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00:01:28Step on it, Freddy!
00:01:30♪
00:01:46Why don't you guys try being funny on that stage once in a while?
00:01:53You know, once I used to do an act with two trained rats.
00:01:56Yeah, a trio.
00:01:58What's that?
00:01:59Why, it looks like a dame.
00:02:01Wait, maybe it's a stickup.
00:02:02Yeah, maybe they're hiding in the bushes with guns.
00:02:05Yeah, but we can't leave her laying there in the road.
00:02:07All right, brave man.
00:02:08You step out and pick her up.
00:02:10And see if she's got a girlfriend for me.
00:02:12All right, I'll go, but remember one thing.
00:02:15That if I get shot, don't forget you guys owe me two weeks' commission.
00:02:18Wise guy at a time like this.
00:02:26Hey, it's Mary Lou!
00:02:29Mary Lou?
00:02:38Well, you should have seen Sam.
00:02:39He rushed out there all by himself and picked up Mary Lou.
00:02:44Where's Sam now?
00:02:45Why, the shock of being a hero got him so sick he's in bed.
00:02:48Oh, that's too bad.
00:02:50Say, Hal.
00:02:51What?
00:02:52What's Sam's last name?
00:02:55What's Sam's last name?
00:02:56Ward.
00:02:57Ward, that's funny.
00:02:59Why?
00:03:00I have a friend of mine back home by the name of Ward.
00:03:02Boy, you must come from a small town.
00:03:05Well, yes, I did.
00:03:07I was on a newspaper there.
00:03:08I can still see the byline by Philip Miller,
00:03:11the star reporter of the largest newspaper of the town, The Epitaph.
00:03:15Whoopee, small town boy makes good.
00:03:17Yeah.
00:03:19I'm gonna make good here, too.
00:03:21Oh, Mary Lou's such a baby.
00:03:24A poor child.
00:03:26Don't cry, Mrs. Smith.
00:03:28Mary Lou will be all right.
00:03:30Oh, I hope so, Donna.
00:03:32But it's terrible.
00:03:34It's terrible.
00:03:36My child.
00:03:38Don't you worry.
00:03:39We'll know more about it when the chief of detective comes downstairs.
00:03:42Mary Louise, you can talk to me.
00:03:45I've got a little girl, too.
00:03:48I want my mother.
00:03:50You can talk to your mother again in a moment.
00:03:53But now, you must tell me,
00:03:55how did you happen to meet this man?
00:03:59I was walking home from church,
00:04:01and he drove up and told me that Mother met with an accident,
00:04:06and she wanted me right away.
00:04:08And you got in his car,
00:04:10and instead of taking you to your mother,
00:04:12he drove you out of town.
00:04:13Is that right?
00:04:15Yes, sir.
00:04:16Did he say where he was going to take you?
00:04:19Yes, he said he was going to take me to...
00:04:22Berry...
00:04:24Berry...
00:04:26Oh, I can't remember the name.
00:04:28Try hard to think of the name, child.
00:04:30We want to get hold of this man.
00:04:32I can't remember.
00:04:34Try again. Try hard to think of it.
00:04:37Oh, please don't ask me any more questions.
00:04:40I want my mother.
00:04:42I'm only trying to help you.
00:04:44You said the name of the place was Berry.
00:04:46Was it Berrywood?
00:04:49Yes, that's the place.
00:04:52The Berrywood Roadhouse.
00:04:54One of the worst places in the state.
00:04:56I'll send your mother up to you now.
00:05:14Your daughter's all right.
00:05:16You can go up there now.
00:05:19That little girl's got a lot of nerve.
00:05:21She put up a desperate fight.
00:05:23That's all that saved her.
00:05:24Did you find out who it was?
00:05:25Get your information from headquarters.
00:05:29We're going out to the Berrywood.
00:05:31Well, it's a good story anyway.
00:05:33Maybe you'll get that job for me.
00:05:35I'm taking it to the editor.
00:05:36I'm going with you.
00:05:38Oh, my darling.
00:05:44The story's all right.
00:05:46I'll have to send one of my boys to check it.
00:05:48In the meantime, I'll give it to a real right man.
00:05:50Oh, don't worry.
00:05:52If it's true, you'll get paid for it.
00:05:54Well, doesn't Phil get a job?
00:05:56There's no opening for him right now.
00:05:58But I'll keep him in mind.
00:06:02Oh.
00:06:03Hello.
00:06:04Hello.
00:06:10What's the matter?
00:06:11Something slip up?
00:06:13Yeah.
00:06:16That girl was a wildcat.
00:06:18She jumped out of the car.
00:06:20Well, isn't that just dandy?
00:06:22Jim Murray,
00:06:24the brains of our outfit,
00:06:26pulls a boner.
00:06:28Yeah?
00:06:30Well, it was too bad at that.
00:06:32She was swell.
00:06:34You know,
00:06:36every so often you fall for a dame.
00:06:38Some of these days,
00:06:40you're going to get in a lot of trouble.
00:06:43It was so dark in the car,
00:06:45she wouldn't recognize me again anyway.
00:06:47Where were you going?
00:06:49Sorry, it would.
00:06:51Say, who's out there tonight?
00:06:53Nick.
00:07:03How's about it, Nick?
00:07:07Well, Dutch,
00:07:09why don't you treat the boys to a drink?
00:07:11Good idea.
00:07:13Boys,
00:07:15the house is buying a little drink.
00:07:17Come on.
00:07:25Nick,
00:07:27can I have a drink too?
00:07:29You're too young. Sit down.
00:07:35Hello, boys.
00:07:37Come on up and have a good time.
00:07:40Come on.
00:07:48Yes, well, who tipped them off?
00:07:50Well, never mind that, thanks.
00:07:52Call up Nick and tell him to scram.
00:08:04Good night, honey.
00:08:06Goodbye, you mean.
00:08:09Oh,
00:08:15what a big jump.
00:08:17What is this, a pink tea?
00:08:19What's the matter? You got a complaint to make?
00:08:21Well, you better talk to Jenny.
00:08:29Hi, Nick.
00:08:31Hello, Nick.
00:08:33Hi, Nick.
00:08:35Say, my potter puff's worn out.
00:08:38Yeah.
00:08:40Jenny, come here.
00:08:44I'm going to teach you to be polite
00:08:46and not insulting to people.
00:08:48I didn't insult anybody.
00:08:52The customer is always right.
00:08:54Get in that room.
00:08:56Oh, please don't leave me here.
00:08:58Get in that room. Come on.
00:09:00Nick, the phone.
00:09:02What's the matter? Trouble?
00:09:04Come on, it's Bell. Hurry it up.
00:09:06He doesn't need to be called this time.
00:09:08What's the matter?
00:09:12Hello, Nick?
00:09:14This is Bell.
00:09:16Clean out Berrywood right away.
00:09:18It's hot. That's right.
00:09:20Go to one of our other places.
00:09:22Okay. Clean the joint out.
00:09:30Get out of here.
00:09:32Out.
00:09:36Come on, girls. Stand out of there.
00:09:42Get going.
00:09:44Don't overlook an inch of the place.
00:09:52Empty, huh?
00:09:54Must have been a tip-off.
00:09:56The rats have run to their holes.
00:10:06Come out, girls. It's the police.
00:10:08Come on. Come on out of there.
00:10:10Come on.
00:10:22The type of men who run the Berrywood Roadhouse
00:10:24must be exposed.
00:10:26I want you to write an editorial.
00:10:29Slaves and bondage.
00:10:31Then get Bill to interview each one of those girls.
00:10:33Get their true story.
00:10:36From now on, our policy is a crusade against vice.
00:10:40Hello?
00:10:42Yeah.
00:10:44Sounds all right to me.
00:10:46Yes, get the rest of the story.
00:10:48That girl Mary Lou just recognized
00:10:50a rogue's gallery picture of good-looking Freddy.
00:10:52He was the man driving the car.
00:10:54That dragnet's on for him now.
00:10:56Too bad there wasn't the rogue's gallery picture
00:10:58of the other man in the car.
00:11:00Boy! Come here, boy!
00:11:02Boy!
00:11:05You know, Phil, Mrs. Smith says she's going to throw us out
00:11:07of the boarding house unless we have our rent by next week.
00:11:09Yeah, can you imagine that?
00:11:11I wished I could help you, but I just can't.
00:11:13Can't you let us have a fit?
00:11:15Well, how good are you boys?
00:11:17How good? We're a wow every place we play.
00:11:19Let's see.
00:11:21All right, here, Hal. Go ahead.
00:11:23No, no, all the way.
00:11:25When I jump, you come up.
00:11:27Ready? Right.
00:11:29Come on, get under me, Hal!
00:11:31Gee, that hurts my feet when you're not there.
00:11:33Ready, Hal? Right.
00:11:35Come on, Hal, hold still.
00:11:37Hal, hold still!
00:11:39That's what I want.
00:11:41Come on, Hal, hold it up.
00:11:43Hal.
00:11:45Hal, listen to me!
00:11:47Hal, listen to me!
00:11:49Oh, I get so mad.
00:11:51Hal, I'm talking here.
00:11:57Well, what are you going to do now?
00:11:59That's it.
00:12:02Yeah, but just a minute here. Come on.
00:12:04What are you grunting about?
00:12:06Why, you're breaking my heart.
00:12:10Isn't that cute?
00:12:12Oh, Hal.
00:12:14What?
00:12:16It's slippery here.
00:12:18I'll tell you what, Hal. You get up on my back.
00:12:20Oh, now it's my turn.
00:12:22Yeah, I don't jiggle like that.
00:12:24Don't run around. Just stand there.
00:12:26Are you ready? Wait a minute, Hal!
00:12:28Wait, wait, wait!
00:12:31Well, what's wrong here, huh?
00:12:33You're waiting like Hal Three.
00:12:35Why don't you say something?
00:12:37One, two, three, we'll jump on three, Hal, jump!
00:12:39Yeah, but just a minute.
00:12:41How do I know which end is coming up here?
00:12:43One, two, three!
00:12:45Well, we finally did that.
00:12:47Hey, what are you doing here?
00:12:55Hal, what's the matter?
00:12:57What's the matter? Why, it's broken.
00:12:59Well, I'll fix it and go up there.
00:13:01Oh, I'll fix it, all right.
00:13:03That's it, now stay right...
00:13:05Stay right where you are.
00:13:07Yeah, you better be careful. You know I'm up here.
00:13:09I know you're up there.
00:13:11But you don't have to worry, Hal.
00:13:13No, why don't I, huh?
00:13:15Because I'm down here.
00:13:23I think I swallowed the toothpick, Hal.
00:13:29Careful.
00:13:35Well, come on, I'm getting tired up here.
00:13:37You're tired.
00:13:39Stay right there, now.
00:13:41No.
00:13:47There we are.
00:13:49Well, how's that, huh?
00:13:54Well, that's all for tonight, Mary Lou.
00:13:56I think you're catching on pretty good.
00:13:59Do you think I'll get the job?
00:14:01You bet. I'll tell you what you do.
00:14:03Meet me for lunch tomorrow, and I'll introduce you to some of the girls.
00:14:05All right.
00:14:07Good night.
00:14:13I think the editor should have given me a steady job.
00:14:15He will, as soon as he has an opening.
00:14:17Oh, sure.
00:14:19When somebody dies.
00:14:21I'm coming to the barbershop tomorrow.
00:14:23Do you think you'll have a chance to see me?
00:14:25Sure, if you want a manicure.
00:14:28Oh, you're making a sissy of me with all these manicures.
00:14:32You like them, though, don't you?
00:14:34Oh, surely I do.
00:14:36See, I know a way I can make some money.
00:14:38Bill, playing the races isn't a business.
00:14:40If you really want to take a chance,
00:14:42why not get married?
00:14:44Oh, we've talked that over before.
00:14:46I don't want you supporting me.
00:14:48I want a job.
00:14:50All right, darling.
00:14:52I'll see you tomorrow.
00:14:55Huh.
00:14:57Manicures.
00:15:21Soft hands you have, Miss Lee.
00:15:23They're better to touch you with, Mr. Murray.
00:15:25Why, how much do you need?
00:15:27Mr. Murray, please.
00:15:29Just a moment.
00:15:31Not so fast.
00:15:33Well, I've been taking it slow for the past three months.
00:15:35Hasn't got me any place yet.
00:15:37Has it been that long?
00:15:39Hmm.
00:15:45Uh, manicure and parlour.
00:15:47Oh, yes, Mr. Smith.
00:15:49Just a moment, I'll see.
00:15:53I can give you three o'clock.
00:15:59All righty, that's fine.
00:16:11Oh.
00:16:13So that's the reason I'm getting the freeze out, huh?
00:16:15Mm-hmm.
00:16:17Serious?
00:16:19Marriage?
00:16:22When?
00:16:24Oh, by and by.
00:16:32Then what will your name be?
00:16:34Mrs. Phillip Miller.
00:16:36Miller, huh?
00:16:38What's he do?
00:16:40He's a writer.
00:16:42I write also.
00:16:44Oh, do you? How interesting.
00:16:46Checks.
00:16:48Oh.
00:16:52Hello, Betty.
00:16:54Good morning, girls.
00:16:56Good morning.
00:16:58Good morning, Mr. Murray.
00:17:00Is everything all right?
00:17:02No.
00:17:04I've never had any complaints about Donald's work before.
00:17:06Let me see your nails.
00:17:08They look all right to me.
00:17:10The trouble is,
00:17:12all work and no play.
00:17:14You had me frightened for a moment.
00:17:16I thought I'd done something wrong.
00:17:18Not a chance.
00:17:21Good morning.
00:17:23Good morning.
00:17:25How was the appointment?
00:17:27Oh, we're all filled up today.
00:17:29Fine.
00:17:45Don't you want some wine, Anderson?
00:17:47No, they're fine, thanks.
00:17:49I'll get the bank.
00:17:51Get me $20 and come out of change.
00:17:57Oh, thank you, Mr. Murray.
00:17:59Don't mention it.
00:18:05Thank you, sir.
00:18:20Listen, Don Juan,
00:18:22I think you're going to get some sense.
00:18:24And?
00:18:26Better start using your head
00:18:28and forget about your hands.
00:18:30You'll be wearing bracelets on them.
00:18:32Yeah? What's that?
00:18:34That dame has identified a good-looking Freddie.
00:18:36The police are after him.
00:18:38Hmm.
00:18:40Where's Freddie now?
00:18:42In my apartment.
00:18:44Good.
00:18:47Come down with him there tonight, will you?
00:18:49I'd love to.
00:18:51Fine.
00:18:53And when you get to the coffee,
00:18:55I'll bring up some smoke.
00:18:57Thanks a million, Mr. Murray.
00:18:59Come in again.
00:19:01Right.
00:19:03Donald, will you watch the desk
00:19:05until Miss Perkins gets back?
00:19:07Yes, I will.
00:19:17There are some girls out there
00:19:19in answer to your ad.
00:19:21Send them in one at a time.
00:19:23All right.
00:19:25Step right inside.
00:19:29How do you do?
00:19:31Sit down.
00:19:33I'm from out of town.
00:19:35I came in answer to your ad.
00:19:37Oh, yes.
00:19:39You'll have to fill out one of these cards.
00:19:47I would like very much
00:19:49to get the job.
00:19:51I'll see that you get work.
00:20:05Good morning.
00:20:07How do you do?
00:20:09Sit down.
00:20:11Thanks.
00:20:13I suppose you want to fill out
00:20:15I filled out plenty of these.
00:20:17Well, maybe this one will be different.
00:20:19Really?
00:20:23There you are.
00:20:25Well, I've had plenty of experience
00:20:27and I hope I get the job.
00:20:29Well, you'll be hearing from me.
00:20:31Oh, thanks a lot.
00:20:39Right in here.
00:20:44How do you do?
00:20:46Sit down, please.
00:20:48Just fill out this application blank.
00:20:50Here.
00:20:58Have you been finding difficulty
00:21:00in getting work?
00:21:02I'm afraid so.
00:21:04I guess my landlord is going to put me out.
00:21:06Oh, what a shame.
00:21:08I'll see that you get work.
00:21:10Oh, thank you.
00:21:38What's the matter?
00:21:40Ain't you got any more cigarettes?
00:21:43They should be up in a minute.
00:21:47Hey, there's something wrong here tonight.
00:21:49Are you stalling me?
00:21:53No, why should I?
00:21:55Well, you got me into this, Jim.
00:21:57It's up to you to get me out.
00:21:59That's easier said than done.
00:22:01Reps of this kind are tough.
00:22:03Jim Murray can fix it.
00:22:05Oh, I'm not so sure that even Jim can help you.
00:22:07What am I going to do, Bill?
00:22:09Oh, get out of town.
00:22:12I'm going to ship you out of the country until this quiets down.
00:22:14Where am I going to go?
00:22:16Oh, to Ethiopia, I hope.
00:22:18Yeah? Well, I ain't going.
00:22:20What do you think I am, a sap?
00:22:22Oh, so you won't go, huh?
00:22:24Why should I?
00:22:26You're going to see that I'm taken care of.
00:22:28Hello, Bill.
00:22:30Why, hello, Freddie.
00:22:32What are you doing here?
00:22:34Say, you two look like you've been quarreling.
00:22:38I'm afraid of this guy, Jim.
00:22:40If he wakes him up, he's just yellow enough to tell everything.
00:22:42You're mistaken, Bill.
00:22:44Freddie's not the squealing type, are you, Freddie?
00:22:46Of course not.
00:22:48Besides, you got me into this.
00:22:50And if you'd let Nick handle it, he'd have sucked the good and proper.
00:22:52Yes, I know.
00:22:54I didn't hit her hard enough.
00:22:56No.
00:22:58I should have thrown a punch like this.
00:23:07Come on in, boys.
00:23:10Take him away.
00:23:20See you later at the club.
00:23:25Nice work, boy.
00:23:29Open the desk there and get me a cigarette.
00:23:37Did you have a nice dinner?
00:23:40Oh, not so good.
00:23:50Hey, why don't you marry the girl?
00:23:52There it is again.
00:23:54We never can be ourselves.
00:23:56If we sit in the park, we have a policeman for a chaperone.
00:24:00And in the boarding house, we have four chaperones.
00:24:02Mrs. Smith told me today she had a nice housekeeping room on the top floor.
00:24:04Gee, that'd be swell.
00:24:06And if we're married, we can lock the door, can't we?
00:24:10You're right, darling.
00:24:12If we don't start now, we'll never get anywhere.
00:24:14I'll get the license tomorrow.
00:24:26Phil, what was that?
00:24:30Oh, we're interrupted again.
00:24:33Sounded like shots.
00:24:47Get the police quick.
00:24:49Olive and Maple.
00:24:57Calling car number 21.
00:24:59Car number 21.
00:25:02Car number 21.
00:25:04At Olive and Maple.
00:25:06Investigate the trouble.
00:25:08At Olive and Maple.
00:25:10Investigate the trouble.
00:25:12That is all.
00:25:14Look, there's some people running.
00:25:16What's the matter?
00:25:18Somebody's running.
00:25:20Who is the enemy?
00:25:22Oh!
00:25:24Oh!
00:25:28Get out of the way.
00:25:30Come on.
00:25:36Well, that's good-looking Freddy.
00:25:38The man the whole department's looking for.
00:25:40Phil, that'll make a good story.
00:25:42Let's find a telephone.
00:25:44Here's one. Come on.
00:25:46Say, mister, may I use your phone?
00:25:48Certainly.
00:25:50Oh, thank you.
00:25:55Yeah. Yeah, I got it.
00:25:57Yeah, I got it all.
00:26:00All right. All right.
00:26:02What'd he say?
00:26:04He wants me to come right over.
00:26:08Jones is on his way now to check the story.
00:26:10Adams is writing up the copy.
00:26:12It's funny how that boy's always around
00:26:14when anything's being pulled.
00:26:16What do you mean?
00:26:18I wonder if those crooks are using him for a plant.
00:26:20He wants to get a job on this paper, you know.
00:26:22Well, don't hire him.
00:26:24I don't intend to.
00:26:26Hello. Get me Jenkins.
00:26:29Hello.
00:26:31Yeah, listen.
00:26:33Good-looking Freddy's been snuffed out.
00:26:35That stops the lead to the big shots.
00:26:37That Burlywood Roadhouse is just small potatoes.
00:26:39There's more of those places around.
00:26:41Now, listen here. Here's a caption.
00:26:43Who will be the next?
00:26:45Give the public the facts.
00:26:47They have a right to know.
00:26:49Got it?
00:26:51Yeah, that's all.
00:26:59Ladies and gentlemen.
00:27:21I have for your entertainment this evening
00:27:23a very charming little dancer.
00:27:25Princess Susanna Jones.
00:27:28Princess Susanna Kim.
00:27:30Whitey, the music.
00:27:34Come on, everybody.
00:27:36Give her a hand.
00:27:58Princess Susanna.
00:28:00Princess Susanna.
00:28:02Princess Susanna.
00:28:04Princess Susanna.
00:28:06Princess Susanna.
00:28:08Princess Susanna.
00:28:10Princess Susanna.
00:28:12Princess Susanna.
00:28:14Princess Susanna.
00:28:16Princess Susanna.
00:28:18Princess Susanna.
00:28:20Princess Susanna.
00:28:22Princess Susanna.
00:28:24Princess Susanna.
00:28:26Princess Susanna.
00:28:28Princess Susanna.
00:28:30Princess Susanna.
00:28:32Princess Susanna.
00:28:34Princess Susanna.
00:28:36Princess Susanna.
00:28:38Princess Susanna.
00:28:40Princess Susanna.
00:28:42Princess Susanna.
00:28:44Princess Susanna.
00:28:46Princess Susanna.
00:28:48Princess Susanna.
00:28:50Princess Susanna.
00:28:52Princess Susanna.
00:28:55Princess Susanna.
00:28:57Princess Susanna.
00:28:59Princess Susanna.
00:29:01Princess Susanna.
00:29:03Princess Susanna.
00:29:05Princess Susanna.
00:29:07Princess Susanna.
00:29:09Princess Susanna.
00:29:11Well, Jimmy, for a couple of hot shot partners,
00:29:13we're not doing so bad.
00:29:15There's four
00:29:17and a little over
00:29:19$4,000.
00:29:21Come in.
00:29:24Come in.
00:29:31Well, there's no need in my asking how you came out.
00:29:33What do you think?
00:29:35I didn't even get dirt on me.
00:29:37You see? Simple.
00:29:39The boys are experts.
00:29:41How about a little dough?
00:29:43What?
00:29:45He said a little dough.
00:29:47I think the boys have it coming to them.
00:29:51All right.
00:29:53All right.
00:30:07Oh.
00:30:13Now, I'm not handing out any orchids,
00:30:15but you boys are going places
00:30:17if you don't get too ambitious.
00:30:19Ambitious, boss?
00:30:22Hey, what do you mean?
00:30:24You know what I mean.
00:30:26Don't let the sight of all this money go to your heads.
00:30:28That don't mean a thing.
00:30:30Nick always gets excited
00:30:32when he sees a lot of money.
00:30:34Okay, don't forget what I said.
00:30:36That's all.
00:30:38Good night.
00:30:40Good night.
00:30:52How about a drink?
00:31:06Why should Murray and Bell
00:31:08have all that dough?
00:31:10There must have been four grand
00:31:12on that table.
00:31:14Yeah.
00:31:16And we're going to figure out some way
00:31:18to cut in on their racket right now.
00:31:21You took the words right out of my mouth.
00:31:41I don't know what you're cramming about.
00:31:43We're making plenty of money.
00:31:45A man's got to have a little fun
00:31:47once in a while.
00:31:49Oh, I don't mind the fun.
00:31:51But I think you're fooling around with the wrong girl.
00:31:53None of those manicurists know any
00:31:55of our business.
00:31:57All right, all right.
00:31:59Say, Bell.
00:32:01What do you know
00:32:03about this boy that Donna's going to marry?
00:32:05Miller?
00:32:07Oh, not much.
00:32:09He's trying to get a newspaper job
00:32:11and he plays the races a little down at Tuffy's booking office.
00:32:13Oh, I see.
00:32:15Trying to make a killing
00:32:18with a two dollar bill, huh?
00:32:20Jim, that reminds me.
00:32:22We have twenty grand
00:32:24of marked money.
00:32:26I wish we could unload it.
00:32:28Not a chance. Not a chance in the world.
00:32:30That money's too hot to put into circulation.
00:32:38Say,
00:32:40let me have a thousand of that, will you?
00:32:44Oh, Jim.
00:32:47If any of that hot stuff was found on you
00:32:49it'd mean a long stretch in the big house.
00:32:51Well, it won't be found on me.
00:33:07I want to sit on the property.
00:33:09The horse is scratched.
00:33:11Oh, is he hurt badly?
00:33:13Lady, the horse is scratched.
00:33:17Well, I don't care if he's got the itch.
00:33:19I want to bet on Providence.
00:33:21The horse is scratched. He won't run.
00:33:23I want to bet on Providence.
00:33:25Say, what are you betting on?
00:33:27I'm betting on a parlay.
00:33:29Parlay. Parlay.
00:33:31I want to bet on parlay.
00:33:33Which horses?
00:33:35Oh, just one. Coffin.
00:33:37Coffin? Well, why do you want to bet on coffin?
00:33:39Oh, I'm a hunch he'll win all the dead heat.
00:33:41Oh, I think you'd better save your money.
00:33:47All right.
00:33:55Put the dough on him. Put it in his side pocket.
00:34:03You'd better go outside and make that phone call.
00:34:05Tell those dicks to get here quick.
00:34:17They're at the post.
00:34:19Now!
00:34:29Gallant Babe gets away to a bad start.
00:34:31Come on, come on, come on, come on, come on.
00:34:39At the quarter.
00:34:41It's 10 soldier by half a length.
00:34:43Oh, dear.
00:34:46Fair Helen second by two lengths.
00:34:48Tony Boy leads by a head.
00:34:50Come on, come on, come on.
00:34:52Pardon me.
00:34:54Oh, please, lady, let me listen.
00:34:56Please.
00:35:02At the half.
00:35:04It's Fair Helen by two lengths.
00:35:06Tony Boy by half a length.
00:35:08And Sister May third.
00:35:10Coming up fast on the outside.
00:35:12It's a driving finish.
00:35:14Fair Helen wins by a nose.
00:35:16I win!
00:35:20I had three dollars on this race.
00:35:22What horse are you picking for the next race?
00:35:24Not me, lady.
00:35:26I'm racing to get married.
00:35:36That's him there, second man in line.
00:35:42Just a moment.
00:35:44What's the matter?
00:35:46Take it easy, buddy.
00:35:52You'd better come along with me.
00:35:54Wait a minute, I don't know anything about that.
00:35:56We'll see.
00:36:04Don't, don't, Phil.
00:36:06I didn't mind if you played the races.
00:36:08Well, I only wanted the money
00:36:11so that we could get married.
00:36:13Oh, I know, I know.
00:36:15You know, I can't understand
00:36:17who put those bills
00:36:19in my pocket.
00:36:21Can't the police trace that marked money?
00:36:25They don't seem to want to.
00:36:27They think that I'm part of an extortion plot.
00:36:29Oh, so that's the reason
00:36:31your bond was so large.
00:36:33The folks at the boarding house
00:36:35gave what they had.
00:36:37But that's not even a drop in the bucket.
00:36:41Say, Phil,
00:36:43Mrs. Harris that owns that shop,
00:36:45she has plenty of money.
00:36:47I bet she could help us.
00:36:49Do you think she would?
00:36:51Well, I can try.
00:36:53Goodbye, darling.
00:36:55You know, I,
00:36:57I certainly need one of your manicures
00:36:59that you give me.
00:37:03I'm so sorry I can't help you, darling,
00:37:05with any money.
00:37:07I know it looks like that I'm rich,
00:37:10but you don't realize the cost of running a business like this.
00:37:12The payroll and the taxes
00:37:14and everything.
00:37:20Hello?
00:37:22Hello, Bill. Jim.
00:37:24John not showing up yet?
00:37:26Yes.
00:37:28Did she get the bond?
00:37:30No, she's busy now.
00:37:32She wants the money.
00:37:34Can't you talk?
00:37:36Yes, I can take care of you.
00:37:38Oh, I get it.
00:37:40Hold it there. I'm leaving now.
00:37:42Well, thank you, Mrs. O'Brien. 2.30 then.
00:37:48Mr. Jones is the next appointment.
00:37:50Okay.
00:37:54Where's Donna?
00:37:56She's in Mrs. Harris' office.
00:37:58Ask if she'll give me a manicure, will you?
00:38:00Sure.
00:38:03Oh, excuse me, Mrs. Harris,
00:38:05but Mr. Murray's outside and wants to know
00:38:07if Donna will give him a manicure now.
00:38:09Send Mr. Murray in here.
00:38:13Now, there's a man that can help you.
00:38:15He likes you and he's got scabs of money.
00:38:17No, I...
00:38:19Hello, Mrs. Harris.
00:38:21Why, hello, Donna.
00:38:23Hello.
00:38:25Hey.
00:38:27Why all the gloom?
00:38:29Well, Donna's pretty low.
00:38:32Her boyfriend's in jail.
00:38:34In jail? What for?
00:38:36Oh, somebody planted some marked money on him.
00:38:38Marked money?
00:38:40Gee, that's a dirty shame.
00:38:42But they can't get away with that.
00:38:44Well, they are.
00:38:46The poor kid hasn't any money
00:38:48for a bond or a lawyer.
00:38:50Well, that's easily fixed up.
00:38:52I'm having dinner tonight with my lawyer.
00:38:54Suppose you come along
00:38:56and we'll see what can be done.
00:38:58Well, I don't think...
00:39:00We'll see what we can do.
00:39:30Certainly, I'm glad to see you cheering up.
00:39:32Now, you just forget all your worries
00:39:34and leave everything to Mr. Lennon.
00:39:36He'll have Phil out in no time.
00:39:38Oh, I hope so.
00:39:40Well, I'll see you later.
00:39:42Good-bye.
00:39:44Good-bye.
00:39:46Good-bye.
00:39:48Good-bye.
00:39:50Good-bye.
00:39:52Good-bye.
00:39:54Good-bye.
00:39:56Good-bye.
00:39:58Oh, I hope so.
00:40:29Good-bye.
00:40:31Good-bye.
00:40:33Good-bye.
00:40:47Here's a retainer, Lennon.
00:40:49Let me know about the bond
00:40:51in the morning.
00:40:55I hope you don't mind if I leave you now.
00:40:57Now, don't worry, Miss Lee. I'll do everything in my power to help you.
00:41:02Good night.
00:41:03Good night.
00:41:04Night.
00:41:27I'm deeply grateful to you, Mr. Mallory.
00:41:47Forget it.
00:41:55I'm getting bored here.
00:41:57Let's go up to my place for a little while.
00:42:02Oh, I couldn't do that.
00:42:04My heart's wrapped up in Phil.
00:42:07I've been thinking about him all day.
00:42:10I guess you are pretty tired.
00:42:12I think I'd better take you home.
00:42:14Thanks.
00:42:16Waiter.
00:42:18Oh, Phil.
00:42:19I saw Mr. Murray last night, a friend of Mrs. Harris'.
00:42:22And his lawyer's going to try and get you out.
00:42:25Oh, he is?
00:42:26Well, he was here this morning and he told me to plead guilty.
00:42:30Why did he do that?
00:42:32Well, I don't know.
00:42:33But he said that from the facts of the case, it didn't look like I had a chance.
00:42:37And that if I'd plead guilty, I'd get out in two years and maybe less with good behavior.
00:42:42Two years?
00:42:44For something you didn't do?
00:42:48Did he put up the money for the bond?
00:42:50No.
00:42:52Well, Mr. Murray told him to.
00:42:55Your friend, Mr. Murray, is giving you the runaround.
00:42:59Don't say that.
00:43:00He's our only hope.
00:43:02I'm going over to the shop tonight and see Mr. Murray.
00:43:06And I'll see what this is all about.
00:43:08Oh, darling, you're wasting your time.
00:43:14Mrs. Harris, I'm terribly sorry I was late.
00:43:16I was just over to see Phil.
00:43:18I appreciate your troubles there.
00:43:19But you're going to have to snap out of it and take care of your customers
00:43:22or I'll have to get another girl.
00:43:23Is somebody waiting?
00:43:24No, but you just missed one.
00:43:26Donna?
00:43:27Yes?
00:43:28Mr. Murray.
00:43:30Everything okay?
00:43:31Well, no.
00:43:32Your attorney told Phil to plead guilty.
00:43:34Guilty, huh?
00:43:35Uh-huh.
00:43:37Must be more to this case than we figured.
00:43:42I'll get a hold of Lennon tonight and find out what it's all about.
00:43:46Do you want to talk to him again?
00:43:47Oh, yes, I'd like to.
00:43:49All right.
00:43:50Well, I'll pick you up here tonight when you finish work.
00:43:52All right.
00:43:53Donna?
00:43:54Yes?
00:43:55There's a customer waiting for you in the barbershop.
00:43:57I'll be through at 6.
00:43:58All right.
00:44:04Oh, hello, Mary Lou.
00:44:06Donna, that man you were just talking to,
00:44:08he looks like the one who was in the car with me that night.
00:44:12He couldn't be.
00:44:13That's a millionaire that's trying to help me get Phil released.
00:44:16Maybe so, but he certainly looks like him.
00:44:20It's a terrible thing to say about anyone unless you're quite sure.
00:44:25Oh, Mrs. Harris, this is a girl I've been teaching to manicure.
00:44:28She's very good.
00:44:29Could you give her a job?
00:44:31Well, I'll give her a chance as soon as there's a vacancy.
00:44:33Oh, thank you.
00:44:34Donna, that customer is still waiting in the barbershop.
00:44:38I'll meet you at lunch.
00:45:05Mr. Murray phoned you while you were out.
00:45:07Said he couldn't pick you up tonight, but he wanted you to meet him at this address.
00:45:11Oh, thank you, Mrs. Harris.
00:45:13It's a swanky place.
00:45:14You'd better look your best.
00:45:16Did he say Mr. Lennon was going to be there?
00:45:18Yes, he did.
00:45:54I was hoping you'd remember me.
00:45:55Yes, of course I do.
00:45:57I see your young reporter friend's in jail.
00:45:59That's right.
00:46:00Mark Money, wasn't it?
00:46:01Mm-hmm.
00:46:03Someone placed that Mark Money on him.
00:46:05I know exactly how much money he had.
00:46:07We were supposed to be married that day.
00:46:10Well, why should anybody want to frame him?
00:46:13That's what I came here to talk to you about.
00:46:16Say, what's the matter with you lately?
00:46:18You're always worrying and crabbing.
00:46:21Listen, I'm telling you that that girl is smart.
00:46:25Oh, what of it?
00:46:26I like them that way.
00:46:27Did you give her the address?
00:46:29Yes, she'll be here all right.
00:46:31But watch your step.
00:46:33Yes, Mother.
00:46:38Now let's get this straight.
00:46:40You say, number one, you're a manicurist in a barbershop.
00:46:44That's right.
00:46:45The woman in charge is always advertising in small town papers for girl manicurists.
00:46:50With no experience necessary.
00:46:52Right.
00:46:53Number two, again you say your friend Mary Lou recognized this Mr. Murray.
00:46:58Correct.
00:46:59Number three, I happen to know this lawyer, Lennon.
00:47:03I don't trust him.
00:47:05Maybe there's something in what you say.
00:47:07We have no proof.
00:47:09If we could only get some concrete evidence.
00:47:13I'm going out to this place tonight with Mr. Murray for dinner.
00:47:16I'll try to find out something more.
00:47:19Call me up if you get any real news, will you?
00:47:21Yes, I will.
00:47:29Oh, Donnie, you look lovely.
00:47:31Thanks, Mary Lou.
00:47:32I do hope you can help Philip.
00:47:34I do too, Mrs. Smith.
00:47:35Good night.
00:47:36Good night.
00:47:42Boys, did you get a job yet?
00:47:45Well, not exactly, Mrs. Smith.
00:47:47But we know what's wrong with the act.
00:47:49Why, sure we do.
00:47:50We were doing it too fast before.
00:47:51Yeah, we'll do it very slow for you.
00:47:53Just watch this.
00:47:54Come here, Hal.
00:47:55Get down on the floor.
00:47:56Very slow.
00:47:57Watch this.
00:47:59Oh.
00:48:23Look, Mother, aren't they funny?
00:48:29Oh.
00:48:43Oh.
00:48:44Look at them.
00:48:49Turn on the lights.
00:48:50Lights.
00:48:51I told you.
00:48:59Oh.
00:49:13How was that, huh?
00:49:15Oh.
00:49:20All right, let's get down to tax.
00:49:22Are you in or not?
00:49:23It's pretty tough business muscling on this Murray and Bells racket.
00:49:26I'm in.
00:49:27We've been getting that good gravy long enough.
00:49:29Well, uh...
00:49:30Come on, boys.
00:49:31Lay it on the table.
00:49:32Are you in or are you out?
00:49:35Nature deal.
00:49:36I'm in.
00:49:37It's all set, huh?
00:49:38Here's what happens.
00:49:39Tonight, Dutch and I are on the floor.
00:49:42You three come over and play around so Bell don't get wise.
00:49:46And when I give the signal, we'll take the joint over.
00:49:50All right?
00:49:51Check.
00:49:52Pay this.
00:49:58All right.
00:50:09I was expected to meet Mr. James Murray here.
00:50:12Has he made reservations?
00:50:14Why, yes.
00:50:15This way, please.
00:50:27Hello, Donna.
00:50:40Why?
00:50:41I'm Mrs. Harris.
00:50:43Oh, don't be surprised.
00:50:44Mr. Murray just bought me this cabaret.
00:50:46How nice.
00:50:48Is he here?
00:50:49Oh, he'll be along soon.
00:50:50Take off your wrap.
00:50:52I want to show you the place.
00:50:57I want you to meet some of my entertainers oh I'd like to what a charming place you have
00:51:15here I'm glad you like it Donna this is Rosie how do you do how do you do Rosie the world
00:51:26acclaims her as their most beautiful brunette and Lillian Donna hello Lily how do you do
00:51:39our blonde Venus and you can always find Nellie around the cocktail bar Nellie I'd like to
00:51:52introduce Donna hello hello Nellie she's won everything in beauty prizes all over the United
00:51:59States how nice now I'd like to show you our private dining rooms
00:52:22now this is reserved for bankers bankers a haven for tired businessmen
00:52:52and this one is for lawyers and in this room the lonesome bachelor visits occasionally
00:53:23hello how are you
00:53:32sure okay so long
00:53:52now isn't this a beautiful one and in this room out-of-town visitors are usually entertained
00:54:05and in this room the traveling salesman have you heard the story of and this one this is
00:54:19our Oriental room reserved for the exotic and most of them are
00:54:25I'm going home oh wait a minute
00:54:50don't all around here hello miss may I call you mr. my too late happy I'm just a little guy
00:55:00that's never too late I think I'd better go home I'll see mr. Murray tomorrow all nonsense come on
00:55:06girls we're going to have a drink Nelly excuse me Paul I guess I'm too late
00:55:19Paul you take care of them I'll be back soon let's have a drink huh all right bartender two
00:55:27stray whiskeys no no mixed drink mixed drink always drink mixed drink oh no don't make you
00:55:33sick nothing makes me sick mixed drink nothing makes you sick nothing I'll mix it for you my
00:55:40friend go some whiskey some gin and some port wine come on here we go open your mouth a little
00:55:56whiskey oh a little gin and now a little port wine it's supposed to be well shaken now close
00:56:16your mouth I'll hang on I'll swallow now how do you feel I must have forgot the correct ice say
00:56:34didn't I meet you before mrs. Harris's manicure and shop yes but I didn't do so well as a
00:56:41manicurist no you see she she's an entertainer now now I know why I'm here what for there's a
00:57:00private dining room upstairs in a big party going on and I'm invited come on okay I'm gonna mix
00:57:06drink sure you can in this time with a beer chaser wonderful do you think we'll have a crowd
00:57:22tonight boy of course the night's young I hope you're right have Nick send me up some champagne
00:57:30right come on girls I'm having Nick service some champagne we don't get champagne open only when
00:57:42there's a gasp make yourself at home I'll be back in a minute
00:58:02I'll drink with the girls yes the recruits are waiting for you from the book of Elvis
00:58:12okay line up girls hello
00:58:28you girls can all dance that's fine you know our club prides itself on beautiful
00:58:34figures so I'll have to ask you to raise your skirt that's fine now turn around this little
00:58:45girl on the end just a little higher please you check with the booking office you have your orders
00:59:04oh shut up all you gotta do is look at the kid and you know she's too good for this place too
00:59:21good a oh so she's better than I am you better go home kid stick around we're gonna have a lot
00:59:27of fun I'll go one sit down I'm gonna help
00:59:38oh you can't you
00:59:44stop it come on break it up come on scram you too Nellie please mr. Murray take
01:00:14me home oh don't be in a hurry let's have a drink oh I'm sorry this had to happen I told
01:00:19Nick and Bell not to give these girls anything to drink we'll have dinner just as soon as mr.
01:00:24Lennon arrives sit down I'm glad you came over chief you ought to work this thing out together
01:00:30and girls story worries me what you told me I think you uncovered something we suspected for
01:00:36some time that a gang is working the book racket here this is how it's done advertisements appear
01:00:42in small-town papers offering young and attractive girls work in the city no experience necessary mm-hmm
01:00:48same old story country girl comes to the city to get a job yes but when the girl arrives she gets
01:00:54the job all right but it's just plain housework of course a plan and they make it such tough
01:01:00drudgery that within a week she quits now what have you girl a drift in the city right and you
01:01:06can readily see how within a short space of time these booking offices have got control over their
01:01:10victims and the rest is easy I'm gonna run a series of articles war in the country girl to
01:01:17be careful as to what kind of ads I answer for jobs in the cities we don't seem to understand
01:01:35each other mr. Murray you look beautiful when you're mad
01:01:48so you want to play no I don't want to play
01:02:05Oh
01:02:32Oh
01:02:35thank you
01:03:05some of the boys want to have a little drink with you
01:03:07sure about
01:03:35well Belle drink to the health of your new partners what do you mean why honey we're
01:03:57declaring ourselves in home so you think it's as easy as that do you don't make me laugh we
01:04:04won't but you see you and Murray have been getting all the cream well all we've getting
01:04:09is the skim milk sure that's right that's right Mario has something to say about this we let him
01:04:14come in if he wants to I've always had a feeling this boy was framed but I've been holding him
01:04:22to see what's on the other end of the rope sit down tell us how long have you known this girl
01:04:33Donnelly why let's go up the cocktail bar I'll go get Murray never mind Murray sit down Oh boys
01:05:04don't you come near me well it looks like Murray framed this boy yeah to get an innocent girl
01:05:23that's a girl I love too you must get her out of there that's what we're going to try and do
01:05:28you better take him along chief is a good reporter come on
01:05:58come on in there what do you think you're getting paid for
01:06:58way down down well Belle do we take the place over I guess you win now you're talking sense
01:07:54come on you you're gonna join your friends are you all right
01:07:58well get him quick I want that story go out and find him I want to get this
01:08:25ah there you are where's that story well do I get the job yes yes you get the job
01:08:30and I want the story hey hey hurry I want next on the street right away yes right away police
01:08:39capture ringleaders in vice racket Jim Murray and Bill Harris caught in vice net Donnelly
01:08:46risked life to save unfortunate racketeers brought to justice yes get on the streets right away hey
01:08:53can't you wait to the bar to get married there's a desk over there