• 4 years ago

Category

😹
Fun
Transcript
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04:00Foundation, ma'am.
04:17Carving a career for himself.
04:19Look at him, mooning over that singer again.
04:22That's my business.
04:23Oh, maybe you two would rather be left alone.
04:31No, you don't.
04:32You're too fat already.
04:34We are very happy to present Miss Ruth Porter,
04:37featured at the Club Little singing
04:39There's No Comparison,
04:41accompanied by Jackie and Earl Hatch,
04:43two grandpersons at two grand pianos.
04:47There's no comparison,
04:49you're above the crowd, dear.
04:52There's no comparison,
04:54you're above the crowd, dear.
04:58There's no comparison,
05:00this thought makes me proud, dear.
05:03That's her, Ruth Porter,
05:04small-time nightclub singer,
05:06gets break on the radio.
05:07She's not small-time.
05:09What is she, then, a primadonna in disguise?
05:12She's a nice, quiet, refined girl.
05:16I know she is.
05:17Oh, fine, don't she?
05:18You've never even seen her.
05:19You let David alone.
05:20If he says she's a nice, quiet, refined girl,
05:22she is, and you mind your own business.
05:23Please, Hattie, I do want to hear this.
05:26Young man, if you took my advice...
05:29Please, Mortimer, some other time.
05:33It's obvious as ABC.
05:37Mentally you're grand,
05:39physically you stand,
05:41an object of art, a figure of art,
05:43a symphony of...
05:45Ladies and gentlemen,
05:46we are sorry to interrupt this program,
05:48but we have a special broadcast request
05:50from the Radio Service Bureau.
05:52The police report a desperate break
05:54from the Hupton Penitentiary
05:55Eddie Muller and Ronald Stanton,
05:57notorious gangsters,
05:58have escaped and are still at large.
06:00Stanton was convicted
06:01for the recent Barclay Jewel robbery.
06:03The jewels, worth a fortune,
06:04have never been recovered.
06:05All citizens are asked to cooperate
06:07with local and state authorities
06:09in apprehending the escaped convicts
06:11who today fled the state penitentiary.
06:14These men are desperate
06:15and must be brought into custody.
06:17Please report without delay
06:18any suspicious characters
06:20to your nearest police authorities.
06:25There you are, a jewel thief.
06:28And who wears jewels?
06:29Women, that's who.
06:31I bet the poor guy was straight
06:32until he got mixed up with some woman.
06:34She wants jewelry.
06:35So what does he do?
06:36He snatches them for her.
06:38Look at him now.
06:39The mastermind at work.
06:41It doesn't take any mastermind
06:42to tell me that where there's women,
06:44there's trouble.
06:45I know.
06:47And Dave doesn't know
06:48when he's well off.
06:49I know.
06:52And Dave doesn't know
06:53when he's well off.
06:54Falling in love with a boy.
06:56If you'd listen to me...
07:00And what's funny about that?
07:01I was wondering how anyone
07:02could help listening to you
07:03even two blocks away.
07:04You talk all the time.
07:05David, don't you mind.
07:06Dave.
07:07Dave, you take a tip from me.
07:09Forget this woman.
07:10Forget them all and stay happy.
07:12Get mixed up with them
07:13and you land in a mess of grief.
07:15I'm warning you.
07:16Women and trouble.
07:18Don't you listen to him, David.
07:19It's men like him that...
07:20It makes women like you.
07:21Oh, that's a very funny joke.
07:22I heard that when I was
07:23a little bit of a girl.
07:24Many years ago.
07:25Yes, many...
07:26Don't you...
07:27Ha, ha, ha, ha, ha.
07:28Ha, ha, ha, ha, ha.
07:29Ha, ha, ha, ha, ha.
07:30Ha, ha, ha, ha, ha.
07:31Ha, ha, ha, ha, ha.
07:32Ha, ha, ha, ha, ha.
07:33David, where are you going?
07:34Going for a walk
07:35until you two settle down.
07:36If you can settle down
07:37in this environment.
07:41This household is a perfect example
07:43of my argument for happy homes.
07:46Don't wait up for me.
07:48Ladies and gentlemen,
07:49happy homes limited
07:50is not only a going concern,
07:52it is a growing concern.
07:55Dude, that's terrible.
07:59What is our object?
08:01Sooner or later in life
08:02to every man
08:03comes the desire
08:04to experience
08:05the thrill of ownership.
08:07Our mission,
08:08ladies and gentlemen,
08:09is to provide that man
08:11with a scientifically adjusted home.
08:14Not just a house,
08:15but a really happy home.
08:17A place where in later life
08:19he can sit and enjoy
08:21the fruits of his years of labor
08:23happily with his wife,
08:25free from care and worry,
08:27safe from the dangers of the world.
08:29These people can...
08:31What?
08:36Check it and put it through.
08:38Very well, sir.
08:43Put that new phony away.
08:45It's not new.
08:46I just tested it off.
08:50Well, everything looks set.
08:52Eddie pulled the break in great style.
08:54He sprung the squire with him
08:55just like we planned.
08:56You know, we're taking a big chance
08:58on this Berkeley Jewel proposition.
09:00And if anything slips up,
09:02well, figure it out for yourselves.
09:04Can't miss, Steve,
09:05as soon as the cops
09:06pull off me and Bugs...
09:07Special Enlist Fire.
09:08Louder.
09:09We have just been informed
09:10that Eddie Muller,
09:11one of the escaped convicts
09:12in tonight's Hopton Penitentiary break,
09:14has been captured.
09:15Squire Stanton, his companion, however,
09:17is still at large and...
09:19It's a bad break, Steve.
09:21Yes, but I'm gonna wreck the whole works.
09:23Eddie, if you give us the lowdown on the squire
09:25and tell us how to handle him.
09:27Without Eddie, it's gonna be tough.
09:29Blackie and me can handle him okay.
09:31No, gunplay bugs you until he's ripe.
09:33Sure, boss, but I was only trying to save time by...
09:35You're taking orders.
09:37According to Eddie,
09:38the squire's pretty slippery.
09:40What's his real name?
09:41Ronald Stanton, Esquire.
09:43There ain't no such name.
09:45He's pulled some of the biggest jewel jobs
09:47in this country.
09:48That baby's class.
09:50You mean he ain't a mug like me?
09:54Okay, boss, I can take it.
09:58Did you ever see the squire?
10:00No.
10:01He's a blank to me.
10:02That makes three of us.
10:04He's hot,
10:05but those Barkley jewels he's got planted away
10:07make it worth taking the chance.
10:09Just imagine,
10:10$100,000
10:12and maybe more.
10:14But he'll take handling
10:15until I can pry him loose from those jewels.
10:17What's the setup now, boss,
10:19with Eddie back in stir?
10:21Go ahead the same as we planned.
10:23You and Bugsy go down to the valley,
10:24lay low,
10:26until he comes along.
10:28That guy fascinates me.
10:30I hope he's there.
10:32He's supposed to be there,
10:33and he'll be there.
10:34You fix these clothes, Bugsy?
10:36All set and ready to wear.
10:37You plant the money I gave you?
10:38In the pants pocket.
10:39All right, get going.
10:42You drive.
10:45Get him out of his prison clothes
10:47and hang around for a couple of hours
10:48and then bring him in.
10:52And watch your step.
10:55And Bugsy,
10:57don't try to think.
10:58Let Gus do it.
11:00Sure, boss.
11:01I always let Gus do the thinking.
11:03Blackie and me do the brainy work.
11:11Come on.
11:36Still on our tail.
11:37They act like they know us?
11:38No, looks like they're just cruising.
11:40Do you want Blackie and me to shoot at them?
11:42No.
11:43No?
11:44That's what I said.
11:46This is the block.
11:48I'll cross the bridge and circle back.
11:50Maybe we can shake them off.
11:52Those cops are still snooping around
11:54when we get back.
11:55Then what?
11:56Then we don't stop.
11:57You'll have to throw the bundle to him.
12:00He'll get to the club okay.
12:10There he is.
13:10Come in.
13:13Sorry to bother you, Mr. Moran.
13:15All right, Ruth.
13:16Come on in.
13:17You're always welcome here.
13:19Can I offer you a drink?
13:20No, I just came in on business.
13:21Well, that's no good reason
13:23for not being sociable, is it?
13:25Surely your business isn't so important
13:27you can't talk it over sitting down.
13:31Now, what is it you want?
13:33It's about my job.
13:35Should be nothing to worry about on that score.
13:37Your voice is the best we've ever had at the Club Little.
13:40Customers all like you.
13:42And what's more important, I like you.
13:45Thank you, but you see, Mr. Moran...
13:46All right, Ruth.
13:47How much more money do you want?
13:49I didn't come here for a raise.
13:51I want to give you my notice.
13:53I'm quitting.
13:54I told you I'd pay you more money.
13:56You're paying me enough.
13:57Maybe you don't like the way
13:58you're being treated around here.
13:59Everybody's treating me fine.
14:01I don't want to go with any hard feelings.
14:03Maybe I don't like your quitting.
14:05Maybe I don't like some of the things going on around here.
14:08It's not my business.
14:09I just stumbled onto it.
14:11But I don't want any part of it.
14:13Don't be a fool, Ruth.
14:14What do you care?
14:15It's not hurting you.
14:16And it won't.
14:17Because I'm leaving when my week's up.
14:19Now listen, Ruth.
14:20I know you're a nice girl.
14:22And I know you're smart.
14:24I've been crazy about you ever since you came to this place.
14:27I've got lots of money.
14:28And $100,000 will walk into this place
14:30with my name on it in a few hours.
14:32Half of it is yours.
14:34I told you.
14:35Your number in five minutes, Miss Porter.
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21:21a show up all right all right why on account of I've got
21:24a hunch I shut up just what I was going to do.
21:36That picture is really too flattering. You really like it I'm so glad but it doesn't
21:43really do you justice are you
21:44a novice no no no but I'm not oh you draw pictures and how to bring them to
21:50them and I don't think you can have it done exactly spring up. I say
21:57would you could you sit down just for a moment. Thank you.
22:05Look can I get something for you with something to eat or something to drink Oh no
22:09thank you nothing at all really absolutely nothing.
22:15Oh well can I owe you one no but I would like to be able to please please do it
22:19have to go to fifty fifty or nothing. You know I can't imagine
22:25a glamorous girl like you being interested in the thing I can't have it. Simple
22:30things in life that are really important to make.
22:33For. You really believe that.
22:42Do you believe that the most important thing in life is a happy home.
22:51You see Miss Porter I have an original idea happy homes limited it's
22:56a business not only for profit but founded upon an ideal an ideal to provide every
23:01individual man and with a home not just a home but a happy home oh that's
23:07a wonderful thought. Do you realize the scientific importance of environment do
23:13you realize that most friction in the whole day is caused by poor arrangement
23:17inadequate action and the general of inconvenience. Visualize the home
23:22scientifically right for two people a separate end for the man and for the woman
23:28God wardrobe and all the latest labor saving devices to make housework.
23:34Although it's not a good idea but this is my favorite idea no guest room just
23:41the house for us. For us. And you made me
23:48a partner already. Oh well I I didn't mean.
23:53Well. What I meant why aren't you afraid you're going to pull that sleeve out.
23:59Well you see it isn't my suit. No no it was thrown at me.
24:05No really I'm not crazy it was thrown at me I may be crazy you explain it to me
24:11maybe you can explain it to me you see I left my house and I.
24:17Oh. David Brent. You know I'm going to tell you before you were just leaving your
24:23house. Yes yes well I've been walking for about half an hour you have some nerve
24:30picking up a table a roof time on a hand family's look up
24:33a coffee so I give him a check to hurry him up go ahead.
24:40And when I got back into the bushes and opened the package I found this is your
24:44check so. I'm
24:51really glad because it was very cold but when I put my hand my father pocket on
24:56the old people. Look at this.
25:03I'm taking this into the moran keep an eye on him.
25:06I'm. Actually saw the squire yeah we saw him right at the spot.
25:15The man up front just passed the count of it.
25:24I get up you don't fix again I. What do you mean boy I gave you orders to stop
25:30passing the queer we can't afford to take chances he bought I know it's darling I
25:35know your phone is not so bad
25:37a blind man could tell him. Well I'm waiting on this I passed any query except
25:44well the money you told me to put in the jeans we threw squire and I didn't think
25:48you'd need me or don't want kind of thing that is how we were you put the phone is
25:52in the jeans you're through squire Yeah I'm sorry I'm
25:55a fine shut up. Man the past is go up. He's sitting at the table with Ruth with
26:02Ruth.
26:06I think I'd like to talk to those two.
26:18Don't you realize those clothes were meant for the man they call the squire the
26:21convict that escaped tonight yes I know and the clothes were thrown at the squire's
26:26friend you've got to get right down to the police you can give them
26:29a perfect description of what the convicts were I guess I know I thought of that
26:32you see I came in here and I met you and I'll be here tomorrow night so when I
26:37go right down to the headquarters now going somewhere. Yes I am wouldn't you like
26:44to come to my office squire I am Steve Moran. Oh how do you do Mr.
26:50Like you see I'm in rather a hurry now perhaps some other time if you don't miss
26:55Porter I'll go right away good night you've got to hurry you know hurry in the
26:59wrong way.
27:03Drop them. You can I'm surprised the lady like you doesn't know enough to keep
27:09her nose clean.
27:16I resent your high handed method pushing a person around from room to room comes
27:20under the heading of kidnapping take it easy squire I'm not a squire this is all
27:24some mistake and you're making it you want to know better than to double cross me
27:29you're too much of
27:29a lady to take my that you've got to get it all I'm telling you there's nothing
27:33wrong except in your mind you're right this picture looks to me like
27:36a perfect frame you grab the squire he grabs off two hundred grand and I thought
27:40you're setting pretty what am I supposed to do with a Yankee doodle out the
27:43window if you'll let me get
27:44a word in edgewise I'll straighten out everything you're the one I need straightening
27:47out don't keep it or talk like I'm going to tell me Mr Steve Moran you can't talk
27:51to her like that don't mean her. That's not he's telling you the truth.
27:58He's not the squire he's trying to slip one over but he's not the squire any more
28:03than bugsy over there and where did he get that suit it was wrong. I tell you he's
28:09not
28:09a squire he he his name is names that your memory run down the mess.
28:17My name's Dave Brent that's it Dave Brent can't think so fast for yourself.
28:24Don't be
28:24a fool squire don't sell out to a woman just because you've got
28:28a pretty face and I come here the look by this Dave's on the level like Pikes Peak
28:32you can't talk about her like that I'll look I hear squire don't fall for the first
28:37doll that comes along as lots of pretty girls that Dave's not worth double crossing
28:42anybody for I haven't the slightest idea what you're talking about but if you're
28:47insinuating anything against Miss Porter I'm only trying to put you straight look
28:51how she died a double cross me why when you get those jewels out of hiding and she
28:55gets her hands on them you'll kiss your goodbye I know a babe like that once she
29:01took everything I had except the filling out of my teeth you're doing a lot of
29:06talking Mr Steve and the bug but you're saying nothing if you could get it through
29:10your head but I'm neither a squire nor a duke nor a king but just plain Dave Brent
29:16perhaps we could get out of here maybe he's telling the truth boss Mr Maybe you're
29:20not the squire in which case we owe you an apology for inconveniencing you that's
29:26all right anyone can make
29:27a mistake but you put me in an awful spot this little deal isn't exactly something
29:33I'd want everybody especially the police to know about Oh don't you worry about
29:37that I won't tell us oh oh no live and let live is my mother for your sake I wish
29:42it were mine but in my business we can't take
29:46a chance we've got to be sure. Dead sure. I don't
29:54think I quite know what you're driving at you can't mean wait a minute he'll talk.
30:03Sit down. You better tell him the truth. The truth.
30:10The truth. The whole truth.
30:18About everything yes everything.
30:40Gentlemen. I represent happy homes limited.
30:46A business founded upon an ideal and inspired by the crying necessity of the average
30:51man the average man and woman of today living their lives together sharing their
30:56sorrows and their joys their sickness. They have no yachts in which to sail the seven
31:02seas they have no luxurious but they can have been a gilded castle a home a real
31:09home not the musty narrow little apartment amid the dirt in the dim of the city not
31:15some ugly little four walled box stifling their very existence but
31:20a real home and
31:21a happy home and that gentleman that is the purpose the object the undying
31:28mission and ideal of happy homes limited.
31:32I stop them now I can't figure it out and let him finish. Happy homes limited is
31:39not only a growing concern it is a growing concern but mind you it's not in business
31:43only for the sake of profit but in order to answer that desire in every man's heart
31:47for the thrill of ownership not only of a home but a happy home and a happy home is
31:52not an accident it is a scientific possibility within our control today. It has
31:58been said that a man's home is his car and these homes will be that of the
32:02castles of contentment to the happy people living in them you may perhaps wonder
32:06gentlemen why I stress the point of environment so strong here
32:12why I don't have to explain to you gentlemen the importance of environment look
32:17at you look at your unhappy faces stamped as they are with sorrow and with care now
32:24if you had the right environment in your home would you want to leave your wives
32:29at night and go out into a smoky nightclub and play poker with the boys Yes we'd
32:35go out and play poker No Mr Barnes and would a wife object to cooking and to work
32:41in the home where a modern convenience made her labors easier and again I hardly
32:47tell you the importance of keeping our children off the street away from bad
32:51surroundings and the evils that tempt them so often into a later life of crime
32:57as I said earlier happy homes limited is a combination of business and ideal not
33:03only do we provide happy futures for many people but the possibilities of financial
33:08profit to ourselves is enormous I can assure you gentlemen with the soundest conviction
33:13that for the smallest possible investment you can make more money in one year from
33:18this project than from all the nightclubs in the city now gentlemen how much money
33:23are you investing.
33:32How am I doing. Well I'll be
33:36a finished yes thank you but we're wasting our time.
33:49Day now you have put your foot in it well after all you told me to tell them everything
33:54and if I do say so myself I thought I was very convincing I meant you should tell
33:59them you were the squire just all the time.
34:02Oh.
34:16Hey what's the idea let her alone now got to just take him away from the wall maybe
34:23you have something interesting to say.
34:32All right Steve Moran you win. I am the squire.
34:38I told you that I'd do it.
34:46I guess it was foolish of me to try and fool a smart guy like you.
34:51You know. That's the gal and I thought.
34:57Perhaps if I didn't have to sit with you she might fall for me.
35:02So we plan to double cross you and run away together.
35:05That's exactly what I said before.
35:09Exactly. No hard feelings I hope.
35:12Of course not. Now we can get down to business.
35:16You mean you're willing to invest in my.
35:20Where are the jewels.
35:23Oh yeah.
35:24Yeah.
35:29You know I want to know where the jewels are.
35:34Let me think.
35:36Well.
35:38Now I remember the hidden in an old deserted house.
35:41Some people say it's haunted I don't believe in ghosts.
35:43Are you interested in the supernatural.
35:47No I see by your faces that you're not you're more interested in the jewels aren't you.
35:51Go on.
35:52It's not very far.
35:54You go down the state highway.
35:57After the first billboard but before you come to the second billboard.
36:01You turn right.
36:04Then about two miles down there's a little gas station.
36:07You turn right again.
36:09Then you take the next turning to the right.
36:12And then to the right.
36:15And then left.
36:19About half a mile and there's the house for the jewels.
36:22Maybe I'd better draw you a plan.
36:30Well.
36:31I can't show you where the jewels are without any material.
36:34A pencil, paper, ruler.
36:36Get busy.
36:38What kind of an office is this?
36:40Now you are terrific.
36:43You're telling me.
36:45Oh thank you.
36:47Thank you very much.
36:49Now.
36:50Now.
37:14Mr. Boggs.
37:17Of course that's wrong.
37:18I know it's wrong.
37:20Has anyone got an eraser?
37:22Sure.
37:24No a rubber eraser.
37:33An X marks the spot.
37:36Where the jewels are hidden.
37:40Now in order to avoid any possible confusion.
37:44I'd better show you exactly how and where.
37:48I hid the jewels.
37:51Let me see.
37:55I entered the room through a window about there.
38:02I tiptoed across the room.
38:05Holding the jewels in my left or my right.
38:09It was my right.
38:11You be the jewels.
38:13Slowly but surely.
38:15I got over to this door.
38:18Very carefully.
38:20I turned the handle.
38:22Flung it open and dashed.
38:32Pardon me.
38:36Hello.
38:38Didn't we meet earlier in the evening?
38:40Why we must have.
38:42He's got my clothes on.
38:44Permit me.
38:46I'm Ronald Stanton.
38:48How do you do?
38:50My name is David Brent.
38:52Oh.
38:54I present to Mr. Stanton.
38:56Miss Porter.
38:58Charm.
39:00I hope you'll excuse us but.
39:02But you can't go until I apologize for my impetuous actions early in the evening.
39:05The emergency of the situation.
39:07Oh yes. Yes. Quite.
39:09I feel quite badly about taking your clothes but.
39:10I know. The emergency.
39:12Exactly.
39:14I see that you have another suit.
39:16One intended for me no doubt.
39:18Not a bad fit.
39:20No. No. It's a little bit big.
39:22Badly tailored.
39:24You have been inconvenient.
39:26How do you like yours on me?
39:28What am I talking about?
39:32You know it's strange what a difference a change of clothing can make to identities.
39:37Mr. Moran all evening has been mistaking me for you.
39:40Oh. Annoying.
39:42I hope he understands the true situation now.
39:44Oh yes. Yes. I think he does.
39:46You see he was telling the truth.
39:48Be quiet.
39:50Please excuse my mentioning it but.
39:52You know this coat happens to be.
39:54Not another word. I understand.
39:56I don't blame you a bit.
39:58It is a lovely garment.
40:02If you'll allow me.
40:04Oh. Thank you very much.
40:06Oh. Pardon me.
40:08I should be glad to return the scarf also.
40:10But.
40:12It would be embarrassing.
40:14Yes. It certainly would be.
40:16Please. Please keep it with my compliments.
40:18Now if you'll pardon me.
40:20But you understand business.
40:22Sorted money matters.
40:27Well gentlemen.
40:29Now that you're all straightened out.
40:31And you've found the right man.
40:33I think we'll be getting along.
40:35Thank you so much.
40:37Lock him up in the other room.
41:00Well I've certainly got you into a fine mess.
41:03It isn't your fault.
41:05Any more than mine.
41:07Just one of those things.
41:10Yes I know but.
41:13I didn't want our meeting to be just one of those things.
41:18Are you crying?
41:20No I'm not crying.
41:25You're not afraid are you?
41:27Oh that's what you think.
41:29I'm just talking so that you won't hear my teeth chattering.
41:32I suppose people have been in worse predicament.
41:34Much worse.
41:36And I am in good company.
41:39I'm certain I do think so.
41:42I waited till I could get here without undue risk.
41:45Are you ready to go after the jewels now?
41:47At your service.
41:49And what about my friend and the young lady?
41:52They know too much.
41:54We'll bring them along.
41:56I'll take care of them later.
41:59Bring them out Bugsy.
42:02Unfortunate but.
42:03Unavoidable.
42:05Well look why don't you suggest it to him?
42:07There's no use Dave I know this Steve Moran.
42:09Yes but it seems to me.
42:12Alright you two pigeons.
42:14Let's go.
42:19It is rather stuffy in here.
42:21It'd be nice to get some fresh air.
42:23We're taking you two on a nice long ride out in the country.
42:25Where you'll get plenty of fresh air.
42:27If either of you two make a sound while we're walking out.
42:30Well.
42:32Just don't try it.
42:50You two shouldn't feel bad about this.
42:52When this is all over.
42:54You'll probably crash the front page.
42:56Of every newspaper in the country.
42:58You might even get your picture in the road.
43:00On the front page.
43:02Sure lucky.
43:04I've been trying for years and I ain't never been in one yet.
43:30Pretty lonesome around here.
43:32Yes and safer than any vault.
44:01Alright let's get the jewels and get out of here.
44:04The jewels are buried in the other room.
44:07Alright Bugsy tie him up.
44:09Okay boss.
44:15Dave I'm afraid.
44:17Don't worry darling everything's going to be alright.
44:19Wipe down you two.
44:21Get over there.
44:31Calling cars 2-8 and 2-9.
44:3428 and 29.
44:36Report to your station at once.
44:38Pick up additional men.
44:40Escape convict reported in your district.
44:42That is all.
44:48Break the wall.
44:50Break the wall.
44:52Break the wall.
44:54Break the wall.
44:56Break the wall.
44:58Break the wall.
45:00Break the wall.
45:09I said no funny business.
45:11Now wiggle out of that.
45:20Light the lamp Gus.
45:31Sit.
45:41You'll find our jewels buried under that trap door.
45:56Alright Gus get busy.
46:01Well I got them all tied up nice and cool.
46:03Grab a shovel.
46:31Dave.
46:33Dave.
46:35What?
46:37Are you alright?
46:39Oh.
46:41Alright well that depends what you call alright.
46:46Why what did he hit me with?
46:48His fist.
46:50His fist.
46:52His fist.
46:54His fist.
46:56His fist.
46:58His fist.
47:00Yeah I know what was in it.
47:02You poor boy.
47:04Does your head hurt?
47:06Does my head hurt?
47:07Of course it hurts.
47:09Well you don't have to bark at me.
47:11After all it's your own fault you know.
47:13Why didn't you wait till Bugsy was out of here before pulling out of the slipknot?
47:17I'm sorry I just couldn't.
47:19Of course I don't have to tell you that if you'd been smart we'd have been out of here by this time.
47:23Yes I know but when I saw that great water buffalo start messing you about I just got mad that's all.
47:30Well why didn't you say so?
47:34I wish there was some way that I could start this evening differently.
47:38Why because you met me?
47:40Oh Ruth.
47:42You know that's not what I mean.
47:44Meeting you is the loveliest thing that's ever happened to me.
47:47I shall never forget it as long as I live.
47:49Which won't be very long I'm afraid.
47:51You wouldn't age gracefully anyhow.
47:54Oh but you'd have made the most beautiful grandmother.
47:57You know Dave I've been thinking about Happy Homes Limited.
48:01There could be a fireplace in the bedroom.
48:04Make it nice and cozy.
48:07Yes that would be cozy wouldn't it?
48:11Then we might finish off one of the rooms with a sort of dull antique style like this old barn.
48:17Very interesting.
48:19Very interesting.
48:26Look Ruth.
48:29An axe.
48:48Here it is.
49:03Here it is.
49:12Please put it down and step back.
49:19This isn't funny Squire.
49:21Not for you it isn't.
49:23You were too anxious so I knew I couldn't trust you.
49:25Back against the wall gentlemen.
49:27If you please.
49:49Take it easy boys.
49:51This may be the gang.
50:19Wait a minute.
50:28You did me a favor getting me out of stir.
50:31So now I'll return the courtesy.
50:33I won't drill you.
50:37Look behind you.
50:39You can't fool me with that old trick.
50:41Get back around drill you.
50:44He's got the jewels.
50:46Grab him.
50:48Get back to the barn boys.
50:50Close in and watch your step.
50:57Alright boys.
50:58The show's over.
51:01Take them out.
51:02Come on let's go.
51:03Come on you.
51:19Look it over.
51:28Come on out.
51:30Now let me do all the talking.
51:34Very fine work officer.
51:36Just a minute.
51:38I didn't know there was a day mixed up with this.
51:40I'm sorry sir.
51:41I'm sorry sir.
51:42I'm sorry sir.
51:43I'm sorry sir.
51:44I'm sorry sir.
51:45I'm sorry sir.
51:46I'm sorry sir.
51:47I didn't know there was a day mixed up with this gang.
51:49Oh but obviously you don't get the idea.
51:51Oh don't I though.
51:56A very good idea too.
51:58Yes but officer.
51:59This young lady and myself were simply trying to take the jewels away from the gang.
52:03Ask her.
52:04She'll tell you.
52:05You're doing all the talking.
52:07We simply wanted to get them back to their rightful owner.
52:10That's just what you're going to do.
52:11And just in case you get bashful before the owner gets a chance to thank you.
52:14I'm going to lock you both up.
52:18Sure now officer.
52:19And would you be after arresting a boy and his girl?
52:22Sure and why wouldn't I be?
52:24Me mother was an Oklansky.
52:25And me father was an Oklusky.
52:27Could a girl with so much Irish in her tell anything but the truth to a man
52:31who by his face must at least be an O'Shaughnessy?
52:34Sure you're a smart girl to be knowing all that.
52:36But my name's Berkovich.
52:38Come on you two.
52:39Move.
52:40But officer you can't do this.
52:41How can I?
52:47Ruth.
53:07Ruth.
53:11Ruth.
53:13Are you asleep?
53:15What's the matter?
53:17I just wanted to know if you were asleep.
53:23Well you can stop wondering.
53:25I was.
53:27I'm sorry if I disturbed you.
53:29I didn't think you'd object to my company.
53:31It's not up to me to object to the company one finds in jail.
53:35I do object to having you awaken me to find out if I'm asleep.
53:39I suppose it means nothing to you that I haven't closed an eye.
53:42When that sister you've been speaking about comes and identifies us
53:46that will mean something to me.
53:49She should have been here hours ago.
53:51Well if she doesn't get here soon I'm going to get a lawyer
53:54and have him habeas micorpus out of here.
54:13For Pete's sake stop walking.
54:16Don't worry I ain't going far.
54:26I've been thinking.
54:29The change should be good for you.
54:31I ain't no mastermind.
54:33But the last time I was in a hoose cow
54:36I was in the federal penitentiary.
54:38Ah pipe down.
54:39A swell federal penitentiary with private rooms.
54:43I said to shut up.
54:45And a smart guy like you
54:47all you can get is a dormitory in a cheap jail like this.
55:01You'll wear out your shoe leather pacing up and down like that.
55:04You certainly have a lovely disposition this morning.
55:07Oh well.
55:09This place gets on my nerves.
55:11On both our nerves.
55:13If I hadn't been so darn smart with that sergeant.
55:16Well here we are.
55:18Yes.
55:19Here we are.
55:21Not much like Happy Homes, is it?
55:24Oh at least it has its point.
55:26No one can get in.
55:28Oh no?
55:30No.
55:31Oh this has been an exciting experience.
55:34Experience?
55:36It's been an event.
55:38And this is the hangover.
55:40The morning after.
55:41Oh no.
55:42No the morning after is only when you've done something you're sorry for.
55:46Ruth.
55:48This may seem a funny time and a funny place.
55:53But there's something awfully important I must ask you.
55:56Yes?
55:57Would you...
55:59Do you think you could...
56:01Yes.
56:04You mean you...
56:06You really mean that...
56:09Here's my hand on it.
56:14Oh Ruth, please say that again.
56:17This may be leap year but I think you'd better finish what you started.
56:21Huh.
56:23I'm sorry.
56:24I think you'd better finish what you started.
56:26Huh.
56:28I love you Ruth.
56:30I love you more than anything in the world.
56:33We call him a dumb yap.
56:35What does he get?
56:36A beautiful babe.
56:38What do we get?
56:40A kick in the pants.
56:44A young lady to see you sir.
56:46Oh that must be my sister.
56:49Thanks very much.
56:51Please, please will you marry me?
56:54Definitely.
56:58Don't let me disturb you.
57:02How do you like our little home?
57:04Home?
57:05Ah, now you're touching on one of my favorite subjects.
57:08We're very interested in homes just now.
57:11Of course it's my theory that the home environment is the most important thing in life.
57:16If I could only talk like that guy.
57:20When I finish this stretch I'm going to take electrocution lessons.
57:24♪