Flick Flow Promo
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00:00 [MUSIC PLAYING]
00:02 [YAWNING]
00:06 It's a lovely day today.
00:08 So whatever you gotta do, you got a lovely day to do it in.
00:14 That's true.
00:15 Good morning, Charlie.
00:22 Good morning.
00:28 This is Sophia, Charlie.
00:29 She's a magician with a needle.
00:32 Sophia's working me up a little Glenn Platt number.
00:35 And I've asked her if she'd put something together for you.
00:38 I don't need any--
00:39 any clothes, Carl.
00:40 Standard issue for an upscale urban assignment.
00:44 You don't like the clothes, Charlie?
00:45 On completion of duty, you can give them away.
00:49 Juice, coffee, and other assorted goodies
00:51 on the trolley over there.
00:52 Why don't you get yourself up, get yourself together.
00:56 It's a great day for singing a song,
00:58 and it's a great day for moving along.
01:02 And it's a great day for morning to night,
01:05 and it's a great day for everybody's plight.
01:10 How are you feeling today, Colonel?
01:18 Super.
01:20 Superior.
01:22 Superfluous.
01:25 Young Sophie here is working Thanksgiving
01:27 because she's trying to put herself through college.
01:29 I told her my young friend Charlie's headed for college.
01:33 Excuse me.
01:34 Where are you going?
01:35 I need to use the phone.
01:37 What's wrong with the phones in here?
01:40 I know, but I don't want to disturb you.
01:42 You're not disturbing me.
01:43 Make your call.
01:45 I'd kind of like to be private.
01:46 Stay out of my room.
01:49 This is as private as you're going to get.
01:54 But if you've got something, it must be done.
01:59 And it can only be done by one.
02:04 Sophia, what are the chances of suiting you up sometime?
02:11 Sugar Bee Schlage.
02:12 Hi, George Willis, please.
02:13 Hello.
02:18 George, hey, it's Charlie.
02:21 Hey, Chaz, next year you've got to come up with us.
02:24 White powder on a base of snow bunnies.
02:29 Chaz, are you there?
02:31 Yeah, I'm here.
02:34 You told me to call you for the moves.
02:36 All right.
02:37 For now, the move is no move, status quo.
02:40 Everything's the way we left it.
02:42 How do we leave it?
02:44 See no evil, hear no evil.
02:49 You know what I mean, Chaz?
02:52 Yeah, see no evil, hear no evil.
02:54 OK, then, walk like you talk.
02:59 All right.
03:00 George Willis, huh?
03:06 Yeah.
03:07 George Willis.
03:09 That makes his father probably George Willis Sr.
03:13 Charlie, I ask you, what do you think
03:16 big George is going to feel about little George seeing
03:20 no evil, hearing no evil?
03:22 Well, we're not going to tell our parents.
03:27 We're just going to keep it between ourselves.
03:31 Oh, George isn't going to tell his father about this thing.
03:34 Damn decent of him.
03:35 Ooh, ah!
03:37 [SPEAKING ITALIAN]
03:38 Prego.
03:40 I love it when you hurt me.
03:40 Tell me now, Charlie, this George Willis Jr.,
03:47 what's his father do?
03:50 I don't really know.
03:51 Well, I'm going to tell you.
03:53 When George Willis Sr. is not busy as a million dollar
03:56 man for Aetna Casualty, or is it New England distributor
04:00 for the Chrysler Corporation, he concerns himself
04:03 with his young son, George Willis Jr.
04:07 Yeah, well, George isn't going to say anything to his father.
04:09 Oh, Charlie.
04:12 Big George going to wind up little George,
04:14 and little George going to sing like a canary.
04:17 And if you're hip, kid, you're going to hop to too.
04:20 Well, you've got this all figured out, don't you?
04:22 Well, it don't take no young American merit scholarship
04:25 to figure this one out.
04:26 Charlie, you had a little life, so you decided
04:29 to go to the Baird School to put yourself
04:31 in the market for a big one.
04:33 Now, in order to stay in the running,
04:35 you're going to have to tell these people what they want
04:37 to know.
04:40 You think so?
04:41 Are we finished, Sophia?
04:42 Yes.
04:43 [SPEAKING ITALIAN]
04:44 [SPEAKING ITALIAN]
04:47 Charlie, if you don't sing now, you're
04:53 going to end up not only shelving biscuits
04:56 in some convenience store in the Aragon Burbs,
04:59 but probably the last word you'll ever hear yourself
05:02 say just before you croak going to be, have a nice day
05:06 and come back soon.
05:09 Sophia, measure up Charlie here pronto.
05:12 We got a date for Thanksgiving.
05:15 We got a date?
05:16 My brother's place, W.R. Slade, White Plains, New York.
05:22 Colonel, I can't go with you to your brother's place.
05:25 I mean, I should be getting back to school.
05:27 But you got to have Thanksgiving somewhere.
05:34 I mean, eat some treats.
05:37 I could use the company, Charlie.
05:38 All right.
05:39 Does he know I'm coming?
05:45 He doesn't know I'm coming.
05:46 But wait till you see the look on his face
05:48 when I walk through the door.
05:50 Oh, he loves me.
05:51 Oh, Charlie, about your little problem.
05:58 There are two kinds of people in this world, those who stand up
06:01 and face the music and those who run for cover.
06:05 Cover is better.
06:06 OK, Sophia, suit him up.
06:09 Make him pretty.
06:11 [MUSIC PLAYING]
06:15 [MUSIC PLAYING]
06:18 (dramatic music)