Global sensation Thalía hosts an exclusive premiere party where she will debut never-before-heard music, discuss her artistic process and answer fan questions in an intimate setting.
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MusicTranscript
00:00 Look, I'm being asked what it feels like to be in fashion,
00:04 and I say that we've always been in fashion,
00:07 that our music has always been in force,
00:10 on fire.
00:13 Now, what's happening now is that the new generation, I feel,
00:18 is getting into the sounds that move your guts,
00:24 the requintos, the accordions,
00:27 they're rediscovering it, the young people are grabbing a guitar
00:31 and they're learning notes to sing.
00:35 I think they're doing it their way, right, Jimmy?
00:39 My love!
00:40 Hello!
00:44 Hey, it's so nice to be here!
00:46 It's so good to have you, it's so good to have you,
00:48 our powerful global...
00:49 And Jimmy?
00:51 Lidia.
00:51 My love.
00:53 Hey, it's so nice, my love.
00:55 I'm fascinated to be here, to greet you,
00:59 to talk a little bit about music, about what unites us,
01:04 and well, I'm here for you.
01:06 Well, congratulations on this beautiful project, really.
01:10 My love, my love.
01:11 I'm excited that some very fortunate people
01:14 will have the gift of listening to it before it comes out.
01:19 And I imagine you're excited too,
01:21 because at midnight the first video is released.
01:23 Tell me how you feel.
01:24 I'm happy, excited, precisely because
01:29 tonight, like Cinderella,
01:33 the carriage is going to change.
01:35 I mean, we're going to go full out.
01:38 This new video is going to come out.
01:39 "Bebé, perdón" is the song, my dear Jimmy.
01:43 And I have been working on this surprise
01:46 for several months, half a year,
01:49 maybe more.
01:50 About that.
01:51 Yes.
01:52 And then, well, I've been planning this
01:55 with the team for about a year and a half,
01:58 and the video turned out spectacular.
02:01 I'll tell you more details.
02:03 Jimmy, I'm very happy that you're here.
02:06 No, imagine me, you still make me nervous.
02:09 How do we Mexicans see each other here?
02:11 How do we see each other?
02:12 Yes, let's see.
02:13 Woo!
02:14 Viva Mexico!
02:15 We see each other like crazy, or what?
02:19 Let me tell you, I look at Thalia and I say,
02:22 "It looks like you're about 22 years old."
02:26 It looks like it.
02:28 And the energy.
02:29 It looks like it.
02:30 Well, it's a truly exciting moment
02:33 for Mexican regional music and Mexican music.
02:35 And Jimmy, you've had a very important role
02:37 in this new wave of Mexican music,
02:40 which is now a global phenomenon.
02:44 Thalia, what do you think?
02:45 You, as a Mexican who grew up singing Mexican music,
02:49 what do you think about this global emergence of the genre?
02:53 Look, people ask me how it feels to be in fashion,
02:58 and I say that we've always been in fashion.
03:00 That our music has always been in force,
03:04 on fire.
03:06 We've never stopped in all musical genres
03:10 that Mexican music embodies,
03:12 which is totally vast, beautiful, beautiful.
03:16 What's happening now is that the new generation,
03:19 I feel, is getting into the sounds
03:24 that move your guts.
03:27 The requintos, the accordions, they're rediscovering it.
03:31 The young people are grabbing a guitar
03:34 and they're learning notes to start singing.
03:38 I think they're doing it their way, right, Jimmy?
03:41 And also, like Urban,
03:43 a very normal look, very relaxed, you know?
03:47 That's how I feel.
03:49 We have Vicente Fernandez and Tupac.
03:52 Yes, yes, yes.
03:54 I feel that.
03:56 The new music, the new era,
03:59 and that it's adapting,
04:00 and that it's starting to support this genre,
04:05 it's incredible.
04:06 Imagine having someone with so much name,
04:09 so much power, and so much trajectory,
04:12 and entering the new genre
04:15 that we have in our Mexican music.
04:17 It's something really cool.
04:19 But you know what, Jimmy?
04:20 I think it's...
04:23 doing it with respect,
04:25 with love, with pride,
04:27 that we feel, right?
04:28 It's not, "I got on the wave,"
04:30 or, "You got on the wave," or, "We did it."
04:32 No, no, no, no, no.
04:33 It's happiness to see what's happening.
04:36 It's a celebration, it's a party.
04:39 She's super passionate about what we did.
04:41 The truth is, it's not a lie.
04:44 The passion has been there in both of us.
04:46 I sent her a song and she said,
04:48 "I love it! Send it to me!"
04:49 And I said, "Wait."
04:51 -So... -Wait, wait, wait.
04:52 I'm like Spiri Gonzalez, right?
04:54 -And she's got the moves. -I don't stop.
04:57 I don't stop.
04:58 Jimmy said,
04:59 "How did they call him to work with you
05:01 and he froze?"
05:03 Tell me how they decided that it was Jimmy Humilde,
05:05 the person they had to call.
05:07 Look, I'm going to tell you a little bit,
05:08 because I think Jimmy doesn't know either.
05:11 My father was a criminologist.
05:14 He died when I was six years old.
05:16 And what I remember about him was his lab,
05:20 on the top floor of my house,
05:23 all the metal tables
05:25 and all the cases he was building
05:28 and solving.
05:29 I remember I would sit at the table
05:32 and he'd say, "Look, do you see this photo?
05:33 What's different about this photo?
05:35 What do you feel is off,
05:37 that doesn't match this picture, this frame?
05:40 What's out of place?"
05:42 He always asks, he always analyzes.
05:45 Even if they tell you this is,
05:47 you look for something you need to know.
05:51 And when this movement started,
05:53 I got the criminologist, Talia Sodi,
05:56 because I said, "Where did this come from?
05:59 Who was the precursor?
06:01 Who was there from the beginning?
06:03 Who started the fire?
06:05 Who blew it up so it got bigger?"
06:09 And I got Mr. Humilde.
06:12 I got Mr. Humilde.
06:14 -Bravo. -Criminologist.
06:16 Be careful,
06:17 because I can smell the Lorena Bobby.
06:21 No, be careful, that's worth a lot.
06:23 The one who knows, knows.
06:27 You have to take care of Tommy.
06:29 Poor Tommy.
06:30 Oh, I'm so sorry.
06:31 Yes, poor Tommy.
06:31 I'll let you talk to him later.
06:34 And how long did it take to get Jimmy
06:37 and start working on the project?
06:40 I don't know how we got connected,
06:42 but we got connected.
06:43 We started talking later.
06:45 We met in Westchester,
06:47 on the outskirts of New York,
06:49 in a lost studio.
06:50 We met in that studio.
06:52 Jimmy took his producer.
06:56 And Ergar, Ergar from Yellow Room.
06:59 -He's a co-producer. -Ergar Rodriguez.
07:01 Yes, yes.
07:02 Ergar from Yellow Room.
07:05 He's a person I've worked with for many years
07:07 and I've been working with him,
07:08 as I told you earlier.
07:09 And he was the person I trusted the most
07:13 and I was able to bring him to the table
07:14 to do what was discussed
07:17 in the first conversations.
07:19 So, Ergar and I arrived and...
07:21 And they asked for, who knows how many chickens,
07:23 and they ate them.
07:24 And they ate like five chicken sandwiches.
07:28 Never.
07:29 Look, he's laughing
07:30 because he already gave him the face of a dragon.
07:32 Never in my life have I seen a person
07:34 with that size eat three chicken burgers.
07:37 Come.
07:38 He already gave me the face.
07:40 No, but seriously, we started listening to music.
07:43 We were...
07:44 Ergar, Jimmy, Tommy was there.
07:46 You know he loves music.
07:48 He's passionate about it.
07:49 He's been one of the great promoters
07:51 of the movement of music,
07:53 of what is the Latin Explosion.
07:56 Of the Latin...
07:57 I mean, of everything.
07:58 So, he's always been there.
08:01 And hearing the echoes...
08:02 What did he say?
08:03 "Man, this is so cool!"
08:05 What did Tommy say?
08:06 "You feel this?
08:07 This shit is awesome, man!"
08:08 He grabbed himself and said, "Okay, let's do it."
08:09 But we were still where...
08:10 Do you remember I said, "Hey, you can't come in,
08:11 but calm down with your scream."
08:12 Do you remember?
08:13 And then I said, "Put the scream in, put the scream in,
08:14 put it in here!"
08:15 And he said, "But Marimar isn't here, Karen.
08:16 I want her to be there."
08:17 And I said, "Don't even think about it."
08:18 But that scream ended up in a song.
08:19 Yes.
08:20 Yes.
08:21 And I said, "I'm going to put it in here."
08:22 And he said, "Okay, put it in here."
08:23 And I said, "Okay, put it in here."
08:24 And I said, "Okay, put it in here."
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15:01 [Spanish]
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15:38 Yes!
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15:43 [Applause]
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31:05 [ Applause ]
31:07 [BLANK_AUDIO]