Ride 'em, Cowgirl (1939)
Approved | 53min | Action, Comedy, Music | 20 January 1939 (USA)
Sandy Doyle, gambler and political chief of a small border town, seeks to gain control of the Bar-X Ranch, owned by Rufe Rickson, to further some undercover activities of his own. He counts on Rickson's inability to stay away from gambling as the means to his ultimate success. Government investigator Oliver Shea and his assistant, Dan Haggerty, start a fight in Doyle's place when they see Rickson being cheated and are invited to the Bar-X where Oliver and Helen Rickson, Rufe's daughter, discover interest in each other and Dan finds himself pursued by Bell, the ranch cook. Sheriff Larson brings the prize money for the $5,000 race of the Rodeo Association, and that night it is stolen from her safe. The next day, Doyle says it was paid to him by Rickson for a gambling debt. Realizing that she must be free in order to prove her father's innocence, and that now her horse, Snowy, must win the race, Helen confesses to the theft and makes good her escape. Her sleuthing establishes that Doyle has been engaged in ore-smuggling activities, and his intent to gain the Bar-X is because the ranch offers a perfect crossing place for his gang, who salt the smuggled silver into a non-productive mine and ship it to the Mint as domestic production.
Director: Samuel Diege
Writers: Arthur Hoerl (screenplay), Arthur Hoerl (original story)
Stars: Dorothy Page, Vince Barnett, Milton Frome
Approved | 53min | Action, Comedy, Music | 20 January 1939 (USA)
Sandy Doyle, gambler and political chief of a small border town, seeks to gain control of the Bar-X Ranch, owned by Rufe Rickson, to further some undercover activities of his own. He counts on Rickson's inability to stay away from gambling as the means to his ultimate success. Government investigator Oliver Shea and his assistant, Dan Haggerty, start a fight in Doyle's place when they see Rickson being cheated and are invited to the Bar-X where Oliver and Helen Rickson, Rufe's daughter, discover interest in each other and Dan finds himself pursued by Bell, the ranch cook. Sheriff Larson brings the prize money for the $5,000 race of the Rodeo Association, and that night it is stolen from her safe. The next day, Doyle says it was paid to him by Rickson for a gambling debt. Realizing that she must be free in order to prove her father's innocence, and that now her horse, Snowy, must win the race, Helen confesses to the theft and makes good her escape. Her sleuthing establishes that Doyle has been engaged in ore-smuggling activities, and his intent to gain the Bar-X is because the ranch offers a perfect crossing place for his gang, who salt the smuggled silver into a non-productive mine and ship it to the Mint as domestic production.
Director: Samuel Diege
Writers: Arthur Hoerl (screenplay), Arthur Hoerl (original story)
Stars: Dorothy Page, Vince Barnett, Milton Frome
Category
😹
FunTranscript
00:30♪
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01:16Hurry it up there, Curran, get that stuff out of there.
01:32You know, Lindstrom, I was just wondering why Doral, with his reputation, being a big
01:43international crook, couldn't figure out a way to take over that Rickson ranch.
01:48You know, he's been working on the old man, but that girl isn't so easy to handle.
01:52Imagine a girl giving us trouble.
01:54Yeah, but you've never met up with Helen Rickson, have you?
01:57No.
01:58Five miles to the border, only five miles to go.
01:59Five miles to go, five miles to go.
02:00Five miles to the border, only five miles to go.
02:01I can't figure why that outfit's driving across Rickson's range.
02:16Maybe we ought to watch it.
02:17Now, let's get this stuff over the border.
02:18One mile to go, one mile to go.
02:19One!
02:20One mile to the border, only one mile to go.
02:21Hip!
02:22Hello, Greg.
02:23Hello, Lindstrom.
02:24Everything quiet?
02:25Not a nick of why.
02:26Anything up?
02:27Yeah, there's a car riding along the ridge.
02:28You'd better keep an eye open.
02:29I didn't want to come snooping around here.
02:30Hey, you know, this is the best way of mining I've ever seen.
02:31You put the silver in the mine yourself, then you know you got payored.
02:32Doyle figured it's the only way we can cover up, and he ought to know.
02:33Come on, let's go.
02:34Come on, let's go.
02:35Let's go.
02:36Come on.
02:37Let's go.
02:38Come on.
02:39Come on.
02:40Come on.
02:41Let's go.
02:42Come on.
02:43Come on.
02:44Come on.
02:45Come on.
02:46Come on.
02:47Come on.
02:48Come on.
02:49Come on.
02:50Come on.
02:51only way we can cover up and he ought to know he's beaten rackets in more countries than
02:57you ever heard of and now he's running this town yeah he's slick all right but he wants
03:04to watch he step in these parts you know it isn't so easy for a foreigner to operate as
03:08it used to be ah he's plenty smart he's got it doped out this way when you turn up with
03:13silver bullion you gotta explain to the government where it comes from the government's funny
03:19that way yeah and we take silver out of a mine that hasn't shown a base streak in over
03:2420 years
03:42that's her that's Helen Rickson
03:50probably getting primed to win that rodeo race say if she should win that $5,000 not
04:00a chance I am riding for doors you know toss one bill okay here it goes
04:15hey if you're tired Dan why don't you just lie down boy that girl could sure do things
04:20with that hay burner female buffalo bill now you see what makes a West wild hey hey
04:34you think we're a couple of clay pigeons we're not targets I'm gonna put a stop to
04:39this I'll take care of it hey wait a minute here's a guy I'll help us howdy hey you the
04:45sheriff what are you doing up there what are we doing up here we're hiding from Annie
04:49Oakley don't worry young fella that's probably Helen Rickson and she don't hit anything except
04:54what she aims at oh yeah hey look I want to get down good idea
05:16hey looks like it's gonna be big dawns are we gonna yeah we'll be staying around long
05:22enough to take it in well let's get the town come on
05:39wait a minute that's the sheriff let's see what's up
05:42see you've been practicing for the rodeo again oh we've got our hearts set on winning it
05:56haven't we snow I guess it's no secret that I've got to win it for the sake of dear old
06:02box our debt I come to make my official presentation as I do every year why sure now let's see
06:09it behooves me that's not the right speech doesn't it start like this sheriff on behalf
06:18of the Rodeo Association and that's it you're right on behalf of the Rodeo Association and
06:26its members to which we all belong I hand you this money for you to worry about you're the
06:33official treasure anyway well after that fine speech you'd better give it to me so there's
06:38$5,000 in cash Helen that's surprise money you'd better count it oh I know it's all there it's
06:44practically mine anyway because you see I'm going to that race yeah darn tootin you are gal we're
06:49all rooting for you Helen we're sure I wish you all kind of good luck miss Helen thank you boy
06:55thank you let's get to town we've seen enough
07:19get him up hi some Prado stick him up well I'll be a ringtail coyote take it slower bill
07:41I gee I just can't seem to do it you know Helen from the day you brought me here after that phony
07:48bought of a manager left me stranded and to wander with a backdrop three orchestrations
07:52and 15 cents in cash I promised myself that I was going to show my appreciation by trying to
07:57become a real Westerner like you you know honey I didn't learn those things back Easton school
08:03you can't learn riding and shooting in a day it takes practice yeah I know and I want to learn
08:09this business because after all I might meet that human buzzard again someday and when I do
08:16I'm gonna put one of his front and one of his back I'm gonna kick him in the shins and break
08:22his arm and bite off his nose and then I'm gonna blast away so that it's upper half won't even
08:27know what county is lower half of heaven help him well nobody else will now look honey you keep on
08:34practicing I'm going to ride into town I might be a little late for supper okay I'll keep it in
08:39the oven. Hey
08:52there's Miss Buffalo Bill's father boy I'm glad I put you on the job you know everybody.
08:57There is. We don't just. Call it
09:11a day. Much of my own for Doyle twenty five hundred. I'll try for that much more maybe
09:20my luck will change I'm going to pay you I still own the box our ranch I'm good for five
09:26thousand bucks I don't know and it's. For forty years all right all right. There's
09:34twenty five hundred. Make this note up for five thousand.
09:39Bound
09:49a turn pretty soon Rickson. Six and I'm.
09:54Going to. Make. Me.
10:08Not.
10:13A king.
10:14It's.
10:21Very keen. And a pair of aces.
10:27I think. I call you and three kings won't do it.
10:36I guess I'm not running for you. Don't worry about that five thousand dollars for
10:40a few weeks you'll get your money Doyle. I'm afraid you want to call your hand.
10:48You really had four races. You got the fourth one on the floor.
10:55What makes you think it's my car I saw you drop it when
10:58they were sitting on the bottom of the deck why you.
11:28Don't.
11:28Think.
11:29That.
11:29It's.
11:30a.
11:55Are you all right yes dear what's going on here wrote you'd better ask do I.
12:00A. Let's get those hold it we'll separate later.
12:07Thanks for the lift lady come on father.
12:15That's
12:15a first good fight we've had in months. Young man
12:23I want to thank you Helen these boys called the turn on Doyle caught him cheating me
12:27a car. What's your name Oliver Shea this is my partner Dan Haggard this is my
12:33daughter Helen how do you do Ellen we're having company for supper tonight there
12:38is she and how good it was that's fine father I don't think you want to be I will
12:42be very glad to come for supper if the guests will hurry supper will be waiting
12:47get on your horses boys.
12:49Oh. Oh boy
12:54a home cooked meal always hungry. Well
13:02I guess you can follow us in that contraption you got there I was sure try.
13:09Follow us.
13:19OK
13:28what are you trying to do choke me. Did you say that's
13:34the first time I ever let go of anything and I was
13:36a man I think. Only practice and she's going out to rope
13:42steers before long in the twilight you could easily mistake them for
13:46a steer Oh wise guy I suppose you always get your man by roping them only when
13:51they're hard to get oh I get it if you can't get them nobody can well if I could
13:57practice on you I'd get to be good. Not me I'd never live through
14:03it well come on let's go into supper now.
14:06Oh boy what
14:15a supper. That's
14:17a first home cooked meal I've had in months come on man Oh no Oh come on let's
14:22practice Oh no let's sit here under the moonlight Oh no I want to practice come
14:27on Danny I got to digest my pork chop Oh Danny when they come on when you let's
14:33practice. Right here come on.
14:40Bell up to her old tricks again well then can take it you must be swell living out
14:45here oh I love it. You sing cowboy songs why sure.
14:51I love the wide open space.
14:57Far away.
14:58From crowded city places. I'd love a partner who can break a buck or two with
15:07a zip and a yip and a yahoo! I love the mountains and the valleys far away from
15:19noisy tin pan alleys just let me lope along to a good old cowboy song with
15:28a zip and a yip and a yahoo! Round them up rope them up tie them up ran them up
15:35it's a thrill you can't deny every care is on the run when you're out in the sun
15:40underneath that western sky. I love the wide open spaces where a man's a man and
15:52a pal's a pal and you meet your gal by the old corral.
16:00I love the wide open spaces where the boys wear fur upon their faces. You can dream
16:11a musky romance. Pulling cactus from your pants. With a zip and a rip and a whoopee!
16:19The cowboys sing about the wildflower. And practice for the major fall's hour.
16:29You can ride out after straight. And you can't sit out for days. With a zip and a rip and a whoopee!
16:40Round them up rope them up tie them up ran them up it's a thrill you can't deny.
16:45Every care is on the run when you're out in the sun. Underneath that western sky.
16:55I love the wide open spaces where a man's a man and a pal's a pal.
17:03And you meet your gal by the old corral. With a zip and a rip and a whoopee!
17:33The cowboys sing about the wildflower. And practice for the major fall's hour.
17:41You can ride out after straight. And you can't sit out for days. With a zip and a rip and a whoopee!
17:53The cowboys sing about the wildflower. And practice for the major fall's hour.
18:03And you meet your gal by the old corral. With a zip and a rip and a whoopee!
18:13The cowboys sing about the wildflower. And practice for the major fall's hour.
18:27Hands up! Get up and don't move!
18:56Oh, it's you, Helen.
19:00And I thought I was going to get a crack at a western bandit at last.
19:04Well, I'm sorry I disturbed you, honey.
19:06Well, I'd stay up all night for a little excitement, but nothing ever happens around here.
19:10Honey, you'd better give me that gun. You're allowed to shoot yourself.
19:13Maybe I should.
19:14Come on, let's go to bed.
19:15Hey, I was only kidding!
19:25Come on, let's go.
19:55Rixon, girls, there's one in the sheriff's office.
20:12Yeah, I guess she's reporting the disappearance of that money.
20:15Now you can bring old Rixon up.
20:18Late last night, I thought I heard someone in the living room.
20:21Did you make a search?
20:22Yes, in a way.
20:23But when I found the living room window open, I thought we'd just forgotten to shut it.
20:27And the money just naturally disappeared.
20:29It was stolen.
20:31You didn't see Heidner here or no one around?
20:33Clues of no kind?
20:34No.
20:36Then we'd better take a run out to the ranch and look around.
20:39Well, father's in town. I'd like to find him and tell him.
20:42All right, we'll ask some of the boys where he went.
20:46I'm sorry you feel that way about it, Ruth.
20:49See that I hold your note for $5,000.
20:52You cheated me, Doyle, and you know it.
20:55I think you let that stranger influence you, Ruth.
20:58Well, I know this, Doyle. I'm not going to pay you.
21:02You still have the ranch.
21:04And I can always collect.
21:06You wouldn't dare.
21:08If you don't pay, we'll see about it.
21:12Come in.
21:15They told me he'd work here.
21:17The safe at the ranch was broken into last night.
21:19The Rodale money is gone.
21:21What?
21:22The Rodale money.
21:23How much was it?
21:24$5,000.
21:26I think I may be able to help you, Sheriff.
21:36Take a look at this, Sheriff.
21:42Where'd you get this, Doyle?
21:43From Ruth Rickson.
21:44That's not true.
21:45Pretty serious statement, Doyle.
21:47Well, I hold his note for $5,000.
21:49He's either put up the ranch or pays, so he pays.
21:52$5,000?
21:55Father, you put up the ranch.
21:57It's not true.
21:58I gave him back his note.
21:59It's in his pocket.
22:08Looks like your note, Ruth.
22:10But I didn't take that money, Sheriff.
22:12You know he didn't.
22:13Maybe she's right.
22:14She's the one that has charge of the money every year.
22:17You mean to say that...
22:19I mean, it's pretty obvious, and you better do your duty.
22:24What have you got to say, Helen?
22:26Father had nothing to do with this.
22:28We'll let it stand the way Doyle said, that I'm the guilty one.
22:31But I can't wait for the law to prove that I didn't do it.
22:34It would be too late then.
22:35I'll have to prove it myself.
22:37Helen Rickson, put up that iron.
22:38Stay where you are, all of you.
22:39But Helen, Helen...
22:40I'll handle this in my own way, Father.
22:45I'll take care of this.
22:47You're coming with me.
22:56You two boys better ride along with the Sheriff.
23:14Let's go.
23:44That way.
23:59Looks like Helen Rickson.
24:00Wonder if anything's up.
24:01The way she talked the other night, things were happening to Parker any minute.
24:08I've got to find a place to hide.
24:11The horse will behave.
24:12I've got a place.
24:14Come on, Snowy! Let's go!
24:27Hey, Ollie! The rider's coming!
24:29Better hurry!
24:36I'll explain later.
24:37Forget it. Get inside.
24:44What's up?
24:45Don't know yet. Better keep your eyes open.
24:47Hey, Dan. Act as if you're busy.
24:50Come on, let's have a...
24:58Did you see a rider go by here in the last few minutes?
25:01Hey, Dan. Anybody ride past here?
25:03A rider? Yeah. There was somebody off in the gully.
25:09What's that?
25:10That's a trailer. That's where we sleep.
25:15Better not wake my partner's missus. She doesn't like to be disturbed.
25:19Anything else, Sheriff?
25:21Say, you didn't happen to notice which way that rider went?
25:24No. Can't say I did.
25:27Well, we've wasted enough time around here. Let's get going.
25:44Hey, we've got to find out what this is all about.
25:47Okay, okay. But give them a chance to get clear.
25:50They might come back. I'll watch them from the top of the pole.
25:57All clear.
26:00Okay. Come on, Snowy. We didn't move in.
26:03Come on. Come on, boy. Come on.
26:05Come on, Snowy. Got legs, huh?
26:08Come on. Come on.
26:10Come here.
26:13Well, I guess it's up to me to answer a few questions.
26:16Skip it. You tell me as much as you want.
26:32But there must be a reason. If you're sure it's Doyle.
26:35I'm sure. Just as sure as I am that he robbed our safe.
26:38But you can't prove it.
26:41No. And now that I'm a fugitive, it doesn't make things any simpler.
26:46Helen, can't we help you?
26:48Oh, I couldn't let you get mixed up in all this.
26:51Well, why not let us worry about that?
26:53Well, I would feel a lot braver about it.
27:09The sheriff let old man Rickson out today.
27:11Yeah, I figured he couldn't hold him much longer.
27:13Any news of the girl?
27:15No, I think she pulled stakes. But the sheriff keeps on searching.
27:19You won't have much competition, Philbin, in that race on Saturday with the girl out of the way.
27:23I wish she was riding.
27:24Yeah, it's just as well for you she isn't.
27:26After all, she might happen to win that $5,000.
27:31You're checking the border tonight, huh?
27:33Yeah, there's some ore ready to be taken over.
27:36You tell the boys to be particularly careful. That Rickson girl may go across at any time.
27:40They know what to do with her if she tries that.
27:56Well, sir.
27:57Oh, you're that wire stretcher. How are you?
27:59Oh, I'm okay. I came over to enter a horse in your race.
28:02Kind of odd, but I don't see nothing against it.
28:04That is, if you've got the entrance fee.
28:09Here's your 50.
28:11How come you've got a horse, mister?
28:13Oh, I just naturally lose them.
28:17Well, that shows that you paid your fee.
28:24Well, the horse has entered in the race.
28:27The Lady Buckaroo rides again!
28:30Rides again!
28:42And now, ladies and gentlemen, the one, the special, the gigantic event of the rodeo.
28:48The event of which the thriving of Rwanda is proud.
28:51The famous match race.
28:53Over a course of two miles.
28:55As the judges stand, the gate along the main street.
28:58Over a charted course outside of town.
29:01Returning through main street.
29:03Until the speediest Mustang thunders again past the starting line.
29:07And lining up now, the race of the century.
29:15Too bad that girl of yours isn't riding, Rickson.
29:18If she was, that rider of yours wouldn't have a chance.
29:22We'll never be able to settle that.
29:24I'll give you the wrench to see you about that, mister.
29:28I told you, I wasn't paying it.
29:38Where's that surprise you promised me?
29:40You'll get it, you'll get it.
29:42Well, if I don't, I'll lop your ears off.
29:45Boys, now let's take the horse out to the line.
29:49Step it on.
29:51Mustang.
29:53Mustang.
29:54Parade halt.
30:01I see you're all dressed up for the rodeo.
30:05The big race is about to start.
30:09How are you?
30:11Are you all right?
30:13Well, they're all lined up at that wire strip.
30:15I didn't think you'd show up anyhow.
30:17Tell them we're ready to start.
30:19Roger.
30:20Getting started.
30:24Here they are, they're getting ready now.
30:34It's Helen.
30:37It's Crickson.
30:43Get ready to rest here as we cross the finish line.
31:06Let's go!
31:37Let's go!
31:49Let's go!
31:55Let's go!
32:06Let's go!
32:08Let's go!
32:10Let's go!
32:36We'd better get out of the way.
32:40Let's go!
32:46Come on!
32:49Let's go!
33:07Let's get out of here.
33:09I can't get it started.
33:11You idiot.
33:13Take it easy, Sheriff.
33:15That was my horse.
33:17We'll get the prize money when Helen Crickson comes in to collect it.
33:20You make the entry, Boar.
33:22I'll do the collecting.
33:38Gee, I've been in a stew about you.
33:40Are you all right?
33:41Oh, I'm doing fine for a hunted woman.
33:43Well, the Sheriff was by the ranch house this morning looking for you.
33:46I think that Boar-legged runt was training to be a Northwest Mountie.
33:49Always getting his man.
33:51Well, we got rid of him.
34:01Boy, this is a lot softer than that saddle.
34:04That horse of mine had an awful hard back.
34:17Oh, what a night to make a dream come true.
34:26As the smoke begins to wander,
34:30my heart keeps growing ponder
34:34of a campfire, a prairie moon and you.
34:47A love song, a serenade for two.
34:56A lazy breeze by the trees,
35:00a sighing moon.
35:05When the flames have lost their burning,
35:10in dreams I'll be returning
35:15to a campfire, a prairie moon and you.
35:22When the flames have lost their burning,
35:27in dreams I'll be returning
35:32to a campfire, a prairie moon and you.
35:37When the flames have lost their burning,
35:42in dreams I'll be returning
35:47in dreams I'll be returning
35:54to a campfire, a prairie moon and you.
36:18You better get clear.
36:19The border's close by.
36:20I'll go over to the Mexican side.
36:22You can find me and I'll kill him.
36:42We heard a woman singing.
36:43Where is she?
36:45Must have sounded pretty.
36:46Sounded like Helen Rickson.
36:48We want her.
36:56When the flames have lost their burning,
37:00in dreams I'll be returning
37:04to a campfire, a prairie moon and you.
37:12You.
37:18Hey.
37:19Hey.
37:23What do you mean by interfering with me, you, you varmint?
37:27Here I am, just about to receive a proposal,
37:30and you shove that hoarse face of yours into my business.
37:33I'll sue you for, for hallucinations of affections.
37:37But, but I thought, you see, I, I thought that...
37:39No thought.
37:40Why, you never had a thought unless you were in a saddle
37:42breaking some poor horse's back.
37:44And then you've got all your brains behind you.
37:46Well, uh...
37:47Don't argue with me.
37:48Take those bold legs of yours and wrap around a coyote.
37:51If you don't get out of here, I'll take that badge
37:53and put it on your ear for an earring.
37:55Can't you see I'm busy?
37:57Don't you know what love is?
37:59No.
38:01Now what were you going to say, Tootles?
38:04Uh, uh, nothing.
38:06Nothing, I, I guess you can do the talking for both of us.
38:11Whew.
38:33Get that stuff unloaded.
38:36We'll be waiting at the other mine.
38:37We've got a couple of trips to make tonight.
38:39Okay.
38:50Get down!
38:56Get up.
38:58Get up.
39:01Now walk.
39:09Now walk.
39:17Well, where'd you find these?
39:19I'll tell you later.
39:20Keep them covered.
39:27I found it.
39:30They're taking silver ore out of that Mexican mine
39:32just across the border and smuggling it over.
39:35And they have to cross your ranch with it.
39:37That's why Doyle's old abandoned mine is yielding silver again.
39:40What do you know about it?
39:42At last I met a Western bad man.
39:48You guys don't look so tough to me.
39:50I still don't know whether we can implicate Doyle.
39:53He'll deny that he has anything to do with it.
39:55Yeah, that's possible.
39:59We've got to catch him red-handed.
40:03I have a plan.
40:04Ah, a couple of softies.
40:06Yeah, why don't one of you two try to run away?
40:11We're going to take them into town.
40:12Get over to the car.
40:13Come on, get going.
40:18Climb in.
40:23You will be careful, won't you, Dan?
40:25Ah, don't worry, honey. I'll be back.
40:27And don't you go away.
40:37All right, you brought the two of them back,
40:39but I still don't get it.
40:41I know you've been playing around with the Rixon girl.
40:44You're not very smart, Doyle.
40:46You want something and get tough about it,
40:48winding up in a jam.
40:50I want something, but I play the game my own way.
40:54What do you want?
40:56The government paying a bonus for silver
40:58and the only spot you can cross the border being on the Rixon ranch.
41:02What do you think I want, Doyle?
41:04What do you think I want, Doyle?
41:06Oh, you're interested in the ranch, eh?
41:09Yeah, and what I can do with it.
41:11I have a couple of spots now, and we're doing all right.
41:14What's on your mind now?
41:15Well, I didn't pull your two men out of trouble for nothing.
41:18In the first place, I didn't think it was a good idea
41:20to let that Rixon girl bust things wide open.
41:23And in the second place, I figured we might get together, Doyle.
41:27So you want to horn in, eh?
41:29Oh, I wouldn't put it that way,
41:30but we'll get further if we're not battling each other.
41:33Maybe it's worth talking about.
41:35But there's one thing we'll have to do right away.
41:38What's that?
41:39Your two men will have to get out of town and lay low.
41:42The Rixon girl knows them.
41:43Dan here will take them to a hideout we have near Silver Creek.
41:47Maybe he's right.
41:48No use taking any chances until that girl is finally out of the way.
41:51You can drive them over tonight, Dan.
41:53Okay.
41:54Now you fellas lay low until you hear from me.
41:59Get in.
42:03Come on.
42:31Did everything go well?
42:32Oh, it worked perfectly.
42:33Those two you nabbed yesterday went to Silver Creek with me,
42:36and Doyle sent them himself.
42:41So I turned them right over to the sheriff there,
42:43and they're in jail right now.
42:45Good.
42:46And Oliver?
42:47Oh, don't worry about him, Helen.
42:49He'll have Doyle in the bag before the night's over.
42:58I'd like to look over the mine and Al Canyon tonight.
43:01Why?
43:02Well, maybe you can stick around.
43:03The first thing would be to take over the Rixon ranch.
43:06You'll have to alibi yourself first about Blincham and Philbert.
43:09I think I can handle that.
43:11They got the drop on us and escaped.
43:13I'll be around.
43:14We're right out after dinner.
43:15Okay.
43:32I thought I told you to stay out of town.
43:34Wait till you hear this.
43:35We were turned over to the sheriff at Silver Creek and locked up.
43:38What?
43:45I've got an idea.
43:47We're riding out now.
44:02What do you want here?
44:03A little business.
44:04It won't take us long.
44:06I have no business with you, Doyle.
44:08Afraid you have.
44:09A matter of $5,000.
44:13I told you I wasn't going to pay that.
44:15If you want it that way, then I'm foreclosing.
44:17And here it is.
44:19I'm afraid he's within his rights.
44:21So you're in with them, too.
44:23Why, you...
44:26You can't do this to me.
44:28You're in my own house.
44:29You understand that.
44:43Hey, Helen.
44:44Here comes Bell.
44:47What's wrong?
44:50Doyle's at the ranch.
44:51He and his men just threw your father out of the house.
44:53But they couldn't.
44:54They haven't any rights.
44:55But I heard him.
44:56He said he'd foreclose.
44:57And Ollie's with them.
44:59Don't worry about it, Helen.
45:00Everything will be all right.
45:03After tonight.
45:28Hey, get behind the trailer. Hurry up.
45:30Come on.
45:58Keep firing.
46:02I've got to get a word through to Ollie.
46:03But you can't.
46:04I think I can raise him at the ranch house.
46:06It's worth a try.
46:07Keep firing.
46:27Hello.
46:28Hello, Central.
46:29Central.
46:31This is Dan Haggerty.
46:32Put me through to the Rixon ranch.
46:34Hurry.
46:37Hello?
46:38Hello?
46:39Ollie Shea?
46:40Pull the wire.
46:45Hello?
46:48Hello?
46:49Hello?
46:50Hello?
46:52Hello?
46:53Hello?
46:54Ollie Shea?
46:55I'm going to have to get over.
46:59Hang up.
47:00Put them up.
47:09Oh, come on down out of there.
47:11Come on!
47:16Come on.
47:17Come on.
47:17Come on.
47:18Come on.
47:19Come on.
47:20Come on.
47:21Come on.
47:21Come on.
47:22Come on.
47:23Come on.
47:24Come on.
47:25Come on.
47:25Come on.
47:36Damn, he couldn't get away.
47:39We've got to get him.
47:40I'll ride into town.
47:41But you can't.
47:42You're a-
47:43I know I'm an outlaw, but I have an idea.
47:45We've got to get him.
47:46They've probably got Ollie in the trap, too.
47:48Now you keep me covered.
47:56I'll take him out of there.
47:57You take them out there.
47:58Sure, I'll take them all out.
47:59And I'll get the upstairs.
48:01The rest of the place.
48:03The guys will keep an eye out.
48:04Sure.
48:05This one actually still shooting.
48:06They waiting on bunching up.
48:08What?
48:08maintenance 쟤
48:09What is that?
48:10Call the troops.
48:13Come on.
48:13Come on.
48:14Come on.
48:14Come on.
48:15There's no reason for you to follow them.
48:16They know we're not going to die,
48:17or anything.
48:17And the cops of course won't do that.
48:18No, you don't have a choice.
48:20Kill them all.
48:21Kill them.
48:21Ages of justice.
48:23didn't they but Helen I'm sorry what I saw was I'm willing to give myself up now but
48:28first you must give me one chance I can clear up the whole matter if you'll get
48:32some men and ride along with me but you must trust in me I promise I'll clear up
48:37everything or I'll I'll give myself up all right I'll take that chance you know
48:42them in you can but
49:03let's put a bit of that and push it over a clip look like it might have been an
49:08accident you can't get away with it Doyle I know the truth how much enough to
49:17put you behind steel bars for the rest of your life I think you're pretty smart
49:25but you've forgotten one I haven't forgotten a thing I haven't got that
49:28sucker Mr. G man when you're cracking 2,000 feet down to the bottom of the
49:33canyon you're the one that better be doing the forgetting
49:39I've built it this boy's got in the frame
49:49I put her in there too
50:08.
50:38.
51:09.
51:18.
51:25.
51:28.
51:29.
51:30..
51:32.
51:33I've been wanting to do this for a long time we're mighty grateful to you
51:38to you, Mr. Wirestretcher, or should I say Mr. G-Man?
51:43Aren't we, Helen?
51:44Why, sure.
51:45Sure.
51:47SINGER 3
51:52Ooh.
51:53Ooh.
51:58Ooh.
51:59When the flames have long stopped burning, in dreams I'll be returning to a campfire
52:23By a prairie moon and you
52:53When the flames have long stopped burning, in dreams I'll be returning to a campfire