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00:01:30One, two, three, that's the time.
00:01:33One, two, three, please don't bounce.
00:01:36No, no, just a moment.
00:01:38The bounce is most unfortunate.
00:01:40Please remember, ladies and gentlemen, we're learning the waltz.
00:01:43Now let's try it again.
00:01:46One, two, three, back, two, three, please don't bounce.
00:01:50One, two, three, you're shuffling, Mr. Adams.
00:01:53One, two, three, one, two, three, that's quite good.
00:01:57One, two, three, better, Mr. Cottle.
00:02:00One, two, three, one, two, three, one, two, three.
00:02:04One, two, three, one, two, three, one, two, three.
00:02:08All right, that's splendid.
00:02:10Now we've conquered the fundamentals and we're ready for the turn.
00:02:13If you'll just take your partners and form a circle, please.
00:02:19Now let us approach this new dance with freshness,
00:02:22gaiety, and a decided degree of abandon.
00:02:26Miss Ponsonby, if you please.
00:02:33The elementary position is the male partner A faces the female partner B.
00:02:37The male partner A places his arm around the waist.
00:02:40Around the waist?
00:02:43Around the waist.
00:02:45Oh, I don't believe what he is doing.
00:02:50But Professor, it's so daring.
00:02:53It's not daring, only modern, European, graceful, novel.
00:02:59Now, let's all try it.
00:03:03Well, partners face each other.
00:03:06Gentlemen, place your arms around the lady's waist.
00:03:14Bravely, bravely, it takes courage at first.
00:03:20Now, let's all try it.
00:03:23Well, partners face each other.
00:03:27One, two, three, that's the way.
00:03:42Professor Pride, it's almost nine o'clock.
00:03:46The Providence coach leaves in an hour.
00:03:48Oh, to be sure.
00:03:50Ladies and gentlemen, that'll be all for tonight.
00:03:53We'll continue the lesson next Wednesday evening.
00:03:55Oh, Professor, couldn't we do just one more turn?
00:03:58Oh, I'm awfully sorry, but I really must go now.
00:04:01I'm going to my aunt for the weekend.
00:04:03Oh.
00:04:05Amanda, the rats.
00:04:07Good night, Professor.
00:04:08Good night.
00:04:09Good night, Professor.
00:04:10Good night.
00:04:11All the others, please.
00:04:13Good night, Professor.
00:04:14Good night.
00:04:15Thank you, Miss Ponsonby.
00:04:18Good night.
00:04:19Good night.
00:04:20Good night.
00:04:22You told me to remind you.
00:04:23Your aunt wanted her umbrella returned.
00:04:25Oh, thank you.
00:04:26I almost forgot.
00:04:27Do you mind if I...
00:04:28No, you give it to me.
00:04:29I can fold that better than you.
00:04:31I'll straighten up the room.
00:04:32You'd better hurry.
00:04:33I'm told those coaches leave exactly on the minute.
00:04:36Oh, yeah.
00:04:37Oh, just a moment, my music box.
00:04:40Have you ever traveled on the Providence four-horse coach, Mrs. Tucker?
00:04:43Mercy, no.
00:04:44I wouldn't tempt fate.
00:04:46The very danger of it appeals to me.
00:04:48Speed, excitement.
00:05:16Oh.
00:05:46Oh.
00:06:16Oh, excuse me, sir.
00:06:39Excuse me.
00:06:40Have you lost something, sir?
00:06:43I bet I did, matey, my gold lucky piece.
00:06:45Had it these 40 years, man and boy.
00:06:48Oh.
00:06:50Bless you, matey, it isn't every fine gentleman that would...
00:06:52Well, that's perfectly all right.
00:06:53I've plenty of time to catch my coach.
00:06:55Are you sure you lost it here?
00:06:57Well, I think I dropped it just about over in...
00:07:01Oh, look, I wonder if that can be...
00:07:05There you are.
00:07:07Well, that completes the crew of the bouncing vests.
00:07:10Nine o'clock, the morn's well.
00:08:11Never mind them galley knives.
00:08:13Sharpen them cutlasses.
00:08:15Yes, sir.
00:08:16I've already finished those.
00:08:20Do you call that sharp?
00:08:22What?
00:08:23Hold her. Aye, aye, sir.
00:08:27Finish them cutlasses first, or I'll slit your gullet.
00:08:41You put down that cutlass and finish my galley knives?
00:08:43Yes, sir, but the boss...
00:08:44No arguing!
00:08:46First, they give me a tailor.
00:08:48I had to throw him overboard in a gunny sack.
00:08:50Then they gave me a schoolmaster.
00:08:52I made him walk the plank down in Panama.
00:08:55Now what do they send me for a galley boy, eh?
00:08:58A dancer!
00:09:00Throw away the longbow.
00:09:02I don't care.
00:09:04I don't care.
00:09:06A dancer!
00:09:08Throw away the longbow.
00:09:11Find your men and bring out those casks.
00:09:13Aye, aye, sir.
00:09:14Crooky, lend a hand with those casks.
00:09:16Fast, son of a...
00:09:17I want them back aboard filled with fresh water for the windchangers.
00:09:20Come on, there. First up there.
00:09:22Come on, shake a leg, you lazy lubber.
00:09:24Come on.
00:09:25Come on, you lubber. Get those casks over the rail.
00:09:28Come on.
00:09:29Come on, shake a leg.
00:09:37Come on.
00:09:48A master dancer.
00:09:50Oh, I'm going ashore with the others, sir.
00:09:52You're going to stay here and finish them galley knives.
00:09:54But you told me...
00:09:56I've been planning.
00:09:57You said that when we got to California, I could...
00:09:59Oh, believe the arguments.
00:10:01Are you going to finish them galley knives?
00:10:03Yes, sir.
00:10:06I've lost it! Shiver me timbers, I've lost it!
00:10:09It's gone!
00:10:10What?
00:10:11The gold lucky piece!
00:10:12I've carried it these forty... twenty years, man and boy!
00:10:15Oh, gold, is it?
00:10:16Stand aside, you swab! If there's anything here, I wants it!
00:10:21Yes, sir!
00:10:24Well, you get it!
00:10:26Well, you get it!
00:10:43Quiet, Choo-Choo!
00:10:45We're all troubled with fleas.
00:10:47They bite the just and the unjust alike.
00:10:55Choo-Choo! Violence! Heaven protect us!
00:11:25Hey, what's the matter?
00:11:40Hey, what's the matter?
00:11:46Artilo, what is it?
00:11:49Here, light yourself up.
00:11:52Come on, Mama, come on.
00:12:02Blanca, Blanca!
00:12:05What is all that noise?
00:12:06I don't know.
00:12:07It must be something terrible, señorita.
00:12:26Stop that, you fool! You'll wake up the alcalde! You'll wake up Don Emilio!
00:12:30What's the matter? Did the coyotes get your sheep?
00:12:32No!
00:12:33Is there a fire?
00:12:34No!
00:12:35Who's dead?
00:12:36No!
00:12:44He is just a little bit sick, but the shepherds get that way.
00:12:50Now, calm down, calm down. Now, now, now.
00:12:56Tell us, what is the matter?
00:12:59Pirates!
00:13:01Where? Why didn't you tell me?
00:13:03You hear what he says? Pirates!
00:13:05Pirates!
00:13:06What shall we do?
00:13:07Shall we go to the fields? Shall we go to the hills?
00:13:09No, we go to the alcalde. He'll protect us.
00:13:15Pirates! What shall we do?
00:13:18Well, I'll go and put some clothes on.
00:13:23Get them, Cat. Take them up to that spring.
00:13:27We've got to get back on board before the wind sets in shore.
00:13:35Now, just a minute. I'll take that one. You take the little one.
00:13:38Shake away! Get going!
00:13:50How about it?
00:13:52Where are you going?
00:13:54I was going to the spring.
00:13:57The spring's down there.
00:14:00Oh, yes, sir.
00:14:02Wait a minute.
00:14:04Put that down.
00:14:08You and me is anchoring right here.
00:14:11I don't see why Cookie let you ashore anyhow.
00:14:14Sit down.
00:14:23Don Emilio! Don Emilio! Sir Alcalde!
00:14:25Wake up! The pirates are coming!
00:14:28Don Emilio! Sir Alcalde!
00:14:31Alcalde!
00:14:32Father! Father!
00:14:34Wake up! Wake up! Wake up!
00:14:36Pirates are coming! Pirates!
00:14:38Oh, no. It's not, dear Cat. It's too early for pirates.
00:14:42We haven't it! Alejandro Sodom!
00:14:44By the hundreds! By the thousands!
00:14:47They are marching down in the village.
00:14:49Oh, go away. Don't bother.
00:14:53Pirates?
00:14:55What are you doing here?
00:14:57You know what pirates are.
00:14:59Go to your room. Take good care of yourself.
00:15:01Protect your...
00:15:03Juan! Give me my clothes!
00:15:05Get my... What shall we do?
00:15:07Tell us! Lead us!
00:15:09Yes, well, I can't lead you till I get my pants on.
00:15:12Juan!
00:15:19I've lost it.
00:15:20Shiver me timbers, I've lost it. It's gone.
00:15:23Lost what?
00:15:24Me gold lucky piece.
00:15:25I've had it these 20 years, man and boy.
00:15:27Lucky piece?
00:15:28Yes, it's gold. Very valuable.
00:15:30Must be around here in the sand.
00:15:32What are you trying to do?
00:15:33Pull that old Shanghai story on me?
00:15:35I invented it.
00:15:37Sit down.
00:15:38Sit down!
00:15:46What's that?
00:15:55What's that?
00:16:09This is of Las Palomas, my children.
00:16:12The curse of the coast, the scourge of the sea,
00:16:15like a wild beast from the foam,
00:16:17has pillaged and ravaged Trinidad, Soledad, Felicidad.
00:16:21Felicidad?
00:16:22Yes, well, maybe not Felicidad,
00:16:25but anyway, they are upon us.
00:16:27Yes, with fire and sword,
00:16:29they menace not only our possessions,
00:16:31but our sacred honor.
00:16:35Are we men or are we mice?
00:16:38Shall we fight or shall we run?
00:16:43Your resolute faces give me the answer.
00:16:46Fight!
00:16:48And if we ran, they'd only catch us anyway.
00:16:51So, in defense of your homes and your loved ones,
00:16:55I, Don Emilio Jose Maria Salazar I. Pareda,
00:16:58your alcalde, dedicate my sword.
00:17:01My sword? Where's my...
00:17:03I can't...
00:17:06Will you give me my sword?
00:17:08Yes, thank you very much.
00:17:10Where was I?
00:17:11I, Don Emilio.
00:17:13Ah, yes.
00:17:14I, Don Emilio Jose Maria Salazar I. Pareda,
00:17:17dedicate my sword.
00:17:22Ampilo, we handle the artillery.
00:17:24Men, get your weapons.
00:17:26Sons of Las Palomas, to arms!
00:17:29To arms!
00:17:44Let me go!
00:17:45Let me go, I tell you!
00:17:46I'll catch him!
00:17:47I'll cut his gibbering off!
00:17:49Oh, what a galley boy.
00:17:50We'll get another galley boy.
00:17:52Come on!
00:17:53Come on, you old man.
00:17:54We'll be awake in a minute.
00:18:15THE END
00:18:37A gallant charge.
00:18:39Ampilo, this cannon must kill them by the hundreds.
00:18:42By the thousands.
00:18:43By the thousands.
00:18:44Will it make much noise?
00:18:46Terrifico.
00:18:47Terrifico?
00:18:48Genovia, bring the powder.
00:18:50Bring the stockings.
00:18:51And I'll bring the ammunition.
00:18:59Dear, what are you doing there?
00:19:01This is war.
00:19:03Get away from there.
00:19:04Scat, go on.
00:19:14Why, you inconsiderate monster.
00:19:20Ampilo!
00:19:21Alcalde!
00:19:22Alcalde!
00:19:23Bonamiglio, they're coming.
00:19:24They're on the road.
00:19:25What is it?
00:19:26Speak up.
00:19:27Oh, yes.
00:19:28The pirates!
00:19:29I saw their advance guard.
00:19:31I see.
00:19:32Advance guard, they're coming.
00:19:34Here.
00:19:37In the blood, Palomas!
00:19:40To the ramparts!
00:19:42No shooting till I fire the cannon.
00:19:44And then, massacre them!
00:20:12Hello.
00:20:43Hey, be careful.
00:20:44That's dangerous.
00:21:12Sit on it.
00:21:13Don't worry, Franco.
00:21:14Now they'll never get in.
00:21:16Ah!
00:21:17Ah!
00:21:18Girls, guys, you ready?
00:21:20I hope I'm not intruding, but...
00:21:22We're of Spain not to die.
00:21:24I'm not afraid.
00:21:26You're not?
00:21:27I am.
00:21:28Do you think they'll leave us alone up here?
00:21:31I know your intentions.
00:21:32I'm not afraid.
00:21:33I'm not afraid.
00:21:34I'm not afraid.
00:21:35I'm not afraid.
00:21:36I'm not afraid.
00:21:37I'm not afraid.
00:21:38I'm not afraid.
00:21:39I'm not afraid.
00:21:40Don't they leave us alone up here?
00:21:41I know your intentions.
00:21:42My intentions are to hide.
00:21:44These people are positively dangerous.
00:21:46Ah, that's an excellent idea.
00:21:59She went up there.
00:22:01In the señorita's room.
00:22:05All right, will it hold together now?
00:22:07I guarantee.
00:22:08Yes, but put a little more powder in this time.
00:22:10I can hardly hear it.
00:22:12If we just...
00:22:13Look!
00:22:14Look, Don Emilio.
00:22:15A flag of truce.
00:22:16Yes.
00:22:17Stand forth, dogs.
00:22:18Oh, well, did the pirates surrender?
00:22:21I don't think so.
00:22:22They're in your daughter's room.
00:22:23In my daughter's...
00:22:24What, already?
00:22:33Help!
00:22:34Help!
00:22:35Come on from there.
00:22:36Do you want to be shot?
00:22:37I prefer death to your embrace.
00:22:39Don't do that.
00:22:40One step nearer and I'll...
00:22:42If you kill yourself now, you'll regret it.
00:22:50He's killing her!
00:22:51Stop that!
00:22:52Stop that!
00:22:54But I'm not a pirate.
00:22:55Oh, did you think I was a pirate?
00:22:57My daughter!
00:22:58Where's my daughter?
00:22:59Father!
00:23:00Oh, oh.
00:23:01What did he do to you?
00:23:03He...
00:23:04Yes, tell me again.
00:23:05What?
00:23:06He killed Bianca.
00:23:07You!
00:23:08I'll put you in jail.
00:23:09I'll hang you by your...
00:23:10I'll make it very uncomfortable for you.
00:23:12I insist.
00:23:13I'm not a pirate.
00:23:14Don't lie to me.
00:23:15I guess I know a pirate when I see one.
00:23:17Hey, Pompano.
00:23:18You get our fastest horse and ride to Monterey and tell them
00:23:20that we've caught the most dangerous pirate on the coast.
00:23:23Don't send him to Monterey.
00:23:24What?
00:23:25We caught him.
00:23:26Yes.
00:23:27We're entitled to hang him ourselves.
00:23:28Oh, no, no.
00:23:29I haven't got the authority.
00:23:30I...
00:23:31Oh, have I?
00:23:32Yes, you are the al-Qadi.
00:23:33Yes.
00:23:34You caught him.
00:23:35We'll have to kill the gallows right here in the plaza.
00:23:37Yes.
00:23:38Well, if we could do that, I bet it would be fine.
00:23:40Let's hang him ourselves.
00:23:41I demand a hearing.
00:23:42I reiterate.
00:23:43I'm not a pirate.
00:23:44You reiterate.
00:23:45Now take him out.
00:23:46Okay, enough for him.
00:23:47Pirates coming.
00:23:48I'm escorting him to my jail.
00:23:49Pirate.
00:23:50Murderer.
00:23:51He killed Bianca.
00:23:52He killed Serafina.
00:23:53He killed the al-Qadi.
00:23:54No, no, no, no, no.
00:23:55He killed Bianca.
00:23:56He killed the al-Qadi.
00:23:57He killed Bianca.
00:23:58He killed Serafina.
00:23:59He killed Bianca.
00:24:00He killed Bianca.
00:24:01He killed Bianca.
00:24:02He killed Bianca.
00:24:03He killed the Alcalde!
00:24:04No, no!
00:24:06My children, fortunately, I'm not killed.
00:24:09Wounded a little, perhaps.
00:24:11But what's that to a soldier?
00:24:13He's an Alcalde! He's an Alcalde!
00:24:23What is it?
00:24:24What's the matter now?
00:24:27The pirates!
00:24:29Oh, the pirates?
00:24:31Are they coming?
00:24:32No, no, senor!
00:24:35They're gone!
00:24:36Ah!
00:24:41Men of Las Palomas, we've repulsed the barbarians.
00:24:44We've captured their leader.
00:24:46He will meet his just fate on the morrow!
00:24:54And this sacred blade, with which I defended our city,
00:24:58now becomes a symbol of justice!
00:25:01That...
00:25:05to which we may point with pride.
00:25:32I know everything will go all wrong.
00:25:37If we'd only had a few hangings before,
00:25:41I'm sure it would have messed it all up.
00:25:44And how they laugh at us in Felicidad.
00:25:46Don't do that!
00:25:47You're always making...
00:25:49Oh!
00:25:50Oh, yes, thank you.
00:25:51I've never been so nervous in all my life.
00:25:55Do you think maybe a feather would improve it?
00:25:59A feather would improve it?
00:26:01No, I guess it's all...
00:26:02Well, are you ready now?
00:26:03Don't keep us waiting.
00:26:05I'm not going.
00:26:06It's a terrible thing to hang a man.
00:26:08Well, if you were my father,
00:26:09how would you deal with a man who tried to attack me?
00:26:12I cannot make myself believe that he intended to harm me.
00:26:16He's so young.
00:26:17And he doesn't act like a pirate.
00:26:19And even if he were, is this the way to treat him?
00:26:22Well, I couldn't give a better hanging to my own brother.
00:26:26Oh, father!
00:26:28What's got into...
00:26:29What do you...
00:26:30I'm...
00:26:31Oh!
00:26:35Senora, I'm sorry.
00:26:36I am terribly sorry.
00:26:37You are only having one meal with us.
00:26:39Supper is our specialty.
00:26:41Pampilo!
00:26:42Pampilo!
00:26:43The sauce!
00:26:44You forgot the sauce!
00:26:45Senora, excuse me.
00:26:46I forgot the sauce here.
00:26:48Now, taste it.
00:26:51Isn't that much better?
00:26:52Yes.
00:26:54Senora, I hate your piracy.
00:26:56Very good taste.
00:26:57Senor Pampilo!
00:26:58Si!
00:27:00Please, senora, stand up.
00:27:05Step in.
00:27:18Gracias, senor.
00:27:19Adios.
00:27:20Adios.
00:27:21That's all, senor.
00:27:22Now you sit down.
00:27:23Come on, sit down here.
00:27:24They need these while it's hot, eh?
00:27:26You know that man Fernandez, he makes the most beautiful coffins.
00:27:33What is the matter, senor?
00:27:35Nothing.
00:27:36I'm not very hungry.
00:27:37He does not like my cooking.
00:27:39Oh, it is not that.
00:27:40He does not like me.
00:27:42You think I am not your friend because I wanted to hang you right away.
00:27:46But someday you'll thank me for saving you from that Don Balthazar.
00:27:50Ah!
00:27:51That Don Balthazar.
00:27:53Yes, he is the capitan of the guards up in Monterrey.
00:27:56If we had sent you to him, he would have hanged you cruelly.
00:28:00But why should I be hanged at all?
00:28:02I'm not a pirate.
00:28:03I never was a pirate.
00:28:04I'm a dancing master.
00:28:08Viva Don Emilio!
00:28:09Viva Don Emilio!
00:28:10Oh!
00:28:11Oh, senor, if you don't mind, it is time for us to go.
00:28:14Will you please do something for me?
00:28:16I'm in charge of this.
00:28:18When we were there.
00:28:19Smile.
00:28:20Si, senor.
00:28:22Adios.
00:28:36Here he comes.
00:28:37Here's the pirate.
00:28:48Pomfilo.
00:28:49Si, senor.
00:28:51If everything is ready, we can proceed in the usual manner.
00:28:55What is the usual manner?
00:28:57Well, your excellency, there are several methods.
00:28:59There is...
00:29:00But I'm going to use my own.
00:29:02First, I am going to...
00:29:03No, no, no, don't tell me.
00:29:04Surprise me.
00:29:05Si, senor.
00:29:06Ernesto.
00:29:07Senor, are you ready?
00:29:08Si, senor.
00:29:14Are you comfortable, senor?
00:29:16This is really going too far.
00:29:17I stand on my rights.
00:29:18I demand a hearing.
00:29:19Please, please.
00:29:20Don't spoil everything.
00:29:21But I...
00:29:22Please, please.
00:29:23Musica.
00:29:27Ernesto.
00:29:28Senor, are you ready?
00:29:30But...
00:29:31I am...
00:29:32Serapina.
00:29:36Over at the jail, Senoria gave him some cooked meat to eat.
00:29:40And he wouldn't touch it.
00:29:41That proves that he's a pirate.
00:29:43And him saying that he's a dancing master.
00:29:46A what?
00:29:47A dancing master.
00:29:49I knew it.
00:29:50I believe him.
00:29:53Serapina.
00:29:56One.
00:30:02Two.
00:30:07Stop.
00:30:08Stop.
00:30:09Father.
00:30:10Father.
00:30:11What?
00:30:12I thought you didn't want to come.
00:30:13What's the matter now?
00:30:14Stop the hanging.
00:30:15He's not a pirate.
00:30:16He's a dancing master.
00:30:17Who says so?
00:30:18He does.
00:30:19He does.
00:30:20Well, of course, he'd say anything to save his own neck.
00:30:22But it's true, sir.
00:30:23I am a dancing master.
00:30:24Oh, you don't look like it.
00:30:26He claims he's a dancer.
00:30:29I am, and I can prove it.
00:30:32It's easy.
00:30:33Give him a chance.
00:30:34No, we haven't time.
00:30:35I've got to...
00:30:36Father, you're being unjust.
00:30:38Unjust?
00:30:39I, unjust?
00:30:40Well, I'm known as the most just.
00:30:41How can you, my own...
00:30:43As alcalde of Las Palomas,
00:30:45I order you to prove your preposterous claim.
00:30:48And if you can't prove it, mind you,
00:30:50there'll be one of the...
00:30:53Music.
00:30:54Si, senor.
00:31:13All right, I'm tired.
00:31:44Look.
00:31:51Senor, tranquilo.
00:31:53The grave is ready.
00:32:13Oh, you don't look like it.
00:32:15He claims he's a dancer.
00:32:19I am, and I can prove it.
00:32:21It's easy.
00:32:22Give him a chance.
00:32:23No, we haven't time.
00:32:24I've got to...
00:32:25I am, and I can prove it.
00:32:27It's easy.
00:32:28Give him a chance.
00:32:29No, we haven't time.
00:32:30I've got to...
00:32:31It's easy.
00:32:32Give him a chance.
00:32:33No, we haven't time.
00:32:34I've got to...
00:32:35It's easy.
00:32:36Give him a chance.
00:32:37No, we haven't time.
00:32:38I've got to...
00:32:39It's easy.
00:32:40Give him a chance.
00:32:41It's easy.
00:32:42Music.
00:33:01Now, now, what do you think?
00:33:03Well, I think he ought to be ashamed of himself.
00:33:06You ought to be ashamed of yourself.
00:33:08Any man who can dance like that and then prefers to be a pirate deserves to be hanged.
00:33:12Excuse me, Your Honor!
00:33:13Ernesto, are you ready?
00:33:14Yes, Your Honor!
00:33:15What?
00:33:16No, no!
00:33:16Here, here! What are you doing?
00:33:18You will do nothing!
00:33:19Come here!
00:33:20Seraphina, we don't want women hanging around the gallows.
00:33:23You'd better...
00:33:24What dances can you teach?
00:33:25Why, nearly all of them. The minuet, the waltz...
00:33:27The waltz?
00:33:28Yes.
00:33:29Father, he knows the waltz!
00:33:30Well, what have I done?
00:33:31You must postpone the hanging. He must teach me.
00:33:33Oh, now you're being unjust.
00:33:35The majority must rule, and all these good people want to see him hanged.
00:33:38They don't!
00:33:39Oh, well, they certainly...
00:33:41Do I...
00:33:42Men of Las Palomas, do you want to see this man hanged?
00:33:45Yes! Yes! Yes!
00:33:48Yes, there you are, you see?
00:33:52Women of Las Palomas, he knows the waltz.
00:33:57Do you want him hanged?
00:33:58No! No! No!
00:34:02No? Here, go.
00:34:03The majority must rule.
00:34:05Oh, yes, the majority.
00:34:07Well, men of Las Palomas, you've heard the voice of the people.
00:34:11We'll continue with the fiesta, but we'll have to postpone the hanging till some other time.
00:34:17Yes! Yes! Yes!
00:34:23Please, please.
00:34:25I don't know how I can ever thank you.
00:34:27Don't thank me. Teach me.
00:34:30Yes, well, you better have the gallows taken down,
00:34:33but be sure and save the lumber, because we might...
00:34:35Oh, don't, Emilio, I'm so sorry.
00:34:37I had everything fixed so carefully.
00:34:40I know you would have liked it.
00:34:42Oh, I'm sure I would have liked it.
00:34:44What has your plan?
00:34:46Well, come over here.
00:34:47I was going to fix the noose, like this.
00:34:51Then, music!
00:34:54Musica!
00:34:58I was going to count like this.
00:35:00One, two, three.
00:35:03Oh, that's fine.
00:35:04And then, I was going to drop the handkerchief like this.
00:35:18That would have been wonderful.
00:35:24No, no, I'm not so sure if he loves me.
00:35:29What can I do?
00:35:32No, no, that would be too much, please.
00:35:41Yes, yes, I know he loves me.
00:35:49Yes, yes, I know a way to discover if he'll be true.
00:35:58Yes, yes, my little plan won't miss.
00:36:07I'll be brave and I'll ask him there.
00:36:19Are you my love?
00:36:23Can life be gone for me?
00:36:27Are you my love?
00:36:31The moon and sun to me.
00:36:36Are you my joy?
00:36:39Are you my pain?
00:36:43Are you my everything, earth and heaven?
00:36:51Are you a dream that's overtaken me?
00:37:00If you're a dream, then don't awaken me.
00:37:09My heart must know or lose its beat.
00:37:17Are you my love, my sweet?
00:37:39Hey, Tina, come now, hurry up.
00:37:44Buenos dias.
00:37:45Buenos dias, Emilio.
00:37:48Eh, eh, eh.
00:38:03California, reflejo sin bar del milenio español.
00:38:11California, vergeltina y tu aldea no sale, señor.
00:38:19California, preciosa sultana, que tiene un romance forjado en tu flor.
00:38:34California, eres linda, de lindas mujeres.
00:38:40En tu suelo nacieron romance y amor.
00:38:46Que lindos los ojos, que hermosos mirar.
00:38:52Estas son mujeres que saben amar.
00:39:00California, yo vengo de lejanas de tierra.
00:39:06A buscar con suelo para mi dolor.
00:39:12Ven aquÃ, bajo de tu cielo.
00:39:16Te irán convirtiendo en canciones de amor.
00:39:20California, que azul es tu cielo.
00:39:23Que hermosos son tus ojos.
00:39:27California, que azul es tu cielo.
00:39:29Que hermoso es tu sol.
00:39:33Bendita la hora en que Dios te formó.
00:39:46And you still want to learn the waltz?
00:39:48You said you could teach me.
00:39:50Yes, you certainly did.
00:39:52You mean to say that I tore down the gallows for nothing?
00:39:55Yes, sir, I can teach you.
00:39:56Well, all right, then, go ahead.
00:39:59Did you search him for any concealed weapons?
00:40:02Si, senor.
00:40:03All right, then place one of your men at this door.
00:40:05Now, you can go, and no false steps, mind you.
00:40:09And no false notes.
00:40:12If you'll pardon me, sir, I've brought my own music.
00:40:14You see, the waltz is a dance in three-quarter time.
00:40:18Senorita, please observe my feet.
00:40:23One, two, three, front, two, three, back, two, three.
00:40:29Would you try, please?
00:40:32One, two, three, please don't bounce, back, two, three, front, two, three.
00:40:38Very good.
00:40:39Excellent.
00:40:44Splendid.
00:40:46Bear in mind that we must approach the waltz with a degree of abandon.
00:40:51Oh, very good.
00:40:52Remember, you're a salazar.
00:40:57And now for the turn.
00:40:59I shall demonstrate.
00:41:01Male partner A faces female partner B.
00:41:06Male partner A places his arm around the waist.
00:41:12What you don't understand, the waltz is an intimate dance.
00:41:15Intimate, yes.
00:41:16Take him to the jail.
00:41:17We'll resume the hanging tomorrow.
00:41:19But you can't hang me for this.
00:41:20I've done it to hundreds of women.
00:41:21Hundreds of women?
00:41:22Hundreds of women.
00:41:23Take him out.
00:41:25You're right, father.
00:41:26He's just a pirate.
00:41:50He's a pirate.
00:41:51He's a pirate.
00:41:52He's a pirate.
00:41:53He's a pirate.
00:41:54He's a pirate.
00:41:55He's a pirate.
00:41:56He's a pirate.
00:41:57He's a pirate.
00:41:58He's a pirate.
00:41:59He's a pirate.
00:42:00He's a pirate.
00:42:01He's a pirate.
00:42:02He's a pirate.
00:42:03He's a pirate.
00:42:04He's a pirate.
00:42:05He's a pirate.
00:42:06He's a pirate.
00:42:07He's a pirate.
00:42:08He's a pirate.
00:42:09He's a pirate.
00:42:10He's a pirate.
00:42:11He's a pirate.
00:42:12He's a pirate.
00:42:13He's a pirate.
00:42:14He's a pirate.
00:42:15He's a pirate.
00:42:16He's a pirate.
00:42:17He's a pirate.
00:42:18He's a pirate.
00:42:20He's a pirate.
00:42:21One two three float, and glide.
00:42:23I'll never get this straight.
00:42:25Did you say one two three, or one two three four?
00:42:35He said one two three.
00:42:38It doesn't work.
00:42:39I don't believe he's the dancing master at all.
00:42:43Don't blame him for your own clumsiness.
00:42:47Male partner A faces female partner B.
00:42:50Now.
00:42:51One, two, three.
00:42:53Please, don't bounce.
00:42:54One, two, three.
00:42:56Return.
00:42:58One, two.
00:42:59Oh no, Blanca, you must turn this way.
00:43:03One, two, three.
00:43:07You see?
00:43:08Now if we were...
00:43:13Male partner A puts his arm around Blanca.
00:43:18Could it be possible that it was his arm this way?
00:43:21Oh no.
00:43:22But it is.
00:43:23Look.
00:43:29Heavenly saint.
00:43:32Blanca, you wait here.
00:43:33I'll be right back.
00:43:43Senor Pilot.
00:43:48I've come to ask you a question.
00:43:50When you put your arm around me, it was necessary, wasn't it?
00:43:55It was part of the dance?
00:43:57Yes, senorita.
00:43:58You see, the waltz is...
00:43:59It's a turning dance.
00:44:01Yes, and it must be...
00:44:03It must be danced with abandon.
00:44:05Exactly.
00:44:06The female partner B stands...
00:44:08Wait.
00:44:09The male partner B stands...
00:44:11Wait.
00:44:12Male partner A?
00:44:28Will you please teach...
00:44:35Will I what?
00:44:36Will you please teach me the waltz?
00:44:46When you're dancing the waltz
00:44:52You must not lose your head, man
00:44:58When you're dancing the waltz
00:45:04Lose your shyness instead, man
00:45:10You are both vis-a-vis
00:45:16Let your fingers enjoy
00:45:23You've no need for a second glass of wine
00:45:31When you stand in one, two, three lines
00:46:01When you stand in one, two, three lines
00:46:11When you stand in one, two, three lines
00:46:21When you stand in one, two, three lines
00:46:30When you stand in one, two, three lines
00:47:00When you stand in one, two, three lines
00:47:10When you stand in one, two, three lines
00:47:20When you stand in one, two, three lines
00:47:30When you stand in one, two, three lines
00:47:40When you stand in one, two, three lines
00:47:50When you stand in one, two, three lines
00:48:00When you stand in one, two, three lines
00:48:10When you stand in one, two, three lines
00:48:20When you stand in one, two, three lines
00:48:30When you stand in one, two, three lines
00:48:40When you stand in one, two, three lines
00:48:50When you stand in one, two, three lines
00:49:00When you stand in one, two, three lines
00:49:10When you stand in one, two, three lines
00:49:20When you stand in one, two, three lines
00:49:30When you stand in one, two, three lines
00:49:40When you stand in one, two, three lines
00:49:50When you stand in one, two, three lines
00:50:10When you stand in one, two, three lines
00:50:20When you stand in one, two, three lines
00:50:30When you stand in one, two, three lines
00:50:38When you stand in one, two, three lines
00:50:48When you stand in one, two, three lines
00:50:58When you stand in one, two, three lines
00:51:08When you stand in one, two, three lines
00:51:18When you stand in one, two, three lines
00:51:28When you stand in one, two, three lines
00:51:38When you stand in one, two, three lines
00:51:48When you stand in one, two, three lines
00:51:58When you stand in one, two, three lines
00:52:08When you stand in one, two, three lines
00:52:18When you stand in one, two, three lines
00:52:28When you stand in one, two, three lines
00:52:38When you stand in one, two, three lines
00:52:48When you stand in one, two, three lines
00:52:58When you stand in one, two, three lines
00:53:08When you stand in one, two, three lines
00:53:18When you stand in one, two, three lines
00:53:28When you stand in one, two, three lines
00:53:38When you stand in one, two, three lines
00:53:48When you stand in one, two, three lines
00:53:58When you stand in one, two, three lines
00:54:08When you stand in one, two, three lines
00:54:18When you stand in one, two, three lines
00:54:28When you stand in one, two, three lines
00:54:38When you stand in one, two, three lines
00:54:48When you stand in one, two, three lines
00:54:58When you stand in one, two, three lines
00:55:08When you stand in one, two, three lines
00:55:18When you stand in one, two, three lines
00:55:28When you stand in one, two, three lines
00:55:38You keep on working now. I'll be back.
00:55:49Now sit down, Tekeloti. You're tired.
00:55:51No, no. You must not help me. They nearly caught you yesterday.
00:55:55Never mind that. You rest.
00:55:58Am I late?
00:56:03I have very disappointing news for you.
00:56:05Blanca has sprained her ankle practicing the waltz.
00:56:08She can't come with us today.
00:56:10My heart is bleeding for Blanca's ankle.
00:56:13But of course it gives me a chance to be alone with you before I go.
00:56:16Oh, you mustn't think of going. I insist that you stay.
00:56:20Shall I accept that as my order?
00:56:22As a request from my father.
00:56:24I am sorry. I take orders only from my superior officer.
00:56:27You commend me, Senorita.
00:56:29Please stay.
00:56:31It will make you very happy.
00:56:33Far happier than I care to have you know.
00:56:37Mama, you watch for the soldiers.
00:56:39Ah.
00:56:41Chicken with rice.
00:56:43A nice little mouthful for you and the chief.
00:56:46You taste it. I'll do this.
00:56:50I'll do this.
00:56:52I'll do this.
00:56:54I'll do this.
00:56:56I'll do this.
00:56:58I'll do this.
00:57:00I'll do this.
00:57:02I'll do this.
00:57:04I'll do this.
00:57:10Gracias, Senor.
00:57:12Gracias.
00:57:14I'll do this.
00:57:32Aye, this is too good for the prisoners.
00:57:34We are the guests.
00:57:36Get back on the wheel.
00:57:38Senor Chaco, my prisoners cannot go hungry.
00:57:44No, no, no, not me.
00:58:15No, no.
00:58:25No, no, no.
00:58:28Dog, didn't I tell you to treat these people kindly?
00:58:32He should have been hanged long ago.
00:58:34That's up to the court in Monterrey.
00:58:37Take a detail, soldiers.
00:58:38Start with them.
00:58:40For Monterrey?
00:58:42Yes.
00:58:43Yes, I am remaining here, as ordered.
00:58:47Don Bacalzar, you're forgetting my dancing lessons.
00:58:50I am sorry, I have to send him.
00:58:51I have delayed too long.
00:58:53But tonight, a last lesson.
00:58:57All right.
00:59:13Does it take three dueñas to watch one couple?
00:59:34Someone ought to be in the kitchen, eating that roast chicken.
00:59:37And drinking those bottles of wine.
00:59:40Anda, anda.
00:59:50Perhaps it knows our dance is over.
00:59:52It's a pity.
00:59:53I was going to ask you to keep it.
00:59:55In Monterey, you see, there'll be no alcaldes daughter who wants to learn the waltz.
01:00:01Juanito, you're not going to Monterey.
01:00:03I'm not?
01:00:04Who decided that?
01:00:05I did.
01:00:07Pampilo is waiting by the garden.
01:00:08He will show you the way through the hills.
01:00:10So you're sending me away?
01:00:12Yes, there's no time to lose.
01:00:13You must leave now.
01:00:14Then must I go alone?
01:00:16No, no.
01:00:17Pampilo will guide you.
01:00:18But I'm not in love with Pampilo.
01:00:20I have a much better plan.
01:00:22You show me the way.
01:00:24Oh, that is impossible.
01:00:26How could I go with you?
01:00:28Just by saying, I love you.
01:00:38Duty brought me.
01:00:39Love keeps me.
01:00:41Ah, well, love and beauty.
01:00:44Serafina bears fruit on my family tree.
01:00:48She combines the grace of the Salazar's with the brains of the Salazar's and the spirit of the Salazar's and our mother's cooking.
01:01:01To a man with my delicate sensibilities, she has but one problem.
01:01:06Eh, what?
01:01:07The wealth.
01:01:09Oh, well, don't.
01:01:11That's, what, 300,000 acres?
01:01:15400,000 acres, you said?
01:01:17Eh, well, 350 to be precise.
01:01:22That's too much.
01:01:23Too much for a simple soldier.
01:01:25Oh.
01:01:26What could I do with 60,000 head of cattle?
01:01:30Well, you could, eh, 30,000.
01:01:3460,000, you said?
01:01:36Oh, well, won't the cows have calves next year?
01:01:41I mean, 30,000 cows, a calf apiece, that's for 60?
01:01:49Oh, that's a bargain.
01:01:51The wedding in San Diego, the honeymoon in Boston.
01:01:54Oh, wait till you see my aunt.
01:01:57Senora Price.
01:01:59Senor, senora, Juanito Price.
01:02:04That sounds nice.
01:02:11I'll go.
01:02:12Wait.
01:02:13Wait here.
01:02:18To the union of the Noriegas and Salazar.
01:02:21And to the bride who awaits us above.
01:02:24Wait a minute.
01:02:25Aren't we going a little fast with this?
01:02:29I mean, how do I, how do we know she loves you?
01:02:32How can you question it?
01:02:34Didn't she invite me to stay when she first laid eyes on me?
01:02:37Yes, that's right.
01:02:39That was a beautiful horse you rode.
01:02:43Didn't she detain me day by day?
01:02:45Yes, I remember I argued with her about that.
01:02:51And when you took my bathtub, I got...
01:02:54Two weeks of soft looks and sighs.
01:02:57What does it mean?
01:02:58Oh, what does it mean?
01:03:01The girl is madly in love with you.
01:03:04Oh, madly.
01:03:05She's crazy in love with you.
01:03:08And after all, who am I to stand between two lovers that I've...
01:03:16I've been an awful brute.
01:03:21Father.
01:03:24Son.
01:03:27Shall we go up?
01:03:28Oh, yes, let's.
01:03:29We can, while we're...
01:03:42Where are you going?
01:03:44We're just going to try it again.
01:03:47Oh.
01:03:49And furthermore, your costume's just right.
01:03:52It's skating walls on the ice, naturally.
01:03:56And December's very cold up north.
01:04:01Let's try it.
01:04:03One, two, three.
01:04:04One, two, three.
01:04:06You see, the lads and maidens gather on a village pond.
01:04:11That's enough.
01:04:13Go now.
01:04:16Will you please go?
01:04:17Pantelo's waiting for you.
01:04:19Where are the guards who brought him?
01:04:21Pedro.
01:04:22Tomas.
01:04:23They're in the kitchen having something to eat.
01:04:24Pantelo will take him back.
01:04:27Oh, will you please go now?
01:04:29Oh, no, wait a minute.
01:04:31Before you go, do you think that you could teach me the waltz in one lesson?
01:04:35I'd like to dance it at Seraphina's wedding.
01:04:40My wedding?
01:04:41Yes.
01:04:42I wanted you to be the first to hear.
01:04:45Don Balthazar did me the honor of asking for your hand.
01:04:49And I did him the honor of accepting.
01:04:52And you have the honor of being engaged to him.
01:04:56I decline the honor.
01:04:58Oh, you can't.
01:04:59You mean you don't love my son-in-law?
01:05:02But you, that's what you, you told me that she was madly in love with you.
01:05:07I meant love often blossoms after marriage.
01:05:10That's right.
01:05:11I blossomed.
01:05:13Well, why did you keep him here day after day if not to marry him?
01:05:18She kept him here to save my neck.
01:05:20Now you know.
01:05:21It does not surprise me.
01:05:23She probably believes you're innocent.
01:05:25She has a soft womanly heart.
01:05:28Then, Don Balthazar, you will not...
01:05:30I can do nothing except perform my duty.
01:05:33Don Emilio, a moment ago you heard your daughter accuse this man.
01:05:37You could have knocked me over with a feather.
01:05:40Well, you're not going to force her to marry him.
01:05:42But certainly not.
01:05:43I wouldn't.
01:05:44You think that I'd make my daughter, and especially with Don Balthazar,
01:05:50not if she got down on her knees and begged.
01:05:53I would.
01:05:54What kind of a man do you think I am?
01:05:56A gentleman.
01:05:57A gentleman who has given his word.
01:06:00Oh, my word.
01:06:03Did I?
01:06:04Well, after the sixth bottle, I don't seem to remember.
01:06:09But if I gave the word of a solace, I...
01:06:12But you can't bargain away your daughter's happiness.
01:06:17No gentleman would force a woman to marry him.
01:06:21You upstart.
01:06:25Take him away.
01:06:29Out with him.
01:06:31Blanca, ask Don Isabella, the seamstress, to come tomorrow.
01:06:36Tell the bootmaker to come.
01:06:38And the girls who will embroider my bride are there.
01:06:42Senorita.
01:06:43Oh, but wait a minute.
01:06:44There's no need for such haste.
01:06:46I mean, because I have a few drinks with the man.
01:06:49That's no reason to rush into matrimony.
01:06:53And after all, how do you know that he'll make us happy?
01:06:57Let us have a gay wedding.
01:06:59The gayest.
01:07:00Let everybody be happy.
01:07:01Everybody.
01:07:02Even the pirates?
01:07:04Brie?
01:07:05On his way to Boston?
01:07:07That's a wedding present.
01:07:19Marnie.
01:07:21Andele, quick.
01:07:22Let's go see the bride.
01:07:23I'm not going.
01:07:24It's a wedding of tears.
01:07:26Hey.
01:07:27Let him out while I get him a horse.
01:07:34Manga.
01:07:37Are you going?
01:07:38Oh, what can I do?
01:07:39It is too bad you haven't got any Spanish blood in you.
01:07:42You'll have a sore in your hair instead of this umbrella.
01:07:45And you'll die fighting for your woman.
01:07:47I'm not going.
01:07:48I'm not going.
01:07:49I'm not going.
01:07:50I'm not going.
01:07:51I'm not going.
01:07:52You'll have a sore in your hair instead of this umbrella.
01:07:54And you'll die fighting for your woman.
01:07:57Oh, I left my bag inside.
01:07:59Would you mind?
01:08:00Si.
01:08:18For you, senor.
01:08:19All for you.
01:08:23Ha, ha, ha.
01:08:47Manga.
01:08:52Manga, stop.
01:09:11Señor pirate.
01:09:14You are all ready to leave us.
01:09:16Are you quite comfortable?
01:09:17Is your mount to your satisfaction?
01:09:20the horse, but they were all needed for the man.
01:09:25You may go now.
01:09:28Chagall!
01:09:34That umbrella looks awfully heavy.
01:09:38If he hit Balthazar over the head with it, I...
01:09:42Well, you couldn't marry a man with a broken head.
01:09:47Well, what are you waiting for?
01:09:50Perhaps you did not hear me. I told you to go.
01:09:56And I think it's only fair to warn you,
01:09:59if you are ever caught again around here, there is a price on your head.
01:10:03Five hundred gold pieces.
01:10:05By a sea.
01:10:09If he had broken the umbrella over his head, I'd have gladly bought him a new one.
01:10:17Chagall!
01:10:18Well?
01:10:47Take a look at them. Come in. Where are they?
01:10:49There. Follow me.
01:11:16You said they'd be ready, ready to fight.
01:11:18First they must learn war dance.
01:11:20Learn it? What kind of Indians are they?
01:11:21Peaceful Indians.
01:11:22Their weapons are the rope. They don't know war dance.
01:11:25I'll make them dance.
01:11:46The world shall salute us.
01:11:51They praise our sons and daughters.
01:12:16They praise our sons and daughters.
01:12:31They praise our sons and daughters.
01:13:02You ready?
01:13:24I am.
01:13:26Why are you not at the wedding, don't tell me.
01:13:28Ah, wedding of tears.
01:13:32Say, have you got that money with you?
01:13:34Sure, I got the money.
01:13:37One for you.
01:13:39And one for me.
01:13:40Right, and one to me.
01:13:42Who's got the money?
01:13:43Hey, that money's ours!
01:13:45Stop it! Stop it!
01:13:47What are you doing, you fools?
01:13:49Don't bother us if we share, we share alike.
01:13:51Yes, he is.
01:13:52I wish I never followed him out of Monterrey.
01:13:54Me too.
01:13:55Just because the governor kicked him out of the army,
01:13:57there's no reason why.
01:13:58Shut up.
01:13:59You want the whole village to hear it?
01:14:00Yeah.
01:14:01But just the same, what are we getting out of it?
01:14:03Oh, imbecile.
01:14:04A few minutes more and this whole ranch will be ours.
01:14:07Then we will milk it like it was a cow.
01:14:11Listen.
01:14:12Don't do that.
01:14:13You're spying on us.
01:14:14No, I don't spy.
01:14:15Listen.
01:14:16Don't do that.
01:14:17You're spying on us.
01:14:18No, I don't spy.
01:14:19You're spying on us.
01:14:20No, I don't spy.
01:14:21Listen.
01:14:22Don't do that.
01:14:23Okay.
01:14:24You can hold me.
01:14:25You are not real soldiers.
01:14:27The captain is not real.
01:14:29Captain!
01:14:30Alcalde!
01:14:31Help!
01:14:32Stop the wedding!
01:14:35Now stop the wedding.
01:14:36While we are here, let anybody stop the wedding.
01:14:50Pirate!
01:14:51Get him!
01:14:54Go get him!
01:15:19Pirate!
01:15:20Pirate!
01:15:21Pirate!
01:15:22Pirate!
01:15:23Pirate!
01:15:24Pirate!
01:15:25Pirate!
01:15:26Pirate!
01:15:27Pirate!
01:15:28Pirate!
01:15:29Pirate!
01:15:30Pirate!
01:15:31Pirate!
01:15:32Pirate!
01:15:33Pirate!
01:15:34Pirate!
01:15:35Pirate!
01:15:36Pirate!
01:15:37Pirate!
01:15:38Pirate!
01:15:39Pirate!
01:15:40Pirate!
01:15:41Pirate!
01:15:42Pirate!
01:15:43Pirate!
01:15:44Pirate!
01:15:45Pirate!
01:15:46Pirate!
01:15:47Pirate!
01:15:48Pirate!
01:15:49Pirate!
01:15:50Pirate!
01:15:51Pirate!
01:15:52Pirate!
01:15:53Pirate!
01:15:54Pirate!
01:15:55Pirate!
01:15:56Pirate!
01:15:57Pirate!
01:15:58Pirate!
01:15:59Pirate!
01:16:00Pirate!
01:16:01Pirate!
01:16:02Pirate!
01:16:03Pirate!
01:16:04Pirate!
01:16:05Pirate!
01:16:06Pirate!
01:16:07Pirate!
01:16:08Pirate!
01:16:09Pirate!
01:16:10Pirate!
01:16:11Pirate!
01:16:12Pirate!
01:16:13Pirate!
01:16:14Pirate!
01:16:15Pirate!
01:16:16Pirate!
01:16:17Pirate!
01:16:18Pirate!
01:16:19Pirate!
01:16:20Pirate!
01:16:21Pirate!
01:16:22Pirate!
01:16:23Pirate!
01:16:24Pirate!
01:16:25Pirate!
01:16:26Pirate!
01:16:27Pirates!
01:16:28We are attacked!
01:16:29Pirates?
01:16:30It's Enico.
01:16:31Wait, finish the ceremony.
01:16:32No, no, no, postpone the ceremony.
01:16:33Finish the pirates.
01:16:34Here, come!
01:16:35I will...
01:16:36It's you, eh?
01:16:37You are discourteous, my friend.
01:16:38You have interrupted my wedding.
01:16:39We have to teach you better manners.
01:16:40We?
01:16:41I'm afraid you're alone this time.
01:16:42Oh, so you are.
01:16:43Oh, so you are.
01:16:44Oh, so you are.
01:16:45Oh, so you are.
01:16:46Oh, so you are.
01:16:47Oh, so you are.
01:16:48Oh, so you are.
01:16:49Oh, so you are.
01:16:50Oh, so you are.
01:16:51Oh, so you are.
01:16:52Oh, so you are.
01:16:53you're alone this time. I will take care of you
01:17:21alone. I choose swords.
01:17:25Beautiful. Oh, father, you'll kill him.
01:17:42Well, I don't know. It's not so easy. I tried a couple of times.
01:17:49More difficult than dancing, isn't it?
01:18:11He's not a real captain. They are not real soldiers. They are renegades.
01:18:14Say that again. Renegades.
01:18:40Oh, my boy. I couldn't have done it better myself.
01:18:48And as for you, you, you, when I think you took my back scratcher.
01:18:54Take him. We'll, I'll, we'll.
01:19:24And now is your mouth your satisfaction? Give my regards to the governor.
01:22:24Oh,
01:23:18my God.
01:23:48Oh,
01:24:17my God.
01:24:46Oh,
01:25:15my God.
01:25:43Oh,
01:26:12my God.