threads are frozen.
00:33:41 Watch it.
00:34:02 Come on.
00:34:08 Throw the tools in the back.
00:34:26 The radio, remember? Make it work.
00:34:32 I can't.
00:34:36 Pull up.
00:34:39 So you did bust it, Collins.
00:34:44 Cut it out! He didn't do it. It's the static in the hills.
00:34:48 Stations aren't strong enough in the daytime. Tonight it'll work.
00:34:50 Tonight it better.
00:34:52 Take the wheel.
00:34:56 Now, in Punta Prieta, in August the 7th,
00:35:01 three Americans stopped for provision at a store owned by José Andrade.
00:35:06 Andrade gave an accurate description of Meyer as being one of them.
00:35:10 Another witness stated that three men came out of the store
00:35:14 and drove away in a green sedan bearing the same plate.
00:35:18 This confirms our theory that Collins and Bowen are with them.
00:35:22 He seems to be heading south, all right.
00:35:24 Staying clear of all main highways.
00:35:26 Exactly. Now, to the west, this is more or less barren
00:35:29 and would afford no means of escape.
00:35:32 His most logical move would be Santa Rosalia.
00:35:37 Then, Juámez.
00:35:42 You sure that fire's out?
00:35:44 Pour the coffee on it.
00:35:48 Get down!
00:35:52 I gotta get a closer look at that car.
00:35:54 On your feet.
00:35:56 Through there. At the other end, lie flat.
00:35:58 Get going.
00:36:02 I gotta get a closer look at that car.
00:36:04 On your feet.
00:36:06 Through there. At the other end, lie flat.
00:36:08 Get going.
00:36:11 (siren blaring)
00:36:14 (siren blaring)
00:36:42 Get a move on.
00:36:44 What are you trying to do, wreck it?
00:36:46 Drive like I tell you.
00:36:48 (tires screeching)
00:37:00 Out!
00:37:10 What did I tell you?
00:37:12 Shut up! Get that spare tire out and go to work!
00:37:14 Move!
00:37:36 You keep working. Keep your trap shut no matter what.
00:37:39 I'll be watching.
00:37:42 (engine rumbling)
00:37:45 (speaking Spanish)
00:38:10 <i> The search for Gilbert Bowen</i> <i> and Roy Collins,</i>
00:38:13 <i> now believed to have been</i> <i> last seen with Emmett Myers,</i>
00:38:15 <i> mass killer,</i>
00:38:17 <i> is being stepped up</i> <i> by the hour.</i>
00:38:19 <i> Helicopters are working</i> <i> in shifts,</i>
00:38:21 <i> scouring the entire area</i> <i> from El Centro South</i>
00:38:23 <i> to the Gulf of California.</i>
00:38:25 <i> The planes are maintaining</i> <i> close liaison with the ground,</i>
00:38:28 <i> reporting isolated cars</i> <i> and campers.</i>
00:38:30 <i> The Mexican police have now</i> <i> joined this strange race</i>
00:38:33 <i> against death.</i>
00:38:36 (dramatic music)
00:38:39 (speaking Spanish)
00:38:53 (speaking Spanish)
00:38:56 (speaking Spanish)
00:38:59 (speaking Spanish)
00:39:14 (speaking Spanish)
00:39:19 (speaking Spanish)
00:39:26 (speaking Spanish)
00:39:29 (dramatic music)
00:39:43 (dramatic music)
00:39:47 (dramatic music)
00:39:50 (dramatic music)
00:40:19 (dramatic music)
00:40:22 (helicopter whirring)
00:40:31 (crickets chirping)
00:40:42 (crickets chirping)
00:40:45 Hold it right there.
00:40:54 Around.
00:41:10 Break the lock.
00:41:12 Okay, one of you on the pump.
00:41:37 (dog barking)
00:41:40 (gunshot)
00:42:01 (gunshots)
00:42:04 (speaking Spanish)
00:42:13 Marty and Gilbert Bowen.
00:42:30 (speaking Spanish)
00:42:33 SÃ, sÃ, fronto.
00:42:36 Now, as you will notice,
00:42:40 when interrogated at the roadblock,
00:42:42 the man and his wife were very definite in their statement
00:42:44 that they only saw two men.
00:42:46 This was below El Arco.
00:42:48 There is a point, however, which we feel is of importance.
00:42:51 The couple stated that the behavior of the men seemed strange,
00:42:55 that they refused to talk to them.
00:42:57 Of course, there's a possibility that Myers may have concealed nearby,
00:43:00 covering the two men, which would account for their behavior.
00:43:03 We are following through on that possibility.
00:43:05 Now, on the assumption that Myers is listening to the car radio,
00:43:09 we're issuing these broadcasts in the States,
00:43:11 containing false information as to his whereabouts
00:43:14 and not connecting the two men with him.
00:43:16 We'd appreciate your cooperation in following the same procedure.
00:43:19 (dramatic music)
00:43:25 (train whistle blowing)
00:43:27 This ought to be the main highway.
00:43:39 - It isn't. - What do you mean?
00:43:41 Looks like an abandoned airstrip.
00:43:43 Well, it's okay for tonight. Head over there.
00:43:46 (dramatic music)
00:43:49 No, Ray, you're wrong. You're wrong.
00:43:56 Snow, you should try to talk me out of it. Tonight I'm gonna chance it.
00:43:58 - You're out of your mind. - I've played it your way long enough.
00:44:01 From now on, we're each on our own.
00:44:03 It's no good. We gotta stay together. I told you that.
00:44:05 If I get a break, I'm gonna take it. You do whatever you want.
00:44:08 (glass clinking)
00:44:11 (water dripping)
00:44:13 (water dripping)
00:44:16 (crickets chirping)
00:44:18 (crickets chirping)
00:44:20 (crickets chirping)
00:44:22 (crickets chirping)
00:44:24 (crickets chirping)
00:44:26 (crickets chirping)
00:44:28 (crickets chirping)
00:44:30 (crickets chirping)
00:44:34 (crickets chirping)
00:44:38 (crickets chirping)
00:44:42 (crickets chirping)
00:44:46 (crickets chirping)
00:44:50 (crickets chirping)
00:44:56 (crickets chirping)
00:44:58 (crow cawing)
00:45:12 (crow cawing)
00:45:20 (crow cawing)
00:45:22 (crow cawing)
00:45:24 (crow cawing)
00:45:28 (crow cawing)
00:45:32 (crow cawing)
00:45:36 (crow cawing)
00:45:40 (crow cawing)
00:45:44 (crow cawing)
00:45:50 (crow cawing)
00:45:52 - Across the runway, those trees.
00:45:58 (tires screeching)
00:46:05 Keep going!
00:46:12 (tires screeching)
00:46:19 (tires screeching)
00:46:21 - You guys are really dumb.
00:46:30 - Why, you dirty...
00:46:32 (thud)
00:46:34 - Thought I was asleep, huh?
00:46:36 You know, you're beginning to get ideas.
00:46:40 I don't like that.
00:46:43 Load 'em in the car.
00:46:45 Your buddy's all washed up for the night.
00:46:49 (dramatic music)
00:46:51 (dramatic music)
00:46:53 (dramatic music)
00:46:55 (dramatic music)
00:47:10 (dramatic music)
00:47:12 (dramatic music)
00:47:23 - Over there.
00:47:31 Move!
00:47:35 (dramatic music)
00:47:37 - You, Collins, throw a rock down that shaft.
00:47:51 (dramatic music)
00:47:54 (dramatic music)
00:48:00 (dramatic music)
00:48:02 - Nice and deep.
00:48:07 This is fine.
00:48:19 - Cut it out, if you're gonna kill us, do it and get it over with.
00:48:21 Thought you never killed without a reason.
00:48:23 - Go get the rest of the hand goods out of the car.
00:48:28 We'll have a real good meal.
00:48:30 (crow cawing)
00:48:44 (dramatic music)
00:48:49 (dramatic music)
00:48:51 - Save 'em for the next guy that picks you up.
00:49:12 - Anything you say.
00:49:18 - We interrupt this hour of music to bring you a flash bulletin.
00:49:20 California and Mexican police officials have abandoned their previously held theory
00:49:24 that Emmett Myers is connected with the disappearance of Gilbert Bowen
00:49:28 and Roy Collins of El Centro, California.
00:49:30 They have been missing since last Sunday night, supposedly on a fishing trip.
00:49:34 The police on both sides of the border now feel that Myers is traveling alone
00:49:38 and has apparently abandoned his intention of seeking escape by way of Santa Rosalia.
00:49:47 (laughing)
00:49:49 - What do you know?
00:49:51 - This kind of changes my plans.
00:49:54 Looks like you and me are going fishing after all.
00:49:59 On your feet. Head for the car, let's go.
00:50:05 We're not going anyplace.
00:50:09 Stand up!
00:50:12 (dramatic music)
00:50:14 - What did you do to it?
00:50:23 - There's a great big hole in that crank case.
00:50:25 - All right, we'll walk.
00:50:33 Just what that sore ankle of yours needs, Collins, a nice long hike.
00:50:40 (footsteps)
00:50:42 - Get up!
00:50:48 Now get the fishing gear out of the back. Move!
00:50:55 (footsteps)
00:50:57 (door opens)
00:51:23 (door closes)
00:51:25 - Stay with it. He'll never leave you out here alive.
00:51:32 - Yeah. Cut the gab.
00:51:34 - Get down!
00:51:49 (car engine roars)
00:51:51 (car engine roars)
00:51:53 - Let's get going.
00:52:01 - Maybe we'll have to leave you here.
00:52:09 - Too bad.
00:52:12 - Come on, Roy, try.
00:52:19 (footsteps)
00:52:22 (footsteps)
00:52:50 (car engine roars)
00:52:52 - There we are!
00:53:19 Here we are!
00:53:21 Can't you see us?
00:53:23 Look, here we are!
00:53:26 Down here!
00:53:28 Oh, please, God, hear me!
00:53:32 Hear me!
00:53:34 Come back! Come back!
00:53:38 (dramatic music)
00:53:47 - Leave him alone. Can't you see he's praying?
00:53:50 (dramatic music)
00:54:16 (car engine roars)
00:54:18 (car door closes)
00:54:25 (car engine roars)
00:54:27 (car engine roars)
00:54:36 (car engine roars)
00:54:43 (car engine roars)
00:54:45 - Get under the bridge, quick!
00:55:01 (thunder rumbles)
00:55:11 (thunder rumbles)
00:55:13 - Relax.
00:55:27 (water splashes)
00:55:29 - Go ahead if you can stand the filthy stuff.
00:55:50 (water splashes)
00:55:55 (water splashes)
00:55:57 - You know, Collins, you're just about my size.
00:56:09 Put you in a black shirt and dark pants...
00:56:12 with a leather jacket...
00:56:15 and you'd look just like Emmett Myers
00:56:19 to anyone who never saw him.
00:56:22 Ain't nobody in Santa Rosalia ever saw him.
00:56:25 Let's change.
00:56:29 - Get up on the bank and take your clothes off.
00:56:38 (dramatic music)
00:56:40 (water splashes)
00:56:46 (dramatic music)
00:56:51 (water splashes)
00:56:53 - Come on, get up.
00:57:00 (dramatic music)
00:57:17 (dramatic music)
00:57:19 (speaks in foreign language)
00:57:41 (door opens)
00:57:43 (car engine roars)
00:57:51 (tires screech)
00:57:54 (dramatic music)
00:57:57 (dramatic music)
00:57:59 - Looks great, doesn't it?
00:58:18 You won't be there long.
00:58:19 Collins! There are cops down there!
00:58:21 In those clothes, they might shoot you!
00:58:23 - And it'd solve all your problems, wouldn't it?
00:58:26 - (sighs) Not if they found they made a mistake, it wouldn't.
00:58:29 We'll hit some little joint in the outskirts.
00:58:32 I might even buy you boys a beer.
00:58:35 Get moving.
00:58:37 (speaks in foreign language)
00:58:47 - Give us three beers.
00:58:49 (speaks in foreign language)
00:58:51 - He doesn't speak English.
00:58:55 (speaks in foreign language)
00:58:57 - When I want you to talk, Max, I'll tell you.
00:59:00 Sit down, Collins. Rest your sore foot.
00:59:04 You can talk it now.
00:59:09 Ask him about the ferry to Guaymas.
00:59:11 I'll be watching his face.
00:59:13 If he starts looking frightened, I start shooting.
00:59:16 (speaks in foreign language)
00:59:24 - Friday, that's today, and Tuesday at nine o'clock.
00:59:27 - Ask him where we catch it.
00:59:29 (speaks in foreign language)
00:59:31 - You're out of luck.
00:59:40 The ferry burned up. It's being repaired in Guaymas.
00:59:44 - You're lying.
00:59:46 - Ask him if he knows anyone who speaks English.
00:59:50 (speaks in foreign language)
00:59:53 (speaks in foreign language)
00:59:55 - He says he has a cousin who speaks English. Follow him.
01:00:04 - Up.
01:00:05 (speaks in foreign language)
01:00:07 (speaks in foreign language)
01:00:09 - What can I do for you?
01:00:29 - I want to find out about the ferry to Guaymas.
01:00:31 - You want to go fishing?
01:00:34 Too bad. No ferry anymore for the next two months, maybe.
01:00:38 She burned up.
01:00:39 - Thank you.
01:00:40 - Fishing is pretty good here.
01:00:42 Not as good as Guaymas or La Paz, but okay.
01:00:45 You have motorboat?
01:00:47 - You know someone has a boat?
01:00:49 - Sure, sure.
01:00:50 My friend Jaime, he have one.
01:00:52 Motor runs good.
01:00:54 - How do we get to this Jaime?
01:00:56 - In the mine where he works.
01:00:57 - Let's go.
01:00:58 - He's not finished until six.
01:01:00 I fix it for you tomorrow morning.
01:01:02 - I want to go now.
01:01:04 At six.
01:01:05 - By the time my friend gets the boat ready, there is no sun.
01:01:09 My friend does not like using too much boat at night.
01:01:14 He sees his wife and kids only at night.
01:01:20 For me?
01:01:23 - Yeah.
01:01:24 - You pay my friend too?
01:01:25 - Yeah.
01:01:26 - You be at pier at 8.30.
01:01:28 The name of the boat is Estrella.
01:01:30 - Estrella?
01:01:31 - Estrella.
01:01:32 - Estrella.
01:01:33 - 8,000 pesos, sir.
01:01:37 - We go around the town and wait by the water until it gets dark.
01:01:46 Let's go.
01:01:48 (wind blowing)
01:01:51 (door opening)
01:01:53 (door closing)
01:01:56 (door closing)
01:01:59 (wind blowing)
01:02:01 (wind blowing)
01:02:29 - Wait a minute, will you?
01:02:31 Wait.
01:02:32 - What?
01:03:01 - You better go fishing when you get a chance.
01:03:03 That's what you came down here for, wasn't it?
01:03:06 You guys are really fools.
01:03:10 If you weren't, one of you would have got away.
01:03:14 But you kept thinking about each other.
01:03:17 So you missed some chances.
01:03:19 You got tired.
01:03:22 You slowed down.
01:03:24 Now it's pretty late.
01:03:27 Yeah, tomorrow I'll be in Guaymas.
01:03:31 Too bad you're not making the whole trip with me.
01:03:33 That'd be kind of silly, wouldn't it?
01:03:37 You stink, Myers!
01:03:45 You smell just like your clothes.
01:03:49 Sure, you'll make it to Guaymas,
01:03:52 but they'll catch up with you and put you out of your misery.
01:03:55 You haven't got a chance.
01:03:59 You haven't got a thing except that gun.
01:04:01 You better hang on to it.
01:04:04 Because without it, you're nothing.
01:04:06 You're finished.
01:04:07 - Shut up!
01:04:09 - Gracias, Carlos.
01:04:14 - Caramba!
01:04:26 - Caramba!
01:04:28 - Call the police!
01:04:30 This man was at my cousin's.
01:04:32 He's leaving tonight on the star,
01:04:34 the ship of M'amu Jaime.
01:04:36 No, Carlos, I'm not drunk.
01:04:38 Call the police!
01:04:40 Hello? Hello?
01:04:43 The police!
01:04:45 No, no, no, no! The police!
01:04:47 (gunshot)
01:04:49 (music)
01:05:17 Hold it.
01:05:19 All right, Collins.
01:05:28 Now you get to take a nice little walk all by yourself.
01:05:31 Down the alley and out on the dock.
01:05:33 Me and Bowen will follow.
01:05:35 If you try to tip anyone off, I'll let Bowen have it.
01:05:38 You wouldn't want that to happen, would you?
01:05:40 Get going.
01:05:42 (music)
01:06:11 (music)
01:06:21 (music)
01:06:45 Go ahead, Collins.
01:06:47 All the way out.
01:06:49 Keep under the lights.
01:06:52 (doorbell)
01:06:54 (footsteps)
01:07:08 (footsteps)
01:07:36 (door opens)
01:07:38 (door closes)
01:07:40 (footsteps)
01:08:08 (footsteps)
01:08:27 Alto!
01:08:28 (gunshots)
01:08:30 Alto! Alto ahÃ!
01:08:32 (gunshots)
01:08:33 I'm not biased! I'm not biased!
01:08:36 (gunshot)
01:08:37 You hear me? I'm not biased!
01:08:40 (gunshot)
01:08:42 (footsteps)
01:08:48 Alto! Alto!
01:08:50 (footsteps)
01:08:56 Alto! Alto ahÃ!
01:08:58 (footsteps)
01:09:01 Alto! Alto!
01:09:04 Put your hands up!
01:09:06 Walk this way.
01:09:08 Do as he tells you, Myers.
01:09:11 You're all through.
01:09:13 (music)
01:09:41 (gasp)
01:09:44 (grunt)
01:09:46 (music)
01:09:58 That's enough! That's enough!
01:10:01 (music)
01:10:06 Lleveselo!
01:10:07 (music)
01:10:13 I'm sorry.
01:10:15 We'll have to have full report.
01:10:17 You understand?
01:10:18 Gracias.
01:10:19 Gracias.
01:10:20 (music)
01:10:22 It's all right now, Roy.
01:10:25 It's all right.
01:10:26 (music)
01:10:55 (music)
01:10:58 This has been a presentation of the Library of Congress.
01:11:04 Visit us at loc.gov.
01:11:06 of.
01:11:06 [BLANK_AUDIO]