Category
πΉ
FunTranscript
00:00:00π΅
00:00:28π΅ In every climate, no matter what the time, lovebirds dream. π΅
00:00:36π΅ Just a cottage wall built beside a waterfall, that's their theme. π΅
00:00:45π΅ Though it's the same in Greek or Latin, it's not the song for all men to pass. π΅
00:00:53π΅ Beneath the moon, you can hear the lovers' blues, songs like this. π΅
00:01:01π΅ In our little shack on 5th Avenue, we'll cuddle and coo. π΅
00:01:10π΅ We'll be happy though the place may be small, we'll broom and all we'll do. π΅
00:01:18π΅ Just a cozy little lovable nest, away from the rest. π΅
00:01:27π΅ We will furnish it with no place for gloom, not even a room that's blue. π΅
00:01:38π΅ We must buy a car to ride in, we haven't much joy. π΅
00:01:46π΅ Maybe you'll be satisfied in my little Rolls Royce and a little shack on 5th Avenue. π΅
00:01:58π΅ I'll mention for you, with the simple things that make life a song, I'll struggle along with you. π΅
00:02:13π΅ I'll mention for you, with the simple things that make life a song, I'll struggle along with you. π΅
00:02:21Don't go away, folks! You have heard the little lady sing, and now in the name of sweet charity, she is going to dance for you.
00:02:29The Romance of the Orient, the Spice of Paris, and the Pep of Manhattan, all of these you will see and more when Geraldine dances.
00:02:39One of my bids, ladies and gentlemen, is to see the fan dance, the famous one and only fan dance.
00:02:45$100.
00:02:47$100 is bid.
00:02:48$100 is bid.
00:02:52Can you imagine, Mother Eve, when the leaves begin to fall?
00:02:54Who will make it $200?
00:02:56$200!
00:02:57$200.
00:02:59In the name of sweet charity, I thank you.
00:03:01$200 is bid!
00:03:03$200!
00:03:05$200 to see Lady Godiva with her hair bobbed.
00:03:09Do I hear more?
00:03:10That Stuart girl is just wild enough to do a fan dance.
00:03:14Do I hear more?
00:03:15$500!
00:03:17$500 is bid!
00:03:19Do I hear any more?
00:03:21Just for sweet charity, my dear.
00:03:23$500 once.
00:03:24$500 twice.
00:03:27Are you ready, Geraldine?
00:03:30$500 for the third and last time.
00:03:34All right, boys, the fan dance.
00:03:55I've been robbed.
00:03:57It's just for sweet charity, my dear.
00:04:05Don't bother, Williams.
00:04:06I'll drive.
00:04:34$500.
00:04:35$500.
00:04:36$500.
00:04:37$500.
00:04:38$500.
00:04:39$500.
00:04:40$500.
00:04:41$500.
00:04:42$500.
00:04:43$500.
00:04:44$500.
00:04:45$500.
00:04:46$500.
00:04:47$500.
00:04:48$500.
00:04:49$500.
00:04:50$500.
00:04:51$500.
00:04:52$500.
00:04:53$500.
00:04:54$500.
00:04:55$500.
00:04:56$500.
00:04:57$500.
00:04:58$500.
00:04:59$500.
00:05:00$500.
00:05:01$500.
00:05:02$500.
00:05:04What's the matter, sister?
00:05:05Going to a fire?
00:05:13Oh, pardon me, ma'am.
00:05:14I didn't know.
00:05:15You just follow me.
00:05:25Thanks, officer.
00:05:26Yes, ma'am.
00:05:28Hi, brother.
00:05:29Do you mind telling me what she said to you back there?
00:05:31Well, if you must know, she told me she had a part of her nose
00:05:34so bad she could hardly wait.
00:05:53A nap?
00:05:58Annette!
00:06:02I'm helping Miss Carol drink.
00:06:03Come on.
00:06:04She's old enough to dress herself.
00:06:09Carolene.
00:06:10Come in.
00:06:11You might have waited until I was finished with Annette.
00:06:13Sorry.
00:06:14I'm in a hurry.
00:06:15Well, where's the fire?
00:06:16You sound just like that motorcycle cop.
00:06:18Speeding again, eh?
00:06:19You better watch out.
00:06:20One of these days, we'll get a ticket.
00:06:22Not as long as my powder puff holds up.
00:06:28Hiya, Rasputin.
00:06:30Excuse me, please.
00:06:32Gustav is the name.
00:06:33I beg your pardon.
00:06:34You are welcome.
00:06:35What's that?
00:06:36Black tapioca?
00:06:37Black tapioca?
00:06:41You're nuts.
00:06:42It's tapioca.
00:06:43You crazy people.
00:06:49I'll make sure.
00:06:54What is it?
00:06:56Still tapioca.
00:06:57Listen, are you crazy or am I stupid?
00:07:00I will prove it to you by myself.
00:07:06That is a caviar.
00:07:09Tapioca.
00:07:13Caviar.
00:07:16Tapioca.
00:07:17Hey, does it stand here on this can, please?
00:07:20Caviar.
00:07:21Caviar.
00:07:22Does it stand here anything about a tapioca?
00:07:25No.
00:07:26So you see, tapioca and caviar don't mix.
00:07:31The ones you had might have been caviar, but mine were black tapioca.
00:07:36I will give you the final provement now.
00:07:39So I don't get caviar and you don't get tapioca.
00:07:43We split it.
00:07:45So.
00:07:47Gus, you're right.
00:07:49Thanks for the caviar.
00:07:55What's the matter?
00:07:56What's the matter?
00:07:57Now I got to spread all the caviar before they come.
00:08:00Who's coming?
00:08:01Who is coming?
00:08:02Who isn't coming into this house?
00:08:04This is not a home.
00:08:05This is a hotel.
00:08:07Full with the people.
00:08:08Always full with the people.
00:08:11It's just what Lincoln said.
00:08:12Of the people, for the people, and by the people.
00:08:16Use that, old man.
00:08:22This is Miss Charaldine.
00:08:23You better go and see right away what she wants, please.
00:08:26Yes?
00:08:29You should have heard Gary's bowing.
00:08:30It was priceless.
00:08:31Is he really that good?
00:08:32Good?
00:08:33Your boyfriend acted as though he really belonged to a sideshow.
00:08:36You're talking as though he were a freak.
00:08:38Well, use your own judgment, darling.
00:08:41Come in.
00:08:43Oh, I won't need the car anymore today, will you?
00:08:45Yes, miss.
00:08:46But don't leave.
00:08:47Some people may drop in for cocktails.
00:08:49That'll be all.
00:08:51Yes, ma'am.
00:08:55Gary, you shouldn't sit there like that with a man in the room.
00:08:58Man?
00:08:59Why, he's only the shelfer.
00:09:13Hello, Williams.
00:09:14Is Miss Charaldine home?
00:09:15Yes, Mr. Williams.
00:09:18Hello, Gary.
00:09:19Hello, my dear.
00:09:20I'm so sorry I couldn't be with you all this afternoon.
00:09:22My dear, you don't know what you missed.
00:09:31What am I around here anyway?
00:09:33A chauffeur or a butler?
00:09:36How many guests?
00:09:37What are you talking about?
00:09:38You ask me a little.
00:09:40How many guests?
00:09:41None.
00:09:45Then I won't play.
00:09:52Come on, big boy.
00:09:53Shake it up.
00:09:54They're dying of thirst in there.
00:09:56Don't let them make themselves at home.
00:09:57We'll be right in.
00:10:05Tapioca.
00:10:06Yunga, yunga, yunga.
00:10:07You got $500 from that old tightwad?
00:10:11It's impossible.
00:10:12Well, that's what he paid.
00:10:14To see Jerry do a fan dance.
00:10:16Gary Webberby, do you mean to say that you let Jerry do a fan dance?
00:10:20Oh, but my dear, it wasn't my idea.
00:10:22Well, nevertheless, you shouldn't have let her do it.
00:10:24My sister doing a fan dance.
00:10:27Well, now, don't get excited, dear.
00:10:29It was perfectly all right.
00:10:31Hi, Gary.
00:10:32Oh, hello, Jerry.
00:10:33Charaldine, did you do a fan dance?
00:10:36Why, of course.
00:10:37Why not?
00:10:38Well, I think it's dreadful.
00:10:40It wasn't dreadful at all.
00:10:41As a matter of fact, it was very good, wasn't it, Jerry?
00:10:44Yes, it was.
00:10:45You know, you should be in the theater.
00:10:47Gary, I don't want you to put those ridiculously wild ideas into her head.
00:10:55Say, you ever heard of what I just heard?
00:10:57About this loan?
00:10:59Can you imagine that screwy thing doing a fan dance?
00:11:02For charity.
00:11:03Ah, what do they know about charity?
00:11:05Hundreds of families would be glad for a 10-cent loaf of bread.
00:11:08Here they are eating caviar at $11 a pound.
00:11:11$19.50 a pound.
00:11:15Ah, what's the deal?
00:11:17You know they're always sending out checks for charity.
00:11:19So what?
00:11:20Are they really trying to help somebody out?
00:11:22Nah, just an excuse for her to do a fan dance.
00:11:29You know, I shake a pretty wicked fan myself.
00:11:33But I don't do it for charity.
00:11:36Who knows, maybe you have a good fan.
00:11:39Gustav, you've been thinking.
00:11:48Good afternoon, Mr. Kimbrough.
00:11:49Good afternoon, Annette.
00:11:51Is Carol in?
00:11:53She's in her living room, sir.
00:11:59Oh.
00:12:00Hello, Mr. Kimbrough.
00:12:02Hello.
00:12:03Hello, Mr. Weatherby.
00:12:04Hello, Mr. Kimbrough.
00:12:05Hello.
00:12:06I'm sorry to break in like this, but I must talk to you.
00:12:09It's very important.
00:12:11Will you pardon us?
00:12:12Why, certainly.
00:12:13I was just thinking of going anyway.
00:12:15Yes, goodbye.
00:12:16Goodbye.
00:12:17I'll phone you later.
00:12:18Goodbye.
00:12:20Have you seen the evening paper?
00:12:22Why, no.
00:12:23Why?
00:12:24Read this.
00:12:26Good.
00:12:27Let me see that.
00:12:29Oh, here it is.
00:12:36Oh, why don't you have some new pictures taken?
00:12:39This one is dreadful.
00:12:41Don't you think so, Mr. Kimbrough?
00:12:43Yeah.
00:12:45This is what I wanted you to see.
00:12:50Why, how perfectly done.
00:12:53Why, we saw him only last week.
00:12:55He seemed in excellent spirit.
00:12:57Well, whatever made him do a thing like that?
00:12:59It's not a pleasant story.
00:13:01Fletcher speculated with money that didn't belong to him.
00:13:04When the investigation started, he took the only way out.
00:13:07Well, I can hardly believe it.
00:13:10And he was such a good friend of Father's.
00:13:13That's just it.
00:13:15You know, your father entrusted him with all your affairs.
00:13:18He was a good man.
00:13:20You know, your father entrusted him with all your affairs.
00:13:26Poor Mrs. Fletcher.
00:13:28I'm not thinking of Mrs. Fletcher.
00:13:30It's you I'm worried about.
00:13:32Your bank account has been wiped out.
00:13:35Everything you own has been sold.
00:13:38Even mortgaged your automobile.
00:13:41Well, isn't there anything left?
00:13:44Well, of course, the examination was rather hasty.
00:13:46Take a little time to straighten things out.
00:13:49Yes, I know, but what are we supposed to do in the meantime?
00:13:53Well, your rent here is paid until the first of the year.
00:13:56By that time, I hope to have better news for you.
00:13:59If I can be of any assistance, you know where to call me.
00:14:03Thanks very much.
00:14:13Keep your chin up, sis.
00:14:15We've still got a roof over our heads.
00:14:20But our rent is paid up to the first of the year.
00:14:23Yes, but what are we going to do for food?
00:14:31Did you ring me?
00:14:33Yes. Tell Williams and the cook to come in here.
00:14:36Yes, ma'am.
00:14:38I'll be right with you.
00:14:40Yes, ma'am.
00:14:42Good-bye.
00:14:44Good-bye.
00:14:46Good-bye.
00:14:50Well, what are we going to do?
00:14:53The first thing to do is let the servants go.
00:15:20I want to tell you that your work has been very satisfactory.
00:15:24But unfortunately, we have to let you go.
00:15:28You mean we are defiled?
00:15:31We are decamped?
00:15:33Not exactly.
00:15:35We'd love to keep you, but we've lost our money.
00:15:39You mean I work for nothing?
00:15:42I won't get paid?
00:15:44Yes.
00:15:46Then I resign.
00:15:53I'm awfully sorry this had to happen.
00:15:56Of course, if you want references, we'll be only too happy to give them to you.
00:15:59That's fine.
00:16:01But how about my last month's salary?
00:16:03Your last month's salary?
00:16:05Yes. I went to Mr. Fletcher. He was busy and said I'd get it all this month.
00:16:08Well, how much do we owe you?
00:16:10$100 for last month, $100 for this, $200.
00:16:13Well, we just can't pay you. We haven't any money.
00:16:16Oh, dear. I haven't paid my room rent in weeks.
00:16:19I can't go back there without any money.
00:16:21But what do you expect us to do? Ask you to live here?
00:16:26Not a bad idea.
00:16:29How much do you pay for your room?
00:16:31$10 a week.
00:16:33And we owe you $200?
00:16:35Okay. You can have the guest room for 20 weeks.
00:16:40I'll move right in.
00:16:44And how about you?
00:16:46Me?
00:16:50I'll take 16 weeks.
00:16:55Have you gone crazy?
00:16:57Are you actually going to let them live here?
00:17:00Certainly. Why not?
00:17:02We get a couple of swell servants for nothing.
00:17:05We get a couple of swell servants for nothing.
00:17:27God, whether these Jews don't stop calling me at this unearthly hour.
00:17:31What?
00:17:33What number do I want?
00:17:35I don't want any number. I want those leaves.
00:17:42Oh, it's you.
00:17:45Come on, Carol. Get up.
00:17:47Oh, what time is it?
00:17:49According to my stomach, it's time for breakfast.
00:17:52Oh, it must be fast.
00:17:54Oh, no, you don't.
00:17:56Oh, all right. Ring for a net.
00:18:04Where are you going?
00:18:06They want their breakfast.
00:18:08Sit down.
00:18:10You're not working here any longer.
00:18:12You're a paying guest.
00:18:15I beg your pardon, Mr. Williams.
00:18:18Quite all right, Miss Faye.
00:18:20More coffee, Mr. Williams.
00:18:23Please.
00:18:31Oh, I hope you'll overlook the disturbance.
00:18:34Neighbors, children, don't you know?
00:18:37Mischievous little darlings, aren't they?
00:18:39Quite.
00:18:43Oh, nuts. Now don't be so impatient.
00:18:46Oh, why doesn't she answer? Maybe the bell's out of order.
00:18:50Annette! Annette!
00:18:52Now, you act like a child. Stop shouting.
00:18:55Oh, where is she?
00:18:57Well, let's go and find out.
00:19:02I'll tell her a few things when I see her.
00:19:05Now, Geraldine, don't lose your temper.
00:19:14Got enough in the house for dinner?
00:19:16No.
00:19:17Well, you better get some.
00:19:21What would you like?
00:19:22Oh, I don't know. I'll leave that to you.
00:19:25But get enough for four.
00:19:28Annette, did you hear the buzzer?
00:19:31Yes, ma'am.
00:19:32Well, why didn't you answer it? You know we're waiting for breakfast.
00:19:35Well, it was...
00:19:36You seem to forget. We're not working here any longer.
00:19:39Yes. We're paying guests.
00:19:42Oh, I beg your pardon.
00:19:45Breakfast will be ready every morning at eight. You're welcome to it.
00:19:51But if you want it, you'll have to come and get it.
00:19:58You know, sis, we've been talking about going on a diet.
00:20:01Don't you think this is a good time to start?
00:20:04Yes, but I want my breakfast first.
00:20:28Can you beat that?
00:20:30A guy looking for a job in a Rolls Royce.
00:20:33Yeah.
00:20:40Sweetheart, you're in the wrong place.
00:20:51Good morning.
00:20:52Morning.
00:20:57Sorry, but we've got more chauffeurs than we can play.
00:20:59Well, that's all right. I'll take anything.
00:21:01Okay. What's your name?
00:21:03Tom Williams.
00:21:06Age?
00:21:07Thirty.
00:21:08Address?
00:21:09Manhattan Towers, Park Avenue.
00:21:11Park Avenue?
00:21:12Yeah.
00:21:14Education?
00:21:15Graduate engineer, construction.
00:21:18I think I've got a job for you, but it won't pay much.
00:21:21Well, that's all right. I'll take it.
00:21:24Off dirt with construction gang.
00:21:26Can you handle it?
00:21:27Sure. When do I start?
00:21:28Tomorrow morning.
00:21:29Train leaves at 10.30.
00:21:31Train?
00:21:32Yeah. Job's in Philadelphia.
00:21:35Oh, I'm sorry. I can't take it.
00:21:37What's the matter? Married?
00:21:40No.
00:21:41Oh. Dependents, huh?
00:21:45Yeah. Dependents.
00:21:49All right.
00:21:52Taxi, Lenny?
00:21:53Taxi, Lenny?
00:21:59Come on, Phineas. We'll take that one.
00:22:24Do you know New York?
00:22:26Like a book.
00:22:27That's good. We're just a visiting here.
00:22:30Well, what would you like to see? The aquarium? Statue of Liberty?
00:22:34No. I'm homesick.
00:22:37For grass and trees and horses.
00:22:43Yes, ma'am.
00:22:45Listen, Mug. If you don't want any trouble, keep this hack out of here.
00:22:49This is my spot.
00:22:50Yeah? You got another one on your shirt, huh?
00:23:15What place is this?
00:23:17It's a dude ranch, ma.
00:23:19Who owns it?
00:23:21Why, nobody. This is Central Park.
00:23:25Just what I've been hankering for ever since I left Nevada.
00:23:30Grass.
00:23:32And trees.
00:23:34And horses, ma.
00:23:36Sit down.
00:23:39Oh, ma.
00:23:42You see, just before Phineas was born, I was reading Little Lord Fauntleroy.
00:23:47And he ain't got over it yet.
00:23:50What's your name, son?
00:23:52Tom Williams.
00:23:54My name's Jones. Annie Jones.
00:23:57Back home, the folks call me Pancake Annie.
00:23:59Oh, ma.
00:24:01It ain't nothing to be ashamed of.
00:24:03I make the best pancakes west of the Mississippi.
00:24:06That is, uh, I used to before I made my money.
00:24:16Well, tickle me with cactus.
00:24:18What sort of duds are those?
00:24:20It's a riding habit, ma.
00:24:23I've seen men shot for this.
00:24:26It's the style.
00:24:27All the best people dress like that when they ride.
00:24:30Is he society?
00:24:31Oh, yes.
00:24:32You see the smart set right here.
00:24:34Now that you've seen him, are you happy, son?
00:24:37Oh, no, ma.
00:24:39I want to meet him.
00:24:40That's what we come to New York for, ain't it?
00:24:42He'll never stop pestering me until he does.
00:24:46I'd give $1,000 to have him mingle with them folks.
00:24:51You mean you'd really give $1,000 just to have him meet society?
00:24:56Yeah.
00:24:58If I ever catch him in one of them there riding habits.
00:25:06Hello, Tom.
00:25:07Any luck?
00:25:08Not bad.
00:25:09Mmm, liver and onions.
00:25:10Smells good.
00:25:11Be ready in a second.
00:25:12Say, uh, they have any breakfast?
00:25:16Yeah.
00:25:17Caviar and champagne.
00:25:19How about lunch?
00:25:21Caviar and champagne.
00:25:23Is that all they've had?
00:25:25Well, this afternoon they got kind of hungry,
00:25:27so they had caviar and champagne.
00:25:32Let's see.
00:25:33$65 and $1.14.
00:25:35That makes $1.79.
00:25:37Can't eat at the Ritz on that.
00:25:39Yes, we can.
00:25:41There's bound to be somebody there we know who'd pay the bill.
00:25:45Let's see.
00:25:46We'll have avocado canapΓ©,
00:25:49and, uh, mountain trout.
00:25:51I don't want any fish.
00:25:52All right.
00:25:53No fish.
00:25:55We'll have squab in wine sauce,
00:25:58artichoke hollandaise,
00:26:01hothouse strawberry,
00:26:03and a demi-deck.
00:26:05Is that enough?
00:26:07Perfect.
00:26:09But suppose if we don't meet anyone we know?
00:26:12There you go.
00:26:13Spoiling my whole dinner.
00:26:15There you go.
00:26:16Spoiling my whole dinner.
00:26:29Can I call them?
00:26:31No.
00:26:32They want to eat.
00:26:33Let them come and get it.
00:26:35If you'd married Gary when he asked you,
00:26:37we wouldn't be worrying about dinner.
00:26:39If I marry him now,
00:26:40people will say it was for his money.
00:26:42Well, it's dark.
00:26:43Well, that's just what we're doing.
00:26:46I wonder what happens before you start the day.
00:26:49Well, I once read that
00:26:51just before you lose your mind completely,
00:26:53you have the most realistic dreams about good things to eat.
00:26:58Carol!
00:26:59It's happening!
00:27:01What?
00:27:02I smell food!
00:27:04Me too.
00:27:06Smells like onion.
00:27:08Liver and onion.
00:27:10What a dream.
00:27:11What a dream.
00:27:13Gary, it's no dream.
00:27:15How do you know?
00:27:16Because if I ever dream of food,
00:27:18it won't be liver and onion.
00:27:24You're not a bad cook.
00:27:26Oh, I have other accomplishments.
00:27:29Hello.
00:27:30Hello.
00:27:31I beg your pardon.
00:27:32I hope I'm not disturbing you.
00:27:34Not at all.
00:27:35Have some liver and onions?
00:27:36I don't mind if I do.
00:27:38Help yourself.
00:27:41You'll have to pardon the informality.
00:27:43We had to let the servants go.
00:27:46What a coincidence.
00:27:47So did we.
00:27:48Oh, uh, you have some potatoes?
00:27:52Say, I ran across something today that might interest you.
00:27:55Really?
00:27:56How'd you like to make $1,000?
00:27:58How?
00:27:59A woman who's visiting New York
00:28:00engaged me as a sort of guide.
00:28:02She's here with her only son and a lot of money.
00:28:04She'll pay $1,000 to have the boy meet the right people.
00:28:07I've never heard of such a thing.
00:28:09Well, it is a little unusual,
00:28:10but then so is Annie.
00:28:12Annie?
00:28:13Yes, her name is Mrs. Annie Jones,
00:28:14but out West her friends call her Pancake Annie.
00:28:17Well, are you suggesting that we introduce her to our friends?
00:28:20Mrs. Van Dyke,
00:28:21I want yous to meet up with my old friend, Pancake Annie.
00:28:25They're really very nice people.
00:28:27I don't care how nice they are.
00:28:30I'm really amazed at you for even suggesting such a thing.
00:28:33I'm sorry.
00:28:34I simply thought you might be able to use the money.
00:28:36I don't care to hear any more about it.
00:28:41Come, Geraldine.
00:28:44Oh, haven't you forgotten something?
00:28:46Oh, I beg your pardon.
00:28:48Thank you for the dinner.
00:28:50Never mind that.
00:28:51These dishes have got to be washed, you know.
00:28:53You're not suggesting that we wash them.
00:28:56Why not?
00:28:57You've eaten, haven't you?
00:28:59Might as well get this thing straightened out.
00:29:01I'll buy the food and Annette will cook it.
00:29:03You'll simply have to do your part.
00:29:05All your life you've been living on the fat of the land,
00:29:07but that's all over now.
00:29:08If you want to eat, you've got to work.
00:29:14Of course, you don't have to wash the dishes
00:29:16if you don't want to.
00:29:18Then you don't have to eat, either.
00:29:31A couple of swell servants for nothing.
00:29:35That's my last notice.
00:29:37But I've got some good reviews from the Junior League shows
00:29:40if you care to see them.
00:29:42Yes, I know.
00:29:44But this is the middle of the season
00:29:46and all the shows are cast.
00:29:48Well, isn't there anything at all?
00:29:50No.
00:29:52I don't think so.
00:29:54I don't think so.
00:29:56I don't think so.
00:29:58I don't think so.
00:30:00I don't think so.
00:30:02I don't think so.
00:30:05Do you know any good places like Knight Club, Vaudeville?
00:30:08Did you ever do a vaudevillette?
00:30:10No.
00:30:12But I've simply got to have a job.
00:30:14I don't care what it is.
00:30:16Okay, sister.
00:30:18Go down and see Joe Thomas.
00:30:20He's always looking out for new talent.
00:30:22And here is the address.
00:30:24Just tell him Al Kingston sent you.
00:30:26And here, show him this.
00:30:28Oh, thank you, Mr. Gibson.
00:30:34Pardon me, is Mr. Thomas in?
00:30:39Yeah, you'll find him over there.
00:30:57Mr. Thomas, I'm funny.
00:30:59All right, make me laugh.
00:31:01What do you do, Irish, Dutch?
00:31:03No, I take bumps.
00:31:05Not for my money.
00:31:07Well, listen, I'm terrific.
00:31:08I can take a bump like nobody.
00:31:09When I take a fall, it looks like I broke my neck.
00:31:11Here, lady, hold this.
00:31:13You watch this.
00:31:22Not bad.
00:31:24Hey, Sam!
00:31:25Yeah?
00:31:26Get that guy's name.
00:31:28I can use him.
00:31:30He's good.
00:31:32You mean he was good.
00:31:33Hey, Dutch!
00:31:51Well?
00:31:53Mr. Kingston sent me.
00:31:55Yeah?
00:31:56What do you do?
00:31:57I sing.
00:31:59OK, let's hear it.
00:32:01I haven't any music with me.
00:32:03Oh, it's all right.
00:32:04You name it, and Louie will play it.
00:32:12Do you know Manhattan Love Song?
00:32:29In every climb, and no matter what the time,
00:32:33lovebirds dream of a cottage small
00:32:38built beside a waterfall.
00:32:41That's their theme.
00:32:45Though it's the same in Greek or Latin,
00:32:49it's not the love song for me.
00:32:53Though it's the same in Greek or Latin,
00:32:57it's not the love song for Manhattan.
00:33:01Beneath the moon, you can hear the lovers through.
00:33:06Songs like this in a little shack on Fifth Avenue.
00:33:14We'll cuddle and coo.
00:33:17We'll be happy, though the place may be small.
00:33:21Two rooms in all will do.
00:33:25Just a cozy little lovable nest away from the rest.
00:33:33And we'll furnish it with no place for gloom,
00:33:37not even a room that's blue.
00:33:42We must buy a car to ride in.
00:33:46We haven't much choice.
00:33:50Maybe you'd be satisfied in a little Rolls Royce
00:33:57and a little shack on Fifth Avenue.
00:34:02A mansion for two with the simple things that
00:34:07make life a song I'll struggle along with.
00:34:21Not bad, sister.
00:34:23Now let's take a look at your games.
00:34:25Go lay.
00:34:27Come on.
00:34:28Step back and show them to us.
00:34:31Come on.
00:34:32Higher, higher.
00:34:33Come on.
00:34:34Let's see them.
00:34:38Higher, higher.
00:34:39Let's take a look at them.
00:34:44Not bad.
00:34:46Not bad.
00:34:49Any experience?
00:34:51Oh, yes, sir.
00:34:56Say, lady, this is a scandal's burlesque.
00:35:00That fan dance business may be all right for Park Avenue,
00:35:03but it's old stuff down here.
00:35:05I'll show you the kind of stuff we want.
00:35:08Hey, Daisy.
00:35:10Yeah.
00:35:11Hang up your hat.
00:35:13All right.
00:35:16OK, Louie.
00:35:21Leave the open spaces.
00:35:23Start going places.
00:35:24Do a hot show instead of hey, hey.
00:35:28Grab yourself a locker, a knickerbocker,
00:35:31and just hang up your hat on Broadway.
00:35:35Lose your country habit.
00:35:36Don't be a babbit.
00:35:37Start awake and you're taking the nap.
00:35:41Leave the town.
00:35:42Leave the town.
00:35:43You're taking a nap.
00:35:46Leave the tuna trolley.
00:35:47A Polly Dolly will make scenery on any map.
00:35:52I can bear a bill of bear, a Underground hockey meet.
00:35:58Just let me share the sweet fresh air
00:36:01that's only found in the Bronx.
00:36:05Get sophisticated, inebriated.
00:36:08It's a system you've got to obey.
00:36:11Manhattan, around Manhattan, and just hang up your hat on Broadway.
00:36:18That's what we want.
00:36:20The more clothes you take off, the more they applaud.
00:36:23And the more they applaud, the more you take off.
00:36:26I pay $35 a week.
00:36:27How about it?
00:36:29No, thanks.
00:36:31I couldn't do that.
00:36:33Okay, sister.
00:36:34If you ever change your mind, drop in and I'll give you a job.
00:36:38Thanks.
00:36:46What's the matter, Joe?
00:36:47Yourself for the dame?
00:36:49Don't be a shudder.
00:36:50It isn't her.
00:36:52It's the name.
00:36:54That society bunk is a great come on for the yokel.
00:37:13Oh, my back is killing me.
00:37:18You'll have to finish this room yourself.
00:37:20Oh, come on.
00:37:22It's stolen.
00:37:23Get to work.
00:37:24I can't.
00:37:27Oh, look.
00:37:28I'll give you my black negligee, if you will.
00:37:32I've got a negligee.
00:37:34Miss Jerry gave me one for doing her room.
00:37:38But I could use that cerise tea gown of yours.
00:37:41I should say not.
00:37:42I've only worn that gown once.
00:37:44Okay.
00:37:45Then get to work.
00:37:49Oh.
00:37:51All right.
00:37:52You can have the gown.
00:38:06Darlene.
00:38:09Darlene.
00:38:10Oh, hello, sis.
00:38:12You look tired.
00:38:14I am tired.
00:38:17Did you have any luck?
00:38:19Oh, I found a job, all right, but I didn't take it.
00:38:22Why not?
00:38:23It was awful.
00:38:25Did some bird make a pass at you?
00:38:29It was worse than that.
00:38:31I never realized people could be so filthy.
00:38:34Well, what was it?
00:38:36Let's not talk about it, please.
00:38:51Well, what's the matter with you?
00:38:52Too risky to do a little work around here?
00:39:00What's gotten into her?
00:39:01You have no right to talk to her that way.
00:39:03She's been out looking for a job all day.
00:39:16I'm sorry I spoke that way.
00:39:18Will you forgive me?
00:39:22I didn't mean to hurt your feelings.
00:39:23Really, I didn't.
00:39:40Blow.
00:39:41All right.
00:39:46Thanks.
00:39:49Now, let's start all over again.
00:39:53I'm sorry.
00:39:54That's not what you said at first.
00:39:56Oh, isn't it?
00:39:57No.
00:39:58You said, I'm sorry I spoke that way.
00:40:00Will you forgive me?
00:40:02Well, then why didn't you answer me?
00:40:04I don't know.
00:40:05I wasn't angry with you anyway.
00:40:07What were you crying for?
00:40:09Until today, I never realized how rotten people could be.
00:40:14Look at them down there.
00:40:20Running around, shoving, pushing, crowding each other like a bunch of insects.
00:40:28Yes, you're right.
00:40:29They do look like that from up here.
00:40:33But if you get down there, you'll find out they're just normal human beings,
00:40:38working, creating homes.
00:40:42What if they do crowd each other a little?
00:40:44They're struggling for their very existence, and it's not so easy.
00:40:49You've never understood that before, because you've always looked at life from up here.
00:40:55I never thought of it that way before.
00:40:59It looks a little different now.
00:41:00That's the spirit.
00:41:02Hey, if you want dinner, you better come in and give me a hand.
00:41:09How are you feeling, Geraldine?
00:41:11There's nothing wrong with her that money won't cure.
00:41:14You're right.
00:41:15That's all we do need, is money.
00:41:17Yes, but how are we going to get it?
00:41:20Do you ever see that pancake person you were telling us about?
00:41:22Sure, I've been driving her around every day.
00:41:25Would she still pay to meet the right people?
00:41:27Geraldine, are you serious?
00:41:29Well, certainly.
00:41:30If we can't go on like this any longer, we need money.
00:41:34How can we manage?
00:41:35I don't know.
00:41:36But I do know that tomorrow I'm driving her over to the riding academy in the park.
00:41:49Hmm, that's a right smart-looking horse.
00:41:52But what's that on top of it?
00:41:54Reggie Vandergriff.
00:41:55Gee, real society.
00:41:57I'll say so.
00:41:58They've got so much class, they wouldn't even eat pig's feet unless they had spats on.
00:42:02Hmm, you know everybody, don't you?
00:42:04Not exactly.
00:42:05It isn't the people I work for.
00:42:07I mean, well, this isn't my car.
00:42:12I thought it was.
00:42:14No, someone put that for hire sign on it as a joke, and I carried it through because, well, I sort of needed the money.
00:42:23William!
00:42:24Yes, miss?
00:42:30What's the meaning of this?
00:42:31You told me the car was out of order.
00:42:33It was, Miss Carroll.
00:42:34Well, then what are you doing here?
00:42:35Well, you see, I, uh...
00:42:36It ain't his fault, Miss.
00:42:38I'm to blame.
00:42:39Maybe you'd better let me explain.
00:42:41Take my horse to the stable.
00:42:43Yes, Miss.
00:42:48Uh, you see, um, my taxi broke down, so I hailed your car.
00:42:52And your boy said he couldn't take me no further than this.
00:42:55That's how it happened.
00:42:56Ain't it, Phineas?
00:42:57Yes, Ma.
00:42:58Um, oh, excuse me.
00:43:00This is my boy, Phineas.
00:43:02How do you do?
00:43:03How do you do?
00:43:04I'm Annie Jones.
00:43:06Back home, they call me Pancake Annie.
00:43:08Pancake Annie?
00:43:10I've heard that name before.
00:43:11Yeah, when Ma came to New York, they put a picture in the paper.
00:43:14Oh, yes, of course.
00:43:16That's it.
00:43:17You're the woman who started with a pancake and ended with a silver mine.
00:43:20Oh, shucks.
00:43:21It wasn't nothing.
00:43:23I just drugstaked a few of the boys.
00:43:26Well, I'm glad to know you.
00:43:28I'm Carroll Stewart.
00:43:29How do you do?
00:43:34Park 6500.
00:43:38Hello?
00:43:39Hello, Jerry?
00:43:40You better have everything ready.
00:43:43I don't know, but she's talking with Miss Carroll now.
00:43:46Oh, good.
00:43:47I'll take care of everything at this end.
00:43:54Annette, it's working.
00:43:55Let's go.
00:43:57What for?
00:43:58Well, they'll be here soon.
00:43:59I'll make the sandwiches while you change.
00:44:03And what part do I play in this?
00:44:06The maid, of course.
00:44:09Nobody said anything to me about it.
00:44:11Can't you see how important this is?
00:44:14Not to me, it ain't.
00:44:16As far as I'm concerned, you can include me out.
00:44:23And you can trim my hat with sagebrush, if that ain't the gospel truth.
00:44:28Those toys of yours are positively delicious.
00:44:31I took them back here morning.
00:44:33Won't you come and have tea with me?
00:44:35Now, that's real nice of you.
00:44:38Ain't it, Phineas?
00:44:39Yes, ma.
00:44:40Home, William.
00:44:41Yes, miss.
00:44:54But, Geraldine.
00:44:56Ixnay Akincray.
00:44:58I'm the aide-maid.
00:45:08Where's Annette?
00:45:09Ongay Utsnay.
00:45:12A French maid.
00:45:14Oui, oui, ma.
00:45:16Shall I serve tea, Miss Carol?
00:45:19Why, yes, please.
00:45:21You know, Phineas, I always did want to see one of these here outhouses.
00:45:26Penthouse, ma.
00:45:27Come, Mrs. Jones, please.
00:45:56Well, what's the idea?
00:45:58Where's Annette?
00:45:59She's in her room.
00:46:00She got temperamental.
00:46:02Oh, so you're the maid.
00:46:04Yes.
00:46:05And I'm the chauffeur.
00:46:06Yes.
00:46:11In the best families, the chauffeur always kisses the maid.
00:46:14I'm the chauffeur.
00:46:16I'm the chauffeur.
00:46:17I'm the chauffeur.
00:46:18I'm the chauffeur.
00:46:19I'm the chauffeur.
00:46:20I'm the chauffeur.
00:46:21I'm the chauffeur.
00:46:22I'm the chauffeur.
00:46:23The chauffeur always kisses the maid.
00:46:32I have to the electric company.
00:46:33Where's the meter?
00:46:34Right over there.
00:46:42Now, what's the idea?
00:46:43You won't need this anymore.
00:46:45I'm going to shut off the juice.
00:46:48Well, you can't do that.
00:46:50Well, why don't you pay your bills?
00:46:52There must be some mistake.
00:46:53Hey, look.
00:46:54I'll pay it myself.
00:46:55How much is it?
00:46:56You'll have to take that up to the collection department.
00:46:59I'm only service.
00:47:08Bye, sweetheart.
00:47:19Now what do we do?
00:47:20They're waiting for tea.
00:47:21Well, you go in the stall.
00:47:22I'll think of something.
00:47:23But whatever you do, don't let them touch the lights.
00:47:28Imagine.
00:47:29They use electricity to light cigarettes.
00:47:31Why, we even cook by electricity.
00:47:34Must be right handy having all those modern improvements.
00:47:44Have you got a match?
00:47:54I did want to use that.
00:47:56Why, didn't you?
00:47:58Ex-may.
00:47:59There's only use-jay.
00:48:01What?
00:48:02Oh, yeah.
00:48:03It and day-ay pay the ill-bay.
00:48:05Oh.
00:48:06Oh.
00:48:07I'll take care of it tomorrow.
00:48:08Who-tay ate-lay.
00:48:09The use-jay is, uh, off.
00:48:14Hmm.
00:48:15You savvy, that parley-boo.
00:48:17Hmm.
00:48:18You savvy, that parley-boo.
00:48:19Just like a native.
00:48:21Yes.
00:48:22Just like a native.
00:48:30Oh.
00:48:31I beg your pardon.
00:48:33I didn't know you were receiving, my dear.
00:48:35Uh.
00:48:36Uh.
00:48:37Come in, my dear.
00:48:40Uh, Mrs. Jones.
00:48:41I want you to meet Miss, uh, Faye.
00:48:44Faye.
00:48:45She's the, um, uh, my house guest.
00:48:48How do you do, Mrs. Jones?
00:48:50This is indeed a pleasure.
00:48:52Pleased to meet you, ma'am.
00:48:54I beg your pardon.
00:48:55This is my son, Phineas.
00:48:58Oh.
00:48:59Charmed, I'm sure.
00:49:01Yes, ma'am.
00:49:06Geraldine.
00:49:07A cigarette.
00:49:11Oh, thank you.
00:49:30Williams, the bell is out of order.
00:49:32Uh, yes, sir.
00:49:33I'll see to it, sir.
00:49:35Is Miss, uh, Carol at home?
00:49:37Well, uh, uh, yes, sir.
00:49:39She's in the living room.
00:49:45Why, Jerry, what's the?
00:49:46How do you do, Mr. Weatherby?
00:49:48Don't say anything.
00:49:49I'm the maid.
00:49:50Hello, Gary.
00:49:52Oh, hello.
00:49:53Uh, Mrs. Jones.
00:49:54This is Mr. Weatherby.
00:49:55Mrs. Jones.
00:49:56And, uh, Mr. Jones.
00:49:57How do you do?
00:49:58How do you do?
00:49:59And Miss Faye.
00:50:00Miss, uh.
00:50:01Haven't I met you somewhere before?
00:50:04Oh, I'm sure you haven't.
00:50:06Miss Faye just returned from Europe.
00:50:08That's it.
00:50:10I never forget a face.
00:50:13Deauville.
00:50:15No.
00:50:16Uh, San Sebastian?
00:50:19No.
00:50:20No.
00:50:21Now, don't tell me.
00:50:22I never forget a face.
00:50:25Annette.
00:50:26Annette.
00:50:28That's it.
00:50:29Now I know where I met you.
00:50:32It was Laupheim.
00:50:35No.
00:50:37Now wait.
00:50:38Wait.
00:50:39Just give me a minute.
00:50:40I'll, uh, concentrate.
00:50:42Annette, will you show Mr. Jones the view?
00:50:45With pleasure.
00:50:46Phineas.
00:50:47Go with Miss Faye.
00:50:48Yes, ma.
00:50:52I'm sure I've met that young lady somewhere.
00:51:09Williams, what the devil are you doing?
00:51:11Preparing tea, sir.
00:51:13Preparing tea.
00:51:14Certainly, Gary.
00:51:15Haven't you ever had tea?
00:51:16Well, uh, I really don't know.
00:51:18Uh, with all these here modern improvements,
00:51:20I never thought you'd boil water over an open fire
00:51:23like we do out on the range.
00:51:25That's it.
00:51:26You see, Gary, Mrs. Jones is from the West.
00:51:29And we're having tea Western fashion, in her honor.
00:51:33Now that's what I call downright sweet of you,
00:51:35trying to make me feel at home.
00:51:37And Phineas thought New York people were so uppity.
00:51:44Life is such a bore.
00:51:47Just a continual round of parties, dances, and ball.
00:51:52Yes, ma'am.
00:51:54I'm so tired of it all.
00:51:59Oh, how I long for the wholesome life
00:52:01of the great open spaces.
00:52:03Yes, ma'am.
00:52:05Oh, you're such a comfort.
00:52:10Yes, ma'am.
00:52:12Oh, Mr. Jones, we really shouldn't be out here alone.
00:52:16People will talk.
00:52:19Yes, ma'am.
00:52:22Call me Ness.
00:52:25Yes, ma'am.
00:52:27Ness.
00:52:32Williams, I think tea is ready.
00:52:34Yes, miss.
00:52:36You're just in time for tea.
00:52:38Oh, splendid.
00:52:41I feel just like a dish of tea.
00:52:47Carol, dear, how can you tolerate such a careless servant?
00:52:51Oh, shucks, that's nothing.
00:52:53And that's liable to happen to anybody.
00:52:55Oh, don't worry.
00:52:56Williams will have tea ready in no time.
00:52:58Oh, don't go to no bother on my account.
00:53:02Do it in your usual way.
00:53:04Oh, I insist.
00:53:06It's no bother at all.
00:53:08Carol, dear, why don't you let Mrs. Jones have her own way?
00:53:11I have an idea.
00:53:13We'll compromise.
00:53:14That's all goes at the risk.
00:53:16Well, if you insist.
00:53:18Are you coming, my dear?
00:53:20Oh, no, no, you'll have to excuse me.
00:53:21I have a headache.
00:53:23Oh, I'm so sorry, darling.
00:53:25Both.
00:53:28Thanks for a lovely time.
00:53:30I'll call you real soon.
00:53:32Yes, do.
00:53:36Phew, now I have got a headache.
00:53:39You're not the only.
00:53:47Well, we certainly made a mess of things.
00:53:49You mean you'd have.
00:53:51Garrett hasn't telephoned me in 10 days.
00:53:52That's nothing.
00:53:53I've lost my only cash customer.
00:53:55And that's nothing.
00:53:56Look at me having to play a maid.
00:54:20Good grief, who can that be?
00:54:21I'll answer it.
00:54:22And you better hide.
00:54:23Maybe it's Mrs. Jones.
00:54:38This is a letter for you.
00:54:42What is it?
00:54:45My dear Carol, I enjoyed my visit immensely.
00:54:49You must come and be our guest sometime.
00:54:51Devotedly.
00:54:52Annette.
00:54:53P.S.
00:54:54I almost forgot.
00:54:56Phineas and I are getting married.
00:55:14Circle 74745.
00:55:19I'm going to call Mrs. Jones before it's too late.
00:55:22She's too nice to have this happen.
00:55:25Hello?
00:55:26Mrs. Annie Jones.
00:55:29What?
00:55:31Are you sure?
00:55:34Didn't she leave any forwarding address?
00:55:38All right.
00:55:44Too late.
00:55:45She's gone.
00:55:46Poor Mrs. Jones.
00:55:48Poor Phineas.
00:55:49Poor us.
00:55:51There goes our $1,000.
00:55:53Well, we're not any worse off than we were before we started.
00:55:56Well, I can't make any money sitting here.
00:55:58I guess I'll take the car out.
00:56:00Do you want dinner when you get back?
00:56:02Sure.
00:56:03Why not?
00:56:04What would you have?
00:56:05Caviar and champagne.
00:56:07You'll get liver and onion.
00:56:08I'll take it.
00:56:12I suppose now you're going to start downing your stock.
00:56:15No, no.
00:56:16I'm going to keep him backwards so he can't walk out on me.
00:56:18Are you hinting that Gary walked out on me?
00:56:21You haven't seen him lately, have you?
00:56:23Well, maybe he's ill.
00:56:25That's it.
00:56:26I bet he is ill.
00:56:28That's too bad.
00:56:29Don't you think you ought to go see him?
00:56:31That's a good idea.
00:56:32I will.
00:56:34I hope he is sick.
00:56:36For your sake.
00:56:45Hey, Joe.
00:56:46That slug's back again.
00:56:47Oh, yeah?
00:56:49Well, watch me.
00:56:50Go get him, kid.
00:56:51I'm with you.
00:56:56Hey, you.
00:56:57I thought I told you to stay away from here.
00:56:59This is a public hat stand, isn't it?
00:57:01Not for you, it ain't.
00:57:02Well, I'm staying right here till somebody moves me.
00:57:05Oh, yeah?
00:57:06Here's why you move.
00:57:22What are you crying for?
00:57:25Because I cooked liver and onions and now you won't be able to eat it.
00:57:29Don't worry.
00:57:30It'll take more than a bump on the head to spoil his appetite.
00:57:33He's as strong as a horse.
00:57:34Get her out of here, Doc, before I really do get sick.
00:57:37Okay, young man.
00:57:39I'll see you tomorrow.
00:57:46Telegram, Miss Stewart.
00:57:48Oh, thanks.
00:58:17How do you feel?
00:58:18All right.
00:58:19Are you sure?
00:58:20Certainly.
00:58:21What's the matter?
00:58:22Listen.
00:58:23Gary feels fine.
00:58:24Stop.
00:58:25Wouldn't take no for an answer.
00:58:27Stop.
00:58:28Leaving on honeymoon.
00:58:29Stop.
00:58:30We'll be back in a few days.
00:58:32Stop.
00:58:33Love, Carol.
00:58:35Now how do you feel?
00:58:37Terrible.
00:58:38Get out of that bed.
00:58:40I don't feel so good myself.
00:58:45He's been showing remarkable improvement for only five days.
00:58:48He had nothing to do with it.
00:58:50Why don't you tell Doc that you want all the proper nursing?
00:58:53Yeah.
00:58:54I had to get well in self-defense.
00:58:56Mm-hmm.
00:58:57When he grouches like that, it means he's hungry.
00:59:00Will you excuse me, please?
00:59:05Hey, Doc.
00:59:06How soon before I can get out of here?
00:59:07You're coming along nicely.
00:59:09Better play safe and take it easy a little while longer.
00:59:40Hey.
00:59:41Hey.
00:59:42Hey.
01:00:10Hey.
01:00:11Hey.
01:00:12Hey.
01:00:13Hey.
01:00:14Hey.
01:00:15Hey.
01:00:16Hey.
01:00:17Hey.
01:00:18Hey.
01:00:19Hey.
01:00:20Hey.
01:00:21Hey.
01:00:22Hey.
01:00:23Hey.
01:00:24Hey.
01:00:25Hey.
01:00:26Hey.
01:00:27Hey.
01:00:28Hey.
01:00:29Hey.
01:00:30Hey.
01:00:31Hey.
01:00:32Hey.
01:00:33Hey.
01:00:34Hey.
01:00:35Hey.
01:00:36Hey.
01:00:37Hey.
01:00:39Bryant.
01:00:40Six700.
01:00:43Scandal Velas?
01:00:45Mr. Thomas, please.
01:00:47Oh, hello, Mr. Thomas.
01:00:49This is Geraldine Stuart.
01:00:51Uh, I've been thinking it over and if that job is still open, I'll take it.
01:00:55OK.
01:00:57Come right down and we'll rehearse you.
01:00:59Sure.
01:01:01You can go on tonight.
01:01:02What's that?
01:01:05Sure, I'll let you take a couple of bucks.
01:01:07a show. And. Then.
01:01:14That society day I want you to go out front make
01:01:17a great big sign put it up on top. Extra added
01:01:23special attraction. And I really am Hello William welcome home
01:01:30is kept I mean this is one of my I often like
01:01:33a graduation thank you. She went out so she'd be a little late.
01:01:41Or anything else no no that's all over Williams. This is where they told
01:01:48me everything that has happened and we both appreciate all you've done thank you
01:01:53you will of course you'll get your back salary and beginning tomorrow your salary
01:01:57will be raised twenty five dollars a month considering everything don't you think
01:02:00it'd be better if I were to leave. Just forget everything and you'll go back to
01:02:05your old position. I'll take it over. By the way what time.
01:02:13I wonder where she can be I don't know but I bet wherever she is she's the life of
01:02:16a party. The meaning of this if you ever been
01:02:22presented at court there is. Many times people think we're going to get.
01:02:30The.
01:02:45Hello. Yes.
01:02:53OK if you write down. Yes where is she in jail. I don't know but whatever it is
01:03:00she did it now this is no time for jokes now don't get excited here come on we'll
01:03:04go down get her out I'll go with you you stay here.
01:03:12But what is she in for. Fifty days. Unless you want to pay fifty dollars.
01:03:23Pay the clerk.
01:03:31The.
01:03:38All Gary you don't know how glad I am to see you this is certainly
01:03:42a fine welcome home you've given us on I don't start going if you have no regard for
01:03:46your own reputation please have some consideration for your sister and myself now
01:03:51now you listen to me Gary Weatherby just because you're married to my sister is no
01:03:54time you can tell me what to do Mr Weatherby is right there's no excuse for this sort
01:03:58of thing and you'll keep out of this of all the people in the world you should be
01:04:02the last one to say anything and if it hadn't been I beg your pardon Mr I forgot
01:04:06myself. It won't happen again.
01:04:11They're ready. But it's
01:04:13a doctor Oh thank you. Never mind just so you can send it back.
01:04:28I. Wanted to.
01:04:37Tell him that there are. Come in children.
01:04:45The newlyweds. I hope you'll be very happy they're just like
01:04:51a couple of numbers ain't you.
01:04:53Yes. I want to come inside.
01:05:02We just got in to say goodbye. When you leave. Tomorrow morning.
01:05:09Did you have
01:05:09a nice time oh yeah it was rad. Did you go to. I always did
01:05:17want to see Niagara Falls but it's no good without
01:05:20a honeymoon so I just tagged along.
01:05:29Yes. Mr Weatherby is driving Miss Geraldine home over here in
01:05:34a few moments. I'd like to say goodbye to Tom do you mind.
01:05:41I know.
01:05:51I want to.
01:05:56Believe me. Are you going I don't know anywhere to get away from here. You were
01:06:03never cut out to be
01:06:04a show for. I'll give you
01:06:07a real job why don't you come out west with me I'm sorry but I can't. What is
01:06:13it a girl. No. You got any money
01:06:20on it by. I owe you
01:06:24a thousand dollars and I can't take it. Why well I can't tell you.
01:06:31Is it on the count of and. No no no no of course not. This is. You don't have to
01:06:39lie. I was
01:06:40a bit to chew to myself for twenty years and I spotted her for
01:06:44a pop rattle of the minute I laid eyes on. I knew it all the time. She's
01:06:50a good girl. And she'll make me a good wife. When I get through with it well if
01:06:57she's ever half as good as you are that'll be plenty.
01:07:02The train leaves tomorrow morning at ten. Will you be there you bet I will.
01:07:09You won't be sorry.
01:07:14I guess we'd have to be running along and children.
01:07:21All right. On behalf of. On behalf of my wife and myself I want to thank you for
01:07:30bringing us together and I know what you have done for us. It's good to be with
01:07:35us. If you ever come to Nevada you must visit us we'd love to have you. Thank you
01:07:42very much I'd like to.
01:07:47Get. Right down with. He's in his room. Good.
01:07:56Well I'm going to go get my wife and I'm going to go get my wife and I'm going to
01:08:01get my wife and I'm going to get my wife and I'm going to get my wife and I'm going
01:08:05to love all three looking out. And it's. Yes.
01:08:13Come children goodbye. Goodbye.
01:08:16I don't.
01:08:32I want to talk to you well I'm listening why did you walk out because I felt like
01:08:38it don't talk to me that way I won't have no now you listen to me you are beginning
01:08:43to be
01:08:44a real human being but just as soon as a few dollars came back into the family you
01:08:47want right back to what you were an eighteen carat pain in the neck well I wouldn't
01:08:51take it from you if you were the last woman in the world I'm through I'm quit.
01:09:02Here.
01:09:03Low. Where you going well if you must know Nevada
01:09:12Annie Jones is giving me
01:09:13a real job. You suppose you could use them made to why.
01:09:21Even in the bottom of the show for all the.
01:09:32The.