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00:01:17Out of the way, bum! Beat it!
00:01:19♪♪
00:01:49Quiet, ladies! Quiet!
00:02:19♪♪
00:02:28We've got to work to bed all night and listen to it all day.
00:02:31Well, you wanted to be an actress.
00:02:34If we paid the rent, maybe we could complain.
00:02:38How can a good girl pay the rent these days?
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00:02:45But those boys finally do get a job.
00:02:47They'll be too worn out to play.
00:02:49Why don't you tell that to Speedy?
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00:02:58I can't hear myself think.
00:03:02Have you ever tried to tell a musician anything, Tom?
00:03:06Oh, the musicians!
00:03:09Ha, ha, ha, ha, ha, ha, ha, ha, ha!
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00:03:28I wonder what's up with him.
00:03:29I don't know.
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00:03:53The very idea of brawl right in our place of residence.
00:03:57That's it, boy! Give it to him! Suck him, big boy!
00:04:00It'll reflect on us. That's what it'll do.
00:04:03Why, we've got our reputations to protect.
00:04:05What reputations?
00:04:08Let that be done.
00:04:10Look out, Lomax. Montu's got a robber.
00:04:13Turn him over! Turn him over!
00:04:16Turn him over!
00:04:18Bring him back inside! Bring him back in here, boy!
00:04:21Turn him over! Turn him over!
00:04:23Turn him over!
00:04:25Turn him over!
00:04:27Oh, I wonder what they're gonna say.
00:04:30Come on.
00:04:34Lomax!
00:04:35Lomax!
00:04:37Out of the way! Stand back!
00:04:42What's the matter with you two jokers?
00:04:44Ain't there's enough strife in this world without you starting a private war?
00:04:47I didn't want to fight. I didn't want any trouble.
00:04:50Boy, give me some lip, chief, and I ain't taking that off on no foreigner.
00:04:53All right, you can both tell it to the captain.
00:04:56Just a minute, officer.
00:04:58Montu here don't mean any harm,
00:05:00and you know the condition of this fellow Lomax.
00:05:03I know all about it, and I'm fed up with it.
00:05:06Please give them another chance.
00:05:08I promise you that it won't happen again.
00:05:11If you say so, Mr. Wilkins, I'll do it for you.
00:05:14Don't ever let me catch you at this again.
00:05:16Go on, I said. Get moving.
00:05:19Party's over. Break it up.
00:05:23Break it up. Come on, get back to your work.
00:05:25You ain't got time to stand out here all night
00:05:27and look at them cats fighting out there in the alley.
00:05:30All right, we can get back to our rehearsal.
00:05:32Break it up, folks. Keep on going.
00:05:36I saw what you did, Paul Wilkins.
00:05:38I'm not a citizen yet.
00:05:40It would have been hard on me without your help.
00:05:43I knew that, Montu.
00:05:45That's why I hid the gun.
00:05:47We couldn't have talked the cops out of this.
00:05:49You'd better get rid of it, son.
00:05:51Yes, you're right. Thank you, Paul Wilkins.
00:06:03Hello, Sister Hattie.
00:06:05Oh, hello, Paul.
00:06:09Did Lomax beat him up bad?
00:06:11Oh, he'll be all right, Sister Hattie.
00:06:13Another fight. Another fight.
00:06:16Ain't there never gonna be no peace for us, Paul?
00:06:19Peace just don't happen, Sister Hattie.
00:06:21It's something we got to work for, you know what I mean?
00:06:24Appears to me like everybody's working the wrong way.
00:06:27I expect you're right, Sister Hattie.
00:06:29I expect you're right, Sister Hattie.
00:06:51Hello, Mom. You look pretty tired.
00:06:54Let me take that.
00:07:04Pies, pies, I've got fresh hot pies.
00:07:09Who'll buy my fresh hot pies?
00:07:13Pies, pies, Mr. Marshall?
00:07:16Why don't you get wise to yourself, Mercedes?
00:07:18You can't make a decent living peddling your wares on the streets.
00:07:21You've got to be a real businesswoman.
00:07:23The Better Business League will show you how.
00:07:26I'm sure I'm tired of standing on the streets.
00:07:28Oh, of course you are.
00:07:30What you need is a nice store, nice counter,
00:07:33comfortable seats for you to sit on,
00:07:35shiny cash register, and you in a nice, neat uniform.
00:07:39That's what the Better Business League advocates.
00:07:42But I've been doing this kind of business all my life.
00:07:45And where has it got you?
00:07:46Well, I got a little money saved up.
00:07:48If I thought it was the right thing to do...
00:07:50I can prove it's the right thing for you to do.
00:07:53Let me show you something.
00:07:55For your rent.
00:08:25Jim.
00:08:26Oh, Rosalia.
00:08:28Jim, I must talk to you. I'm desperate.
00:08:30Listen, Jim.
00:08:31But we mustn't let anyone see us.
00:08:33I know, darling, but you've got to marry me.
00:08:35Do you understand? You've got to marry me.
00:08:38Sure, I understand. Sure.
00:08:40What did you think?
00:08:42Only we can't talk about it now, can we?
00:08:44I'm sorry, but I've been so frightened.
00:08:47There ain't nothing to be frightened about.
00:08:49No, no, of course there isn't.
00:08:52I was foolish to worry.
00:08:54Oh, honey, we'll straighten this whole thing out.
00:08:57Oh, then you'll meet me tonight, the usual place?
00:09:00I'll be there.
00:09:01You get a hold of yourself and run along upstairs.
00:09:06I don't want to...
00:09:07It isn't foolish.
00:09:08It's the most practical thing in the world.
00:09:11Is that your own figuring?
00:09:13Yes, it is.
00:09:15I want to teach where there's real work to be done.
00:09:18Not here in Harlem.
00:09:20Now, that sounds just like that phony Bachelor of Arts
00:09:22you've been running around with.
00:09:23Now, that's the truth.
00:09:24You don't have those ideas until you met this fella Gregory.
00:09:27I don't like him.
00:09:28I don't like the way he's making you think, Ola.
00:09:31Catch wise, kid.
00:09:32That joker hasn't got sense enough to wear a hat.
00:09:34Acting like he knows everything.
00:09:36Strutting around like he owned all the cotton in Augusta.
00:09:39That's not fair, Pa.
00:09:41Greg's smart, and he's got a good education.
00:09:44He'll make a fine teacher.
00:09:46I'd like to teach him a couple of things.
00:09:49Oh, you would, would you?
00:09:52That's just the way I'd expect you to talk.
00:09:55You can't understand a man like Greg.
00:09:58He's fine.
00:09:59He wants to work for our people and educate them.
00:10:02Why, Jim Braxton.
00:10:04You haven't one ounce of his courage and character.
00:10:08Ola, Jim's a member of this family.
00:10:10Don't you talk to him like that.
00:10:12I am old enough to pick my own friends.
00:10:15And Greg's my friend.
00:10:17I don't want to hear him run down.
00:10:22She's got a sharp tongue.
00:10:25She didn't mean to hurt you, boy.
00:10:28You know that.
00:10:32You're like my own son.
00:10:34I've been thinking about you and your father all day, Jim.
00:10:46I guess we weren't a bad-looking pair of soldiers, him and I.
00:10:50I look like him, don't I?
00:10:52Just like him.
00:10:54And every time I look at you, I think of him.
00:10:57And how I owe my life to him back there in the Argonne.
00:11:00I know.
00:11:02We used to plan and plan, him and I, for our two kids to, well, marry each other when they grew up.
00:11:10Oh, and I ain't even on speaking terms.
00:11:13Maybe if you stayed around a little bit more, you two would get along better.
00:11:17Yeah, maybe.
00:11:19Anyhow, I'll try.
00:11:21I promise.
00:11:22And when I make a promise, you can take my word for it.
00:11:26And when I make a promise, you can take my word for it.
00:11:30Can you prove it?
00:11:31Can I?
00:11:32Get in the groove, baby.
00:11:34But I'm not in the mood to be picked.
00:11:36Say, I dug you when I first landed you.
00:11:38But I don't dig you, Jack.
00:11:40Oh, I wouldn't jive you, baby.
00:11:43Of course, you're fine as vine.
00:11:45You're not so bad yourself, Jim Braxton.
00:11:48Come on, Judica.
00:11:49You're meeting me after you're through here.
00:11:51There's your music out there, honey.
00:11:53You better pick it up on the downbeat.
00:11:55Okay, mad genius.
00:11:56Polishing up your latest symphony?
00:11:58Stick around, Jim.
00:11:59I'll be back in a minute.
00:12:00Okay, baby.
00:12:07I'm trying to forget you.
00:12:11I'm not going to let you
00:12:15Endanger my poor aching heart
00:12:20With your charms, with your rum
00:12:24You can't be sincere
00:12:28I'm wanting you
00:12:32For you've been playing while I've been saying
00:12:37I love you, I love you
00:12:42I'm trying to forget too
00:12:46The day that I met you
00:12:50The way that you smiled when we kissed
00:12:55How I miss all that bliss
00:12:59It had to be done
00:13:03And you had your fun
00:13:07But now I'm crying
00:13:10Trying to forget
00:13:34Does a new face make you forget old friends?
00:13:36Oh, hello, Marshal.
00:13:37I'm just having a little diversion.
00:13:39So am I.
00:13:40Say, how's that business league of yours doing?
00:13:43Oh, it's jumping.
00:13:44All the merchants are cooperating.
00:13:46My stores are remodeling and putting in new fixtures.
00:13:49Business is improving.
00:13:51Looks like you're doing all right.
00:13:54Can't complain.
00:13:56Ah, what'll it be, brother?
00:13:58Brown bomber.
00:13:59How's that?
00:14:00I said brown bomber.
00:14:02Is you sure?
00:14:03Sure, I'm sure.
00:14:06Say, that was all good.
00:14:08Say, what is this?
00:14:09Give me a brown bomber.
00:14:10All right, all right.
00:14:11You'll get it.
00:14:13Who's there?
00:14:14Who's there?
00:14:15Who's there?
00:14:16Who's there?
00:14:17Who's there?
00:14:18Who's there?
00:14:19Is it the chief?
00:14:20Chief, it was us.
00:14:21Chief!
00:14:22Chief, it was us.
00:14:23Chief!
00:14:24Chief!
00:14:25Chief, it was us.
00:14:26Number 10, please.
00:14:27We have a big problem.
00:14:28We've got to send the Prime Minister,
00:14:29to come right here, right now.
00:14:30Right now.
00:14:31Right now.
00:14:32I hate to be making you wait,
00:14:33but if the Prime Minister comes,
00:14:34he'll have to do himself in.
00:14:36And if he doesn't,
00:14:37I'll be leaving right away.
00:14:39I'm going to call the police.
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00:43:03Good evening, everybody.
00:43:05Good evening, Mr. Wilkins.
00:43:07My best wishes on your birthday.
00:43:09My friends have congratulated me already.
00:43:13Good evening, Mr. Wilkins.
00:43:15No one is more sincere in his good wishes to you than I am.
00:43:18Good wishes?
00:43:19Does it wish me good,
00:43:20filling my daughter's head with ideas about leaving me?
00:43:23Please, pa.
00:43:24But, Mr. Wilkins, you're a big man.
00:43:27You can see that the work down south needs people like Ola.
00:43:30And so do the work here.
00:43:31And I need them.
00:43:32And we never had no disagreements about that until she met you.
00:43:35I'm sorry you feel that way, Mr. Wilkins.
00:43:37But give me a chance to make you change your mind.
00:43:40No.
00:43:41I don't want your kind around here.
00:43:42But, Mr. Wilkins, I love Ola.
00:43:44Get out of this place.
00:43:46I want to marry Ola.
00:43:47You heard what pa said.
00:43:48Get out.
00:43:49Please, Greg.
00:43:51And you may as well understand,
00:43:53Jim Braxton is going to marry Ola.
00:43:56Now get out and stay out!
00:44:00Well, uh, what about going on with the fun?
00:44:07Some fun.
00:44:10Jim, what can Ola say about that?
00:44:13I don't know.
00:44:14I can't.
00:44:15I don't know, Mr. Wilkins.
00:44:17I can't.
00:44:18That's what you should be saying.
00:44:19Not now.
00:44:20Not now.
00:44:21You should be saying, I don't know.
00:44:24I didn't know Ola had a boyfriend before.
00:44:26I was in love with Ola.
00:44:28I was in love.
00:44:29I just wanted to see it.
00:44:30I just wanted to be with that guy.
00:44:32What do you think, Jim?
00:44:34What do you think Ola let go of Ola?
00:44:36What do you think Ola said?
00:44:37What you know about that? I'm just as high as I can be.
00:44:44What you know about that? The only drink I drink is lemon and tea.
00:44:50What you know about that? It took one look for me to know
00:44:55that I had stumbled into love and now it's got me.
00:44:59There's nothing I can do about it but oh.
00:45:02Now walk into my flat, babe. What you know about that?
00:45:08What you know about that? A bit of lemon and soda and a dash of lush.
00:45:14What do you know about that? A jumbo al gratto is much too much.
00:45:20Do you dig the situation? Well, look here. The master is also a connoisseur.
00:45:26That I had stumbled into love and now it's got me.
00:45:30What are you going to do about it? I don't know.
00:45:33Now step into my flat, babe. What do you know about that?
00:45:48There was only some way out. You've got to make up your mind right away, old man.
00:45:52I don't know what to do. But it's so simple, darling.
00:45:55Your father wants you to marry a man whom you don't love and don't trust.
00:45:59Of course. But you do love and trust me, don't you?
00:46:02But you're leaving out one important thing. My pa. It would break his heart.
00:46:08But what about your heart if you married Braxton?
00:46:12Greg, I can't. I can't.
00:46:15Please, Ola. I wish you would see it my way.
00:46:18Now wouldn't pa be pleased if he knew about this?
00:46:21Mind your own business, Jim. You're in my business now, honey.
00:46:24And I won't have you running around with this phone anymore.
00:46:27Listen, Jim Braxton. You listen.
00:46:29Be careful I don't push those big brains of yours down to your feet.
00:46:32I wouldn't advise you to try it. Greg, don't. Please. Please, Jim.
00:46:36Okay. I won't mess up your ex-boyfriend's pretty face.
00:46:40And I mean ex-boyfriend. Say goodbye to him and you better mean it.
00:46:44Ola is taking no orders from you, Jim. Why, you cheap chiseler.
00:46:51We're getting married right away and we're going south. Come along.
00:46:58I now pronounce you man and wife.
00:47:06Greg and I marry today.
00:47:09On our way south.
00:47:12Please forgive us. We're right.
00:47:15Love, Ola.
00:47:18Don't take it so hard, pa.
00:47:21She loves Gregory. She'll be happy.
00:47:24But how could she leave without a word?
00:47:27I guess she thought it was useless to tell you.
00:47:30You don't understand, Sister Hattie.
00:47:33You never had a child of your flesh shame you.
00:47:36I... I do know.
00:47:40My child has shamed me.
00:47:43What you mean?
00:47:46Rosanna.
00:47:49She... she...
00:47:52She...
00:47:54Rosanna?
00:47:57I tried every way to find out.
00:48:00But you know she's tight-lipped and swears she'll never tell me.
00:48:05Oh, Sister Hattie. So you've got trouble too.
00:48:10But I'm not turning my back on my child because she made a mistake.
00:48:14She needs me more now than ever.
00:48:17You're a good woman, Sister Hattie.
00:48:20We should try to understand and help our children.
00:48:24And help each other.
00:48:27That's right.
00:48:29Maybe I can help you.
00:48:32There's work to be done in Harlem.
00:48:38I've got an idea. Come on.
00:48:51I'm sick of the whole affair.
00:48:53What are you squawking about?
00:48:55Look what you promised me when you got your hands on that truck, Asa.
00:48:58I'll get the dough yet.
00:49:00And until then, you expect me to waste my precious time?
00:49:03Say, what are you driving at?
00:49:05Oh, nothing.
00:49:06Listen, baby, you gotta stick with me.
00:49:08You'll get everything I promise you.
00:49:10I'll get the money.
00:49:12I'm not the patient kind.
00:49:14Hello, Jim. Hello, Marsha.
00:49:16Well, if it ain't the worst of business meetings.
00:49:19I'd like to talk to you, Jim.
00:49:21Sit down, Marsha. We can talk in front of Judica.
00:49:23Okay.
00:49:24Have a drink.
00:49:25Thanks.
00:49:27What's up?
00:49:29You've been thinking about my proposition since our last talk.
00:49:32I told you I couldn't go as far as that.
00:49:34Yeah, but you know, we'd both be better off if certain people were out of the way.
00:49:38You mean?
00:49:40Supposing there was a new plan.
00:49:42Supposing I knew where you could lay your hands on some ready cash.
00:49:49Now, here's what we're gonna do.
00:49:51The next meeting at Progress Hall.
00:49:59Oh, Rosita.
00:50:01Are you all alone?
00:50:03Yeah, honey, is it anything I can help?
00:50:06No, it's nothing.
00:50:09Pa, are you all alone?
00:50:11Yeah, honey, is it anything I can help you with?
00:50:14Oh, no. No, Pa.
00:50:17Don't Jim stay around here anymore?
00:50:19No, honey, he ain't been around here for days.
00:50:22Older's going away broke him up, I reckon.
00:50:25I see. Sorry to trouble you.
00:50:27Oh, no trouble at all, honey.
00:50:29Good night, Pa.
00:50:30Good night, honey.
00:50:39Tell me more.
00:50:41You're gonna get the finest rose, and the finest thyme, and the finest lemon.
00:50:47You look at me, you drive me crazy.
00:51:03Hey, careful with that, Lomax.
00:51:05Oh, it is the sentence.
00:51:07Oh, it is the sentence.
00:51:08Give it to me.
00:51:27There's a long vibration right over this. Set it off.
00:51:30Like, uh, when Pa Wilkins pounds on the desk.
00:51:34I'll get you.
00:51:38Quiet!
00:51:42Let's get out of here.
00:51:43Freedom.
00:51:44That's right, freedom.
00:51:45Water.
00:51:46Come on, let's go.
00:52:08Ah, boy, that's the stuff.
00:52:10That's the stuff.
00:52:11When I tell you to play, you got to give me just what I want.
00:52:14Now, I'll tell you what let's do.
00:52:16Let's take it from the left-hand corner.
00:52:21Smoke, smoke.
00:52:23Pick it, don't spin it.
00:52:25That's the thing.
00:52:26Now, wait. On second thought, we'll take it from letter B.
00:52:29Letter B.
00:52:31Letter B.
00:52:33Wait a minute, wait a minute.
00:52:35The man ain't waved his stick yet.
00:52:37Don't you know the language of the stick?
00:52:39I know a lot of language. Would you like to hear some?
00:52:42No, no, no, that's all right, that's all right.
00:52:44Is we going to be ready to play for that next meeting or ain't we?
00:52:47You've got to give me your attention or I'll...
00:52:52Now, that's what I mean.
00:52:55If you was paying attention, you wouldn't have picked that doghouse in the wrong place.
00:53:00I want you to remember what I am talking.
00:53:03I am what you've got to listen.
00:53:06Why don't you say something then?
00:53:08You.
00:53:10Where's that arrangement?
00:53:12Why don't you get that music out?
00:53:14I've been writing on the thing all night long.
00:53:17You got it, see? You just give a man time, he'll get it for you.
00:53:21Lay it out for the boys.
00:53:23Now, here's the crescendo part.
00:53:25That's the crescendo right there.
00:53:27Now, let me see. Now, here's the last trumpet.
00:53:30Yeah, you play that out. You make it out some way.
00:53:33Yeah, yeah, you take that.
00:53:35Now, this here's the part, Jim, where...
00:53:38See, what did I do with that other part?
00:53:40Take it.
00:53:42Oh, what's the use?
00:53:48Maybe there's something I can get to make you more comfortable.
00:53:53Well, maybe a pillow.
00:53:55Man, you're driving me out of my mind.
00:54:00I can't hear me feet if I'm so tired.
00:54:03It'll take a bum to rise me to my feet.
00:54:06I'll bust one under you someday.
00:54:08Get up! We've got to play!
00:54:10Oh, thank you.
00:54:12I thought you were going to...
00:54:14I'll take this. I'll play this.
00:54:16Carry this with you.
00:54:18Come on, let's play!
00:54:53I've never seen it in my life.
00:54:55I've never seen nothing like you.
00:54:58Fluent in my talent and everything.
00:55:00Everything my colleagues would...
00:55:09Don't put that bomb out of me speed, Simmons!
00:55:11A bomb?
00:55:13A bomb!
00:55:15Don't give me that thing here!
00:55:17It's a bomb!
00:55:19It's a bomb!
00:55:21It's a bomb!
00:55:48I must have been dreaming, boys.
00:55:52About a bomb.
00:55:54Brother, that was no dream. There was a bomb.
00:55:58There was?
00:55:59Yeah.
00:56:00Where is it?
00:56:01I put it out in the alley.
00:56:03How far up in the alley?
00:56:05Way out in the alley.
00:56:08Clever Johnson, these monkeys shine so bright.
00:56:14Clever Johnson, these monkey shines have got to stop!
00:56:18Get up on the stand! Come on!
00:56:23I'll give you all one more chance!
00:56:26Come on! Let's play!
00:56:28One, two, three!
00:56:38Bomb found in Progress Hall.
00:56:41Rumors of threats against Paul Wilkins.
00:56:45Greg!
00:56:47Suppose something had happened to him.
00:57:06Friends, I've called a special meeting
00:57:09so that we can show our enemies that we are not afraid of them!
00:57:15You got it?
00:57:16Yeah.
00:57:17You keep your eyes on me.
00:57:19When I give you the nod, you shoot and don't you miss.
00:57:23I won't.
00:57:24That bomb that was placed in here could have killed some of us!
00:57:28It could have wrecked this hall!
00:57:31But that ain't all! That ain't the worst!
00:57:34That bomb and the enemies that placed it here
00:57:37could have destroyed all the good we're going to do!
00:57:40But they can't stop us, can they?
00:57:44We're going straight ahead, shoulder to shoulder,
00:57:47and do our good work!
00:58:07The End
00:58:37The End
00:58:40The End
00:59:06Friends, I've asked Mr. Montu,
00:59:09who you all know, to come up on the platform and talk to us.
00:59:17Tonight, friends, I can call you fellow Americans.
00:59:21Something that I never had the right to say before.
00:59:24I'm a citizen now.
00:59:29I have no words to tell you how much this means to me.
00:59:32You tell him, Mr. Wilkins.
00:59:34Montu, does being American mean that you're against people
00:59:38who put bombs in meeting places?
00:59:40That's what I mean, sir.
00:59:42And do you mean that being an American,
00:59:44you're against those who think only of themselves?
00:59:47That's right, sir.
00:59:49And is being an American, being ready to work,
00:59:52and being ready to fight for the good of all of us?
00:59:57Folks, are you with us?
01:00:01On with Paul Wilkins!
01:00:03On with Paul Wilkins!
01:00:05On with Paul Wilkins!
01:00:07On with Paul Wilkins!
01:00:34Let the future now expand
01:00:38The bigger and better way
01:00:57I figured it would be wrong for the police to get this note,
01:01:00so I took it.
01:01:03Oh, Greg.
01:01:05We'd only gotten here a half hour sooner.
01:01:08Brace up, darling.
01:01:09You can't blame yourself for this.
01:01:11Somebody's got to break the news to Hattie.
01:01:14And Paul.
01:01:15Come on, Ola.
01:01:16We might as well go over to the meeting hall now.
01:01:25Everything set?
01:01:26What do you think?
01:01:27I think it's all set.
01:01:30Everything set?
01:01:31What do you think?
01:01:35Marshal, we can't go through with this.
01:01:37Oh, do as you're told.
01:01:42Talking out, eh?
01:01:43Why, it would be a shame if somebody else had to sit with me.
01:01:51How did you get here?
01:01:53Jim, Rosalia left this note for me.
01:01:56For me?
01:01:58For me?
01:02:06Ola!
01:02:07Ola!
01:02:14Jim Braxton.
01:02:15Of all people.
01:02:29Look out!
01:02:36I didn't mean no harm, Paul.
01:02:41Forgive me.
01:02:45We'll stick with you from now on, Paul.
01:02:47Now I know what you're fighting for.
01:02:51It's for the future, children.
01:02:53Your future.
01:02:55Our future.
01:02:57Our future.
01:02:59And the future of our race.