Funny Girl (1968) HD

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Funny Girl is a 1968 film directed by William Wyler, based on the 1964 musical of the same name, starring Barbra Streisand and Omar Sharif.   Plot: It is the biography of Fanny Brice (1891-1951), an artist of the Ziegfeld Follies who had great success between the two wars. Born poor, in the Jewish neighborhood of the East Side of New York, Fanny is not a beautiful girl, but she is gifted with great talent and a sense of humor. Having been noticed by the great impresario Florenz Ziegfeld, she debuts on Broadway obtaining great success in a very short time and becoming a star of the most famous variety company in the United States.  Fanny marries three times, the first of which to an adventurer met in Baltimore. Nick Arnstein, a charming professional of the gaming tables, involves her in the ups and downs of gambling: after a year of happy life, he is overwhelmed by debts and must serve two years in prison for fraud. He asks for a divorce from Fanny and, after serving his sentence, Fanny grants it to him, remaining alone.

Transcript

00:00:00["Pomp and Circumstance"]

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00:01:57["Pomp and Circumstance"]

00:02:06["Canon in D"]

00:02:09["Canon in D"]

00:02:12["Canon in D"]

00:02:15["Canon in D"]

00:02:18You

00:02:48You

00:03:18Hello gorgeous

00:03:48You

00:04:18You

00:04:48You

00:05:04Miss Fanny

00:05:06Miss down here Emma

00:05:08Third row I came in early to tidy up and the doorman said you were in but what you're doing out there

00:05:18One place in the theater, I've never said

00:05:23Maybe things look different from here

00:05:28This is the day isn't it? Yeah

00:05:33Any word yet? No the word you said tonight

00:05:39You nervous yeah nervous happy scared excited

00:05:43I

00:05:47Am going to make a fresh pot of coffee you coming

00:05:51No, no, I think I'll I'll just sit here for a while. Okay?

00:05:54Well, I'll be in the dressing room if you want me. Oh

00:06:01Mr. Ziegfeld wants to see you when you feel like it. He says he'll be waiting in his office

00:06:13Did you hear that mr. Stray coach

00:06:21Ziegfeld is waiting for me

00:06:27For me

00:06:31See you wrong mr. Stray coach

00:06:37No, Fanny darling, I'm not wrong for a girl for average you're a pleasure

00:06:43But when people pay good money in the theater, huh, especially the male element

00:06:48They want something extra to look at but if a girl isn't

00:06:54If a girl isn't what?

00:06:58If a girl isn't pretty like a Miss Atlantic City all she gets from life is pity and a pat

00:07:08Kindly name a star who hasn't won a contest or a pageant if she hasn't she just never gets to bat

00:07:17She must shine in every detail like a ring

00:07:21You're buying retail be a standard size that fits a standard dress

00:07:27when a girl

00:07:29Incidental are no bigger than two lentils

00:07:37That's dad don't worry mr. Stray coach don't look at me the whole world will look at me I'd be stunned. Oh

00:07:44That was all right when you were a child and you made funny faces then you were cute my condolences darling

00:07:51You're no longer cute. Oh from three faces that could cause you to have temporary

00:07:57Nausea, do I have to hear a lecture such as that?

00:08:02Is the nose with deviation such a crime against the nation?

00:08:07Should I throw her into jail or drown my hat?

00:08:13But

00:08:14So she looks a bit off-balance

00:08:18She possesses golden talents or is that a pill to bitter to digest?

00:08:37Oh

00:08:55Wait a minute, wait a minute. All right. I'm one of the eight beautiful girls, right?

00:08:59Oh

00:09:03The makeup helps a lot really

00:09:29Oh

00:09:31Oh

00:10:01Did you with the skinny legs

00:10:06No, yes you with the bloomers

00:10:11Yeah

00:10:12You're fired

00:10:14What?

00:10:15You call that a replacement. What's the matter ready to draw somebody a favor. It seemed like a funny idea

00:10:20What's funny about it?

00:10:23Everybody

00:10:25Miss bikini. Yeah, wait a minute. You're making a mistake. I've got a lot of experience honest

00:10:28I am I've been on the stage since I was 10. I'm amateur contest

00:10:32I'm not leave Southern Repertory our professional companies last season last season. I double six parts

00:10:37I played a daughter and her own father had to get like that a 60 year old Indian chief

00:10:40Listen girl, please. You've got to face facts. You don't look like the other girl. I know got skinny legs you stick out

00:10:59I

00:11:01Suppose all you ever had for breakfast was on your nose now all of a sudden one morning

00:11:05He walks a bagel. So I mean you take a look at it. You say what is that until you tried it?

00:11:10So that's my trouble

00:11:12What's your trouble? I'm a bagel on a plate full of onion rolls

00:11:17Nobody recognizes me. Listen, I got 36 expressions

00:11:21Sweetest pie the toughest leather and that's six expressions more than all them baramores put together

00:11:27Come on, instead of just kicking me. Why don't they give me a lift?

00:11:31Well, it must be a plot because they're scared that I got

00:11:36Such a gift. Oh, sure. Let's go. Well, I'm

00:11:44The greatest star I am by far

00:11:51But no one

00:11:54Oh

00:12:06Now can't you see don't look at me that I'm a natural Camille

00:12:13as Camilla just feel

00:12:16I've so much to offer. Hey, listen kid. I know I'd be divine because

00:12:23A natural core for

00:12:28Some ain't got it not a lump. I'm a great big clump of talent laugh

00:12:36They'll bend in half. Did you ever hear a story about the traveling salesman?

00:12:40Thousand jokes stick around for the jokes a thousand

00:12:45Faces I reiterate when you're gifted then you're gifted these

00:12:53Hey

00:12:56What are you blind in all of the world so far I'm the greatest star

00:13:05No autographs, please

00:13:08What'd she say? You think beautiful girls are gonna stay us down forever. Yeah, I should say not any minute now. They're gonna be out

00:13:14Finished then it'll be my turn

00:13:17Who is the pip with pizzazz who is all ginger and jazz who is as glamorous

00:13:27Who's an American beauty rose with an American beauty nose and ten

00:13:35American beauty toes eyes on the target and well one shot one gunshot

00:13:44Hey, mr.

00:13:47I

00:14:01I'm the greatest

00:14:04I am by far

00:14:07But no one knows it

00:14:12That's why I was born

00:14:15I'll blow my

00:14:20Till someone blows it

00:14:30I'll flicker then flare

00:14:34All the world's gonna stare

00:14:39Looking down you'll never see me try the sky close. That'll be me

00:14:44I can make them cry

00:14:47I can make them sigh

00:14:49Someday, they'll clamor for my dry

00:14:54Have you guessed yet? Who's the best? Yeah

00:15:14I

00:15:42You know chorus girl

00:15:45You're a singer and a comic

00:15:50Skinny legs

00:15:52So, why'd you try out for the chorus

00:15:55Cuz that's what you were looking for

00:15:58If you were looking for a juggler, I'd have been a juggler. I

00:16:02Just gotta get on the stage somehow

00:16:07How come you hired me

00:16:11Because you wanted it so much

00:16:15You sure you're tough enough a show business

00:16:20Maybe not

00:16:22Say can you roll a skate?

00:16:24Why you had a sudden urge to go skating? No, I'm trying out a novelty number tomorrow

00:16:29If you can skate be here at noon. Yeah, but what about Keeney?

00:16:32He won't be in till nighttime and by then the number will be in the show. Yeah, but I'll kill you

00:16:36He might even fire you not if you're good

00:16:39Are you sure you can roll a skate?

00:16:44Can I roll a skate

00:17:14Oh

00:17:44Oh

00:18:14Oh

00:18:44Oh

00:18:57They like you go back out there

00:19:14I

00:19:27Would rather be blue

00:19:30Thinking of you. I'd rather be blue

00:19:35Over you

00:19:37Then be happy

00:19:39with some

00:19:42body

00:19:45I'm crazy about

00:19:48you without

00:19:52For you, I'm strong I can't do without

00:19:58How to my goucha don't stay too long I

00:20:04Need a little

00:20:07Oh, and I'm knocking on

00:20:09wood

00:20:13Honey hurry up. Hurry up. Hurry up. It's so hard to be good

00:20:20I'd rather be blue

00:20:24Thinking of you. I'd rather be blue

00:20:28over you

00:20:30Then be happy

00:20:33with some

00:20:40I'll be good. Will I be bad? Don't be a fool you

00:20:48Flat I'm turning that into a Sunday school

00:20:55While you're away, I'm here to say there'll be no Iceman there

00:21:02Singing the blues I'm gonna use nothing but Frigidaire

00:21:08I'd rather be blue thinking

00:21:17Then be happy

00:21:30I'd rather be blue

00:21:37I'm happy with somebody

00:22:07I

00:22:13So they shouldn't like it I didn't know you were paying me and I don't know what you pay me

00:22:18But I'll bet it isn't enough. Listen when I get around to thinking about you. I let you know

00:22:37Really, I'm sorry. I lost up the number, but I couldn't help it. Well, as long as I did, I'm glad it was a hit

00:22:42And who do you think's gonna see in this dump Florence Ziegfeld?

00:22:46Why not? You think the word can't spread I'll spread it myself. Listen, I know a lady who knows the lady who makes his shirt

00:22:59One night you're gonna be sitting around here laughing and kidding just like that and there's gonna be a knock on the door

00:23:04See and there will be

00:23:14I'm sorry to disappoint you but the names aren't seen

00:23:20Did you want to see someone yes you

00:23:23You

00:23:29Gorgeous

00:23:31Thank you, Bob, oh, I mean your shirt. Oh, it's absolutely the most gorgeous thing I've ever seen in my life

00:23:38What's it made out of? Oh

00:23:40French handkerchief linen. It was very limp though. Yeah, I can see and

00:23:45Except it's really beautiful. You know all the tailcoats I've seen I mean, um, well, they were rented, you know

00:23:52They all got these stiff shirts

00:23:55Well, this one's just for fun

00:23:57You know, you've probably had this very often that is boring

00:24:00But I had to come back to tell you how much I enjoyed what you did

00:24:04It's not so boring. You'd be surprised how boring it isn't

00:24:08You're going to be a big star someday miss

00:24:12Bryce Fanny Bryce Fanny Bryce. I look for it in light

00:24:16What'd you say your name was Nick Arnstein

00:24:21Nicky Arnstein Nicky Arnstein

00:24:23What a beautiful beautiful name

00:24:28Oh

00:24:30It's you oh hello Arnstein, I'll give you $25 a week take it or leave it. I'll take it

00:24:38I'm offering 35. What do you mean? You're offering since when are you in show business? I'm not

00:24:44But one of your competitors authorized me to deal for him whenever I ran across a talent. I considered really unique

00:24:51so

00:24:52$35 a week 40 45 50

00:24:57Well, I wasn't authorized to go over 50 Guinness. She's yours for $50 a week. Congratulations. Yeah

00:25:07$50 a week

00:25:14I'm practically a millionaire. Hey, who's the competitor? There's no competitor. What do you mean? You were bluffing like in a poker game?

00:25:23What would have happened if Keeney stopped first you'd have lost I

00:25:27Would have lost the job. I was willing to take a chance with my job

00:25:32Hey Nicky

00:25:35Come on we're waiting. Oh, yeah with you in a minute

00:25:38Wow, are those yours? I'm just smiling. I'm for a friend

00:25:44Look, we're going to the Monica's for supper. Won't you join us?

00:25:48We'd be happy to wait while you change I have to change too much nobody to wait that long

00:25:56I'd have a much better time and a lot more laughs

00:26:01Well, um

00:26:03Thanks anyway, but I gotta meet a gang of people on my mother's saloon. Hmm. I'm just

00:26:13You want a couple of jokes to take with you

00:26:16I'll wait till the next time we meet which will be soon. I hope

00:26:24Mickey on steam the key on steam. He's got pollen on his nails

00:26:29He's got pollen on his nails

00:26:37Hey

00:26:41Whoever washes your shirt, I want to put a little starch in the last rinse that way it won't go so limp. Oh

00:26:47a little starch in the last rinse

00:26:54Thank you. I won't forget

00:26:58I

00:27:09Never see

00:27:28That's life for you somebody's dead

00:27:58What do you think of my new song I like the old one better

00:28:03Yeah, but I'm tired of it. I've been singing it for six six months. Oh, so what?

00:28:23Oh look

00:28:28Here's funny no

00:28:30Rosie

00:28:35Who is it

00:28:38Andy Blanchard, Lou

00:28:41Sigfield he died

00:28:48Dear miss Bryce stop, please. Meet me at the New Amsterdam theater on Thursday morning at 11 stop

00:28:54I'm Florence Sigfield see by heart like the pledge allegiance

00:28:59I

00:29:05Wonder how a mother could call a boy Florence. It's Florence. I wonder how a mother could call a boy Florence

00:29:15You know what I think

00:29:17Somebody talked to him about me. See I met this guy backstage one night

00:29:22Put a ruffle shirt on just the kind of guy you forget a no-sake fell

00:29:27She said a word that's what must have happened. Oh

00:29:31My head aches. No, nothing. I should built like a horse. I have nothing to wear

00:29:37Push you go walking around in all this time towels. It's coming too easy. That's what's got me scared

00:29:43And where's all the suffering is supposed to do before you click and the hard knocks and the setbacks

00:29:49He's supposed to learn from us. This is too quick. I haven't suffered enough yet, huh?

00:29:57You haven't got the job yet either who says if you get it in a week, you can't lose it so cheer up

00:30:03Maybe you'll suffer later. I can guarantee it for as bossy with Ziegfeld. You are with me. I am NOT bossy with you or anyone

00:30:10and even if I was

00:30:12Ziegfeld isn't just anyone

00:30:14Then believe me

00:30:17Whatever. Mr. Ziegfeld tells me to do. That's what I'm gonna do even now

00:30:26Father bought for 10 cents on the dollar

00:30:33Second-hand piles I'm wearing

00:30:38Second-hand piles. I never get a single thing. That's new

00:30:47Even Jake the plumber. He's the man I adore

00:30:53He had the knife to tell me he's been married before

00:30:58Before

00:31:00Everyone knows

00:31:02That I'm just

00:31:05second-hand rose from

00:31:08second

00:31:20No

00:31:22Oh

00:31:27Miss Bryce perfectly charming and I'm delighted John. Sure. Will you get the bride music for miss Bryce, please? Yes

00:31:37That's exactly what you are

00:31:42I'm a Ziegfeld girl miss Bryce

00:31:45You will do a secondhand rose in the first act and you will sing this new number in the finale

00:31:51All right, anything you say mr. Ziegfeld and just go along with Tony and he'll teach it to you

00:31:59John I want to see the second act opening right from the top. I'll watch it from the balcony turn on the rails

00:32:05Right, sir. Oh

00:32:07Turn on the rails for mr. Ziegfeld

00:32:20This way miss

00:32:25Hey

00:32:30Mr. Ziegfeld, you know, mr. Ziegfeld, mr. Ziegfeld

00:32:37Georgia you're late. Sorry Flo. Where is he? He's up above my god

00:32:49Mrs. Ziegfeld

00:32:51Mrs. Ziegfeld, mrs. Ziegfeld. Yes, miss price. I don't want to be in the finale

00:33:04What was that you said

00:33:08Well, I just I can't sing words like I and the beautiful reflection of my love's affection

00:33:20Well, it's

00:33:22It's embarrassing. Listen, why don't I just do my first act number? I will call it a night. Okay. No, it's not. Okay

00:33:28Why not?

00:33:29Miss Bryce, may I remind you that you're in my theater?

00:33:34So nobody argues with the landlord

00:33:38Just wait right there. I'm coming down. Oh

00:33:43Take five take five everybody

00:33:54Is that bad he's coming down only if you want to stay in the show

00:33:58Look, what's your name?

00:34:00Fanny press. I'm Georgia James. Hi. Tell him you were wrong

00:34:03But I'm not. Oh

00:34:06Well in that case it was nice to have met you miss Bryce

00:34:13Now what is all this not two minutes ago you said anything you say mr. Ziegfeld remember

00:34:19I'm very sorry. But if I come out opening night telling the audience how

00:34:25Beautiful I am. I'll be back at Keeney's before the curtain comes down

00:34:28I assure you that won't happen, but I need a strong voice in the finale, but please take me out of it. Mr

00:34:34Ziegfeld

00:34:36Miss Bryce if I take you out of the finale, I will also take you out of the Follies. It's just that simple

00:34:51Okay, you win

00:34:54Thank you

00:34:57You don't win fair but you win

00:35:00John

00:35:02Forget the second act opening. I want to see the bride number right from the top with miss Bryce. She can walk through right, sir

00:35:15Mrs. Eichfeld

00:35:19Now what listen can I hum it

00:35:24You will sing the words exactly as written

00:35:29And that miss Bryce is the end of this discussion

00:35:36Yes, mr. Ziegfeld

00:35:59Very lucky

00:36:01Who'll be standing at the sides of the

00:36:05lady bright

00:36:19You

00:36:23Beautiful reflection

00:36:25Of his love's affection

00:36:27The walking illustration

00:36:29Of his adoration

00:36:31His love

00:36:33Makes you

00:36:35Beautiful

00:36:37So beautiful

00:36:39So beautiful

00:36:43You ask her looking glass

00:36:45What is it

00:36:47Makes you so exquisite

00:36:49The answer to your query

00:36:51Comes back

00:36:53Deary

00:36:55Beautiful

00:36:57Makes you beautiful

00:36:59So beautiful

00:37:01So beautiful

00:37:03So beautiful

00:37:05So beautiful

00:37:07And woman

00:37:09Love is more than

00:37:11More than I

00:37:13You make a beautiful

00:37:15Beautiful

00:37:17Beautiful

00:37:19Beautiful

00:37:21Beautiful

00:37:25Beautiful

00:37:27Beautiful

00:37:29Beautiful

00:37:31Beautiful

00:37:33Beautiful

00:37:35Beautiful

00:37:37Beautiful

00:37:39Beautiful

00:37:41Beautiful

00:37:43Beautiful

00:37:45Beautiful

00:37:47Beautiful

00:37:49Beautiful

00:37:51Beautiful

00:37:55The winter bride

00:37:57Is typified

00:37:59By Christmas frost and fairies

00:38:01And though the weather's changeable

00:38:03Her virtue never

00:38:05Varies

00:38:15The springtime bride

00:38:17The Springtime Bride is starry-eyed, and poets often say,

00:38:21No other bride would dare to dream the dreams that April may.

00:38:27The Summer Bride is glorified by Merlin's magic touch.

00:38:32A lucky man receives the love of June, July, and such.

00:38:37The Autumn Bride is prudent and wise at sweet sixteen or twenty,

00:38:42and as a wife in future life, she'll hold the horn of plenty.

00:38:55And now, a Singing Bride, who vocally encompasses

00:39:00the happiness and harmony that marriage truly promises.

00:39:12I am the beautiful reflection of my love's affection,

00:39:36a walking illustration of his adoration.

00:39:46If love makes you beautiful, so beautiful, so beautiful.

00:39:58I ask my looking-glass,

00:40:01what is it makes me so exquisite?

00:40:06If love makes you beautiful, so beautiful, so beautiful.

00:40:23You are so beautiful.

00:40:31I am so beautiful.

00:40:36You are so beautiful.

00:40:53You are so beautiful.

00:41:19You are the most beautiful bride in the world.

00:41:42My friend, the showstopper.

00:41:45This you could have told me about.

00:41:46I didn't know about it until a minute before

00:41:48when I was in my dressing room and I saw...

00:41:50Oh, I had to do something.

00:41:56Ladies and gentlemen, thank you very much.

00:41:59It went beautifully.

00:42:00You were all very good, and I am proud of you.

00:42:12Congratulations.

00:42:14Wonderful show.

00:42:16That finale topped everything.

00:42:20Mr. Ziegfeld, I...

00:42:21Be quiet.

00:42:22Bride number was wonderful, Mr. Ziegfeld.

00:42:25Yes, that was fun, wasn't it?

00:42:31All right, Miss Bryce.

00:42:37I'm waiting.

00:42:38Mr. Ziegfeld, don't blame me for being mad,

00:42:40but I didn't do it out of spite, honest, really.

00:42:42I didn't plan it.

00:42:43I was just sitting here and...

00:42:45Oh, look, what do you know?

00:42:46See, because I couldn't do it straight.

00:42:48As if I thought I was one of those other girls.

00:42:50I mean, they would have laughed at me.

00:42:51And they did.

00:42:52Yes, but it was my joke, you see.

00:42:55They laughed with me, not at me.

00:42:58I mean, because I wanted them to laugh.

00:43:00But, I mean, you know what I mean.

00:43:02No, explain it to me.

00:43:06Miss Bryce can't see anyone.

00:43:08Oh, not even her mama.

00:43:10Charlie, everybody's talking.

00:43:13You were wonderful.

00:43:14We're so proud of you.

00:43:15We're ready to bust.

00:43:17Proud, yes, but surprised, no.

00:43:20Ziegfeld, this is my mother.

00:43:22Oh, the big boss.

00:43:24Oh, Mr. Ziegfeld, you have a hit on your hands,

00:43:28especially with my daughter Fanny.

00:43:30Mama, this is Mrs. Straycosh, our neighbor,

00:43:32and this is Eddie Ryan.

00:43:34He's my friend.

00:43:35Oh, Mr. Ziegfeld, how do you do?

00:43:38Mrs. Ziegfeld, how do you do?

00:43:40Mr. Ziegfeld, you're a genius.

00:43:43To put a beautiful wedding gown on a girl

00:43:46that's in the family way,

00:43:48who would think of such a thing?

00:43:50Only one person I know.

00:43:52I think we'd better go.

00:43:54Mrs. Bryce is expecting half the neighborhood.

00:43:56Half?

00:43:57Oh, free beer.

00:43:59You come, huh?

00:44:00Beer.

00:44:02Mama, I'll come home as soon as I can.

00:44:04Take your time, darling.

00:44:05I'm going to be so busy showing off.

00:44:07How many mothers on Henry Street

00:44:09are the mother of a Ziegfeld star?

00:44:11Bye.

00:44:12I'll see you later.

00:44:20Well, you have a charming mother,

00:44:22and I have a problem.

00:44:24I ought to fire you, but I love talent.

00:44:28And, well, it's hard to quarrel with five curtain calls.

00:44:32Six.

00:44:34Well, there you are.

00:44:35That's my problem.

00:44:36So I guess I'll have to give you another chance.

00:44:40Oh, Mr. Ziegfeld.

00:44:43Did he fire you?

00:44:45Not yet.

00:44:46But I'll ring the curtain down on you

00:44:50if you ever disobey an order of mine again.

00:44:53I won't. I won't. Never, ever.

00:44:55I'll do it straight tomorrow night.

00:44:57I mean, without the pillow.

00:45:01You'll do it exactly as you did tonight,

00:45:04and that's an order.

00:45:05You mean you liked it?

00:45:07No, but the audience did.

00:45:09That's why I'm going to give you another number,

00:45:11and I'll choose a new song for you.

00:45:13Oh, thank you, Mr. Ziegfeld.

00:45:15The only thing is about that song.

00:45:17I mean, a song, you know, it's a very, very intimate thing.

00:45:21I mean, it's really between me and the audience.

00:45:25So?

00:45:26So, um, one of the things I really feel definite about

00:45:30is choosing my own.

00:45:33Choosing your own what?

00:45:36Songs, songs.

00:45:39Oh!

00:45:41Good evening.

00:45:43And congratulations.

00:45:45Both of you.

00:45:46Oh, hello, Nick.

00:45:47It's you again. My first ruffled shirt.

00:45:49Good to see you, Nick. How ironic.

00:45:51Oh, a head flow.

00:45:53Just like you and this little girl.

00:45:55First time I saw her, I had a hunch you two belonged together.

00:45:58I have the same hunch, and it's aging me.

00:46:02Fast.

00:46:04I knew it. I was sure of it.

00:46:06I knew it. I was sure of it.

00:46:08It was you who told me about me.

00:46:09I'm afraid not. I wish I had...

00:46:10I don't believe you.

00:46:11Have it your own way.

00:46:13And you had it your own way on that stage tonight, didn't you?

00:46:17Six curtain calls.

00:46:20Only five.

00:46:22But you stopped the show.

00:46:24I did? I did. I stopped the show.

00:46:26I stopped the Ziegfeld Follies.

00:46:27I knew you would.

00:46:28I wrote the card with your flowers before the curtain went up.

00:46:31What?

00:46:32The yellow roses.

00:46:35You should have a chance to look.

00:46:37Oh.

00:46:39Oh, they're beautiful.

00:46:42Dear star, I told you so.

00:46:46Don't forget, I saw you work out.

00:46:48So where would you like to go?

00:46:49Blue Charles? Delmonico's? A party? Two parties?

00:46:53I can't. I've got to meet a gang of people.

00:46:54At my mother's saloon.

00:46:56Not again. Can't you skip it?

00:46:58No, it wouldn't be nice.

00:47:00It's sort of a party for me.

00:47:03You want to come?

00:47:04I'd love to.

00:47:06You mean it?

00:47:07Of course.

00:47:08Well, you'd better think it over.

00:47:09I mean, it's just a neighborhood thing.

00:47:10It might waste the whole evening for you.

00:47:13I'll be with you, won't I?

00:47:16Oh.

00:47:20Go ahead. Get dressed.

00:47:35Oh.

00:47:58Candidly, Mrs. Bryce, that's a good-looking fellow.

00:48:01Oh, gorgeous.

00:48:03He reminds me of Fanny's papa, my ex.

00:48:06Also gorgeous.

00:48:08Wherever he is, he should only stay there, huh?

00:48:15What do you do, anyway?

00:48:17I mean, between my opening nights.

00:48:19Live.

00:48:20Everybody does that.

00:48:22Hardly anyone does.

00:48:24But I do.

00:48:25And on the side, I gamble.

00:48:27You just gamble?

00:48:29Yes, like you did tonight.

00:48:34Papa, but I'm married.

00:48:37No, Mrs. Straycosh, I'm not married.

00:48:43So you're Mrs. Straycosh's married daughter, Sadie?

00:48:47To a dentist.

00:48:52Oh, Mr. Arnstein,

00:48:54could I interest you in a friendly little game of poker?

00:48:57Three-cent limit.

00:49:01I was hoping you'd ask me.

00:49:03Oh, gorgeous.

00:49:04Juices, tens, and jokers wild.

00:49:07Come on.

00:49:08He'll die for blood.

00:49:13Would you care to deal?

00:49:15All right.

00:49:16Oh, look.

00:49:18What?

00:49:19That's marvelous.

00:49:21I think he's played a game of poker before, that Mr. Arnstein.

00:49:25The way he looks to home.

00:49:27He's a gentleman.

00:49:29A gentleman fits in any place.

00:49:31A sponge fits in any place.

00:49:34To me, when a person's a stranger,

00:49:36they should act a little strange.

00:49:38I bet.

00:49:40All right.

00:49:41That's all.

00:49:58I'm afraid you're too good for me.

00:50:00Oh, I see.

00:50:02I got two pairs.

00:50:04Oh, he's yours.

00:50:05Oh, I win, I win, I win.

00:50:08How much do I owe?

00:50:10Uh, $2.27.

00:50:12Fine bunch of crooks I introduced you to.

00:50:14They love you to me.

00:50:15We had a little more practice, that's all.

00:50:18Oh, Fanny, darling.

00:50:20I'm so happy for your success.

00:50:23Oh, Fanny, darling.

00:50:25I'm so happy for your success.

00:50:28Only one thing could make me happier.

00:50:31To dance at your wedding.

00:50:34Come on, children, sit down.

00:50:37Talk a little.

00:50:38Sit down.

00:50:45Oh, should I murder her now,

00:50:47or wait till the party's over?

00:50:49Now.

00:50:50Now.

00:50:51No, I like her.

00:50:53Besides, I've been waiting all evening

00:50:55for a chance to be alone with you.

00:50:57Where does that go?

00:50:59Uh, the alley.

00:51:03Come.

00:51:15Alone at last.

00:51:16Fanny, congratulations.

00:51:18Oh, thanks, Mrs. Nadler.

00:51:19I had to get up on account of the baby.

00:51:21He's a regular midnight fisherman.

00:51:23Lock row it.

00:51:27Alone at last.

00:51:30That's Henry Street.

00:51:31You're never alone.

00:51:32Everybody worries about everybody.

00:51:34And, uh, but it's my home,

00:51:36and I love having people care about me.

00:51:38But I don't see how anyone could help

00:51:40caring about you.

00:51:44Why, because I'm funny?

00:51:46Well, that's, that's part of it.

00:51:52You know, it's a funny thing.

00:51:53I, uh, I've imagined you

00:51:55practically all over the world.

00:51:57Paris, London, the Delaware Water Gap.

00:52:00Every place.

00:52:01Every place except Henry Street.

00:52:03And here you are.

00:52:05You've imagined me?

00:52:07Well, I mean, I, uh,

00:52:09I thought about you a lot.

00:52:11Maybe it was your ruffled shirt.

00:52:13Anyway, you're like a,

00:52:16a character in a book to me,

00:52:18and I haven't read many books, see?

00:52:20So that makes you kind of, um,

00:52:22oh, I talk a lot, don't I?

00:52:25Yes.

00:52:27But it's one of the things I like best about you.

00:52:31Boy, have you got good manners.

00:52:35It's your turn. Say something.

00:52:37All right.

00:52:39With all these people who care about you

00:52:41and are rather blockful and theaterful,

00:52:44doesn't it ever narrow down

00:52:46to just one special person?

00:52:49You mean like a boyfriend?

00:52:51I haven't had time.

00:52:54Ah, but don't get me wrong.

00:52:56I mean, I know a million guys.

00:52:58After all, I am in the theater.

00:53:00Oh, yes.

00:53:02Well, uh, see,

00:53:04I've been very busy, and, uh...

00:53:08How about you?

00:53:10Hundreds of girls, huh?

00:53:12Oh, thousands.

00:53:14All gorgeous?

00:53:16All gorgeous.

00:53:18Well, tonight should be a nice change for you.

00:53:22It is.

00:53:31Thousands, wow.

00:53:33That way I don't get too involved.

00:53:37I like to feel free.

00:53:40You can get lonesome being that free.

00:53:43You can get lonesome being that busy.

00:53:47Now, who would think to look at us

00:53:49that we got the same problem?

00:53:53We travel single, oh

00:53:58Maybe we're lucky

00:54:01But I don't know

00:54:05With them, just let one kid fall down

00:54:08And seven mothers faint

00:54:12I guess we're both happy

00:54:17But maybe we ain't

00:54:27People

00:54:31People who need people

00:54:38Are the luckiest people

00:54:43In the world

00:54:50We're children

00:54:55Needing other children

00:55:01And yet letting our grown-up pride

00:55:08Hide all the need inside

00:55:12Acting more like children

00:55:18Than children

00:55:22Lovers

00:55:26Are very special people

00:55:32They're the luckiest people

00:55:38In the world

00:55:43With one person

00:55:47One person

00:55:51One very special person

00:55:57A feeling deep in your soul

00:56:02Says you are half, now you're whole

00:56:06No more hunger and thirst

00:56:11But first be a person who needs people

00:56:17People who need people

00:56:23Are the luckiest people

00:56:31In the world

00:56:48Fanny, you're an enchanting girl.

00:56:51I wish I could get to know you better.

00:56:54So give me six good reasons, why not?

00:56:59Just one.

00:57:01I have to catch a train for Kentucky early in the morning.

00:57:06What's in Kentucky?

00:57:08Oh, a half-interest in a little girl.

00:57:11I don't know.

00:57:13What's in Kentucky?

00:57:15Oh, a half-interest in a little farm.

00:57:18I breed horses.

00:57:20What's the matter? They can't do it alone.

00:57:25Hey, are you all packed?

00:57:27So what are you doing around here? It's late.

00:57:29It's practically morning. Come on, I'll walk you to your car.

00:57:31Oh, I should go in and say good night.

00:57:33No, no, no. It's all right. I'll say it for you.

00:57:40You know, if you weren't in a show,

00:57:42I think I'd have asked you to come with me.

00:57:45Too bad, isn't it?

00:57:47I don't know.

00:57:49Well, with the follies and an indecent proposal,

00:57:51it's been quite a night.

00:57:53It was indecent, wasn't it?

00:57:55Very.

00:57:57Thank God. At least I can tell Mr. Straycosh things are looking up.

00:58:02May I call you when I come back?

00:58:04Yeah, sure. When's that?

00:58:06I don't know exactly.

00:58:08I may go right on to Europe or the coast.

00:58:12You see, I never have definite plans.

00:58:15They make me feel too tied down.

00:58:19But I'll call you.

00:58:42Bye-bye.

00:59:04Goodbye.

00:59:12Goodbye.

00:59:42¶¶

00:59:52¶ A feeling deep in your soul

00:59:57¶ Says you are half, now you're whole

01:00:02¶ No more hunger and thirst

01:00:07¶ But first be a person who needs people

01:00:14¶ People who need people

01:00:22¶ Are the luckiest people

01:00:29¶ In the whole world

01:00:59¶ People who need people

01:01:04¶ Are the luckiest people

01:01:09¶ In the whole world

01:01:13¶ People who need people

01:01:18¶ Are the luckiest people

01:01:23¶ In the whole world

01:01:28¶ People who need people

01:01:34¶ Are the luckiest people

01:01:39¶ In the whole world

01:01:44¶ People who need people

01:01:50¶ Are the luckiest people

01:01:57¶ People who need people

01:02:02¶ Are the luckiest people

01:02:07¶ In the whole world

01:02:12¶ People who need people

01:02:17¶ Are the luckiest people

01:02:23¶ People who need people

01:02:28¶ Are the luckiest people

01:02:32¶ In the whole world

01:02:36¶ People who need people

01:02:41¶ Are the luckiest people

01:02:46¶ In the whole world

01:02:51¶ People who need people

01:02:56¶ Are the luckiest people

01:03:01¶ In the whole world

01:03:06¶ People who need people

01:03:11¶ Are the luckiest people

01:03:16¶ People who need people

01:03:21¶ Are the luckiest people

01:03:26¶ In the whole world

01:03:31¶ People who need people

01:03:36¶ Are the luckiest people

01:03:41¶ People who need people

01:03:46¶ Are the luckiest people

01:03:51¶ In the whole world

01:03:56¶ People who need people

01:04:01¶ Are the luckiest people

01:04:06¶ People who need people

01:04:11¶ Are the luckiest people

01:04:16¶ In the whole world

01:04:21¶ People who need people

01:04:26¶ Are the luckiest people

01:04:31¶ People who need people

01:04:36¶ Are the luckiest people

01:04:41¶ In the whole world

01:04:46¶ People who need people

01:04:51¶ Are the luckiest people

01:04:56¶ People who need people

01:05:01¶ Are the luckiest people

01:05:06¶ In the whole world

01:05:11¶ People who need people

01:05:16¶ Are the luckiest people

01:05:21¶ People who need people

01:05:26¶ Are the luckiest people

01:05:31¶ In the whole world

01:05:36¶ People who need people

01:05:41¶ Are the luckiest people

01:05:46¶ People who need people

01:05:51¶ Are the luckiest people

01:05:56¶ In the whole world

01:06:01¶ People who need people

01:06:06¶ Are the luckiest people

01:06:11¶ People who need people

01:06:16¶ Are the luckiest people

01:06:21¶ In the whole world

01:06:26¶ People who need people

01:06:31¶ Are the luckiest people

01:06:36¶ People who need people

01:06:41¶ Are the luckiest people

01:06:46¶ In the whole world

01:06:51¶ People who need people

01:06:56¶ Are the luckiest people

01:07:01¶ People who need people

01:07:06¶ Are the luckiest people

01:07:11¶ In the whole world

01:07:16¶ People who need people

01:07:21¶ Are the luckiest people

01:07:26¶ People who need people

01:07:31¶ Are the luckiest people

01:07:36¶ In the whole world

01:07:41¶ People who need people

01:07:46¶ Are the luckiest people

01:07:51¶ People who need people

01:07:56¶ Are the luckiest people

01:08:01¶ In the whole world

01:08:06¶ People who need people

01:08:11¶ Are the luckiest people

01:08:17Who's angry?

01:08:20Who's angry?

01:08:22I'm sorry if I'm disappointing you in some way, but what did you expect?

01:08:26You didn't answer my question. Why are you so angry?

01:08:30I am not angry! Why don't you answer a question?

01:08:33Did you think I should be flattered because this time your train isn't leaving in the morning?

01:08:37Oh, this time you have a few days to kill.

01:08:40Well, I'm not a kid at Keeney's. You're not slumming anymore.

01:08:43No, I wasn't. Don't holler at me!

01:08:45I'm not hollering. You are.

01:08:47Well, that's different. I'm a natural hollerer.

01:08:50Anyway, I answered your silly question.

01:08:52Look, why don't we cut through all this and get to the point, which is...

01:08:57why didn't I call you when I got back from Kentucky?

01:09:01Well, you got busy. You forgot.

01:09:05There could be a hundred reasons.

01:09:08Just one.

01:09:11I wanted to stay away from you.

01:09:18You were heading for something you couldn't possibly have known how to handle.

01:09:28What makes you think I do now?

01:09:33If you don't, it's time you learned.

01:09:42Well...

01:09:46maybe we should order now.

01:09:49Yeah.

01:09:59Are you sure you want to stay?

01:10:03Well, uh...

01:10:06might as well have dinner.

01:10:09Very sensible.

01:10:12Come in.

01:10:15Ah, Paul, I think we're about ready now.

01:10:18Madame.

01:10:21Caviar to begin with?

01:10:23No, I don't think so.

01:10:27Pâté Strasbourg?

01:10:30Good.

01:10:33Then we'll have filet de boeuf sauce bordelaise.

01:10:36Seignant.

01:10:38Pommes soufflées saladandes.

01:10:41Saladandes avec une vinaigrette avec un peu de moutarde dedans.

01:10:43Very good, Paul. Thank you.

01:10:45Et comme dessert, presse de bois.

01:10:47Very good. Thank you.

01:10:50All right?

01:10:52I would have ordered roast beef and potatoes.

01:10:56I did.

01:11:02What's the matter?

01:11:04If you're ordering roast beef and potatoes, how will I know when you're making advances?

01:11:09You'll know. I'll be much more direct.

01:11:12You...

01:11:14are woman.

01:11:17I am man.

01:11:20You are smaller,

01:11:24so I can be taller than.

01:11:28You are softer to the touch.

01:11:34It's a feeling I like feeling very much.

01:11:44You are someone I've admired.

01:11:51Still our friendship leaves something to be desired.

01:11:59Does it take more explanation than this?

01:12:06You are woman, I am man.

01:12:10Let's kiss.

01:12:22Isn't this the height of nonchalance

01:12:27furnishing a bed in restaurants?

01:12:31Well, a bit of dinner never hurt,

01:12:34but guess who is gonna be dessert?

01:12:38Two good girls do just what Mama says.

01:12:42When Mama's not around, it's a feeling.

01:12:45Ay, vey, what a feeling.

01:12:49A bit of pate?

01:12:51I drink it all day.

01:12:53Should I do the things he'll tell me to in this pickle?

01:12:58What would Sadie do?

01:13:00In my soul, I feel an inner lack.

01:13:04Just suppose he wants his dinner back.

01:13:09Just some dried-out toast in a sliver

01:13:13on the top a little chopped liver.

01:13:18Oh.

01:13:21Oh.

01:13:25Oh.

01:13:29Oh.

01:13:34Oh.

01:13:37How many girls become a sin

01:13:41while waiting for a roast beef dinner?

01:13:45Though most girls slip in ordinary ways.

01:13:49I got style, I do it bordelaise.

01:13:53Well, at least you think I'm special.

01:13:56You ordered a la carte.

01:13:59It's a feeling.

01:14:01Feeling very, I feel the feeling down to my toes.

01:14:07Now I feel that there's a fire here.

01:14:11Oh, try that once.

01:14:13A little higher, dear.

01:14:15What a beast to ruin such a pearl.

01:14:19Would a convent take a Jewish girl?

01:14:23Oh.

01:14:25Oh.

01:14:28Oh.

01:14:46Does it take more explanation than this?

01:14:57Oh, the thrills and chills going through me.

01:15:05If I stop him now, can he sue me?

01:15:11You are woman.

01:15:14You are man.

01:15:18Let's...

01:15:28I'm calling you.

01:15:30What have you got?

01:15:33Ace of diamonds.

01:15:36Jack of spades.

01:15:38Nine of hearts, four of clubs, and two of diamonds.

01:15:43Take it.

01:15:44I thought you were bluffing.

01:15:46Oh.

01:15:48What'd you hear from Fanny?

01:15:50Oh, this morning she telephoned long distance.

01:15:54Oh, yeah?

01:15:55How did she sound?

01:15:56Two shows in a row and three months on the road.

01:15:59How do you think she sounded?

01:16:01She sounded tired.

01:16:02She didn't sound tired.

01:16:04Excuse me, I made a mistake.

01:16:06She sounded silly.

01:16:07She kept laughing.

01:16:08Well, maybe something tiger comical.

01:16:10Yeah.

01:16:11A mother says, how are you, dear?

01:16:13That's so comical.

01:16:14She breaks out laughing.

01:16:16Another thing about Fanny, on the road she lives like a mouse.

01:16:19All day in the hotel, all night in the theater,

01:16:21never a drop of fresh air.

01:16:22But suddenly in Baltimore, M.D., she's running.

01:16:25Up streets, down streets, museums, racetracks, graveyards.

01:16:30Graveyards.

01:16:31Do you think it could be a fella?

01:16:33Think?

01:16:34I know.

01:16:35Who?

01:16:36Who is it?

01:16:38Oh, that one.

01:16:39The Ruffles himself.

01:16:41Ruffles, sure.

01:16:42Mm.

01:16:43Mm.

01:16:45Lady, if you're game for this one, he's on the house.

01:16:49Nobody in history ever had three.

01:16:51Oh.

01:16:52Oh.

01:16:54Start boiling the water.

01:17:08You don't know how proud I am of you.

01:17:12You don't know how proud I am to think

01:17:14that I'm the man who introduced you to your first lobster.

01:17:17Among other things.

01:17:19No.

01:17:20Behave yourself.

01:17:21No.

01:17:29I get so mad when I think of what I missed before I met you.

01:17:35I played Baltimore before,

01:17:37but never realized there was the most beautiful city in the whole world.

01:17:41It sort of makes me wish you'd come with us tomorrow.

01:17:44See what you can do for Chicago.

01:17:47I was going to.

01:17:48I decided yesterday.

01:17:50Now I can't.

01:17:53Yesterday you could, now you can't.

01:17:55What happened between yesterday and now?

01:17:57You were there.

01:17:58Elsie lost the Baltimore handicap,

01:18:00and I lost Elsie and my shirt.

01:18:04But I was watching you.

01:18:06You didn't blink an eye.

01:18:09You didn't lose your ruffled shirt.

01:18:11No, darling, I never lose that.

01:18:13Nor my gambling money.

01:18:15Just about everything else.

01:18:17So I have to take a train for New York at midnight

01:18:22and the Bering area for Europe tomorrow night.

01:18:29Stop boiling the water.

01:18:31I just lost my appetite.

01:18:36What's in Europe?

01:18:38It's what's on the boat to Europe.

01:18:40A lot of bored men who have nothing to do for eight days but play cards.

01:18:47You are going to Europe so you can play cards on a boat?

01:18:52Funny.

01:18:53That's how I live.

01:18:55I told you that on Henry Street on the first night we were here.

01:18:59Very serious, isn't he?

01:19:01I know.

01:19:02I know it by heart.

01:19:05And you don't have to worry.

01:19:08You're not involved.

01:19:10But I am involved.

01:19:13But a girl who has her own work is too busy to get lonesome.

01:19:21So we wave to each other from boats and trains.

01:19:27I'd better get to the theater.

01:19:35Yes, sir.

01:19:51Annie, please don't look sad.

01:19:55You walk back into my life, change everything and walk right out again.

01:19:59How should I look? Happy?

01:20:01I'll be back in your life again, darling, very soon.

01:20:04Yeah, like last time.

01:20:05Not a bit like last time.

01:20:06So what's different?

01:20:08I love you.

01:20:14Do you mean that?

01:20:17You're not just trying to be polite?

01:20:28You do mean it.

01:20:30What do you know?

01:20:35It's been the most beautiful week in my whole life.

01:20:43Annie, I should hurry if I'm to drop you, get packed and catch that train for New York.

01:20:49Well, why don't you pick me up at the theater at 11 and I'll go to the station with you.

01:20:55Why not?

01:20:56Are you afraid I'll cry?

01:20:58No, I'm afraid I will.

01:21:04All right.

01:21:05All right.

01:21:06All right.

01:21:32So where have you been since 6 o'clock this morning?

01:21:35Walking.

01:21:37Just walking.

01:21:40Listen, honey, you're going to die every time you say goodbye to a man.

01:21:43Calling Miss Bryce. Miss Fanny Bryce.

01:21:46Right here.

01:21:48Miss Bryce.

01:21:49Yeah.

01:21:58You feel better now?

01:21:59Yeah. Yeah. Better.

01:22:03Thank you.

01:22:06Thank you.

01:22:08Thank you.

01:22:09Thank you.

01:22:10Thank you.

01:22:11Ten dollars?

01:22:12Thank you.

01:22:13From Fanny Bryce, the last of the five-cent tippers?

01:22:16Yeah, should have made it 20.

01:22:18Emma. Emma. Where's Emma?

01:22:20What is it, Fanny?

01:22:23I am not going to die, that's all.

01:22:26And I'm not going to Chicago either.

01:22:28Are you out of your mind?

01:22:31What are you going to tell Ziegfeld?

01:22:33I don't know. I'd better find out.

01:22:34Would you please get him on the phone for me, Georgia?

01:22:36Emma. Emma. Where's Emma?

01:22:38Where is she?

01:22:39Emma.

01:22:40Miss Fanny.

01:22:41Yeah. Be an angel. Help me.

01:22:42Hold these.

01:22:44I'm only going to take that bag and that one.

01:22:47I'm not going to Chicago.

01:22:48What do you mean you're not going to Chicago?

01:22:51But where are you going?

01:22:53Empire Limited, departing for New York at 8.30 a.m.

01:22:58Fanny.

01:22:59Now boarding at track 14.

01:23:01I told him.

01:23:04Please talk to her, Miss Georgia.

01:23:05It's impossible.

01:23:06Please try.

01:23:07You can't talk to Fanny about anything.

01:23:08When she makes up her mind, she makes up her mind.

01:23:10But somebody has to talk to her.

01:23:11I can't do anything about worrying.

01:23:12Who's she talking to?

01:23:13Ziegfeld.

01:23:14But Flo, you don't need me in Chicago.

01:23:15You still have four other good names,

01:23:16and besides, the tour is over in two weeks anyway.

01:23:18You've said a lot of idiotic things to me in your life, Fanny.

01:23:21Flo.

01:23:22That's the most unprofessional...

01:23:23Flo.

01:23:24...I've ever heard in my entire life.

01:23:26Hello?

01:23:29Hello?

01:23:30Flo, will you simmer down before your ulcer starts flaring up?

01:23:33That's funny coming from you.

01:23:34You gave me that ulcer.

01:23:37No, listen, Flo.

01:23:38Flo, I love the theater.

01:23:39I love to hear an audience applaud,

01:23:41but you can't take an audience home with you.

01:23:43Now, I want a personal life, too, and I'm going to have it.

01:23:45Why don't you just wish me luck?

01:23:48She can't walk around in the middle of a crowd.

01:23:50Well, but she can't not stop in the middle of a...

01:23:52What did he say?

01:23:53Oh, he hung up.

01:23:58Ladies of the Ensemble.

01:24:00Auntie.

01:24:01What?

01:24:02Where are you going?

01:24:03New York.

01:24:04Why?

01:24:05Why?

01:24:06Because I'm going to Europe with Nick Ornstein.

01:24:07You're what?

01:24:08Fanny, you've got to be kidding.

01:24:09Do you know why?

01:24:10I told you when I meet a guy I want, I won't make jokes.

01:24:12Fanny, did Nick ask you to go with him?

01:24:14No, but, uh...

01:24:16When he sees me, he'll be glad.

01:24:18I hope.

01:24:19Fanny!

01:24:23One ticket on the Empire Limited,

01:24:24departing from New York at 8.30 a.m.,

01:24:26now boarding at track 14.

01:24:27Fanny, what's the matter with you?

01:24:28Haven't you any prize?

01:24:29Of course not.

01:24:30I love the guy, he loves me.

01:24:31You want to be with him.

01:24:32It's that simple.

01:24:33Fanny, can't you see you're making a fool of yourself?

01:24:34Georgie, when something's right for me,

01:24:35I do it, and this is right for me.

01:24:37Have you asked yourself if it's right for Nick?

01:24:39I'll make it right for him.

01:24:40Fanny, don't think you're Nick.

01:24:43Don't tell me not to live, just sit and putter.

01:24:46Life's candy and the sun's a ball of butter.

01:24:49Don't bring around a cloud to rain on my parade.

01:24:55Don't tell me not to fly, I simply got to.

01:24:58If someone takes a spill, it's me and not you.

01:25:01Who told you you're allowed to rain on my parade?

01:25:08I'll march my band out, I'll beat my drum.

01:25:14And if I'm found out, you're turned at bat, sir.

01:25:20At least I didn't fake it, hat, sir.

01:25:23I guess I didn't make it, but whether I'm the rose

01:25:27of sheer perfection, or freckle on the nose

01:25:30of life's complexion, the city's my home.

01:25:34I guess I didn't make it, but whether I'm the rose

01:25:37of sheer perfection, or freckle on the nose

01:25:40of life's complexion, the cinder of a shiny apple of its time.

01:25:48I gotta fly once, I gotta try once, only can die once.

01:25:53Right, sir.

01:25:54Ooh, life is juicy, juicy, and you see,

01:25:58I'm gonna have my bite, sir.

01:26:02Don't bring around a cloud to rain on my parade.

01:26:08I'm gonna live and live now.

01:26:11Get what I want, I know how.

01:26:14One roll for the whole shebang.

01:26:17One throw, that bell will go clang.

01:26:20Eye on the target, and wham.

01:26:23One shot, one gunshot, and bam.

01:26:27Hey, Mr. Arnstein, here I am.

01:26:33Here I am.

01:27:04I'll march my band out.

01:27:10I'll beat my straw, and if I'm fanned out,

01:27:19your turn at bat, sir.

01:27:21At least I didn't fake it, hat, sir.

01:27:23Guess I didn't make it.

01:27:24Get ready for me, love, because I'm a comer.

01:27:27I simply gotta march my heart to the drum.

01:27:29I know, but I don't know.

01:27:31Party is coming.

01:27:37Rain on my parade.

01:27:57I'm gonna live and live now.

01:28:27¶¶

01:28:56¶¶

01:29:06¶¶

01:29:16¶¶

01:29:26¶¶

01:29:36¶¶

01:29:46¶¶

01:29:56¶¶

01:30:22Would you like all of these out, sir?

01:30:24Oh, no, just these two, please.

01:30:26Thank you, sir.

01:30:45Fanny.

01:30:48Fanny.

01:31:02I know something.

01:31:03If you hadn't looked exactly the way you did,

01:31:05this could have been very embarrassing.

01:31:12You crazy girl.

01:31:14What are you doing here?

01:31:16I figured that if I waited for you to make your fortune,

01:31:21how would you know that I wasn't after you for your money?

01:31:26Nick, I promise I'll never tie you down.

01:31:28I promise.

01:31:35Will that be all, sir?

01:31:37Oh, yes, Stuart, thank you.

01:31:39Thank you, sir.

01:31:41I say, I caught your show last time I was in port.

01:31:45You were simply marvelous.

01:31:47Oh, thank you.

01:31:48Thank you.

01:31:49Just ring if you need me, Mr. Bryce.

01:31:55¶¶

01:32:21Thank you.

01:32:23Thank you.

01:32:26Right?

01:32:27Yes, perfect.

01:32:28And, uh, crème de menthe frappée.

01:32:30Yes, sir.

01:32:31All right?

01:32:32Oui, oui, mon chéri.

01:32:35Mmm, I like that beard on that captain.

01:32:37Makes him look sort of trustworthy.

01:32:39He wants me to bring you to his cabin tomorrow for cocktails.

01:32:42You're a great success, Fanny.

01:32:44And that's offstage.

01:32:46I'm with you, that's all.

01:32:49I don't know how I ever thought of going without you.

01:32:53Nick, um...

01:32:55Yes?

01:32:56Go on, say it.

01:32:58Well, you went to good schools.

01:33:01I went to practically no schools.

01:33:03You're Park Avenue, I'm Lower East Side.

01:33:05Now, now, don't be a snob.

01:33:07No, no, what I'm trying to say is...

01:33:12And you don't have to.

01:33:14I mean, I'm all yours anyway, but, um...

01:33:19Well, where I come from, on Henry Street,

01:33:22when two people sort of love each other...

01:33:26Mm-hmm.

01:33:27Uh...

01:33:30Oh, never mind, never mind.

01:33:32Well, what do they do when they sort of love each other?

01:33:38Oh...

01:33:40One of them says, why don't we get married?

01:33:44Is that so?

01:33:47Yeah, and sometimes it's even the man.

01:33:49Really?

01:33:51Look, forget the whole thing.

01:33:52Just forget I mentioned it, see?

01:33:54Wipe it out.

01:33:55All right.

01:33:56Oh, thank you.

01:33:59You know, it's pretty much the same where I come from.

01:34:06Well...

01:34:07Thank you.

01:34:08Would you stop making jokes and say it, say it,

01:34:11so that I can see I have to think it over,

01:34:13or turn you down?

01:34:15I've got a better idea.

01:34:17What's that?

01:34:20Have your drink.

01:34:21My drink.

01:34:24Look, why don't we get married?

01:34:30When?

01:34:31When? Here?

01:34:32Tonight?

01:34:33When?

01:34:34The captain looks like a rabbi.

01:34:35How?

01:34:36When?

01:34:37Tonight?

01:34:38Right now?

01:34:39When I make a bankroll.

01:34:40No, I don't care about that.

01:34:41I do.

01:34:42You will be.

01:34:43You're smarter.

01:34:44Will it be the way I say or not at all?

01:34:47Well, could you win what you need in that poker game tonight?

01:34:51It's possible.

01:34:52Well, then, what are you doing here?

01:34:53Go ahead, go play cards.

01:34:54Wait, wait.

01:34:55I want to be a Sadie.

01:34:56What?

01:34:59You met Mrs. Straykosch's married daughter, Sadie.

01:35:02That's a married lady.

01:35:04I see.

01:35:05Can't I come and watch with you?

01:35:09My whole future depends on it, please.

01:35:15Can you watch with no expression at all?

01:35:18Whatever happens?

01:35:22Can I watch with no expression?

01:35:26I pass.

01:35:29I'll call.

01:35:33I'd call.

01:35:34I pass.

01:35:36Call.

01:35:37I'll call.

01:35:39Cards?

01:35:41Just one, please.

01:35:43Thank you.

01:35:48Three here.

01:35:49Three?

01:35:51Two.

01:35:52Two.

01:35:54The dealer takes three.

01:35:59Up to the opener.

01:36:05Opener checks.

01:36:08Well, bet 1,000.

01:36:14I'm out.

01:36:22All right.

01:36:241,000 and 2,000 more.

01:36:33I'm out.

01:36:48Well, I think you are bluffing, Mr. Arnstein.

01:37:01So I'll see you.

01:37:03Well, I've got three kings here.

01:37:10I thought you were bluffing.

01:37:12In this distinguished and expert company?

01:37:15I wouldn't dare.

01:37:18I'm afraid this is getting rather dull for you, darling.

01:37:21Oh, yes.

01:37:22Excuse me, gentlemen.

01:37:23I'll be right back.

01:37:24Good night.

01:37:25Good night.

01:37:26Good night.

01:37:30Quit, quit, quit.

01:37:33It's against my religion to break a winning streak.

01:37:39Goodbye, Sadie.

01:37:44Sorry, gentlemen.

01:37:47Your deal.

01:38:12What happened?

01:38:15It's a beautiful night.

01:38:18I had a little stroll around the deck.

01:38:20It did me a lot of good.

01:38:21Nick!

01:38:27It's terribly late, Sadie.

01:38:28You should have been in bed ages ago.

01:38:31How could I go to bed?

01:38:32I've been sitting here waiting hour after hour.

01:38:42Did you say Sadie?

01:38:54Oh!

01:39:00Mrs. Arnstein, Mrs. Arnstein!

01:39:04What a beautiful, beautiful name!

01:39:19Sadie, Sadie.

01:39:22Married lady.

01:39:26See what's on my hand.

01:39:33Quite as touching

01:39:38as a simple wedding band.

01:39:44Oh, how that marriage license works

01:39:49on chambermaids and hotel clerks.

01:39:53The honeymoon was such delight

01:39:57I got married that same night.

01:40:01I'm Sadie, Sadie, married lady.

01:40:06Sadie, you did the trick.

01:40:09Not every girl can get herself

01:40:14a guy who looks like Nick.

01:40:18To tell the truth, it hurt my pride.

01:40:24The groom was prettier than the bride.

01:40:28I'm Sadie, Sadie, married lady.

01:40:32That's me.

01:40:41We're sailing home, so rosy dear.

01:40:45Bring chicken soup down to the pier.

01:40:49I'm Sadie, Sadie, married lady.

01:40:53That's me.

01:41:13Honey, if this is a hotel,

01:41:16it must have cost you a fortune.

01:41:19I made a fortune on the Epsom Derby.

01:41:22I expect to make another with this Florida deal.

01:41:25There's nothing to worry about, is there?

01:41:28So who's worried?

01:41:30It's the perfect house for a millionaire.

01:41:33And for Sadie, Sadie, married lady.

01:41:37Meet a mortgagee,

01:41:40the owner of an icebox.

01:41:43With a 10-year guarantee.

01:41:47Oh, sit me in the softest seat.

01:41:51Quick, a cushion for my feet.

01:41:55Do for me, buy for me, lift me, carry me.

01:41:59Finally got a guy to marry me.

01:42:03I do my nails, read up on sales all day.

01:42:07The records play,

01:42:10the records play.

01:42:13Then he comes home, I tell him,

01:42:16Aye, what a day I had today.

01:42:20I swear I'll do my wifely job.

01:42:24Just sit at home, become a slob.

01:42:34A husband, a house,

01:42:39and a beautiful reflection

01:42:45of my love's affection.

01:42:51Sadie, Sadie,

01:42:57married lady,

01:43:01that's me.

01:43:10Nice, baby.

01:43:13Open your eyes, look at your daddy here.

01:43:16Give me, give me, baby.

01:43:23Here, I bought her something.

01:43:25Sort of an adder pearl necklace.

01:43:27An adder tooth necklace will be...

01:43:29Nick, you are absolutely crazy.

01:43:32She won't be able to wear this till she's grown up.

01:43:35But she'll know she has it. It'll give her confidence.

01:43:38If you play your cards right,

01:43:40she might loan it to you until then.

01:43:42You bet she will.

01:43:44Won't you?

01:43:46One more.

01:43:48Sixteen.

01:43:50Look at me, I'm breathing like a whale.

01:43:53The way that baby slowed me down, I ought to sew her.

01:43:56She's so pretty, isn't she, Eddie?

01:43:58Frances, she's the cutest little thing I ever saw.

01:44:01Alive, alert.

01:44:03But she's pretty.

01:44:05And she's pretty, very pretty.

01:44:08Come on.

01:44:10Ziegfeld made no mistake hiring you.

01:44:13Heard from Nick lately?

01:44:15Yeah, he calls me every night.

01:44:17From Oklahoma?

01:44:19Sure, with the phone bills we're getting, he better strike oil.

01:44:22Come on, let's try this.

01:44:24Let's go.

01:44:26One, two, three, one, two, three,

01:44:28one, two, three, four.

01:44:30One, two, three.

01:44:32One, two, three, one, two, three.

01:44:35One, two, three.

01:44:47Nick!

01:44:56Nick!

01:44:58Oh, I can't believe it.

01:45:03There you are.

01:45:05Thank you very much.

01:45:07Is that ghastly sound coming from my daughter?

01:45:10What is it, honey?

01:45:12What is it, sweetheart?

01:45:14Are you well?

01:45:15Welcome home, Mr. Einstein.

01:45:17It's good to see you.

01:45:18Oh, what happened?

01:45:19What happened to the baby?

01:45:20What happened to the baby?

01:45:21Look who's here, honey.

01:45:22Frances, that isn't very attractive, dear,

01:45:24so I wish you'd stop.

01:45:26Thank you, sweetheart.

01:45:29Why, you've stayed blonde, you clever girl.

01:45:32I hate to say it, Miss Fanny,

01:45:33but we're going to be late for rehearsal.

01:45:35Oh, just a few more minutes.

01:45:37Em, would you take the baby up to Hilda for me?

01:45:39Oh, sure.

01:45:41Good-bye, my love.

01:45:43Good-bye, my love.

01:45:44Good-bye.

01:45:49You know what?

01:45:51This time, I think maybe it's time

01:45:53You know what?

01:45:55This time, I think maybe you lost your ruffled shirt.

01:46:01We struck sand and rock and water.

01:46:05I think we even struck champagne.

01:46:07The one thing we didn't strike was oil.

01:46:10Well, you'll think of something bigger and better

01:46:12while lying in a hammock at your beautiful country house.

01:46:19It is beautiful, isn't it?

01:46:24I'll tell you something, Nick.

01:46:26It's been absolutely murder

01:46:28dragging myself back and forth to that theater every day.

01:46:33You guessed it.

01:46:35Well, we'd better start looking for an apartment in town,

01:46:39on Fifth Avenue.

01:46:40Even on Sixth? I wouldn't be insulted.

01:46:42You know what bothers me even more than losing the house?

01:46:45Yeah.

01:46:46The fact that I seem to have lost my poker face.

01:46:49Just to me, honey.

01:46:51Come on.

01:47:16Nick.

01:47:17What's up?

01:47:18Tom.

01:47:19Hey, the place looks wonderful.

01:47:21Well, as you said, a church can look cute,

01:47:23but a gambling house has to look honest.

01:47:25And be honest.

01:47:27Come on in here.

01:47:29Oh, Joe.

01:47:30A scotch and water for Mr. Arnstein.

01:47:33Now, when did you get back?

01:47:35Oh, a couple of weeks ago.

01:47:38It's good to see you, Tom.

01:47:40Why took you so long to drop in if it's so good to see me?

01:47:43Well, we've been moving into a new apartment in town.

01:47:46I've been helping with the legwork.

01:47:48My wife has a show opening tonight.

01:47:51Say, Nick, I'm sorry to hear about those oil wells.

01:47:57Is it all over town, Tom?

01:48:00Even made the papers.

01:48:02Oh, but that doesn't mean anything.

01:48:04It's funny, though.

01:48:07I once dropped $20,000 on Monday,

01:48:09picked up $30,000 on Tuesday, all in absolute privacy.

01:48:13The news travels much faster these days.

01:48:16Well, that big spotlight on your wife lights you up, too.

01:48:26Any action in the back room?

01:48:28Now? Yeah, there's a game, but...

01:48:31Nick.

01:48:33Just by way of limbering up.

01:48:35Besides, I've got an hour to kill him.

01:48:37I hear they haven't been running too well.

01:48:40It'll change.

01:48:42He's not in his seat.

01:48:44I looked down during the number.

01:48:46He's not in his seat.

01:48:48Maybe the guy's late.

01:48:50Ran into an old friend or his watch stopped.

01:48:52You're getting yourself excited over nothing.

01:48:54Nothing? People get run over, don't they?

01:48:56I mean, they have accidents, don't they?

01:48:58Emma, go call the hospitals.

01:49:00Call every one of them.

01:49:01I mean, he could be lying on the street someplace.

01:49:03Where's my eyeliner?

01:49:04See my eyeliner?

01:49:05Hurry up and get dressed, will you?

01:49:08I'll call 300.

01:49:17500. Better.

01:49:37No.

01:49:55No, not for me.

01:50:07Come on, keep your strength up.

01:50:09Food and liquor right over there.

01:50:17Nick, it's after 9 o'clock.

01:50:20Why don't you get out?

01:50:22No, Tom, thank you. I'll watch it.

01:50:24Telephone for you, Mr. Arnstein.

01:50:26In the bar. It's your wife's maid at the theater.

01:50:31Look, tell her...

01:50:33Tell her I've been detained.

01:50:35And I'll be there in time for the second act.

01:50:38Thank you.

01:51:35What are you going to do? Shoot the swans?

01:51:50What are you going to do? Shoot the swans?

01:51:53These lovelies?

01:51:55My swan skills?

01:51:56What are you, dumb?

01:51:58Can't you see when you look at me

01:52:01What a lovely creature is a swan, you?

01:52:04I'm all over fluffy white

01:52:06I wouldn't peck at you or bite

01:52:08And have teeny twinkle toes to dance upon

01:52:15Oh, was that good?

01:52:20Prince?

01:52:23Was that necessary?

01:52:25You couldn't walk over here like a person?

01:52:27Where was I?

01:52:29Oh, I was here.

01:52:31So, you just gotta have a swan

01:52:37Or you're out of luck

01:52:39Cause a chicken wouldn't do, he would only cluck

01:52:43And besides, you couldn't say

01:52:46I saw a chicken like ballet

01:52:48They would think you don't know nothing

01:52:50You are missing your button

01:52:51Cause a chicken's only good for consommé

01:52:54Whereupon, whereupon, whereupon, whereupon

01:52:58A chicken or a duck is a mistake

01:53:01When are you a duck?

01:53:05Swan like ballet

01:53:28Swan like ballet

01:53:58Swan like ballet

01:54:28Swan like ballet

01:54:59I'm sorry, darling

01:55:05How did it go?

01:55:10Good reviews?

01:55:21Wow

01:55:23All any show needs is fanning the flames

01:55:26All any show needs is Fanny Bryce

01:55:32New York audiences continue their love affair with Fanny

01:55:37Darling, I'm so happy for you

01:55:45How was the party?

01:55:50How was the party?

01:55:53There was no party

01:55:56The guests didn't think the hostess was in the mood for a party

01:56:01Not without the host

01:56:04Look, let's not fight about this

01:56:06Why not?

01:56:08Isn't your spoiling my opening night worth fighting about?

01:56:12How do you think I felt out there trying to be funny?

01:56:16I'm trying to make them laugh

01:56:19My own husband not caring enough to be there?

01:56:22I'm sure you didn't let your audience suffer because of me

01:56:25You're damn right I didn't

01:56:27But how do you think I felt afterwards in my dressing room?

01:56:30When people asked me where you were?

01:56:32What could I say to them?

01:56:33That a lousy poker game was more important to you than my opening night?

01:56:36To hell with your opening night

01:56:38Why shouldn't a poker game be just as important to me as your opening night?

01:56:42It's my work and I haven't had a smash hit for a long time

01:56:46But tonight I was winning

01:56:48And I wouldn't have left that game for anything in the world

01:56:50Because I thought maybe, finally, at last

01:56:53My luck had changed

01:56:59Only it hadn't

01:57:07So it'll change tomorrow

01:57:10The way it has a hundred other times

01:57:16Everyone has a run of bad luck now and that doesn't make sense

01:57:21How would you know, darling?

01:57:24You never lose

01:57:51Oh, it was my crazy husband on the phone

01:57:54Some guy had a deal for me and offered Nick a thousand to put in a word

01:57:58So he took the thousand and gave it to a waiter he never saw before in his life

01:58:03And he just put in a word

01:58:16You want to play? Get a deck

01:58:21Fanny, I never butted in your life, did I?

01:58:26Sure, when I was a kid you made me wear long underwear to school

01:58:30Someday when your children grow up and you want to talk serious, I hope they make jokes

01:58:35I'm sorry, Mama, I just thought you were going to start in on Nick

01:58:39Where would I come to criticize Nick? It's you I'm surprised at

01:58:46Why?

01:58:47Because when you look at him, you only see what you want to see

01:58:53I see him as he is. I love him as he is

01:58:56Fanny, love him a little less. Help him a little more

01:59:02Mama, he doesn't need any help. He's not a child

01:59:06The man is drowning. He owes money everywhere. He doesn't know which way to turn

01:59:13What?

01:59:15How do you know that?

01:59:17Everybody knows. Only you don't know

01:59:21Fanny, are you so wrapped up in the show you can't see anything else?

01:59:26Why wouldn't he tell me? He knows he can have anything I've got

01:59:31That's not what he needs

01:59:33Darling, you're his wife. You've got to sit down with him, talk to him

01:59:37Think together what he should do

01:59:45THE NEXT DAY

01:59:56Some of that for me, Nick?

01:59:58Won't make a dent in what I owe you, Peterson. But if you can't wait...

02:00:02I could wait. I could even forget it

02:00:06In return for what?

02:00:09I need a front man. Someone like you, who could talk

02:00:14For a bond deal I'm putting together

02:00:16It's a big one, Nick. You could make yourself a mint

02:00:19Thanks, but I don't think so

02:00:22OK. I guess when you have Fanny Price for a meal ticket, you don't get very hungry

02:00:27Nicky!

02:00:31I'm sorry, Peterson

02:00:33Meal tickets. That's my joke

02:00:37Sure

02:00:49Boo!

02:00:52Is Mr. Branca here yet?

02:00:54Not yet, Mr. Rahnstein

02:00:56Well, I expect him any minute

02:00:58If this yells through the window of F.A.O. Schwartz...

02:01:01Take me home to France, as it said

02:01:03So I did. Will you give it to her for me, please?

02:01:06Yes, Mr. Rahnstein

02:01:07Thank you

02:01:09Oh, Hilda

02:01:11You and the cook have been very patient, but it's high time I paid your salaries

02:01:15I owe you for two months, I believe

02:01:18Miss Price paid us, sir

02:01:20All that was owed and three months in advance

02:01:23I mean, Mrs. Rahnstein paid us

02:01:26Miss Price paid you

02:01:32I'll get it. Thank you

02:01:36There you are

02:01:37Am I late?

02:01:38No, I just beat you in

02:01:40Let's go in here. I'll mix us a drink, and you can tell me what you have in mind

02:01:44All right

02:01:46Hey, nice place, Nick

02:01:48It's comfortable and very convenient

02:01:50Water or soda, Tom?

02:01:52Straight

02:01:53Look, Nick, I haven't got much time. The place is getting crowded earlier and earlier these days

02:01:57When you do that well, it's called good trouble

02:02:00That's what I want to talk to you about

02:02:02Nick, I didn't know you were home

02:02:04Hello, darling

02:02:06Ah, Mr. Branca, I haven't seen you for ages

02:02:09I've been dying to see your show, Mrs. Rahnstein, but I've been so busy

02:02:12I just dropped by to make Nick a little proposition

02:02:15Well, if it's some new way of marking cards, Nick, don't lose him

02:02:19Aside from that, I'll leave you to it

02:02:21Although I'm dying of curiosity

02:02:23Come back, silly

02:02:25Get yourself a drink and sit down

02:02:27All right with you, Tom?

02:02:28Of course. It's all in the family

02:02:30Then sit down and start propositioning

02:02:33All right

02:02:37Well, as I told you, the place...

02:02:40No, thanks

02:02:41The place is doing awfully well

02:02:43So well, in fact, that a couple of money men approached me about opening another one on the east side

02:02:48You know, it's getting very fashionable

02:02:51I'd like to, Nick. I think it would go

02:02:53But I can't possibly run two places single-handed

02:02:57Most people don't know the first thing about this business

02:03:00So I told them about you

02:03:02And the long and the short of it is we want you to be a partner

02:03:05With an extra cut for running the place

02:03:07How's it strike you?

02:03:09Pleasantly. I'm flattered, naturally

02:03:12And it's no secret there's no place I'd rather be

02:03:16Than a gambling club

02:03:18Except the theater on opening night

02:03:23Anyway, it does sound like something you'd be awfully good at

02:03:25I've always had a little yen to run a club

02:03:27And lots of ideas for it

02:03:29Oh, well, great. Then it's a deal

02:03:31Oh, wait. Wait a minute

02:03:34It'd have to depend on how much I'd have to put up for the partnership

02:03:39Because...

02:03:40Nick, we don't need your money

02:03:42We need you

02:03:44Well, how much are you and the others putting in?

02:03:48Fifty thousand

02:03:51For me, it's free

02:03:53Tom, I can't let you put up my share

02:03:57I'm not. I swear I'm not

02:04:00Look, our thinking is that with your know-how and your...

02:04:04Well, class. It's the only word I can use

02:04:07You'll attract all the right people

02:04:09We'll make our money back in no time

02:04:16Full partnership for nothing?

02:04:18Oh, except my class

02:04:21Plus a cut for running the place

02:04:24That's a very generous offer

02:04:29Too generous

02:04:34Fanny

02:04:39How much are you going to put in?

02:04:41Fifty thousand

02:04:51Fifty thousand

02:05:08Tom, I'm sorry your time's been wasted

02:05:11Nick, it is a good idea. It was a good idea

02:05:14Please don't blame Tom. I talked him into it

02:05:19Thanks for everything

02:05:42Nick

02:05:46Nick

02:05:51I was just trying to help

02:05:53I don't want that kind of help

02:05:55I don't want anyone going around behind my back

02:05:58sinking money into me to make me look good

02:06:02Fanny, I...

02:06:06Just wish I hadn't done it

02:06:09You'd better go

02:06:11You'll be late for the theatre

02:06:14I...

02:06:16I can't go. Not like this

02:06:20Darling, listen, please

02:06:23Once I saw how unhappy you were

02:06:26I knew I had to do something

02:06:28I guess I did it wrong. You know how dumb I can be

02:06:31Fanny, you don't have to tell me that anything you did, you did out of love

02:06:34Believe me, I know that

02:06:38Fanny

02:07:08Fanny

02:07:38Mariel 4-1-1-9

02:07:54Peterson

02:07:58Einstein

02:08:09Einstein

02:08:29Something wrong?

02:08:33It's Nick

02:08:36He's hurt?

02:08:37No, no

02:08:38He's in trouble

02:08:40He's got himself mixed up in a phony bond deal

02:08:47So

02:08:49What do I do?

02:08:50I call a lawyer?

02:08:52No, he's got a lawyer

02:08:54Frank got him Bill Fallon

02:08:56And Fallon's the best criminal attorney in New York City

02:09:01Criminal?

02:09:04Fanny

02:09:05Embezzlement is a criminal charge

02:09:07Now, Fallon advised him to give himself up

02:09:10And he did, a few hours ago

02:09:14He gave himself up?

02:09:21You mean he's in jail?

02:09:23Uh-huh

02:09:25Nick

02:09:28I...

02:09:29I've got to see him

02:09:31You can't, honey. They won't let you

02:09:34I just gotta

02:09:35Look

02:09:36Miss Fanny, is there something I can do?

02:09:37Fanny

02:09:38No

02:09:39Fanny, look

02:09:41He doesn't want to see you

02:09:44It's understandable, dear

02:09:45The man's humiliated, ashamed

02:09:47Ashamed of what?

02:09:48This is Nick Einstein, not some hood

02:09:50If these bonds were phony, you don't think he knew it, do you?

02:09:56That's the line that Fallon is going to use

02:09:58That he was a victim, an innocent dupe

02:10:00Fallon is going to call you at home in a little while

02:10:02I've got to go there

02:10:03Look, there are a whole bunch of reporters out there at that stage door

02:10:06Now come on up to my office and go out through the front of the house

02:10:10Why? There's nothing to hide

02:10:14Do you want me to go with you, Fanny?

02:10:16No

02:10:33Will you answer a few questions, Miss Bryce?

02:10:35Sure, but I don't talk very good yet

02:10:38Did you know Nick was going to give himself up?

02:10:40That man will do anything to keep from coming home for dinner

02:10:42A guy named Peterson says Nick masterminded the whole swindle

02:10:46What do you say?

02:10:47Nick, he couldn't mastermind an electric light bulb out of a socket

02:10:51Fanny, what about these stocks?

02:10:52Stock? The only stock I know about is summer stock

02:10:55What's your husband's story?

02:10:57There is no story

02:10:58My dupe was an innocent dupe

02:11:00Or my dupe was an innocent dope

02:11:02Did he try to sell you any of the bonds?

02:11:04Not much of a dope he ain't

02:11:06Do you realize he might go to prison for this?

02:11:08Well, at least I'll know where he is nights

02:11:11Do you still love him, Miss Bryce?

02:11:13The name is Arnstein

02:11:15Mrs. Arnstein

02:11:18Mrs. Arnstein, do you still love him?

02:11:30Mrs. Arnstein

02:11:51Next case

02:11:53The People v. Arnstein

02:11:54The grand jury has returned an indictment

02:11:56charging the defendant with embezzlement

02:11:58according to Statute 119, Section A of the Penal Code

02:12:01The defendant has heard the charge

02:12:03How does he plead?

02:12:04Your Honor, I move for a postponement of the arraignment

02:12:06Why, Mr. Fallon?

02:12:07My client has been in custody only 24 hours

02:12:10I've seen him only once

02:12:11I've been unable to acquaint him fully with the charges

02:12:14Therefore, I submit he's unable to enter a plea

02:12:16Your Honor

02:12:17With all full understand...

02:12:18Nick, please

02:12:19Sorry, Bill

02:12:20Your Honor, there's no need for a postponement

02:12:22I understand the charge

02:12:24I knew exactly what I was doing

02:12:25Nick

02:12:27So I wish to plead guilty

02:12:43I will see the Deputy District Attorney and Mr. Fallon in my chambers

02:12:56I'm sorry

02:12:59You have only a few minutes

02:13:00Thank you

02:13:07Nick

02:13:09Oh, Nick

02:13:15What happened in there?

02:13:18Minimum sentence, two years

02:13:21With luck, I'll be out in 18 months

02:13:25Yes

02:13:29With luck

02:13:32Why, Nick?

02:13:34You had a chance

02:13:37All you had to do was say that Peterson tricked you

02:13:41I couldn't say that

02:13:42Why not?

02:13:44Because he didn't

02:13:47I want you to divorce me

02:13:53What are you saying?

02:13:56We just know good for each other, that's all

02:13:58Everybody knows that

02:14:02Look, my darling

02:14:04I may not be good for you

02:14:05But nobody has the right to say what's good for me

02:14:08Not even you

02:14:12Look, you think that I don't know that everything that went wrong was my fault?

02:14:16I know that

02:14:17It's no use, Fanny

02:14:20Look, I've tried to tell myself that

02:14:23I've tried to tell myself I'll catch up with you

02:14:26It'll be all right

02:14:28But there's no way I can catch up with you

02:14:31I don't want to run anymore

02:14:33Not in a race I can't win

02:14:37Let me go, Fanny

02:14:38Let me be myself again

02:14:39I can't

02:14:41I can't just let you go off to prison and say that's that

02:14:43I can't

02:14:44Why not?

02:14:45Wouldn't the publicity be good?

02:14:54I'll be with you in a minute

02:14:59I'm sorry, darling

02:15:01That's what I've turned into

02:15:04Nick

02:15:06You think you mean this

02:15:08And maybe you do

02:15:10But maybe it's just because of all that's happened

02:15:14So, uh

02:15:16Why don't we just leave it for now?

02:15:18And

02:15:19If you see me again

02:15:20Just leave it for now

02:15:22And

02:15:23If you still feel the same way when you come home

02:15:26I won't fight you

02:15:29Okay?

02:15:34Okay

02:15:37Okay

02:15:51Listen, you take care of yourself

02:15:54Go out, see people, do things, enjoy yourself

02:15:58Now

02:15:59I don't worry about you

02:16:01The moment you're out there on that stage, nothing bothers you

02:16:06Nothing

02:16:09The strongest woman in the whole world

02:16:11That's what you are

02:16:13Did you know that?

02:16:15Yeah, sure

02:16:18Everybody knows that

02:16:21Come on

02:16:42So long, funny girl

02:16:50Bye

02:17:07Funny

02:17:12Did you hear that?

02:17:15Funny

02:17:19Yeah

02:17:21The guy said

02:17:22Honey

02:17:26You're a funny girl

02:17:33That's me, I just keep them

02:17:39In stitches

02:17:43Doubled in half

02:17:48And though I may be all wrong for the guy

02:17:56I'm good for a laugh

02:17:59I guess it's not funny

02:18:05Life is far from sunny

02:18:11When the laugh is over

02:18:17And the jokes are you

02:18:25A girl ought to have a sense of humor

02:18:31That's one thing you really need for a show

02:18:39When you're a funny girl

02:18:47The fella said I'm a funny girl

02:18:56Funny

02:18:58How it ain't so funny

02:19:06Funny girl

02:19:37It cleaned up fine

02:19:41You've been sitting in that theater all this time?

02:19:44Uh-huh

02:19:46You all right?

02:19:48Uh-huh

02:19:49Then would you see Mr. Ziegfeld?

02:19:50He's waiting outside

02:19:51Yeah

02:19:52Flo, come on in

02:19:54I'll get your props for you

02:19:56Any word from Nick?

02:19:58No, not yet

02:20:01I've been worried about you, Fanny

02:20:03I'm sorry you've been worried

02:20:05Flo

02:20:09I don't even know if Nick wants us to go on, but

02:20:13If he does

02:20:17I don't want to make the same mistakes

02:20:20So it means giving up the theater

02:20:22I hope you'll be a sport about it

02:20:25Well, I won't be

02:20:27But I won't worry about it till it happens

02:20:30I won't worry about it till it happens

02:20:33Fifteen minutes, Miss Price

02:20:34Thank you

02:20:37I'll let you get dressed

02:20:43Be happy, dear

02:21:00I love you

02:21:23I love Fanny

02:21:31It must be that fella I met at Keeney's one night

02:21:36It must be that girl from Henry Street

02:21:48I feel like a kid on a blind date

02:22:00I feel like a kid on a blind date

02:22:31Did you see the baby, darling?

02:22:34No

02:22:36It came straight here

02:22:38Well, she's gorgeous

02:22:42Getting to look just like you

02:22:48Who says I'm not lucky?

02:23:01Fanny, I

02:23:06I've had 18 months to think about this

02:23:10You want to hear something funny?

02:23:13I've had the same 18 months and I never thought about it

02:23:19Oh, no

02:23:20I mean, I

02:23:21I simmered, I stewed, I cried my eyes out

02:23:25I simmered, I stewed, I cried my eyes out

02:23:30But I never really thought

02:23:36Not until today

02:23:49And I saw that you were right

02:23:56You did a lot for me, Nick

02:24:00That's what I'm going to remember

02:24:04What did I ever do for you, darling?

02:24:08What did I ever give you that you couldn't have gotten for yourself?

02:24:15I blew my leg

02:24:20No one would have given me that but you

02:24:22No one would have given me that but you

02:24:26And you

02:24:28You

02:24:30You had made me feel sort of

02:24:33Beautiful, you know, for

02:24:35For a very long time

02:24:48You are beautiful

02:24:53You are beautiful

02:25:04Five minutes

02:25:09There are a lot of people waiting for you

02:25:23Goodbye, Fanny

02:25:37Goodbye, Nick

02:25:52Goodbye, Fanny

02:26:11Oh, my man, I love him so

02:26:16He'll never know

02:26:19All my life is just a spare

02:26:24But I don't care

02:26:28When he takes me in his arms

02:26:33The world

02:26:36Is bright

02:26:38All right

02:26:49What's the difference if I say

02:26:54I'll go away

02:27:00When I know I'll come back

02:27:04On my knees someday

02:27:09For whatever my man is

02:27:12I am his

02:27:14Forevermore

02:27:18Forevermore

02:27:24Oh, my man, I love him so

02:27:28He'll never know

02:27:31All my life is just a spare

02:27:34But I don't care

02:27:37When he takes me in his arms

02:27:42The world is bright

02:27:45All right

02:27:48What's the difference if I say

02:27:52I'll go away

02:27:55When I know I'll come back

02:27:58On my knees someday

02:28:02For whatever my man is

02:28:06I am his

02:28:09Forevermore

02:28:18Forevermore

02:28:48Forevermore

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