• 8 years ago
The Woman Hunter (1972)
74 min | Mystery | 19 September 1972 (USA)

A woman vacationing with her husband in Mexico discovers she is being stalked by an international killer.

Director: Bernard L. Kowalski

Writers: Brian Clemens (screenplay), Brian Clemens (story)

Stars: Barbara Eden, Robert Vaughn, Stuart Whitman
Transcript
00:00:00♪
00:00:30Bermuda tape, day nine.
00:00:32I'm outside the house.
00:00:34Party's going strong.
00:00:37♪
00:01:01Such a lovely party, Mrs. Trice.
00:01:03Oh, thank you.
00:01:04♪
00:01:09I just adore Tootie Pootie.
00:01:11Ha ha ha ha.
00:01:14♪
00:01:19John Deere, The Ambassador.
00:01:21Translates by Sonia's Charms.
00:01:23Oh, go rescue him.
00:01:26And the best part of the whole thing is,
00:01:28your mother-in-law will live in Hong Kong.
00:01:30Ha ha ha ha.
00:01:33I guess you know that Phyllis and Oscar were married,
00:01:36and then divorced, and then married again.
00:01:39The divorce didn't take.
00:01:41Ha ha ha ha.
00:01:45But I don't know why, but I did sail from the Great Bahamas.
00:01:49And I can only tell you that the water was quite rough.
00:01:52Well, they had to lash me to the bar.
00:01:55Ha ha ha ha.
00:01:58But I lost at gambling.
00:02:00I really did.
00:02:01I dropped a bundle at the table.
00:02:03And you know, it isn't as though I don't pray,
00:02:06but sometimes I think God doesn't cover the Bahamas.
00:02:09Ha ha ha ha.
00:02:13Darling.
00:02:15When you realize that the Aruba hate the Bujumbu,
00:02:19and the Bujumbu hate the Watusi,
00:02:22and the Watusi despise the Pygmies.
00:02:25Ha ha ha ha.
00:02:28Darling.
00:02:31I don't know why, really.
00:02:33They're probably always looking up their DVDs.
00:02:36Ha ha ha ha.
00:02:39Ha ha ha ha.
00:02:42Ha ha ha ha.
00:02:45Ha ha ha ha.
00:02:49I'll say it before, and I'll say it again.
00:02:51Sticks and stones may break my bones.
00:02:54That's why I never get into fights.
00:02:56Ha ha ha ha.
00:03:03And if you're going to the moon,
00:03:05be sure and get that window seat.
00:03:07Ha ha ha ha.
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00:14:45Ah!
00:14:46Look, George, I've been working on this Landless Therese project for months.
00:14:50I think it deserves more than a casual glance.
00:14:53But I gave it more than a glance.
00:14:55Now, you notice that I haven't rejected it.
00:14:58And it could work.
00:15:00But on the other hand, if you just sit on that same property,
00:15:03it could double in value.
00:15:05Double in hell? I'm talking about a source of primary income.
00:15:07I know, I know. But that land's at a premium.
00:15:09And things are going to get better.
00:15:11Sit on it.
00:15:12I don't want to sit on it.
00:15:13We've been sitting on it ever since Dina's father died.
00:15:15Dina's father died. I want to move.
00:15:17We've been sitting on it ever since Dina's father died.
00:15:19I want to move. I want to move.
00:15:21I want to move. I want to move.
00:15:23I want to move.
00:15:34Dina.
00:15:35Oh, I'm sorry.
00:15:38That's okay, honey.
00:15:40What do you think we ought to do with that land?
00:15:43Land?
00:15:46The San Ceres Cove project.
00:15:48George thinks we ought to sit on it.
00:15:50Oh.
00:15:51Oh, well, I'm sure George is right.
00:15:56Dina, there's been a lot of time and effort involved.
00:15:59I think we should move.
00:16:01Jerry, you do what you think is best.
00:16:05Do whatever you want with it.
00:16:08Look, I know you don't like me to say this,
00:16:10but after all, it is your money.
00:16:12I'd just like to know what you think.
00:16:18Dina.
00:16:19I really don't care, Jerry.
00:16:21Do whatever you want to.
00:16:23Just like that?
00:16:26Just like that.
00:16:33She really isn't herself, is she?
00:16:36You don't know the half of it.
00:16:39I'm sorry.
00:16:41I thought she'd gotten over the accident.
00:16:45Physically, she has.
00:16:47And she's still haunted.
00:16:50Well, this could be very good for her.
00:16:53I mean, a month or two in the sun, the sea air.
00:16:56Do her the world of good.
00:16:58I hope so.
00:17:06Good night, George.
00:17:07I'll see you tomorrow.
00:17:09Take her back to Dina.
00:17:34Say good night to George for me.
00:17:37I'm sure George understood.
00:17:41You just weren't with us, were you?
00:17:45It was our first dinner here, Jerry.
00:17:47It wasn't a board meeting.
00:17:49We had to make a decision.
00:17:51An important one.
00:17:55Why did we come here?
00:17:58What do you mean?
00:18:00Are you going to spend all your time wheeling and dealing?
00:18:06Honey, I love you.
00:18:09Remember?
00:18:10And I'll help you.
00:18:12But the doctor says you've got to help yourself first.
00:18:14You've got to get involved again.
00:18:16You've got to go out and meet the world.
00:18:18Laugh at it and fight and be a part of it.
00:18:21Jerry, I just don't know.
00:18:23Dina, this project is for us both.
00:18:25I mean, I was just a beach bum who married money.
00:18:27Well, I'm not anymore.
00:18:29I want things to be ours, not yours.
00:18:32I want our money and our family.
00:18:34That's why I work so hard in Santa Fe.
00:18:36Because I want to make things happen.
00:18:38Jerry, I'm frightened.
00:18:40Of what?
00:18:42Of your turning into the kind of man my father was.
00:18:48You mean rich?
00:18:50No, no.
00:18:52Driven.
00:18:54Compelled to push hard or make money no matter who it hurt.
00:18:59My mother died miserable.
00:19:01My mother died miserable.
00:19:03My father died running.
00:19:07I was running too.
00:19:09Trying to either get away or catch up.
00:19:12I don't know which.
00:19:15And then I was at the wheel of a car.
00:19:18And I couldn't stop.
00:19:22I'm a bastard, a bad Dina.
00:19:24You've got to forget.
00:19:25You've got to make yourself forget.
00:19:27Nobody's going to do it for you.
00:19:29I'll try.
00:19:31Okay.
00:19:39Listen, tomorrow night I'll take you to Las Reces for dinner, okay?
00:19:42Just the two of us, I promise.
00:19:44No talk about work, okay?
00:19:49Okay.
00:19:59I love you.
00:20:30Hi, neighbor.
00:20:34Well, you're not going to stand there all afternoon, are you?
00:20:36If you are, that'd be all right.
00:20:43Well, you're full of surprises.
00:20:46I'm not rising from the sea.
00:20:48I'm burying my inner soul on canvas.
00:20:51Would you like to buy it?
00:20:56No.
00:20:58No.
00:21:00The lady says no.
00:21:03Fine.
00:21:04I'll tell you what I'm going to do.
00:21:06I'm going to give it a little bath.
00:21:14Why did you do that?
00:21:16Why not?
00:21:17I'll never finish it, not now.
00:21:20You're used to cutting people down the sides, aren't you?
00:21:23No, I just don't like arrogant men.
00:21:26As bad as arrogant women?
00:21:29Would you pose for me?
00:21:32What kind of pose?
00:21:35Stark naked, tripping in shoes.
00:21:41Seems to me, Mr. Carter,
00:21:43that you're the one who's used to cutting people down the sides.
00:21:47Well, that makes us even.
00:21:50Why don't you call me Paul?
00:21:53All right, Paul.
00:22:01I always thought artists had total recall.
00:22:04Oh, we do. We have total recall.
00:22:08Then why the memory box?
00:22:11Alcopogo tape, day one.
00:22:13There's nothing as dull as my daily routine.
00:22:17Day one? I thought you'd been here a while.
00:22:19I started counting yesterday when you got here.
00:22:25Would you like to go for a swim?
00:22:31I've got trunks on today.
00:22:34I do.
00:22:37Come on.
00:22:49Come on.
00:23:20Come on.
00:23:32Oh! Oh!
00:23:50Yeah, I'm not quite ready yet, Victor.
00:23:52Did the senora say when she'd be back?
00:23:54No, senor.
00:23:55You don't know where she went?
00:23:56No, senor.
00:23:57All right, I'll give her a few more minutes.
00:23:59Si, senor. I'll wait in the car.
00:24:01Okay, thank you, Victor.
00:24:13Now, you say yes or else.
00:24:15Yes to what?
00:24:17She'll pose.
00:24:20Yes, I'll pose for you.
00:24:23Do you promise?
00:24:26Yes.
00:24:29Do you promise?
00:24:32Yes.
00:24:35You understand that my husband will have to approve the painting before we buy it?
00:24:41Yes. I expect him to.
00:24:45Just as long as you understand.
00:25:09Nina?
00:25:10Senora.
00:25:12Oh, it's a beautiful day, isn't it, Jerry?
00:25:14If I'd known you were going down to the beach, I would have gone with you.
00:25:17Oh, I'm sorry. I thought you were busy.
00:25:19Yeah, well, I am. I've got a meeting, but I would have enjoyed a dip in the bay.
00:25:22But now I'm late.
00:25:24Jerry, haven't you heard?
00:25:26They have siestas down here.
00:25:28Well, that's a luxury only the natives can afford.
00:25:31Darling, I do believe you're becoming a snob.
00:25:35No, I'm sorry. No siesta now.
00:25:37This meeting might take all day. Okay?
00:25:39All right, you have your meeting, but don't forget our dinner date tonight.
00:25:44Yeah, I meant to talk to you about that.
00:25:47You promised.
00:25:49I know. I also promised to finalize the San Cerise project.
00:25:52That means working on it with George tonight. He's leaving town.
00:25:56Well, I'm sorry. I mean, if I could...
00:25:58I know. But this is supposed to be a vacation.
00:26:01I wanted us to spend it together.
00:26:03I know. Well, if you'd just let me get this out of the way...
00:26:05I need you now, Jerry.
00:26:07Not tomorrow or the day after. Now.
00:26:12Okay. I'll see you in a couple of hours.
00:26:16Jerry.
00:26:19What would you do if I didn't invest my money in your project?
00:26:24I'd still do what I think is right for both of us.
00:26:37I'm sorry.
00:27:08She's interested. No doubt about that.
00:27:12But it's going to be a lot tougher than I thought. A lot tougher.
00:27:15She's nobody's fool.
00:27:18One thing I know for sure.
00:27:20The next move has got to be mine.
00:28:07I'm sorry.
00:28:38Will it be ready Friday?
00:28:40Yes.
00:28:47Oh, excuse me.
00:28:51Well, that takes care of a good bottle of wine.
00:28:56You're welcome.
00:28:58I'll see you in a couple of hours.
00:29:00I'll see you in a couple of hours.
00:29:05Well, that takes care of a good bottle of wine.
00:29:08Sorry, I...
00:29:11Nina?
00:29:14Nina?
00:29:18Come on. Let me see your drink.
00:29:26What do you have?
00:29:28It's got some work.
00:29:35Hi.
00:29:37Didn't I tell you she was sensational?
00:29:42Flatterer.
00:29:44Paul Carter, this is Dina.
00:29:46Dina?
00:29:49Amali.
00:29:51There'll be four for him tonight.
00:29:53The George will be here in about 15 minutes.
00:29:55He'll stay about a half an hour.
00:29:57Si, senor.
00:29:59Paul's a neighbor of ours. He moved into the old Pearson place.
00:30:02We bumped into each other in town, literally.
00:30:04I'd swear I know him from somewhere, but he says no.
00:30:07Well, I've been telling him about our hospitality lounge show.
00:30:10I'll freshen up a little bit, okay?
00:30:26Why are you home?
00:30:28I said I'd see you tomorrow.
00:30:30I couldn't wait for you.
00:30:32Don't play games with me.
00:30:34You know what you think I'm doing, Dina?
00:30:36I don't know, and I don't think I want to know.
00:30:39Do you understand?
00:30:41Yes. They're coming through loud and clear.
00:30:44Tomorrow, when you sit for me,
00:30:46wear those earrings.
00:30:48They're perfect for you.
00:30:50Elegant, beautiful, and ice cold.
00:30:55I don't think I will, Mr. Carter.
00:30:57As a matter of fact, I don't think we need a painting at all.
00:31:01Of course we do.
00:31:03And so your portrait out.
00:31:05I think it's a great idea.
00:31:11Well?
00:31:16I'll think about it.
00:31:20Mr. Carter, do you know that area around the San Cerise Cove?
00:31:24I've heard of it. I've never been there.
00:31:26Nothing quite like it, Paul.
00:31:28Well, you've done a great job.
00:31:30The more I study it, the better I like it.
00:31:32A toast to the San Cerise project.
00:31:34Dina?
00:31:36What?
00:31:38We're toasting my project.
00:31:40Well, you have the final say.
00:31:42Any objections?
00:31:46To San Cerise.
00:31:49To San Cerise.
00:31:56Honey, if you'll excuse us, George and I
00:31:58have a little discussion, wrap this up...
00:32:00Don't bother, dear.
00:32:02I'm sure Mr. Carter won't mind having his coffee on the patio.
00:32:04No, of course not.
00:32:10Now, Paul, before I forget,
00:32:12we're having a little reception tomorrow night, last conscious.
00:32:14I'd like you to come.
00:32:16I'd like that. Thank you.
00:32:25Well, first of all, a Mexican citizen
00:32:27has to be the major stockholder.
00:32:29It's the law.
00:32:31Good. Fine. Get one.
00:32:33Make sure he's cooperative.
00:32:47You're an unusual man.
00:32:49You know when to be quiet.
00:32:57Maybe it's because I don't have anything to say.
00:33:03I get the feeling that, um,
00:33:05that you're trying to play me.
00:33:07I don't know what gave you that impression.
00:33:09But I've had a lot of fun.
00:33:11I've had a lot of fun.
00:33:13I've had a lot of fun.
00:33:16But I've had the wrong impression about you.
00:33:18I had you sized up as rich,
00:33:20beautiful, and spoiling.
00:33:24Don't you know anything like that?
00:33:26Just Mary.
00:33:28Oh, Mary.
00:33:30Oh, I haven't forgotten that.
00:33:34What kind of a man is he?
00:33:38Jerry?
00:33:42Oh, he used to be a lot like you.
00:33:45Used to be?
00:33:47People change.
00:33:49That's inevitable, isn't it?
00:33:51He isn't what he seemed at first.
00:33:53But then who is?
00:33:57How did you meet him?
00:33:59On a beach.
00:34:03I'm very big at beach pickups.
00:34:07It was three years ago.
00:34:09My father objected, of course.
00:34:11So that made it perfect.
00:34:15Whirlwind romance, instant marriage,
00:34:17and now he's all wrapped up in business.
00:34:23Do I sound disloyal?
00:34:25No, just disillusioned.
00:34:29Well, somebody changed.
00:34:33Maybe it was me.
00:34:35I don't know.
00:34:39After my accident,
00:34:41they say that
00:34:44your whole personality changed.
00:34:55What's wrong with me now?
00:35:01I don't know.
00:35:03Why am I talking to you like this?
00:35:13I don't know.
00:35:39No.
00:35:41Paul, just go away.
00:35:43Will you please just leave?
00:35:50Say goodnight for me.
00:36:12Paul seems like a pretty nice guy, doesn't he?
00:36:14We don't know that much about him.
00:36:16Well, he's a relief from the Medicare
00:36:18that we usually get down here.
00:36:20Let me put that away.
00:36:22Let's not talk about him.
00:36:25He must be a pretty fair artist.
00:36:27Otherwise, they couldn't afford to live down here.
00:36:32You want me to pose for him, then?
00:36:35Sure, why not?
00:36:37Honey, I think his fan three spot
00:36:38is going to be wound up in about 24 hours.
00:36:42Kiss me.
00:36:44What?
00:36:48Kiss me.
00:37:11Kiss me.
00:37:41Kiss me.
00:38:12Paul?
00:38:20Paul?
00:38:41Paul?
00:39:11Paul?
00:39:42Acapulco tape, day two.
00:39:44I spent this morning keeping watch
00:39:46on the villa from the beach.
00:39:49Doing a painting for bait.
00:39:52Here comes Dina now.
00:39:54Accidental meeting with Jerry Hunter went perfectly.
00:39:58But after dinner, it didn't go so well.
00:40:01Reflecting on the event so far,
00:40:03my conclusion,
00:40:05I have to move deadline ahead.
00:40:07I don't know whether Dina will sit for the portrait
00:40:09after what happened.
00:40:11Can't risk waiting for the opportunity
00:40:13to get in the house alone with her.
00:40:16I'll have to be at the reception.
00:40:19The setup is similar to the one in Bermuda.
00:41:37Two hours.
00:41:39Two hours.
00:41:41To be honest, I'm not sure
00:41:44I'll be able to get in.
00:41:46I'm not going to be able to get in.
00:41:49I'll have to be in my car.
00:41:51I'll have to be in my car.
00:41:54Two hours.
00:41:56Two hours.
00:41:59Two hours.
00:42:01Two hours.
00:42:04Two hours.
00:42:06Two hours in that closet, waiting for him to go to bed.
00:42:09I thought I'd lose my mind.
00:42:13I can imagine.
00:42:15But you say there's nothing you can do.
00:42:19Senora Hunter, you are a very valued resident here.
00:42:23But Senor Carter is an American citizen.
00:42:26And to arrest him without evidence...
00:42:30What does your husband think of all this?
00:42:36Hmm?
00:42:39You've told him, of course.
00:42:42No.
00:42:44Hmm.
00:42:45And the tape recorder you mentioned.
00:42:47Pity you couldn't bring it with you.
00:42:49It was all I could do just to get away.
00:42:53Oh.
00:42:55Senora Hunter, do you wish to make a complaint against Senor Carter?
00:42:59There would be a hearing in which you would testify.
00:43:03There would be a hearing in which you would have to testify.
00:43:07Hmm?
00:43:12Very well.
00:43:13I'll make some inquiries, wire the American authorities.
00:43:17See what is known about this man.
00:43:20It will take some time, of course.
00:43:22Perhaps a few days.
00:43:27At the reception tonight, I'll wear the emeralds he's after.
00:43:32Will you be there?
00:43:34I was expected elsewhere.
00:43:36But...
00:43:39I'll come.
00:43:49And may I wish you a speedy recovery, Senora.
00:43:53From your accident.
00:43:55Most unfortunate.
00:43:57It takes time to recover from such a shock.
00:44:00I had time, Commissioner.
00:44:02And the injuries were physical.
00:44:05My apologies.
00:44:07I had heard that you were still unable to bring yourself to drive a car.
00:44:11A natural reluctance, of course.
00:44:14But perhaps I was misinterpreting the reason.
00:44:30Pedro.
00:44:32Neurotic.
00:44:34Send two people to the reception tonight.
00:44:37Yes.
00:44:53I'll drive.
00:45:00Yes, George.
00:45:02Yes, I know you've gotten bored in business in Washington.
00:45:06I'm sure I can handle Senor Varosa.
00:45:08He'll be at the reception tonight.
00:45:11Yes, I know he's the key.
00:45:13And we'll get the okay from the Planning Commission.
00:45:16I'm sure Dino will be there.
00:45:18I'm sure he'll be there.
00:45:20I'm sure he'll be there.
00:45:22I'm sure he'll be there.
00:45:24I'm sure he'll be there.
00:45:26I'm sure he'll be there.
00:45:29I'm sure Dino will be there.
00:45:31She'll be a great help.
00:45:33Blondes are scarce down here, you know.
00:45:35Yeah, she's not home now.
00:45:37I don't know where she is.
00:45:39Probably getting her hair fixed.
00:45:41Okay, I'll tell her.
00:45:43And listen, George, I appreciate everything you've done.
00:45:45Okay.
00:45:47I'll call you soon.
00:45:49Adios.
00:45:58Adios.
00:46:28¶¶
00:46:38¶¶
00:46:48¶¶
00:46:58¶¶
00:47:10You said you'd never wear your emeralds in public place again.
00:47:13I needed them.
00:47:15Well, you both look like a million bucks.
00:47:19¶¶
00:47:23Paul, how are you?
00:47:25¶¶
00:47:41Good evening, Commissioner.
00:47:43Senora Huntridge.
00:47:45Everyone is here, senora.
00:47:47Well, he doesn't take his eyes off me.
00:47:49He just stares.
00:47:51You have that effect on every man here.
00:47:53You look exquisite.
00:47:55I had no idea you were so gallant, Commissioner.
00:47:58¶¶
00:48:25Jerry, come dance with your wife.
00:48:27Come on.
00:48:29¶¶
00:48:31You're determined to follow me up one way or another, aren't you?
00:48:33What?
00:48:35Rose is the one guy down here that can guarantee you the San Suiste.
00:48:37Oh, Jerry.
00:48:39Jerry, darling.
00:48:41They don't do things like that down here.
00:48:43Parties are for fun, not business.
00:48:46I want you to dance with me.
00:48:49¶¶
00:49:17¶¶
00:49:27¶¶
00:49:37¶¶
00:49:47¶¶
00:49:57¶¶
00:50:07¶¶
00:50:17¶¶
00:50:27¶¶
00:50:37¶¶
00:50:47¶¶
00:50:57¶¶
00:51:07¶¶
00:51:17¶¶
00:51:25¶¶
00:51:38Bravo, señora. Great performance.
00:51:40Carter, did you see him? He was watching me.
00:51:42We were all watching you, señora.
00:51:44No, he was watching this.
00:51:46This is what he wants.
00:51:49But he's gone.
00:51:51Well, he was here.
00:51:53He's been stalking me all the time I was dancing.
00:51:55And then he left.
00:51:57Señora, I was watching him.
00:51:59You're wrong. You're wrong.
00:52:02Señora.
00:52:09I'm sorry about my wife, señora.
00:52:11She's not at all like that.
00:52:13Your wife is disturbed, señora.
00:52:15Very disturbed.
00:52:17¶¶
00:52:27¶¶
00:52:37¶¶
00:52:47¶¶
00:52:57¶¶
00:53:07¶¶
00:53:17¶¶
00:53:25¶¶
00:53:35¶¶
00:53:46Dina, what are you talking about?
00:53:48He was here. He was here.
00:53:51We'll search the ground.
00:53:56What is all this?
00:53:58You have my deep and very real sympathy, señora.
00:54:00What is all this about Paul Carter?
00:54:03My men will search the ground, but...
00:54:06But what?
00:54:08He left some time ago.
00:54:10It seems that your wife has some kind of obsession about this man.
00:54:23Dina, come on. Let's go.
00:54:27Come on.
00:54:29Hardy doesn't believe me, does he?
00:54:31Never mind about Hardy.
00:54:33Jerry, he was here.
00:54:37Paul Carter was here.
00:54:41It's very important that you believe me.
00:54:43I believe you, Dina. Come on, now. Let's go.
00:54:45Come on.
00:54:47Dina, Dina, come on. I believe you.
00:54:51Let's go.
00:54:53¶¶
00:55:03¶¶
00:55:13¶¶
00:55:21I'm afraid the help is still at mass, doctor.
00:55:23I'll drive you back to town.
00:55:27Do you think Dina should be left alone in the house?
00:55:30The incentives I gave her.
00:55:32She should sleep another two hours, at least.
00:55:35What do you think is really wrong with the doctor?
00:55:39With all respect, señor Hunter,
00:55:41I suggest you call in a psychiatrist.
00:55:43¶¶
00:55:53¶¶
00:56:03¶¶
00:56:13¶¶
00:56:23¶¶
00:56:33¶¶
00:56:49Amalia?
00:56:55Jerry?
00:56:57¶¶
00:57:07¶¶
00:57:19One way or another, I'm going to do it now.
00:57:23¶¶
00:57:33¶¶
00:57:43Amalia?
00:57:45Sofia?
00:57:47¶¶
00:57:57¶¶
00:58:07¶¶
00:58:21Amalia?
00:58:23Victor?
00:58:25¶¶
00:58:26Anyone?
00:58:28¶¶
00:58:38¶¶
00:58:48¶¶
00:59:05Dina?
00:59:07¶¶
00:59:14Dina?
00:59:16¶¶
00:59:23Dina?
00:59:25¶¶
00:59:46¶¶
00:59:59Dina!
01:00:01¶¶
01:00:11¶¶
01:00:21¶¶
01:00:36Dina!
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