Unrated | 1h 24min | Adventure, Drama, Fantasy, Sci-Fi | 26 May 1965 (USA)
Alternate Title: City in the Sea
In 1903, in Cornwall, a group of locals discover an underwater city, dating back to 1803, that hides a society of smugglers and aquatic creatures.
Director: Jacques Tourneur
Writers: Charles Bennett, Louis M. Heyward, Edgar Allan Poe , David Whitaker
Stars: Vincent Price, Tab Hunter, David Tomlinson
Alternate Title: City in the Sea
In 1903, in Cornwall, a group of locals discover an underwater city, dating back to 1803, that hides a society of smugglers and aquatic creatures.
Director: Jacques Tourneur
Writers: Charles Bennett, Louis M. Heyward, Edgar Allan Poe , David Whitaker
Stars: Vincent Price, Tab Hunter, David Tomlinson
Category
🎥
Short filmTranscript
00:00:00You
00:00:30You
00:01:00You
00:01:31You
00:01:33No death has reared himself a throne
00:01:37In a strange city lying alone far down within the dim West
00:01:43Where the good and the bad and the worst and the best?
00:01:48Have gone to their eternal rest
00:01:52Resignedly beneath the sky the melancholy waters lie
00:01:56but no a
00:01:58Stir is in the air the wave there is a movement there as if their tops had given death
00:02:06his
00:02:07undivided time
00:02:16It's a body mr. Harrison strangely dressed I can see that who is it
00:02:20It is mr. Penrose the lawyer who's been advising mr. Gellis poor devil. It's the devil's work right enough
00:02:26Be quiet you old fool
00:02:27I told you nothing good had come of this an American girl at the manor house solicitors and this young man with his
00:02:33Rock samples and questions about the old mine workings. Yo bag of wind. He'll hear ya. He has
00:02:41Now what about the body?
00:02:43Somebody's got to tell mr. Gillis
00:02:47All right, I'll go
00:03:13Mr.
00:03:17Harris couldn't be you've come to help us about the electricity the lights be gone out with a storm
00:03:24Not like the old days a candle could be depended upon. I've come to see mr.
00:03:29Gillis you should be here about the lights. The guests are grumbling proper
00:03:34Come come in. I'll take you to her
00:03:44You
00:04:02Wait here, I'll fix mr. Gillis. I'll come along with you
00:04:07Mr.
00:04:09Gillis is with one of the guests an artist. He says he is
00:04:15Something strange about him most that he paints don't look like much
00:04:21He's brought the beasts with him
00:04:24the beast
00:04:25You'll see
00:04:27It's in there with them
00:04:29It's
00:04:32Mumford mom
00:04:33Mr. Harris is here. He insists on seeing you just a minute. I'm not staying last time
00:04:40I waited the beast got out
00:04:48Her name is Herbert
00:04:51Her name is Herbert
00:04:53Jill I came to talk to you about mr. Penrose. Oh, man, I'm so disappointed
00:04:59I thought maybe this was a social call. I mean, we're the only two Americans in the whole village. Don't you think we should be friends?
00:05:06Harold, yeah
00:05:08Mr. Harris captured Herbert for us
00:05:11Harold yes, he's one of our guests. He's an artist. Would you like to meet him? Oh, yes, I would. Yes very much
00:05:17Well, come on in and close the door
00:05:19Harold yes. Oh, this is mr. Ben Harris
00:05:24Oh, how do you do and this is mr. Harold Tufnell Jones
00:05:29You're wondering what I'm doing up here, aren't you?
00:05:33I'm not up here all the time. It's just that Herbert's been giving us a bit of a chase
00:05:36Would you mind helping me down? Would you mind if I talked with mr. Gillis about her lawyer?
00:05:41Well, I'm sure that can wait till I'm done on terra firma. Would you give me a hand?
00:05:50I'll take you in to see him in a minute. He's been in a study all day. How'd you do? Thank you very much
00:05:56That's quite all right, please. Will you come with me? There's something I'd like to show you
00:06:04Self-portrait
00:06:06Do you like it?
00:06:07It's a it's a good likeness if anybody would want such a thing. I'm sure someone will be
00:06:13Anyone would just want such a thing. I signed it myself
00:06:16Harold Tufnell Jones, FRA. Oh
00:06:19a fellow of the Royal Academy
00:06:22Not actually founder of the Roosters Association very select
00:06:27You say that mr. Penrose is in this study. Yes just across the hall
00:06:46Jill I've just come up from the beach
00:06:51Somebody's in there. What is it? Go back to the other room and wait for me. Go on
00:07:16I
00:07:46All right, did anyone go up through that door are you sure I'm positive should anyone have
00:08:08Where's mr. Penrose
00:08:17I found his body on the beach
00:08:21He's dead
00:08:26We shouldn't leave the body there
00:08:28What are you afraid of? I don't know one man who can call me coward and look me in the face
00:08:33There are things no man should have to see or hear what things
00:08:38He's been hearing them ghost bells again. Yes. I heard him last night and they were red in the sea like blood color
00:08:46Well, I never heard him and I was born here. Come on Tom. Do you really are those ghost bells?
00:08:52Yes, I heard him deep down in the sea. They were awesome a shipwreck. Is it it's Leoness the lost city in the sea
00:08:58I always thought I was an old wives. There's a city there right enough
00:09:03Thousands of years back the sea just came and swallowed it up and there it lies now
00:09:07Buried in the deep. Why does the bell sound? Well, we found mr. Penrose didn't we there have been other bodies, too
00:09:13When the bell sounds it means death
00:09:24There we are
00:09:25That's better
00:09:26Now there's a there's just this one. Hey, where are the nails?
00:09:30There's a book missing from the set here. Oh, I shouldn't worry about that. Things are always disappearing in to get here
00:09:36Oh, really? Yeah, you know the old rector vanished about 50 years ago
00:09:40Never been seen since you know something Harold you are a mine of fascinating information now
00:09:46It's funny you say that because it is said that he was lost in an old tin mine
00:09:50Honey, you mentioned mine, but what's that got to do with the missing book?
00:09:55No, the book's unimportant, but you see I did a sketch of Jill and put it between the pages
00:10:00Oh, really? Where are those nails?
00:10:02Well, why would anyone want to steal your sketch of Jill?
00:10:05Well, then modesty prevents me from saying that perhaps it was a man of great taste who who fancied a work of art
00:10:12Here they are. I wonder
00:10:15You know all these things happening Penrose's death and the sketch in the book disappears. What about them?
00:10:21Well, they're all connected. I mean they have one thing in common Jill. You're a great one for mysteries, aren't you?
00:10:27You know just trying to frighten us, isn't he Herbert?
00:10:31What do you think happened in here? I
00:10:33Told you I saw this thing. I I don't know what it was. It wasn't a human now Ben. You're sensible
00:10:40You're intelligent. You're a man of the world savoir-faire
00:10:43Now, let's admit that but anyone in the semi darkness could mistake an intruder for something more mysterious now
00:10:49It's possible, isn't it? Now? Listen, I'm a mining engineer a trained observer
00:10:53I
00:10:54Look for the little things of the ordinary
00:10:57I might pass over because the slightest clue could mean a fortune to those who employ me now
00:11:01If I say I saw something or someone that could be superhuman I mean it
00:11:10I'm gonna put on a proper pair of trousers with legs on
00:11:21Thank you for your kindness Ben
00:11:24What are you going to do now stay here in England or go back to America, I don't know this state isn't settled yet
00:11:31Well, mr. Penrose was working on it when?
00:11:34Try not to think about it. I just can't help it. Did you listen to me now?
00:11:39I tell you you are in danger. Now. All I want you to do is move someplace where there are more people
00:11:45Well, I'm not running away
00:11:47Well, you're stubborn
00:11:55Now what are you doing? I'm just checking you better leave him that way do you hear
00:12:02I
00:12:04See we there you go again
00:12:07Alright, alright, I'm imagining things. That's what everybody says. So I better believe it. Maybe you should
00:12:20I found her but I'm going up to bed now. Good night. Good night, Ben, and you get some rest now
00:12:27Good night
00:12:30Charming girl
00:12:32Absolutely charm an inspiration to any artist. I'd say I wonder if anyone would mind if I put my feet up on the sofa for
00:12:40the night
00:12:41charming
00:12:42Whatever for keep an eye on things very wise. You'll pardon me if I turn in I want to get plenty of sleep
00:12:48I'm gonna paint an entirely new canvas first thing in the morning the sunset a sunset in the morning
00:12:54I'm a slow worker. Good night. Oh fella
00:12:59I
00:13:29I
00:13:59I
00:14:29Oh
00:14:31Oh
00:14:58It's you I do wish you'd stop playing the giddy goat
00:15:01You could have hurt me. I might never have painted again. I
00:15:05Suppose you've some reason for skulking around behind doors. I just caught up with her but he'd escaped again
00:15:11I had a feeling this sort of thing would happen now
00:15:13Whatever it was it was in here before came back and took Jill
00:15:16These old houses are full of sliding passages and secret thingamajigs leave this to me
00:15:22You know, it's wanted here brain power. Now if there's a hidden door, there must be a concealed button somewhere
00:15:29My instinct tells me to press
00:15:32Yeah
00:15:36Of that
00:15:50Then
00:15:58You're going in there after
00:16:03You're not expecting me to go in there too, are you
00:16:09Come on I've warned you Ben. I'm a little bit of a coward
00:16:18This is the way she was taken
00:16:22Swells like an override cheese
00:16:26There's a trail of seawater
00:16:28And quite a lot of seaweed marvelous place for a Chinese restaurant
00:16:40Let's try this way
00:16:53Come on
00:16:59You
00:17:07Wait here
00:17:28Then
00:17:58I
00:18:29You
00:18:36There's a lot to be said for ducks water rolls off their backs
00:18:41They can swim and help a person not like some chickens. I know
00:18:47What on earth is this place I don't know
00:18:51Looks like like some sort of a water gate
00:18:54Oh, why don't you leave that chicken behind she'll only get in the way he doesn't know who's man's best friend does he have it
00:19:17Must lead somewhere. Yes, and I've got a nasty feeling you want to find out where
00:19:24I
00:19:33Everything's fine. Look Ben. It has got to be an earthquake. Let's get off the bridge
00:19:46I'm not coming here to my summer holidays. Let's find out what's up ahead. Okay, this is sit down and wait for something pleasant to happen
00:19:54I
00:20:02Almost lost your bird. Thank you. It happened. Thanks. You don't you have it you might even lay you an egg
00:20:25Oh, where's he coming from? What is it?
00:20:48What about this down there it's the only way
00:20:54I
00:21:24I
00:21:54I
00:22:24I
00:22:41We got ourselves into let's see if we can help
00:22:55Oh
00:22:59Let's get that chain off
00:23:08Get out quickly that way in a few seconds this place will be full of water go on
00:23:15We can't help him go on what kind of people would do things like this
00:23:35Let's find Jill
00:23:45You
00:24:15You
00:24:25Seismology by JS Chilton
00:24:30But that's on
00:24:32This hasn't been through the sea. None of it has
00:24:36And how did he get the oil for the lamps
00:24:41Here's my sketch of Jill, how did this get here?
00:24:45I
00:25:15I
00:25:35Fight very well young man
00:25:42Did you kill him
00:25:45It doesn't really matter
00:25:47He dislikes me. You'd like to step into my shoes
00:25:51Not that he ever will
00:25:53Get up. Oh
00:25:55Don't worry. He won't touch you Dan
00:25:57He might even teach you how to fight
00:26:00If you asked him
00:26:02Very humbly get up
00:26:05Oh
00:26:09Now we've got that little matter settled who do we have the may I who are you sir?
00:26:21You'd be the captain it seems you tried to come down the passages at the wrong time
00:26:27as it happens, we have a
00:26:29Local phenomenon here that creates something of a maelstrom under certain conditions of tide and circumstance
00:26:36I see. Well, perhaps you'll be kind enough to show us the way out. There is no way out
00:26:41Not for you
00:26:43Not for him nor for the girl
00:26:46Is she alive you will answer the questions not ask them. No way out. Well, you're not planning to keep us here for good
00:26:54You're right. We're not
00:26:57Why can't we go
00:26:59Because there is an outside chance that you might be of help. Well, I'd like to help you
00:27:03I mean, I'd like you to be of any assistance any anytime. I mean, I'm ready to bleed and if we can't help you
00:27:09Survival down here depends on usefulness
00:27:12well
00:27:14In that case, how could we help you?
00:27:20Follow me
00:27:26Beautiful, isn't it? What what is it the city in the sea?
00:27:33Leoness perhaps
00:27:35One name is as good as another. I
00:27:39Asked in what way could we help you?
00:27:43There it is
00:27:45the volcano
00:27:48The volcano
00:27:51There it is
00:27:54The volcano
00:27:56Peak is vitrified sand, which is why it's transparent
00:28:01The pressure of molten lava sealed inside of it has been building up steadily steadily
00:28:08It was the pull of that monster
00:28:11The elemental power that is in it that brought you to our doorstep. I
00:28:16Remember when it was practically dormant
00:28:19But over the years that glow has increased
00:28:38The shocks to
00:28:40always stronger
00:28:42As the end is coming
00:28:44Another year another month another week another week. Yes, perhaps
00:28:49Perhaps even sooner
00:28:51Yes, you are looking at the final executioner
00:28:56Time is running out
00:28:58The only question now is when?
00:29:05You hear those pumps
00:29:15They were installed by the people who built this
00:29:19great people
00:29:20So great that when the sea took their land
00:29:24They built those pumps to pipe the heat from the volcano and to provide fresh air
00:29:32And they lived down there those people for a while under the sea
00:29:37in their palaces and towers
00:29:41and then
00:29:43They died almost completely
00:29:47Except for them
00:29:50The
00:29:51the gill men the half men
00:29:55pathetic remnants of a great nation
00:29:59But they're my people all the same your people. Yes
00:30:04Yes, this is my world. I am their King
00:30:09No more than their King
00:30:12They believe that I am death
00:30:14death looking
00:30:16Gigantically down from my tower and they're right
00:30:19I am death because the means of death is in my hands, but I'm also life for the same reason
00:30:26except for the volcano
00:30:32Except for the volcano
00:30:35Those tremors cease the pumps will stop they must
00:30:40And when the pumps stop
00:30:44My city will die
00:30:47So will my people. Oh
00:30:51I've done my best. I've racked my brains to think of a way to fight back
00:30:57raids up above there seeking a solution
00:31:01We took this many years ago. It's a seismometer, you know, it registers the tremors of the earth, but what is it shown?
00:31:08Only the increasing violence of the volcano growing stronger day by day and and then we've looked for books
00:31:16Yes, like this one. I read it last night from cover to cover
00:31:21But it's less than useless
00:31:24But I must save my people. How can oh
00:31:30We've heard of the strides that science made in this century
00:31:35What do you mean science in this century?
00:31:39Look, how long have you been here? I will ask the questions
00:31:43And I cannot accept defeat
00:31:47No man has a right to
00:31:58Those are my people
00:32:00It's a hunting party
00:32:02Which my men are directing these creatures they help us to obtain food
00:32:10Needless to say our stipend down here is fish
00:32:16How many years it has been since I have
00:32:24Chicken
00:32:33What
00:32:35Oh
00:33:00What about Penrose we found his body
00:33:02Oh, I gave him a chance. I don't know why perhaps because I liked him, but he was of no use
00:33:07so I sent him out with
00:33:09one of those diving suits and I
00:33:13Gave him a head start
00:33:19Yes, he even got as far as the
00:33:22The Golden Shrine, but no further because your men killed I said he had his chance
00:33:28So do you have a chance you say this is the end?
00:33:32Why do you stay? There's a way out of here and you know where it is
00:33:35So why don't you get out now while you can know why not learn the answer to that question if you live long enough
00:33:42I see. Well to get back to the question of finding a way out. Who are you?
00:33:47My name is Harold Tufnel Jones. I'm an artist
00:33:54Chicken
00:33:55You don't know how lucky you are, this is Benjamin Harris professor Benjamin Benjamin Harris
00:34:02Yes, he's a fellow of the Royal Society
00:34:04Yes, he holds both the north of England and the south of England Golden Awards for technological achievement
00:34:11He's an MA BA
00:34:13FS CG
00:34:15LMS
00:34:16LNE on he's got more letters after his name anybody think it was the alphabet and what he doesn't know about
00:34:22Earthquakes and Simon is a seismic seismic on our knowledge in technological achievements is absolutely not worth knowing
00:34:29Of course, it's true. This fellow J.S. Tilton. He's an amateur my friend Ben. He's the expert the expert answer
00:34:38Can you save my city?
00:34:40From the volcano. Yes, can you stop it tame it kill it?
00:34:45Oh, well, this is a matter for consideration and consideration takes time. There is no time no time
00:34:52captain
00:34:57This is our tide meter the tide will turn when the water level drops to zero
00:35:05You have exactly three hours professor make the most of your time
00:35:22Don't leave it. I did that drawing. It's not that's one of my best. Would you say a little too realistic perhaps?
00:35:29You're an indifferent artist
00:35:31Young lady is much more beautiful than this
00:35:35Then she is alive and she's here. Yes, and you were alive to try to remain so where is she?
00:35:41Simon
00:35:43Take these men to the grotto chamber
00:35:46It will do you no good to question Simon. His tongue was cut out
00:35:5260 years ago
00:35:5460 years take them
00:35:56Oh
00:36:19Who's that whispering
00:36:26I
00:36:43Are you as crazy as the captain what do I know about volcanoes? That's interesting
00:36:49Could be Babylonian. Well have it. We've had a busy day. Haven't we not that we've accomplished much
00:36:55Harold what do I know about volcanoes about as much as the captain which is nothing at all
00:37:01I'm beginning to think you talk too much if I stop talking. We're dead. You want me to stop? All right, I'm sorry
00:37:07But 60 years a tongue cut out 60 years ago yet
00:37:11I'd swear the man's in his early 30s, which suggests that the captain is lying
00:37:15I don't know, but where do they get those diving suits and those little silly crossbows?
00:37:20Pretty ancient under might have been used by Rip Van Winkle. Well quite obviously they haven't been sleeping
00:37:27the poems of Edgar Allan Poe
00:37:31This is the English first edition
00:37:34published in 1847
00:37:43No rays from the holy heaven come down on the long night time of that town
00:37:50For light from out the lurid sea streams up the turrets silently
00:37:56Gleams up the pinnacles far and free up domes up spires up kingly halls
00:38:03up veins up
00:38:05Babylon like walls up
00:38:08shadowy long forgotten bows
00:38:10Up sculptured ivy and stone flowers up many and many a marvelous shrine
00:38:17Whose breathed freezes intertwine the vile the violet and the vine
00:38:24So blend the turrets and shadows there
00:38:28that all seem
00:38:30pendulous in air
00:38:32while from a proud tower in the town
00:38:35death looks
00:38:38gigantically down
00:38:40Waves have now a redder glow the hours are breathing faint and low
00:38:46When the mid no earthly moans down down that town shall settle hence hell rising from a
00:38:55thousand thrones
00:38:57Shall do it reverence
00:38:59The end the volcano
00:39:03Hell itself
00:39:05To the the poems a coincidence and a gruesome one
00:39:10We've got to get out of here. There must be a way
00:39:13It could be one of those passages. Yes, very possibly. It'd be a pity to leave here without some sort of memento or nothing
00:39:20Very well, just a little something. All we'll take is Jim. We've got to find it
00:39:25Aye, and you can no problem about that
00:39:29You you mean we're free
00:39:31There's birds in a cage, I shall never find your way up there unless I help you how walls have ears
00:39:41If he should hear us, how can he hear us dealing with a crazy one he'll kill us all right. All right
00:39:48Can you take us to mr. Gillis?
00:39:51the girl
00:39:53Yes, I
00:39:55Can take you away from here?
00:39:57But I'm coming with you
00:39:59And I want a free pardon a
00:40:02free pardon
00:40:04You're a gentleman
00:40:06important
00:40:07You can use your influence up there to get me a free pardon for what?
00:40:12What would it be but smuggling? Well, there are other crimes murder robbery smuggling it were
00:40:20He with a cap in
00:40:22the big man
00:40:24Squire it to Gatheon. He owned the manor house and all that land around for miles
00:40:29He were a gentleman
00:40:31But a smuggler just the same
00:40:33We all work for him
00:40:36Did pretty well too till those excise men moved in
00:40:42Excise men I couldn't keep that big noses out of it. They moved in one night. We all escaped
00:40:49Our puts are 20 of us with the captain down the passages. We went we knew him all
00:40:55Down into the sea we come
00:40:58And we found the city
00:41:00And we've been here ever since
00:41:02ever since when oh
00:41:05that was
00:41:06summer of 1803
00:41:09You must be mad who wouldn't be after a hundred years of this a hundred years
00:41:16You don't believe me, eh?
00:41:27See for yourselves
00:41:29This book belonged to his wife the captain's wife
00:41:33Have a look
00:41:36That be the captain's name Hugh you sir Hugh if you want the facts, sir
00:41:40You you were a knight of the realm and that be the captain's handwriting
00:41:45writ with a quill pen
00:41:47See how the inks all faded with age, but how can you prove that it is the captain's writing? I'll tell you how sir
00:41:54You see it's the same letter. Oh
00:41:57the same e
00:41:59and the same tea
00:42:01And that's no more than eight years old
00:42:05There's the penny used that time
00:42:08Or fountain pen I bought down here by some gent who said the likes of that had only just been invented
00:42:14Well, the captain ripped those words with it and he wrote those back in 1799
00:42:20Well, sir, is it a bargain? I can take you to the woman and I can take you to to Gatheon
00:42:27But do I get my pardon up there? There'll be no pardon for you
00:42:31Not anywhere. I
00:42:33Knew you'd do this Dan. No captain. I was only telling him about us about us
00:42:39Did they believe you a hundred years old rather more as it happens?
00:42:44It is hard to accept is it not you need our help. Well, I'd say the world needs yours
00:42:50You found a way to live forever
00:42:53It is the secret that we cannot pass on sir
00:42:57Now unfortunately, it is only a local phenomenon. I still can't believe it. You wouldn't
00:43:03We didn't believe it ourselves
00:43:05not for the first
00:43:07Ten or twenty years
00:43:09Then we began to find out that none of us was growing any older
00:43:13So we finally decided that it was a quality of the air
00:43:18due to an imbalance of oxygen
00:43:21brought on by the presence of the volcano
00:43:27Did
00:43:30You tell them where to find her Dan no captain I never did he didn't he certainly didn't but it won't be necessary
00:43:35I'll take you to her myself
00:43:38After you've said goodbye to Dan
00:43:41Goodbye, but I never said where she was captain. I never told him
00:43:47Pathetic isn't he? Did you really think that you could go up above there Dan and live?
00:43:52You're a fool
00:43:54Well, perhaps I should have told you the truth long ago
00:43:57The truth it has to do with actinic rays ultraviolet rays down here under the sea
00:44:02they they become diffused and they can't harm us, but
00:44:06But up above up there they would finish us
00:44:09But I did paint to cap and I've been up there time and again myself and many others for short periods and only at night
00:44:14Dan in the daylight we would grow old and so fast that it would be like a like a worm
00:44:21shriveling on a hot stone in the Sun
00:44:23That's why we're all prisoners of our own hell Dan, but we're alive. Yes, we are and you might have been
00:44:31If the professor can help us. Yes, that's right there
00:44:36You might have lived forever and ever
00:44:40But perhaps you're lucky take him away
00:44:53I
00:45:10Was the biggest
00:45:23You
00:45:34Your pumps are still working. Yes, but for how long
00:45:41It's coming sooner than I thought
00:45:46Those poor creatures they're frightened
00:45:50And I said I would take you to the young lady and I will
00:45:55Blindfold them
00:45:57Now look, aren't you carrying this thing a little too far? Oh, well, if you insist my men will guide you
00:46:04Nothing will happen to you yet
00:46:19You
00:46:36Take off his blindfold
00:46:41Jill
00:46:43I
00:46:45Remove his blindfold to mine remove it. Thank you
00:46:54We put her to sleep we gave her a sleeping draft
00:47:00It's the bells yes, but not the bells that you're thinking of
00:47:06They only sound at the turn of the tide
00:47:09Now these are the signal for execution
00:47:12Ours no dance
00:47:15You killed him. No, I
00:47:18Simply sent him where he wanted to go
00:47:21up there
00:47:22in the daylight
00:47:28Jimmy we hear strangers
00:47:32A
00:47:36Noisy night for your first business
00:47:39Tell me who was the who was the execution gone for was it?
00:47:45No, no, no, of course not. That was
00:47:48Eight years ago. At least I think it was eight
00:47:53No, she she's still asleep
00:47:55She's pretty very pretty nice girl by the look of her
00:48:03Let me introduce myself. My name is Ives
00:48:11I
00:48:13The Reverend
00:48:15Jonathan lives I was
00:48:18Rector of Traverse in the village, you know
00:48:21nice place
00:48:24Nice people, but they say you disappeared 50 years ago
00:48:29As long as that
00:48:32Our time flies
00:48:35Even down here. All right, old man. You've talked enough these two have seen enough blindfolds
00:48:41If you harm that girl
00:48:44Why would I harm her?
00:48:48Worry about yourselves
00:48:50You to find a solution
00:48:52Take them
00:49:01She's waking watch over her old man
00:49:14Got their blindfolds come with me
00:49:23You
00:49:34Damn the captain came in this way, which means that those stairs must lead to the top
00:49:39Which way did that door lead to?
00:49:41What are you up to now? We want to escape. Don't we Dan said he'd take us out of here
00:49:45Yes
00:49:46But he also said we needed his help to do it. Of course, he'd say that so so there must be a way out of here
00:49:51Let's find it or not without Jill. No, no, of course. She's coming to how can she I don't have the slightest idea where she
00:49:58Is I have I counted the number of steps we took and the way we turned when we came in this way
00:50:05We took seven steps and turned to the to the rock to the right
00:50:09so that when we go back we we take seven steps and we turn to the to the left and
00:50:15Then if we take 60 paces
00:50:17Bear the stairs. What are we waiting for?
00:50:22One two
00:50:26They can't be right now, wait a minute
00:50:30Three four five six
00:50:35seven
00:50:36Did I say right or left left, right?
00:50:40Follow me then
00:50:52You
00:51:00Beatrice
00:51:04Never leave me again
00:51:08You've come back to your husband after all these years
00:51:15Never leave me again
00:51:19Not when I live
00:51:22Seven eight nine six
00:51:31Jill we're gonna get you out of here. We're going to try. How did you get here at all?
00:51:35We'll tell you later. But first do you remember the way they brought you down here? It was dark and I was struggling so much
00:51:43there were there were passages and
00:51:47And there was a cave I think and
00:51:50And then I must have fainted it was the last thing I remembered
00:51:56There was a man and
00:52:00Way he stared at me then you didn't come down through the sea
00:52:04Jill no
00:52:06Then there is a dry land route
00:52:10Would you know the way
00:52:12The way out you mean? Oh, yes. There is a way except my
00:52:17My memory isn't quite what it used to be things seem to
00:52:22Seem to elude me
00:52:24Please try to remember. I
00:52:26remember
00:52:28Presently, I'll remember I've noticed things seem to come and go
00:52:35on
00:52:37Did you know they killed dad his mind wanders sometimes he knows what he's saying, but most of the time what's behind the altar
00:52:44It's it's just another room. He told me it's a dead end and we'll take the other passage. I'll go first
00:52:49Well, what about mr. Ives?
00:52:51Would you like to come to him? Perhaps you'll remember if you come as well
00:52:58Thank you sir, no, it's such a noisy night I prefer to take my ease
00:53:07What dad
00:53:10He was so good
00:53:13There's some good in everybody don't you think
00:53:21Anyway
00:53:22that's always
00:53:23been the precepts on
00:53:26which I've
00:53:27built my life my
00:53:31Long life
00:53:38This one the right
00:53:42I
00:53:44Started
00:54:07Quite amazed, isn't it? I should have warned you that those passages were a waste of time
00:54:13So you found the young baby, hmm, one of you is brighter than I'd thought
00:54:21That's me
00:54:23And in that case you're entitled to your reward
00:54:26It's a pity. However that the
00:54:29professor must suffer to
00:54:32suffer
00:54:35Simon
00:54:42You
00:54:47That's your execution bell, yes, sir, but it has other uses as well. What are you going to do about us?
00:54:54They will make that decision
00:54:57Yeah, of course, but we're expected to follow an established ritual don't ask me how old it is
00:55:06They've been asking for a sacrifice for the volcano
00:55:11Now they can have it what him
00:55:16You
00:55:19That's idiocy killing us won't stop the volcano I know that
00:55:24But they don't if a sacrifice will make them a little happier for what little time is left
00:55:40I
00:55:52Listen to your pulse
00:55:55That sounds different
00:55:58Yes
00:56:00Yes, I'm afraid you're right
00:56:05But that doesn't alter your situation
00:56:10You
00:56:20May have decided
00:56:23You will be sent out
00:56:26Just before the turn of the tide why wait for the tide
00:56:31We're not murderous
00:56:34You will be given your chance
00:56:36You will be given diving suits in a head start just as Penrose was a lot of good it did him. Yes, I agree
00:56:44And I doubt if it will help you very much either. What chance did you give Dan Dan was a traitor?
00:56:50Your only crime was curiosity. How will that head start help us?
00:56:56Will she be sent out with us, too?
00:56:59No
00:57:02Take her back
00:57:06And by the way, do not attempt to get to her again
00:57:11From now on those passages will be guarded
00:57:15All right, Simon
00:57:17I
00:57:33Simon's still out there, of course
00:57:36What the
00:57:39Quiet everything above a whisper can be heard what in here? Yes here. He told me he's all right now
00:57:45He knows what he's saying. Yeah, I do indeed. You must have heard that whispering. Do you think they can't hear you?
00:57:48Oh, they have some sort of a listening tubes. So whisper. How did you get here? There's a guard out there
00:57:56There was a guard
00:57:59You uh, you remember the way the way they brought Jill down here suppose I do
00:58:03That route is only clear of seawater for a few minutes every day. You have to wait 18 hours
00:58:0918 hours your only chance of escape is at the turn of the tide
00:58:12They're sending us out any minute. So the young lady told me
00:58:15Out there you'll have to because you won't stand a chance once the guards are on your trail
00:58:20You mean you want us to go now?
00:58:22You must reach the Golden Shrine at the turn of the tide is nearly half a mile away
00:58:25A cave under the cliff just to the right of the volcano. Yes, but how do we get there?
00:58:30There's some diving suits in the Watergate chamber. That must be the way you came in. Oh, he's right. We did it's dangerous
00:58:35I know but if you stay here, you'll die anyway. So what can you lose?
00:58:41Right
00:58:43So you'll go down to the Watergate chamber the three of you
00:58:47You'll put on the diving suits. They're clumsy and difficult to handle
00:58:50But you'll soon get used to them and the lock gate control winch is on the right. It's rusting but it works
00:58:55Once you're on the sea the glare from the volcano will guide you now follow the glare till you're past the crater
00:59:01And the shrine is above water level at the turn of the tide and there's a pathway that leads up to
00:59:06Trogath Ian if the volcano isn't active now, then then how can it guide us?
00:59:10That's just something you'll have to accept. But what about the guards on the way down to the Watergate?
00:59:14There'll be no guards once the alarm sounds alarm the execution gong. It's also the alarm signal
00:59:19So you'll have to go down to the Watergate chamber
00:59:21Once the alarm sounds alarm the execution gong. It's also the alarm signal
00:59:25Once the alarm sounds any guards that are on the stairway will come rushing down the passage to make sure that you're here
00:59:31But you'll fool them by going up to the tower and going down the stairway from there
00:59:35And nobody will hear you not about the sound of the gong. Oh, who'll be in the tower room?
00:59:39Only me sounding the alarm the captain will have gone to his room
00:59:43All right. Well now I'm going up to the tower. I remember
00:59:48Once you hear the gong
00:59:50Join me immediately. Can't you come with us? Thank you. No, I'm I'm too old and too
00:59:59Too tired
01:00:01Well, there is one point
01:00:04There's no need for you to take a chance because I happen to know why you were brought here
01:00:10It was because of a sketch found in a stolen book. I
01:00:14Was with the captain when he came upon it. I've never seen a man so
01:00:19So moved he
01:00:21He ordered them to bring you down here. He was like a man possessed, but you can stay nobody is going to hurt you
01:00:32Good luck to you. Give me two minutes
01:00:40Oh boy, I'm really sorry
01:00:48Don't worry Herbert, I'll get you home in time for tea
01:01:18Hurry, please. That's a picture of me. No, no, no that port is over a hundred years old now go
01:01:24Go go I said the tide won't wait for you. He's right. We've got to get out
01:01:48Oh
01:01:58Well, it's
01:02:08That's men there they're gone come
01:02:18I
01:02:22Must escape they must not escape
01:02:27We get into the sea which way we turn there's no light from the volcano put on your helmets it'll show through
01:02:34Keep your eyes on me and stay close
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01:16:10Come back don't leave me
01:16:17This place will be underwater in minutes
01:16:27You you can't get out of here by yourself I can help you
01:16:40Careful
01:16:45Beatrice Beatrice listen to me
01:16:50Tell tell them that we found each other
01:16:54Make them help me so that I can save you
01:17:11The passageway
01:17:36All right, let's try this
01:17:40Oh
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