VLOG - AVIS CRITIQUE DU FILM OPPENHEIMER !
Salut à tous !
Nouvelle critique où je donne mon avis critique sur le film OPPENHEIMER de Christopher Nolan, avec Cillian Murphy !
Propriétaire : Universal
#Oppenheimer #OppenheimerMovie
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Salut à tous !
Nouvelle critique où je donne mon avis critique sur le film OPPENHEIMER de Christopher Nolan, avec Cillian Murphy !
Propriétaire : Universal
#Oppenheimer #OppenheimerMovie
SUIVEZ-MOI SUR LES RÉSEAUX SOCIAUX !
TWITCH : https://www.twitch.tv/clapman_yt
INSTAGRAM : https://www.instagram.com/clapman_yt/
TWITTER : https://twitter.com/Clapman_YT
UTIP : https://utip.io/clapman
Category
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Court métrageTranscription
00:00 Barbie or Oppenheimer who will win this crazy day at the cinema
00:04 Hello everyone, I hope you're doing well
00:17 Maybe
00:17 Hello again, because today
00:19 It's already the second video
00:21 It's the Barbenheimer, the review of Barbie
00:23 Is available on the channel
00:25 And it's a crazy Wednesday at the cinema
00:27 If you've already seen the two feature films
00:29 Tell me in the comments what you liked
00:31 We already talked about Barbie on the channel
00:33 We now go to Oppenheimer, let's go
00:35 Oppenheimer is Christopher Nolan's new film
00:37 That we no longer present today
00:39 In 1942, convinced that Nazi Germany
00:41 Was developing a nuclear weapon
00:43 The United States initiates in the greatest secret
00:45 The Manhattan Project
00:47 Destined to launch the first atomic bomb
00:49 In history
00:51 To pilot this device
00:53 The government hires Oppenheimer
00:55 Who will soon be nicknamed the father of the atomic bomb
00:57 And who says of course, new Christopher Nolan's film
00:59 Says, big expectations
01:01 In any case for my part, because yes, you know
01:03 I think, and it's one of my favorite directors
01:05 There is also a top of his films
01:07 Which is available on the channel
01:09 Oppenheimer, I was waiting a lot of course
01:11 And I was waiting to see what he was going to give in this new register
01:13 Because yes, Oppenheimer is a biopic
01:15 So after Nolan, it's true that he has the habit
01:17 To go a little bit everywhere
01:19 The superhero movies, the science fiction
01:21 Space, war movies
01:23 Finally, he goes everywhere, with a certain sense
01:25 Of success, because movies
01:27 Missed by Christopher Nolan, it's quite rare
01:29 Personally, except I think
01:31 Insomnia and Tenet
01:33 I'm quite attached to all his filmography
01:35 And suddenly, what does it give here
01:37 After these three hours of viewing
01:39 Because yes, Oppenheimer, it lasts three hours
01:41 Well, I liked it a lot
01:43 It's not at all the project
01:45 Of Christopher Nolan, the most accessible
01:47 On the other hand, be careful
01:49 Anyway, you have the impression that Nolan
01:51 Since Interstellar, the movies
01:53 Popular, great audience, etc, etc
01:55 He starts to move away a little bit
01:57 It had already started with Dunkirk
01:59 Tenet was less accessible, maybe
02:01 At this concept level, but we were still in
02:03 An action blockbuster, it was made
02:05 To bring people to the theater, here we are
02:07 On a three-hour biopic, really
02:09 If you don't care about the atomic bomb
02:11 If you don't care about Oppenheimer
02:13 I think you'll feel
02:15 The time passing
02:17 There's a chance that when we push that button
02:19 We destroy the world
02:21 Chances are near zero
02:23 Near zero
02:25 What do you want from the theory of lone?
02:27 Zero would be nice
02:29 But even if we are here in a biopic
02:31 And we will find ourselves in something more classic
02:33 From the director, we will still find
02:35 The gimmicks of Christopher Nolan
02:37 The gimmicks of his cinema
02:39 We will play with time, it's not linear
02:41 We have different temporalities
02:43 We have these little texts at the beginning to present
02:45 The different temporalities, a little bit like
02:47 What we had in Dunkirk, and where I think
02:49 The feature film will be a little bit difficult
02:51 To digest for a lot of people, it's that we have
02:53 Almost two stories, two movies
02:55 In one, it lasts three hours
02:57 I remind you, and we have two hours
02:59 Almost on the conception of
03:01 The atomic bomb, and then one hour
03:03 We will be in trial stories
03:05 And by presenting you that, we could say
03:07 That the two hours of atomic bomb, it will pass
03:09 On the other hand, the trial time
03:11 Then we will be a little bit bored
03:13 And it will be my unpopular opinion
03:15 But personally, this last hour of film
03:17 I really enjoyed it
03:19 It's what I preferred, I found it
03:21 Exceptional in terms of editing
03:23 How it's brought, how the sauce is taking more and more
03:25 There is a dynamism in the editing
03:27 That you hang on the image
03:29 After yes, as I was saying, I think that for a lot of people
03:31 There will be too much stuff in Penhammer
03:33 It lasts three hours
03:35 There is a lot of information and a lot of discussions
03:37 That are very scientific
03:39 Obviously, you need almost the little manual
03:41 To understand everything, and it's Christopher Nolan
03:43 That wants to do the intelo as usual
03:45 I know it can disturb you, for the anecdote and for the reminder
03:47 It's the Universal logo that appears
03:49 At the beginning of the feature film, because yes, Nolan
03:51 Has been confused with Warner
03:53 With whom he has been working for years
03:55 The agreement had exploded during the Covid
03:57 When Warner had decided, you know, to broadcast
03:59 Some films that were in preparation for the cinema
04:01 They had decided to broadcast them on 8imax
04:03 Which did not please Nolan at all
04:05 We know it, the director defends
04:07 The cinemas a lot
04:09 But the films, it's in the cinemas
04:11 So, behind this Open Hammer, we can find Universal
04:13 And it's not insignificant that next to that
04:15 The competition of the day, Barbie
04:17 Is a film broadcast by Warner
04:19 We don't have the release date
04:21 If we can make a direct competition to Nolan
04:23 Who failed us, why not
04:25 There was, as usual, a big comm on the imax
04:27 On the 70mm, I say it
04:29 This Open Hammer is not
04:31 The biggest project of your life
04:33 To see a movie in imax, there are beautiful shots
04:35 Sometimes aerial shots, shots on big explosions
04:37 Ok, but otherwise, overall
04:39 I remind you, we are in a classic biopic
04:41 We are not on the most spectacular project
04:43 Of the director, the biggest show
04:45 For me, if we don't see
04:47 Open Hammer in imax, there is worse in life
04:49 And especially that it's often bullshit
04:51 Because cinemas that broadcast
04:53 The Open Hammer feature film in the conditions
04:55 That Nolan wants
04:57 There are very few on Earth
04:59 We still have some sequences that come out of the water
05:01 We have a communication on this aspect
05:03 A little bit horrific that we would find
05:05 In the end of the movie
05:07 This horrific aspect, we have it
05:09 During a sequence
05:11 A sequence of Open Hammer speech
05:13 That is very well worked after the explosion of the atomic bomb
05:15 Where we have a big work
05:17 On the sound
05:19 We will juggle between silences and sounds
05:21 A little bit more minor, and we even have a jumpscare
05:23 But otherwise, from there to say that it turns into a horror movie
05:25 We must not abuse
05:27 We have a big explosion sequence that
05:29 In imax, why not, it must be awesome
05:31 And especially that it was announced
05:33 That the explosions really happened
05:35 We know that the director loves the real
05:37 He does not like too much the CGI
05:39 We clearly feel this side race against the world
05:41 It's something that I really liked
05:43 Because yes, it lasts 3 hours
05:45 But at the level of the editing, it's very dynamic
05:47 The scenes are linked but at a speed
05:49 It's not necessarily a story
05:51 And a film that is very posed
05:53 We go in all directions
05:55 We do not get bored, in any case I did not get bored
05:57 We change very often of scenes, of temporality
05:59 With each time, but the music that takes you
06:01 The original soundtrack is pretty good
06:03 But I keep, if you are not interested in the delirium
06:05 And this story, you will find the time long
06:07 It is not a popular project
06:09 I even wonder if it is not for this reason
06:11 That there was no preview public
06:13 To not have bad feedback
06:15 Before the official release
06:17 There are a lot of people who will run to the cinema because it's Christopher Nolan
06:19 But beware, the Christopher Nolan of 10 years ago
06:21 It is not the one of today
06:23 Even if there are a lot of good things to put
06:25 Under the teeth, we talked about editing
06:27 We talked about the rhythm, which for me is pretty good
06:29 Of course we can talk about the performances of actors
06:31 But damn, this casting is incredible
06:33 Kenan Murphy is impressive
06:35 He wears the whole film on his shoulders
06:37 The three hours of feature film
06:39 And in addition to that, he announced a few days ago
06:41 It was really at the beginning of the week
06:43 Apparently, "Open timer" was shot in 57 days
06:45 A three-hour film like that in 57 days
06:47 It's very, very fast
06:49 I think it was very, very intense for the actor
06:51 My other favorite characters in the feature film
06:53 It's of course Matt Damon and Robert Downey Jr
06:55 Robert Downey Jr, who is a great actor
06:57 I'm not sure about Matt Damon and Robert Downey Jr
06:59 But what a pleasure to see him in something else than Marvel
07:03 He has a real role
07:05 He totally kills the screen
07:07 And especially in the last act
07:09 I really liked as well Emily Blunt and Florence Pugh
07:11 Who are two actresses that I love
07:13 Who are, yes, in the background
07:15 And we feel again, and this is one of the reproaches
07:17 Which is often made at Nolan's cinema
07:19 The women, we feel that the guy doesn't care
07:21 It's quite rare to see in these films
07:23 Strong female characters
07:25 We are once again on a very masculine casting
07:27 And we have a lot of surprises
07:29 Second roles of people
07:31 For me, it was the surprise
07:33 I didn't know we were going to find them here
07:35 We have Josh Hartnett, Rami Malek, Dan DeHaan,
07:37 Kasia Fleck, Gary Oldman
07:39 Who was unrecognizable
07:41 And maybe many other people
07:43 But there are a lot of people in this casting
07:45 A lot of big names who come for a small role
07:47 And of course, a lot of used to Christopher Nolan's films
07:49 Why would we go to the middle of nowhere
07:51 For who knows how long
07:53 Why?
07:55 Why?
07:57 How about because this is the most important thing
07:59 To ever happen in the history of the world
08:01 And I liked overall the photography, the atmosphere
08:03 Which will be cold judged by a lot of people
08:05 It's like that, it's the director's cinema
08:07 We mentioned it a bit
08:09 But there is a very good work on the sound design
08:11 We sometimes have, you know, during scenes
08:13 Sequences, shots on, I don't know, molecules
08:15 Particles, you know, there are a lot of things
08:17 On, I don't know, molecules, particles
08:19 Sparkles, which come
08:21 To fit between two shots
08:23 On a character's face for example
08:25 To accompany a line, to picture what is being said
08:27 It works very well
08:29 And the sound, once again, is very good
08:31 During these little scenes
08:33 For once, I didn't feel the time pass
08:35 I can't wait to see it again because, once again
08:37 It's very hard to digest, there are a lot of dialogues
08:39 And I'm also curious to see
08:41 Where I could fit it in my top
08:43 Of the director's films, but I think
08:45 That we are still in front of one of his
08:47 Strongest projects, I really liked
08:49 This rise in power during these three hours
08:51 Until this last hour that I loved
08:53 We are curious to see how we wanted to create
08:55 The atomic bomb, why we wanted to create it
08:57 And then see all
08:59 The worries that it generated
09:01 The regrets and the conspiracies that are born
09:03 After all that, it's a story but which is
09:05 Absolutely crazy, it was exciting
09:07 And it's even more scary
09:09 And scary to see this feature film
09:11 Today in the cinema, when we see
09:13 What is happening, unfortunately, on the side
09:15 Of Ukraine and Russia
09:17 As you understood, I loved
09:19 Oppenheimer, and it's not at all one of the director's projects
09:21 The most popular, but it's certainly
09:23 One of the most mastered, and some viewers
09:25 Will find it maybe long
09:27 I tell you that today, in the cinema
09:29 We were very lucky
09:31 And that's all for this video, I hope you liked it
09:41 As usual, I invite you to like it, to share it
09:43 To tell me in the comments what you thought
09:45 Of the work in question, to subscribe
09:47 And follow me on all my networks
09:49 For all the news and reactions to the news
09:51 But also to become a member of support if you want
09:53 Support my work, and we will meet
09:55 Very soon on the channel for this next review
10:09 But there will also be the review
10:11 On Secret Invasion, the Marvel Disney series
10:13 I can't wait to talk about it
10:15 Because according to the first feedback
10:17 It's pretty cool, we'll see what it gives
10:19 But in any case, this week
10:21 Don't hesitate to go to the cinema
10:23 For Barbie, for Oppenheimer
10:25 Because it's really very good, both sides for me
10:27 It allows us to finish the season on a very good note
10:29 There will still be some small reviews
10:31 But then it will be the holidays
10:33 I wish you all a very nice week
10:35 And I'll see you soon
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