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00:07:10Ah, good morning, Miss Gershwin.
00:07:12Prompt as usual?
00:07:13Just to show you that I don't need much more prompting.
00:07:16We shall see.
00:07:40Now, I hope you're as perfect in your lessons as you were yesterday.
00:07:58I think I shall be.
00:07:59It's becoming second nature to me.
00:08:01Right.
00:08:02You are now no longer Jane Gershwin.
00:08:05You are Ellen Courtier.
00:08:08Who is this?
00:08:09Major General Sir George Crandall, KCB.
00:08:12How long has he been in command of Gibraltar?
00:08:14Two years.
00:08:16Who is this?
00:08:17Lady Crandall.
00:08:18How did you first meet Lady Crandall?
00:08:20Our mothers were friends.
00:08:22Have you seen much of Lady Crandall in the last few years?
00:08:24Not since I was 14.
00:08:26Has your family kept in touch with Lady Crandall?
00:08:28My sister Pauline writes to her all the time.
00:08:31And it was through her that Lady Crandall invited you to visit Gibraltar?
00:08:34Yes.
00:08:35What was the name of your governess when Lady Crandall knew you?
00:08:38Elizabeth Breckin.
00:08:40And what is your name?
00:08:41And after whom were you named?
00:08:42My name is Ellen Courtier.
00:08:44I was named after my Aunt Ellen.
00:08:46Where have you been living the last three years?
00:08:49In Paris, studying the violins.
00:08:51Anywhere else?
00:08:52No.
00:08:53That's splendid, miss.
00:08:551893.
00:08:57Correct, number 1893.
00:09:00I think you passed the exam.
00:09:02Correct, number 1893.
00:09:04I think you pass anywhere and any test.
00:09:07I will because I feel as though I really am Ellen Courtier.
00:09:12We have to be careful because I feel this house is being watered.
00:09:15Would you like to know the plans again?
00:09:17I don't think it's necessary.
00:09:19I have a picture of every room in my head.
00:09:21You'd better take this.
00:09:23You never know when you may need it.
00:09:25You have all your instructions.
00:09:27Yes.
00:09:28But are you sure there's no chance of the actual Miss Courtier appearing?
00:09:32None whatever.
00:09:34We have taken good care of that.
00:09:37And the passport.
00:09:39Here.
00:09:42Also, her violin.
00:09:49Also, her violin.
00:09:53I hope Miss Gershen still plays the violin as well as ever.
00:09:56Yes.
00:09:57And where is the luggage?
00:09:59Her luggage is at your hotel.
00:10:12I almost believe it myself.
00:10:15Of course, I don't have to tell you to be careful.
00:10:18Chief Walter, it's not exactly a pleasant spot for people in our line of endeavor.
00:10:22I'll be careful.
00:10:24I want to impress upon you that this is not only an unusually important mission,
00:10:29but an unusually dangerous one.
00:10:31Under no circumstances whatsoever must you reveal your identity
00:10:35except by the innocent use of your number.
00:10:38Remember, you're acting absolutely alone, without assistance.
00:10:43In enemy country, your sex cannot save you.
00:10:47Male or female, you are a spy.
00:10:52I understand perfectly.
00:10:54There's no more to be said, except...
00:11:03As German as I.
00:11:04Perfect, my dear.
00:12:03So your name is Buckley now.
00:12:06You certainly have a great deal of courage to come back here at this time.
00:12:10I... I don't know what you mean.
00:12:13You know exactly what I mean.
00:12:17Okay.
00:12:18Sergeant.
00:12:19Sir, the guard.
00:12:20Sergeant to the guard.
00:12:21Two men.
00:12:22Quick march.
00:12:27Halt.
00:12:28Left turn.
00:12:29Left turn.
00:12:31Quick march.
00:12:43Not a very pleasant thing to see on landing, I'm afraid.
00:12:46No, it isn't.
00:12:48I'm sorry, but it's war.
00:12:54Miss Cotier?
00:12:55Miss Cotier.
00:12:57May I ask why you are in Gibraltar?
00:13:00I've come to visit Lady Crandall.
00:13:03Oh, I beg your pardon.
00:13:05If you don't mind waiting a minute or two, I'll see that Lady Crandall knows you're here.
00:13:08That's very kind.
00:13:10You see, in order to go through the fortifications, one has to have an escort.
00:13:13I understand.
00:13:15And how long must I wait?
00:13:17Possibly ten or fifteen minutes, Miss Cotier.
00:13:20If you'd rather wait in that hotel across the street, in Paris, I'll send the car over there.
00:13:27Boy, take this lady's bags across the street.
00:13:42Put my bags just over there.
00:14:22Good morning, mademoiselle. I'm the mate to the hotel.
00:14:24Good morning.
00:14:25I am at your service.
00:14:27You see, I'm the guest of Mr. George and Lady Crandall.
00:14:30I'm just waiting for the car.
00:14:32Well then, while you are waiting, permit me to offer you the hospitality of my private office.
00:14:38That's very kind.
00:15:10May I?
00:15:15I see your mademoiselle is a musician.
00:15:18Not a very good one, I'm afraid.
00:15:20Violins are my hobby.
00:15:22Oh, yes?
00:15:23Will you permit me to look at yours?
00:15:26Violins?
00:15:30Oh.
00:15:33Then I should like to play it.
00:15:45Ah, I see you have my favorite melody.
00:15:51That's odd.
00:15:53Do you know it, too?
00:15:55Not very many people do these days.
00:15:58It's not so old.
00:16:01It was written in 1889.
00:16:07No, 1893, I believe.
00:16:11So you are 1893.
00:16:15I'm glad you've come from an extraordinary age.
00:16:20And you are 1889.
00:16:23But tell me, how did you ever recognize me?
00:16:26I was told to look out for a pretty lady carrying a violin case marked DC.
00:16:36Everything is working fine.
00:16:39For 12 years I've served the Wilhelmsrazer,
00:16:42the Constantinople, and London, and here on the Rock.
00:16:45But never before has there been such an opportunity.
00:16:51Well, let's get down to business.
00:16:54Good.
00:16:59You have studied the plans of the fortification of the Rock?
00:17:02No.
00:17:03I remember them quite well.
00:17:04You see, I was here seven years ago.
00:17:06Look out.
00:17:30Here are the plans that will give you the details you need.
00:17:33Study these tonight and burn them before you sleep.
00:17:36And be careful.
00:17:38Certainly.
00:17:39You know room B?
00:17:42Yes, as I remember that's next to the governor's office.
00:17:44Right.
00:17:45Now in that room there's a safe to which only two have the combination.
00:17:49The staff major and myself.
00:17:57There it is.
00:17:59The dual combination.
00:18:01This sounds all too easy.
00:18:03Don't fool yourself.
00:18:05There are two sentries on duty by day and one by night watching that room.
00:18:10Well, sentries are only human.
00:18:15The safe is not.
00:18:20It is charged with electricity and will kill anyone.
00:18:26Anyone who doesn't know the right way to touch it.
00:18:29And how am I to learn the right way?
00:18:31Let me show you.
00:18:37There are three handles on the panels on the bookcase.
00:18:40Yes.
00:18:42The two on the right you turn so.
00:18:47And the bookcase on the wall will slide away exposing the safe.
00:18:51Then what?
00:18:53Now, on this safe there are two dials.
00:18:57I see.
00:18:58But if you stand in the natural position to open the safe and touch those two dials,
00:19:03you'll not only give the alarm, you'll electrocute yourself.
00:19:07Electrocute myself?
00:19:11That's a charming idea.
00:19:13But if you stand 16 inches back from the safe, so.
00:19:22So?
00:19:25And?
00:19:27Over.
00:19:28You can work the combination without danger.
00:19:30Oh, you're right.
00:19:31And in the event that you are, then what?
00:19:44In the drawer marked D, there is a key.
00:19:52Tomorrow morning early, you must get it out.
00:19:57For at five minutes to five, number 54 will come to you for it.
00:20:03And who is number 54?
00:20:05That none of us know.
00:20:07But he will meet you there and make himself known to you.
00:20:11Until then, you must work alone.
00:20:22Make pardon, sir, but there's an officer here.
00:20:26An officer?
00:20:27Yes, sir, with a car for Miss Courtier.
00:20:30Miss Courtier?
00:20:31Yes, sir.
00:20:33Hold.
00:20:52Hold.
00:21:10Oh, I see.
00:21:13Miss, Miss Courtier, I presume.
00:21:15Yes, I am Miss Courtier.
00:21:17Well, I'm, I'm the general's aide, you know.
00:21:20I've been sent down to escort you to his quarters.
00:21:23How do you do, Captain?
00:21:25Really, I, please forgive me.
00:21:27I haven't introduced myself, have I?
00:21:29I'm Lieutenant Archibald Plantagenet Chumley, Royal Garrison Artillery.
00:21:36How do you do, Lieutenant, sir?
00:21:39Yes, it's an awfully long name.
00:21:41Don't you bother with it, please.
00:21:43Most of my friends, and quite a lot of people who really aren't my friends at all,
00:21:48call me Archie.
00:21:50Just plain Archie.
00:21:53What is this all of a sudden?
00:21:58The luggage is in your car, sir.
00:22:00Oh, all right, thank you.
00:22:02Shall we go?
00:22:18Shh.
00:22:44Miss Courtier and Lieutenant Chumley.
00:22:48Thank you, sir.
00:22:50My dear.
00:22:52I was nearly going to call you child, but you've grown into a woman.
00:22:58A beautiful woman, if I might say so.
00:23:00That's awfully kind of you.
00:23:02Somehow, I, I don't recognize you at all.
00:23:05You've changed, sir.
00:23:07Changed?
00:23:08Why, yes.
00:23:09I think that you're the entirely different that I suppose you've surprised everybody.
00:23:13You know, as a child, you weren't particularly good looking.
00:23:16But now, you've developed into a most extraordinarily beautiful woman.
00:23:20Oh, oh, rather, Lady Crandall, yes.
00:23:23Most extraordinarily beautiful.
00:23:25I think, sir, Sir George was looking for you a moment ago, Archie.
00:23:29Why, so that means I've got to go and report, I suppose.
00:23:32I should if I were you, Archie.
00:23:34It will make you any happier.
00:23:36You may tell your fellow officers from me that Miss Courtier is grade A.
00:23:40Oh, really, Lady Crandall.
00:23:42And that you'll be here for several weeks.
00:23:44And that you'll be here for several weeks.
00:23:46Oh, I'm so glad.
00:23:47You know, I, I'll be seeing you again, Miss Courtier.
00:23:51Yes.
00:23:52Goodbye, Archie.
00:23:54I beg your pardon.
00:23:55Goodbye.
00:23:56Oh, goodbye.
00:23:58Yes, of course.
00:23:59Goodbye.
00:24:02He's a nice boy.
00:24:03But still a boy.
00:24:04Oh, but do let me think about it, yes?
00:24:06Come and sit down.
00:24:08I'm so glad you brought this.
00:24:10Oh, my sister has a picture like this on.
00:24:13Oh, yes, I know.
00:24:14It's my favorite one.
00:24:15It's rather satisfactory.
00:24:17That's why I sent it to all my friends.
00:24:19But tell me, how is Pauline?
00:24:21Splendid.
00:24:22Very happy and very busy with herself.
00:24:25You know, it always gives me a shock when I think of Pauline having children.
00:24:30How time flies.
00:24:31Why, it seems only yesterday we used the prom together.
00:24:35Indeed, it made me feel quite old when I saw you standing at the door.
00:24:38Somehow or other, I didn't expect you to be as simple as you are.
00:24:43I suppose we all change.
00:24:45I don't think you look a day older.
00:24:48But tell me, how is Sir George?
00:24:50Oh, Sir George is very well.
00:24:52And he's very worried.
00:24:54I suppose it is a great responsibility being in command of Gibraltar, particularly now.
00:25:00But it isn't only that.
00:25:01Oh, he's dreadfully upset because of Spies.
00:25:04Spies?
00:25:05Yes.
00:25:06The intelligence department has notified him to take every precaution.
00:25:09But surely it's impossible for a Spy to come here, to Gibraltar.
00:25:13That's just it.
00:25:14It isn't impossible.
00:25:15Why, only this morning they caught a man at the barrier.
00:25:18Did they think he was a Spy?
00:25:19Think it, my dear.
00:25:20They knew it.
00:25:21Sir George is just arranging for his trial.
00:25:23Poor fellow.
00:25:39Well, Sir.
00:25:40Thank goodness that's over.
00:25:42Yes, there's nothing I hate more than a court martial.
00:25:46I think these should be locked up at once.
00:25:49Come in.
00:25:51Captain Woodhouse, Sir.
00:25:52The Royal Engineer.
00:25:53Woodhouse?
00:25:54Engineers?
00:25:55Yes, that's the new staffer to assist me.
00:25:57Oh, yes.
00:25:58Show him in.
00:25:59Major General Cranwell, Sir?
00:26:00Yes.
00:26:01So, you're Woodhouse, eh?
00:26:02Yes, Sir.
00:26:03Glad to have you with us, Woodhouse.
00:26:04Thank you, Sir.
00:26:05This is Major Bishop.
00:26:07How do you do, Sir?
00:26:08How are you, Woodhouse?
00:26:10Have you got your movement orders?
00:26:13There you are, Sir.
00:26:14Thanks.
00:26:15Had an eventful journey?
00:26:16Not particularly, Sir.
00:26:17I came through Spain.
00:26:19Oh, I see.
00:26:20I see.
00:26:21I see.
00:26:22I see.
00:26:23I see.
00:26:24I see.
00:26:25I see.
00:26:26I see.
00:26:27I see.
00:26:28I came through Spain.
00:26:29France, of course, is in a turmoil.
00:26:31The line is chaotic.
00:26:33Paris is black as pitch after dark.
00:26:36You know, everybody there is suspected of being a spy.
00:26:38Our intelligence department is suspicious, too.
00:26:43They think that the Willemstrasse has agents everywhere.
00:26:46The orderly told me that you caught a spy trying to slip through this morning.
00:26:49We did.
00:26:51We've just come from the court-martial now.
00:26:52Court red-handed.
00:26:54The poor devil is to be shot tomorrow morning.
00:26:56I couldn't help admiring his luck, though.
00:26:59Our intelligence department thought he might have accomplices on the run.
00:27:02And they offered him his life if he betrayed the master spy.
00:27:05Of course, he denied everything.
00:27:08Oh, that's all right, Woodhouse.
00:27:10Now, look here.
00:27:12There's something for you to learn.
00:27:16It's the surfer's job to keep it working.
00:27:26My job, that's clever, sir.
00:27:27How do you do it?
00:27:29There's a lot about this room you'll have to learn.
00:27:32The duplicate controls of all the harbor defenses are here.
00:27:35Where?
00:27:36Oh, concealed, of course.
00:27:39You'll soon learn all about our little tricks.
00:27:42Except the combination of that safe.
00:27:45That's Bishop's secret.
00:27:47Yes, I hope no fool will try to meddle with it.
00:27:49No fool will try to meddle with it.
00:27:51That's Bishop's secret.
00:27:53Yes, I hope no fool will try to meddle with it.
00:27:56Must be a convenient method of suicide.
00:27:59I see Lady Crandall's having some friends to tea.
00:28:01Why don't you come over?
00:28:02Oh, thank you very much, sir.
00:28:04But, uh, this must be...
00:28:05Hadn't I got a change in the uniform?
00:28:07Oh, that's all right, my boy.
00:28:21© BF-WATCH TV 2021
00:28:51© BF-WATCH TV 2021
00:29:21© BF-WATCH TV 2021
00:29:51Captain Woodhouse.
00:29:52How do you do, Captain Woodhouse?
00:29:54How do you do, Lady Crandall?
00:29:56You've arrived at a very appropriate time.
00:29:58Do you know anyone here?
00:30:01No, I'm afraid I don't.
00:30:04May I inquire who was playing so delightfully?
00:30:06Oh, Ellen Courtier.
00:30:08And she's just as beautiful as her playing.
00:30:10Would you care to meet her?
00:30:11I would like to.
00:30:14Ellen, dear.
00:30:21Ah, I see you know each other.
00:30:23Why, uh, yes.
00:30:25You do know somebody, then.
00:30:27Well, I certainly didn't expect to find Miss Co...
00:30:30I didn't expect to find you here.
00:30:34Small world, isn't it?
00:30:35Yes.
00:30:36Archie, come along.
00:30:42Let's go and get some tea.
00:30:43Oh, I don't need anything.
00:30:44Archie?
00:30:45But you didn't tell me you were coming here.
00:30:47I?
00:30:48I didn't get a chance to tell you anything.
00:30:51You were the one who did all the telling.
00:30:53You told me you were going to London.
00:30:56Let us go out on the balcony.
00:31:01Right.
00:31:02Right.
00:31:04Goodbye.
00:31:08Thanks.
00:31:10I beg your pardon, sir.
00:31:12If Mr. Capper insists on seeing you, sir,
00:31:14I'm afraid I can't.
00:31:15Mr. Capper insists on seeing you, sir.
00:31:18Capper?
00:31:20Capper?
00:31:21He said he was with you in India, sir.
00:31:25Oh, that Capper.
00:31:28Show him in.
00:31:29Very well, sir.
00:31:30And, uh,
00:31:32you stand there.
00:31:35Very well.
00:31:45Well?
00:31:46You haven't forgotten that service I did for you in India, Jerry?
00:31:49Of course not.
00:31:51You were paid for it, weren't you?
00:31:53Yes.
00:31:55What I've been hearing about you since then
00:31:57hasn't been altogether, uh, uh, complimentary.
00:32:01I hope it isn't true.
00:32:03Well, I did go to pieces a bit for a while,
00:32:05but, uh,
00:32:07I'm glad you've come to terms with it.
00:32:10I'm glad you've come to terms with it.
00:32:12I hope it isn't true.
00:32:13Well, I did go to pieces a bit for a while.
00:32:16I was sick.
00:32:17I've been running him pretty hard for the past two years,
00:32:20but they can't keep me down much longer.
00:32:22I'm going to show them.
00:32:24I hope so, I'm sure.
00:32:27You wanted to see me about?
00:32:29Yes.
00:32:30I'm an Englishman.
00:32:31You know that.
00:32:32I may be down and out,
00:32:34and my friends may not want to know me when we meet,
00:32:36but I'm English, and I am loyal.
00:32:39Yes, yes, I'm sure.
00:32:40I have no doubt about that.
00:32:41I just wanted you to keep that in mind, General,
00:32:43while I talk.
00:32:46General.
00:32:49Remember Crane?
00:32:50That chap in Burma.
00:32:53Crane?
00:32:56No.
00:32:57You haven't forgotten him, General.
00:32:59You haven't forgotten how he lived in Burma a couple of years,
00:33:02mingling with the English,
00:33:03until someone suddenly found out that his real name was Krantz,
00:33:07and that he was a mighty unhealthy chap to have about.
00:33:11Surely, General.
00:33:13Yes, I remember him now.
00:33:14And there was Alice Broughton, too.
00:33:16I'd like you not to speak about her.
00:33:17I'm sorry, General,
00:33:18but you thought she was all right
00:33:20until a couple of Secret Service men
00:33:21walked into Lady Langdon's drawing room
00:33:23and took her away.
00:33:24Come, come, what are you driving at?
00:33:25Out with it.
00:33:29General.
00:33:31You couldn't let me have a little drink, could you?
00:33:34One peg of decent scotch.
00:33:36Well, it'll help you to talk more intelligently.
00:33:44I've just come from the Paris Hotel, General.
00:33:47There was a girl there today
00:33:48who had a private confab with Alvin.
00:33:52She said her name was Coochie.
00:33:56Well, what of it?
00:33:58Remember Crane, General?
00:34:01Remember Alice Broughton?
00:34:03Remember Alice Broughton?
00:34:06What do you mean?
00:34:10What do I mean?
00:34:12I mean that this girl who calls herself Coochie
00:34:13isn't Coochie at all.
00:34:15She's a spy.
00:34:16What?
00:34:19Armadi.
00:34:21Show this man out.
00:34:22Sir, help me, General.
00:34:23I'm telling you the truth.
00:34:25I know the real Ellen Coochie.
00:34:27I knew her in Paris.
00:34:29I can't prove what I say,
00:34:30but the wildest dreams of the Willemstrasse have come true.
00:34:33They've got a girl here right in your quarters, General.
00:34:38I don't believe it.
00:34:40It's true all the same.
00:34:42I'm warning you.
00:34:44That's all I can.
00:34:46Now...
00:34:49Now I'll go.
00:34:53Good day.
00:35:00Good day.
00:35:07Goodbye, Capa.
00:35:14Goodbye, Sir George.
00:35:30I told you once I couldn't give you an explanation.
00:35:34And I still can't.
00:35:36But Jane, it's different now.
00:35:38You mustn't call me Jane.
00:35:40My name is Ellen Coochie.
00:35:42Oh, now I understand.
00:35:45When I met you in Germany,
00:35:46you thought perhaps it would be a nice little adventure.
00:35:49A romantic adventure with a stranger.
00:35:52So you gave me an explanation.
00:35:54And I still can't.
00:35:56But Jane, it's different now.
00:35:58You mustn't call me Jane.
00:36:00You gave me an assumed name.
00:36:02And then left me.
00:36:03You needn't have done that, Jane.
00:36:05You could have been honest with me.
00:36:06I was.
00:36:08Then why did you tell me your name was Jane Gershon?
00:36:11I can't tell you anything.
00:36:14But now you say your name is Co...
00:36:18Good heavens, Jane.
00:36:21You don't mean to tell me that Cootie is an assumed name?
00:36:23No.
00:36:24I am Ellen Coochie.
00:36:26Do you realize what you're doing?
00:36:28Do you know what could happen to you?
00:36:30Only this morning they picked up a suspect at the barrier.
00:36:33I know.
00:36:34He was right in front of me when he was arrested.
00:36:35What happened?
00:36:36What did they do?
00:36:38If you're interested in knowing,
00:36:40he's to be shot first thing tomorrow morning.
00:36:42Oh.
00:36:44This is war, Jane.
00:36:46When that poor devil tried to get through here this morning,
00:36:48he didn't know that his own side had sold him out.
00:36:50It's too horrible.
00:36:52Horrible, yes.
00:36:53It is horrible.
00:36:54Once I had to attend the execution of a spy.
00:36:57He didn't die like a hero, poor fellow.
00:37:00He died like a dog.
00:37:03But don't you think, after all,
00:37:05a hero is one who, knowing he may die a dog's death,
00:37:08still carries on?
00:37:13I thank you, Father.
00:37:15Lady Crandall sends her condolences to Captain Woodhouse.
00:37:18She requests the pleasure of his company at dinner.
00:37:23I'll be delighted.
00:37:30You were here as a junior officer, weren't you?
00:37:33I was, sir.
00:37:35Then I want you to come over to dinner tonight.
00:37:38Yes, sir, but this chart of the mine...
00:37:41Never mind that.
00:37:43Let the new aide do it.
00:37:45This is even more important.
00:37:48I've just heard a ridiculous story.
00:37:51Nevertheless, I can't afford to ignore it.
00:37:54Yes, sir. What is it?
00:37:56Well, it's preposterous, of course.
00:38:00But...
00:38:02I've just been told that our guest,
00:38:05Lady Crandall's friend,
00:38:08is a spy.
00:38:11You don't say.
00:38:13Was it a reliable person who told you, sir?
00:38:16Not at all.
00:38:18I shall have to investigate.
00:38:21I want you to help me cross-examine her.
00:38:24Very well, sir.
00:38:26Shall we bring her in here?
00:38:28Oh, no, nothing official.
00:38:30We must do it in a more casual fashion.
00:38:36What do you remember about 1907?
00:38:41Let me see.
00:38:43Kragan was governor.
00:38:46Kragan.
00:38:48Then she must remember his wife.
00:38:54That's a thought.
00:38:56What do you mean?
00:38:58You have a portrait of her hanging in your drawing room, sir.
00:39:01No one who ever knew her could fail to recognize it.
00:39:05Let's try her on Lady Evelyn.
00:39:08Splendid.
00:39:10That's a splendid idea.
00:39:12Come on over tonight.
00:39:14Out with you, sir.
00:39:18Tell me,
00:39:20why don't you like Gibraltar?
00:39:22It's too suggestive of war and death.
00:39:24This is the quietest place imaginable.
00:39:27It used to be an old monastery.
00:39:30It seems funny to think of a lot of old fat monks
00:39:34sitting around toasting their toes
00:39:36in front of this very fireplace.
00:39:38Yes, it would be funny.
00:39:40But as a matter of fact,
00:39:42that fireplace has only been built five years.
00:39:44Five years?
00:39:46Yes, Lady Crandall told me so.
00:39:48Oh.
00:39:50What are you doing, auntie?
00:39:52What are you doing, Archie?
00:39:54Trying to frighten Ellen?
00:39:56Oh, I say.
00:39:58You know, Archie can lose his heart
00:40:00more easily than any boy I've ever known.
00:40:02Oh, he's in good company, then.
00:40:04Is that sarcasm or admiration?
00:40:07Oh, no.
00:40:09You know, I've often told Archie
00:40:11it's a good thing Lady Evelyn isn't here now.
00:40:13Lady Evelyn Cregan?
00:40:15Yes, Sir David Cregan's wife.
00:40:17She was a terrible flirt.
00:40:19That's her portrait here.
00:40:20Oh, yes.
00:40:22Yes, she has that come-hither look in her eyes.
00:40:28I, uh, hope you're enjoying yourself, Miss Cochie.
00:40:31Oh, she's having a splendid time, Sir.
00:40:33I suppose you take care of that.
00:40:35Yes, Sir.
00:40:37It's been so nice to have you come and dine with us.
00:40:39Believe me, Lady Crandall,
00:40:41it's a pleasure that I've missed.
00:40:43But you know how I'm chained to my desk.
00:40:45I get it.
00:40:47Carrying the whole weight of the rock on your shoulders.
00:40:48Well, I shall hope to come more often
00:40:51now that I have Woodhouse to divide the weight.
00:40:54Oh, a coffee or liqueur?
00:40:56A liqueur, if I may.
00:40:59Won't you join me at Woodhouse?
00:41:01Yes, thanks, old man, I will.
00:41:03You know, uh,
00:41:05I'm surprised you don't remember Mr. Couturier, Bishop.
00:41:10I'm afraid he doesn't remember
00:41:12the lanky young spirit once with me.
00:41:14He was a lieutenant then
00:41:15and subletons have eyes only for the colonel's wife.
00:41:19I suppose the old rock looks familiar to you, Mr. Couturier.
00:41:23But seven years is a long time.
00:41:25Let me see.
00:41:27You were here, Sir, when, uh, Kragan was governor.
00:41:30Yes, yes, Sir, Sir David Kragan.
00:41:34Did you know him, Woodhouse?
00:41:36Uh, no, no, I think not.
00:41:38Oh, he's a caulking chap.
00:41:40He's a big, blustering sort of a fellow.
00:41:41Wasn't he, sir?
00:41:43Why, no.
00:41:45As I remember, Sir David was a short, fat man.
00:41:48Rather bald, with a saber scar.
00:41:53Of course, so he was.
00:41:55Yes, my mistake.
00:41:57How stupid of me.
00:41:59I must have been confusing him with someone else.
00:42:02I imagine so.
00:42:04The reason I remember Sir David so well
00:42:06is because he was a good man.
00:42:08He was a good man.
00:42:09The reason I remember him so well
00:42:11is because I've had tea with him in this room many times.
00:42:14The place seems very much the same after seven years.
00:42:18Do you notice any change?
00:42:20Why, uh...
00:42:23Somehow this fireplace doesn't look familiar to me.
00:42:26I ain't sure if you have a good memory, Miss Couturier.
00:42:29It wasn't built then.
00:42:31No woman is privileged to forget.
00:42:33It's sometimes very important
00:42:36that she have a good memory.
00:42:37Very.
00:42:39Then you, uh...
00:42:41You must remember Lady Cragen.
00:42:43How could I ever forget?
00:42:45Seven years or seven.
00:42:47No one could ever forget her.
00:42:49So it was the General's wife and not the Colonel's.
00:42:54But she was a wonderful woman.
00:42:56Yes, indeed.
00:43:00Do you think her picture is like her, Miss Couturier?
00:43:07Yes.
00:43:27It's perfect.
00:43:29Simply perfect.
00:43:31I always thought the hair was glorious.
00:43:34And the eyes.
00:43:35Look at the expression.
00:43:40Tell me, does it still make your heart beat faster, Major?
00:43:47Well, yes, it's a dash good like this.
00:43:52For my part,
00:43:54I think Lady Evelyn brought great discredit to the British Army.
00:43:58Just think, one small woman capturing an entire garrison.
00:44:01And I always thought Gibraltar was impregnable.
00:44:04And it is.
00:44:06To the ordinary invader.
00:44:15Look, Sir George.
00:44:17Ships.
00:44:19Dozens of them, all gray and wonderful.
00:44:23What does it mean, Sir George?
00:44:25That the British Mediterranean squadron, my dear.
00:44:28Wonderful.
00:44:29Wonderful.
00:44:31There's the power and the pride of England.
00:44:34Gives one quite a thrill, doesn't it?
00:44:37Yes, it probably thrills our friend the enemy
00:44:41in a rather different way.
00:44:44You know, it always gives me quite a homesick tug
00:44:47to see those grim old dogs.
00:44:49I haven't been to the home to the little island in four years.
00:44:52It seems as though the old rock was to have quite an awakening.
00:44:55And you're just the kind of girl to do it.
00:45:00Mr. Cholet.
00:45:01Yes, Sir?
00:45:02Go and find out the latest reports from the fleet.
00:45:05At what time they'll be ready to sail.
00:45:07Yes, Sir.
00:45:14Well, Bishop.
00:45:16And what do you think of Miss Courtier?
00:45:19Oh, that's all right. He knew her before.
00:45:21And it's just as well that he should know what we suspected.
00:45:24Even though I'm now convinced that I was wrong.
00:45:28I'm not so sure.
00:45:30Well, she knew about the fireplace.
00:45:33And she recognized Lady Evelyn's portrait.
00:45:35What's the trouble, Sir?
00:45:36Gosh. A fellow I shouldn't have listened to.
00:45:39Came to me with a story that your friend wasn't Miss Courtier at all.
00:45:43But a German spy.
00:45:44A German spy.
00:46:10Oh, Jane, I'm glad I found you.
00:46:12I've been looking for you. I wanted to speak to you alone.
00:46:16I wanted you to explain.
00:46:18Explain?
00:46:20Captain Woodhouse.
00:46:22I think it's you who owe me an explanation.
00:46:24I don't understand.
00:46:26You never told me you were an officer in the British Army.
00:46:29I made no attempt to conceal the fact.
00:46:32If you didn't, you were very reticent about it.
00:46:36Jane, if I was, it was because I had a definite reason.
00:46:38It was very difficult for you to understand me when I told you I had a reason.
00:46:42But that's it. I believe you.
00:46:45I'm willing to take your word.
00:46:47That's because I care for you.
00:46:49And I want you to care for me.
00:46:51I don't.
00:46:53Oh, Jane, if you do, you must promise me this one thing.
00:46:56If you don't know, you can't possibly know the risk you're running.
00:46:59I wouldn't ask you if it weren't for the fact that I love you.
00:47:02But here you're running a terrible risk.
00:47:04If anything should happen, why...
00:47:05You must promise to do as I ask.
00:47:08What is it?
00:47:09Leave the rock as fast as you can, by the next boat.
00:47:16Well?
00:47:19I can.
00:47:24So that's your answer.
00:47:27Please try to understand.
00:47:30I understand.
00:47:32Perfectly.
00:47:33Well, what is it?
00:47:35Excuse me, sir.
00:47:37Major Bishop requests that you see him immediately in room B.
00:47:41Very well. I'll come at once.
00:47:50Your answer is still the same?
00:47:57Good night, Miss Cahiers.
00:47:59Good night.
00:48:03Good night.
00:48:13Sir?
00:48:15Ah, there you are, Woodhouse.
00:48:17What right did you want me to do, sir?
00:48:20The line of care.
00:48:21Here's a chart of the harbor and straits.
00:48:25This is the plan showing the distribution of the mines.
00:48:29Please check them and send them out to the fleet immediately.
00:48:33Well, good night.
00:48:35I'm off to see the fleet sales at dawn.
00:48:39Good night.
00:48:47I'm sorry, lady. You can't go in that room.
00:48:50But it's very important.
00:48:52No, lady. Orders is orders.
00:48:55What's the trouble?
00:48:56I have something to say to you, sir.
00:49:00All right, gentry.
00:49:03Let's go.
00:49:21That is a beautiful sight.
00:49:23Each one is a little world within itself.
00:49:26But tell me, why are the lights blinking all the time?
00:49:30They're sending messages.
00:49:31Do they send messages all the time?
00:49:35Jane, you didn't come in here to ask questions.
00:49:39You said you had something important to tell me.
00:49:43I hope you think it's important.
00:49:46Well, what is it?
00:49:50I came to tell you this.
00:49:52I love you.
00:49:54Jane!
00:49:56It isn't easy for me to tell you this, Eric.
00:49:58To swallow my pride and follow you.
00:50:01But I couldn't bear to see you leave me like that.
00:50:04I just had to tell you.
00:50:06Darling!
00:50:17Captain Woodhouse.
00:50:19The Scotchie.
00:50:21What's the meaning of this?
00:50:23How did you get in here?
00:50:25I let her in, sir. I...
00:50:26It was my fault, Sir George.
00:50:28I insisted upon coming in.
00:50:30So because you insisted,
00:50:32Captain Woodhouse broke the rules.
00:50:34You must be a very eloquent persuader, Miss Scotchie.
00:50:38And as for you, Woodhouse,
00:50:40this is hardly an auspicious beginning.
00:50:42Chumley.
00:50:43Yes, sir.
00:50:44Will you please escort Miss Scotchie to her quarters?
00:50:47With pleasure, sir.
00:50:48And when you go,
00:50:50lock this room.
00:50:51Yes, sir.
00:50:56Captain Woodhouse.
00:50:58I wish to talk to you.
00:51:13I say, the old gentleman certainly was boiling.
00:51:17Do you suppose he's going to be very severe with Captain Woodhouse?
00:51:20Well, I don't know how severe he'll be,
00:51:22but I wouldn't like to be in Woodhouse's boots.
00:51:24For the next half hour.
00:51:26Although I...
00:51:27I wouldn't have minded being in his boots for the last half hour.
00:51:31You know, I don't blame Woodhouse.
00:51:35I'd let you go anywhere you wanted.
00:51:43I feel just like a prisoner.
00:51:46And you're my guard, taking me to myself.
00:51:49Yes, isn't it jolly?
00:51:51Why?
00:51:53Well, I...
00:51:54I've never had you to myself for five minutes yet.
00:51:57Some bounder always comes barging in.
00:52:00Now that you're in my official charge,
00:52:02I've got you alone at last.
00:52:04But only from here to my room.
00:52:06Oh, that's all right.
00:52:07He certainly ordered me to take you to your room.
00:52:10But he didn't say how long I was to take.
00:52:13Taking you.
00:52:14Oh, I see.
00:52:16Well, I mean, we might sort of be dilly-dallying on the way.
00:52:19We might what?
00:52:21Dilly-dally.
00:52:23Loiter.
00:52:24Rally round.
00:52:25Huh?
00:52:26You know, I know a lovely place.
00:52:29Here.
00:52:30We might listen to the nightingales sing.
00:52:33Are there nightingales on Gibraltar?
00:52:35No.
00:52:37But there are monkeys.
00:52:39Don't you remember?
00:52:41Gibraltar's overrun with monkeys.
00:52:43I remember Lady Curran's last poem.
00:52:45I remember Lady Curran's last poem.
00:52:56Oh, look.
00:52:57We can watch the fleet, too.
00:53:00Yes.
00:53:01Rather pretty, isn't it?
00:53:03It's more than pretty.
00:53:04It's beautiful.
00:53:06It's hard to think of them being fighting machines.
00:53:09They look so peaceful now.
00:53:10Somehow their blinking lights remind me of fireflies dancing.
00:53:14Yes.
00:53:16I like watching the blinking lights, too.
00:53:19Let's sit down.
00:53:23I'd love to see them when they string to life.
00:53:26When they sail out to sea in formation.
00:53:28It must be beautiful.
00:53:31I'd like to stay up all night and wait until they sail.
00:53:34Topping idea.
00:53:36I'll stay up all night with you.
00:53:38I'll stay up all night with you.
00:53:41Yes.
00:53:42They sail tomorrow at dawn.
00:53:44At dawn?
00:53:45Yes.
00:53:46Six o'clock.
00:53:48The dawn round here is frightfully early.
00:53:51Yes.
00:53:56Do you know what makes tonight especially beautiful for me?
00:54:01No.
00:54:03You.
00:54:05No.
00:54:06Yes.
00:54:08I feel very much honored that I should be so important
00:54:11in the life of Lieutenant the Honorable Archibald Plantagenet Chumlee.
00:54:15Oh, Miss Cordier.
00:54:16Alice.
00:54:18I mean, Helen.
00:54:19Ellen.
00:54:20Please don't drag me.
00:54:22You know, I'm dreadfully sincere.
00:54:24Yes.
00:54:25You know, ever since you arrived here,
00:54:27I've been walking about in a daze.
00:54:30You know, you have possibly the most blue eyes I've ever seen.
00:54:36And I just adore blue eyes.
00:54:38Yes.
00:54:39I love blue eyes.
00:54:42Would you mind going away, old man?
00:54:46Thanks.
00:54:47Thanks so much.
00:54:49You know, ever since you came here,
00:54:51I've been walking about all goofy.
00:54:53You know, you have possibly the bluest eyes I've ever seen.
00:54:58Yes.
00:54:59I adore blue eyes.
00:55:01And yours are the bluest in the whole wide world.
00:55:05Darling.
00:55:06Now, now, Archie.
00:55:08Oh, but Helen, you are so gorgeous.
00:55:10What if Sir George should see you now?
00:55:13Oh, bother Sir George, Helen.
00:55:16No, but really, I have to go to my room.
00:55:19Won't you take me?
00:55:20Lady Crandall is waiting for me.
00:55:22Is she really?
00:55:23Yes.
00:55:24Why didn't you tell me?
00:55:25You're so fascinating, I almost forgot.
00:55:27Oh, there you are, laughing at me again.
00:55:29Come along.
00:55:36Well, I brought you back safely.
00:55:39Much as I regretted.
00:55:41Good night, Archie, and thank you.
00:55:45Good night.
00:55:52Oh, I say.
00:56:06Good night.
00:56:36Good night.
00:57:06Good night.
00:57:36Good night.
00:58:06Good night.
00:58:36Good night.
00:59:06Good night.
00:59:36Oh!
00:59:46So it is you.
00:59:49Eric!
00:59:51I came here expecting to find someone.
00:59:54But I hoped it wouldn't be you.
00:59:57Why did you expect to find someone?
01:00:06You do this as skilfully as you played that tune.
01:00:09You know, the one written in 1893.
01:00:14You!
01:00:16You of all men!
01:00:19Surely you can't be number 54.
01:00:22Yes, I am number 54.
01:00:27Oh!
01:00:36Please.
01:00:37Oh, please, get away from here.
01:00:39Before you're seen.
01:00:41I'll put the key back and no one will ever suspect.
01:00:43No, Jane.
01:00:44I tried before to get you to go.
01:00:46And now I beg you again to give up this.
01:00:48Don't waste time.
01:00:50Please hurry, for my sake.
01:00:52For your sake?
01:00:54But I've always heard that you, number 1893,
01:00:57were the most fearless and ruthless woman in the service.
01:01:00Oh, Eric, please go.
01:01:02I have told you I love you.
01:01:04If you love me...
01:01:05Do you think I could leave you here to bear the brunt of this alone?
01:01:08No.
01:01:17Eric, you couldn't do this.
01:01:20Come here, dear.
01:01:22Look.
01:01:24You couldn't send those sleeping men to their death.
01:01:27Trapped like rats.
01:01:29Mangled.
01:01:31Tortured.
01:01:33Drowned.
01:01:35The man who loved me couldn't do that.
01:01:40Now you're talking like the woman I love.
01:01:43Not like the ruthless 1893.
01:01:47But why?
01:01:49Why are you pleading for these men?
01:01:51I'm not pleading for them.
01:01:53But for you.
01:01:59Why?
01:02:02Because I love you.
01:02:03I love you more than my duty.
01:02:06More than my life.
01:02:09And there's only one end for the man who does this thing.
01:02:13Death.
01:02:15With his back against the wall.
01:02:18Why, Jane.
01:02:33What am I doing?
01:02:36Don't you realize that what you're asking me to do is impossible?
01:02:39But you can't go on with this, Eric.
01:02:41It's all too horrible.
01:02:43What are the lives of those swine unto me?
01:02:45If I fail in this, it means my life.
01:02:47I'm not like Belky who sold us out.
01:02:49And for a woman, too.
01:02:51He's to be shot at dawn.
01:02:53Oh, but Eric...
01:02:54Oh, the time's getting short.
01:02:56The guard will soon be here to change centers.
01:02:58You go to your room at once and let me get this thing done.
01:03:00I'm not going to let you do it, Eric.
01:03:03I love you, but...
01:03:04Love? You speak of love.
01:03:05You are a traitor to the fatherland.
01:03:07The love of such a woman as you is an insult.
01:03:11You call my love an insult.
01:03:15So this is the real Eric.
01:03:17Then you'll see another side of the woman you tricked.
01:03:20You said 1893 was fearless and ruthless.
01:03:23I am.
01:03:25And unless you give me back that key,
01:03:27I'll kill you.
01:03:30Oh, but Jane.
01:03:32You couldn't do that.
01:03:34You wouldn't force me.
01:03:36But if you do, you'll leave me only one alternative.
01:03:39To raise the alarm.
01:03:42Stand clear.
01:03:46What's that?
01:03:51Pick up arms!
01:03:53The firing squad.
01:03:54Ready!
01:03:56Aim!
01:03:57Fire!
01:04:09You see, Eric.
01:04:11That's what will happen to you.
01:04:13I couldn't stand it.
01:04:15The man I loved couldn't die like that.
01:04:17I couldn't let you feel that I had died like...
01:04:21Like Belky.
01:04:23Give me that key.
01:04:28Do you know what you're doing?
01:04:30Do you realize that you're sending me to my death?
01:04:32Do you know what you're doing?
01:04:34Do you realize that you're sending me to my death?
01:05:02Goodbye.
01:05:06Goodbye.
01:05:13Eric!
01:05:15Eric!
01:05:26Eric!
01:05:32Eric!
01:06:02Eric!
01:06:19Amadi!
01:06:27I have been listening to you and...
01:06:29That weekly.
01:06:32Watching you both.
01:06:36You made a pitiful creature out of a brave man.
01:06:43And a useful one.
01:06:47You sent him to his death.
01:06:52And as he died...
01:06:56So will you.
01:06:59You die.
01:07:09But first...
01:07:11You will see the man you pitied.
01:07:15As you so aptly put it.
01:07:18Mangled.
01:07:20Tortured.
01:07:23And drowned.
01:07:29And drowned.
01:07:47But you can't be number...
01:07:48Yes!
01:07:49I am number 54.
01:07:52You!
01:07:53Sir George's faithful servant.
01:07:55Yes.
01:07:56I, Sir George's faithful servant...
01:07:59Have waited ten years for this.
01:08:02But Eric!
01:08:03He was sent to help me.
01:08:05And you killed him.
01:08:07For nothing.
01:08:14I don't need to tell you what these are.
01:08:19This one...
01:08:20Is the master control to the minds...
01:08:23Which will destroy the fleet.
01:08:26And bring death to the men I hate.
01:08:30And your death also.
01:08:32You fool.
01:08:34Your death.
01:08:36Your hand will be found in the control.
01:08:39And I...
01:08:40Amadi...
01:08:41Will have shot a spy.
01:08:44But too late.
01:08:45But too late.
01:08:54Thirty seconds or the relays will be set for the minds under the fleet.
01:09:45Attention!
01:09:52Left wing.
01:09:57Outside in front.
01:09:59Post.
01:10:00Right turn.
01:10:03Oh, there you are.
01:10:09What?
01:10:13Amadi!
01:10:15What's happened?
01:10:17General Crandall.
01:10:19Your servant was an enemy spy.
01:10:22And I want you to understand that no matter what Miss Kerchey may have done...
01:10:26You can now thank her for the safety of the fleet.
01:10:30Come in here.
01:10:40Sir George.
01:10:41It's owing to Eric.
01:10:43Captain Woodhouse.
01:10:45That the fleet is safe.
01:10:47Please don't be too hard on him.
01:10:52But don't you know?
01:10:55I'm sure the intelligence department certainly have a peculiar way of working.
01:11:00They didn't let me know who you were until this morning.
01:11:03I don't understand, sir.
01:11:08You're both working for the same cause.
01:11:11Miss Jane Gerson.
01:11:13Of the British Secret Service.
01:11:15Allow me to present Captain Woodhouse.
01:11:17Of the intelligence department.
01:11:20But Eric.
01:11:21Why did you let me suffer so?
01:11:24But dear.
01:11:26Your life was in danger every minute.
01:11:28I saw his pistol behind the curtain.
01:11:30There was nothing else that I could do.
01:11:35Jane darling.
01:11:37I've so much to say to you.
01:11:45I love you.